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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #963311 it is the complementary color #69CCEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #963311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #963311 shade: #9B330C, #AC451F, #BD5732, #CE6945 and #DF7B58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #963311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #963311 shade: #963311, #852100, #740F00, #630000 and #520000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #963311 shade: #973310 and #971010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #963311 shade: #973310, #975710, #977B10, #8E9710 and #6A9710

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #963311 shade matches the following richer shades: #973310 and #A52C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #963311 shade: #973310, #89391E, #7C402C, #6E4739 and #614D47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #963311 shade: #971036, #971013, #973210, #975610 and #977A10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #963311 shade: #4D1A08, #72260C, #973310, #BC3F14 and #E14C19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #963311 shade: #963311, #5A9710 and #102597

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #963311 shade: #963311, #109732 and #321097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #963311 shade: #963311, #5A9710, #107597 and #4D1097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #963311 shade: #963311, #329710, #107597 and #751097

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 89 / 41

HEX #963311

RGB 150 51 17

HSL 15.34, 0.8%, 0.33%

LAB 35.78, 40.02, 41.15

 

Complementary color

CMYK 56 / 14 / 0 / 7

HEX #69CCEE

RGB 105 204 238

HSL 195.34, 0.8%, 0.67%

LAB 77.5, -19.61, -25.61

 

CMYK 0 / 67 / 92 / 39

HEX #9B330C

RGB 155 51 12

HSL 16.36, 0.86%, 0.33%

LAB 36.67, 41.76, 44.22

 

CMYK 0 / 60 / 82 / 33

HEX #AC451F

RGB 172 69 31

HSL 16.17, 0.69%, 0.4%

LAB 42.95, 40.23, 42.55

 

CMYK 0 / 54 / 74 / 26

HEX #BD5732

RGB 189 87 50

HSL 15.97, 0.58%, 0.47%

LAB 49.33, 38.63, 40.31

 

CMYK 0 / 49 / 67 / 19

HEX #CE6945

RGB 206 105 69

HSL 15.77, 0.58%, 0.54%

LAB 55.74, 37.08, 38.11

 

CMYK 0 / 45 / 61 / 13

HEX #DF7B58

RGB 223 123 88

HSL 15.56, 0.68%, 0.61%

LAB 62.13, 35.64, 36.08

 

CMYK 0 / 66 / 89 / 41

HEX #963311

RGB 150 51 17

HSL 15.34, 0.8%, 0.33%

LAB 35.78, 40.02, 41.15

 

CMYK 0 / 75 / 100 / 48

HEX #852100

RGB 133 33 0

HSL 14.89, 1%, 0.26%

LAB 29.6, 41.19, 41.96

 

CMYK 0 / 87 / 100 / 55

HEX #740F00

RGB 116 15 0

HSL 7.76, 1%, 0.23%

LAB 23.85, 41.47, 35.49

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 100 / 100 / 68

HEX #520000

RGB 82 0 0

HSL 0, 1%, 0.16%

LAB 14.37, 35.14, 22.44

 

CMYK 0 / 66 / 89 / 41

HEX #973310

RGB 151 51 16

HSL 15.56, 0.81%, 0.33%

LAB 35.95, 40.37, 41.8

 

CMYK 0 / 89 / 89 / 41

HEX #971010

RGB 151 16 16

HSL 0, 0.81%, 0.33%

LAB 31.78, 51.95, 38.48

 

CMYK 0 / 66 / 89 / 41

HEX #973310

RGB 151 51 16

HSL 15.56, 0.81%, 0.33%

LAB 35.95, 40.37, 41.8

 

CMYK 0 / 42 / 89 / 41

HEX #975710

RGB 151 87 16

HSL 31.56, 0.81%, 0.33%

LAB 43.41, 21.52, 47.74

 

CMYK 0 / 19 / 89 / 41

HEX #977B10

RGB 151 123 16

HSL 47.56, 0.81%, 0.33%

LAB 52.71, 0.93, 55.17

 

CMYK 6 / 0 / 89 / 41

HEX #8E9710

RGB 142 151 16

HSL 64, 0.81%, 0.33%

LAB 59.82, -18.34, 60.55

 

CMYK 30 / 0 / 89 / 41

HEX #6A9710

RGB 106 151 16

HSL 80, 0.81%, 0.33%

LAB 57.3, -33.68, 57.44

 

CMYK 0 / 66 / 89 / 41

HEX #973310

RGB 151 51 16

HSL 15.56, 0.81%, 0.33%

LAB 35.95, 40.37, 41.8

 

CMYK 0 / 73 / 98 / 35

HEX #A52C03

RGB 165 44 3

HSL 15.19, 0.96%, 0.33%

LAB 37.49, 47.97, 48.83

 

CMYK 0 / 66 / 89 / 41

HEX #973310

RGB 151 51 16

HSL 15.56, 0.81%, 0.33%

LAB 35.95, 40.37, 41.8

 

CMYK 0 / 58 / 78 / 46

HEX #89391E

RGB 137 57 30

HSL 15.14, 0.64%, 0.33%

LAB 34.68, 32.49, 32.86

 

CMYK 0 / 48 / 65 / 51

HEX #7C402C

RGB 124 64 44

HSL 15, 0.48%, 0.33%

LAB 34.26, 24.04, 23.71

 

CMYK 0 / 35 / 48 / 57

HEX #6E4739

RGB 110 71 57

HSL 15.85, 0.32%, 0.33%

LAB 34.23, 14.92, 15.26

 

CMYK 0 / 21 / 27 / 62

HEX #614D47

RGB 97 77 71

HSL 13.85, 0.15%, 0.33%

LAB 34.61, 7.38, 6.74

 

CMYK 0 / 89 / 64 / 41

HEX #971036

RGB 151 16 54

HSL 343.11, 0.81%, 0.33%

LAB 32.29, 53.44, 15.88

 

CMYK 0 / 89 / 87 / 41

HEX #971013

RGB 151 16 19

HSL 358.67, 0.81%, 0.33%

LAB 31.8, 52.01, 36.96

 

CMYK 0 / 67 / 89 / 41

HEX #973210

RGB 151 50 16

HSL 15.11, 0.81%, 0.33%

LAB 35.79, 40.82, 41.67

 

CMYK 0 / 43 / 89 / 41

HEX #975610

RGB 151 86 16

HSL 31.11, 0.81%, 0.33%

LAB 43.17, 22.08, 47.55

 

CMYK 0 / 19 / 89 / 41

HEX #977A10

RGB 151 122 16

HSL 47.11, 0.81%, 0.33%

LAB 52.44, 1.49, 54.96

 

CMYK 0 / 66 / 90 / 70

HEX #4D1A08

RGB 77 26 8

HSL 15.65, 0.81%, 0.17%

LAB 17.15, 23.04, 22.46

 

CMYK 0 / 67 / 89 / 55

HEX #72260C

RGB 114 38 12

HSL 15.29, 0.81%, 0.25%

LAB 26.71, 32.26, 33.1

 

CMYK 0 / 66 / 89 / 41

HEX #973310

RGB 151 51 16

HSL 15.56, 0.81%, 0.33%

LAB 35.95, 40.37, 41.8

 

CMYK 0 / 66 / 89 / 26

HEX #BC3F14

RGB 188 63 20

HSL 15.36, 0.81%, 0.41%

LAB 44.66, 48.51, 49.88

 

CMYK 0 / 66 / 89 / 12

HEX #E14C19

RGB 225 76 25

HSL 15.3, 0.8%, 0.49%

LAB 53.22, 55.92, 57.37

 

CMYK 0 / 66 / 89 / 41

HEX #963311

RGB 150 51 17

HSL 15.34, 0.8%, 0.33%

LAB 35.78, 40.02, 41.15

 

CMYK 40 / 0 / 89 / 41

HEX #5A9710

RGB 90 151 16

HSL 87.11, 0.81%, 0.33%

LAB 56.43, -39.76, 56.36

 

CMYK 89 / 75 / 0 / 41

HEX #102597

RGB 16 37 151

HSL 230.67, 0.81%, 0.33%

LAB 22.54, 37.94, -63.18

 

CMYK 0 / 66 / 89 / 41

HEX #963311

RGB 150 51 17

HSL 15.34, 0.8%, 0.33%

LAB 35.78, 40.02, 41.15

 

CMYK 89 / 0 / 67 / 41

HEX #109732

RGB 16 151 50

HSL 135.11, 0.81%, 0.33%

LAB 54.53, -54.17, 42.52

 

CMYK 67 / 89 / 0 / 41

HEX #321097

RGB 50 16 151

HSL 255.11, 0.81%, 0.33%

LAB 21.14, 50.34, -65.43

 

CMYK 0 / 66 / 89 / 41

HEX #963311

RGB 150 51 17

HSL 15.34, 0.8%, 0.33%

LAB 35.78, 40.02, 41.15

 

CMYK 40 / 0 / 89 / 41

HEX #5A9710

RGB 90 151 16

HSL 87.11, 0.81%, 0.33%

LAB 56.43, -39.76, 56.36

 

CMYK 89 / 23 / 0 / 41

HEX #107597

RGB 16 117 151

HSL 195.11, 0.81%, 0.33%

LAB 45.73, -14.11, -25.92

 

CMYK 49 / 89 / 0 / 41

HEX #4D1097

RGB 77 16 151

HSL 267.11, 0.81%, 0.33%

LAB 24.27, 52.91, -60.16

 

CMYK 0 / 66 / 89 / 41

HEX #963311

RGB 150 51 17

HSL 15.34, 0.8%, 0.33%

LAB 35.78, 40.02, 41.15

 

CMYK 67 / 0 / 89 / 41

HEX #329710

RGB 50 151 16

HSL 104.89, 0.81%, 0.33%

LAB 54.92, -51.57, 54.46

 

CMYK 89 / 23 / 0 / 41

HEX #107597

RGB 16 117 151

HSL 195.11, 0.81%, 0.33%

LAB 45.73, -14.11, -25.92

 

CMYK 23 / 89 / 0 / 41

HEX #751097

RGB 117 16 151

HSL 284.89, 0.81%, 0.33%

LAB 30.37, 58.46, -49.94

 

Description

Color code: HEX #963311 | qconv.com Color code: HEX #963311 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 51 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 51 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 89 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 89% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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