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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69CCEE it is the complementary color #963311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69CCEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69CCEE shade: #6ECCE9, #7FDEFC, #90F0FF, #A1FFFF and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69CCEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69CCEE shade: #69CCEE, #58BADB, #47A8C8, #3696B5 and #2584A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69CCEE shade: #67CBEE, #67A7EE, #6783EE, #7067EE and #9467EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69CCEE shade: #67CBEE, #67A7EE, #6783EE and #6767EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69CCEE shade matches the following richer shades: #67CBEE and #59D2FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69CCEE shade: #67CBEE, #75C5E0, #82BED2, #90B7C5 and #9DB1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69CCEE shade: #67EEC8, #67EEEB, #67CCEE, #67A8EE and #6784EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69CCEE shade: #1DB2E5, #42BFEA, #67CBEE, #8CD8F2 and #B1E4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69CCEE shade: #69CCEE, #A467EE and #EED967

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69CCEE shade: #69CCEE, #EE67CC and #CCEE67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69CCEE shade: #69CCEE, #A467EE, #EE8967 and #B1EE67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69CCEE shade: #69CCEE, #CC67EE, #EE8967 and #89EE67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 14 / 0 / 7

HEX #69CCEE

RGB 105 204 238

HSL 195.34, 0.8%, 0.67%

LAB 77.5, -19.61, -25.61

 

Complementary color

CMYK 0 / 66 / 89 / 41

HEX #963311

RGB 150 51 17

HSL 15.34, 0.8%, 0.33%

LAB 35.78, 40.02, 41.15

 

CMYK 53 / 12 / 0 / 9

HEX #6ECCE9

RGB 110 204 233

HSL 194.15, 0.74%, 0.67%

LAB 77.51, -20.02, -22.89

 

CMYK 50 / 12 / 0 / 1

HEX #7FDEFC

RGB 127 222 252

HSL 194.4, 0.95%, 0.74%

LAB 83.85, -20.3, -23.31

 

CMYK 44 / 6 / 0 / 0

HEX #90F0FF

RGB 144 240 255

HSL 188.11, 1%, 0.78%

LAB 89.61, -24.62, -16.11

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 56 / 14 / 0 / 7

HEX #69CCEE

RGB 105 204 238

HSL 195.34, 0.8%, 0.67%

LAB 77.5, -19.61, -25.61

 

CMYK 60 / 15 / 0 / 14

HEX #58BADB

RGB 88 186 219

HSL 195.11, 0.65%, 0.6%

LAB 71.08, -19.14, -25.2

 

CMYK 65 / 16 / 0 / 22

HEX #47A8C8

RGB 71 168 200

HSL 194.88, 0.54%, 0.53%

LAB 64.58, -18.52, -24.76

 

CMYK 70 / 17 / 0 / 29

HEX #3696B5

RGB 54 150 181

HSL 194.65, 0.54%, 0.46%

LAB 57.97, -17.7, -24.28

 

CMYK 77 / 19 / 0 / 36

HEX #2584A2

RGB 37 132 162

HSL 194.4, 0.63%, 0.39%

LAB 51.27, -16.59, -23.74

 

CMYK 57 / 15 / 0 / 7

HEX #67CBEE

RGB 103 203 238

HSL 195.56, 0.8%, 0.67%

LAB 77.14, -19.49, -26.16

 

CMYK 57 / 30 / 0 / 7

HEX #67A7EE

RGB 103 167 238

HSL 211.56, 0.8%, 0.67%

LAB 67.05, -0.11, -41.79

 

CMYK 57 / 45 / 0 / 7

HEX #6783EE

RGB 103 131 238

HSL 227.56, 0.8%, 0.67%

LAB 57.36, 20.97, -57.12

 

CMYK 53 / 57 / 0 / 7

HEX #7067EE

RGB 112 103 238

HSL 244, 0.8%, 0.67%

LAB 51.06, 39.5, -67.23

 

CMYK 38 / 57 / 0 / 7

HEX #9467EE

RGB 148 103 238

HSL 260, 0.8%, 0.67%

LAB 54.21, 47.01, -61.99

 

CMYK 57 / 15 / 0 / 7

HEX #67CBEE

RGB 103 203 238

HSL 195.56, 0.8%, 0.67%

LAB 77.14, -19.49, -26.16

 

CMYK 57 / 30 / 0 / 7

HEX #67A7EE

RGB 103 167 238

HSL 211.56, 0.8%, 0.67%

LAB 67.05, -0.11, -41.79

 

CMYK 57 / 45 / 0 / 7

HEX #6783EE

RGB 103 131 238

HSL 227.56, 0.8%, 0.67%

LAB 57.36, 20.97, -57.12

 

CMYK 57 / 57 / 0 / 7

HEX #6767EE

RGB 103 103 238

HSL 240, 0.8%, 0.67%

LAB 50.4, 37.85, -68.32

 

CMYK 57 / 15 / 0 / 7

HEX #67CBEE

RGB 103 203 238

HSL 195.56, 0.8%, 0.67%

LAB 77.14, -19.49, -26.16

 

CMYK 65 / 16 / 0 / 2

HEX #59D2FB

RGB 89 210 251

HSL 195.19, 0.95%, 0.67%

LAB 79.15, -21.63, -30.08

 

CMYK 57 / 15 / 0 / 7

HEX #67CBEE

RGB 103 203 238

HSL 195.56, 0.8%, 0.67%

LAB 77.14, -19.49, -26.16

 

CMYK 48 / 12 / 0 / 12

HEX #75C5E0

RGB 117 197 224

HSL 195.14, 0.63%, 0.67%

LAB 75.51, -17.4, -21.06

 

CMYK 38 / 10 / 0 / 18

HEX #82BED2

RGB 130 190 210

HSL 195, 0.47%, 0.67%

LAB 73.69, -14.26, -16.17

 

CMYK 27 / 7 / 0 / 23

HEX #90B7C5

RGB 144 183 197

HSL 195.85, 0.31%, 0.67%

LAB 72.11, -9.8, -11.37

 

CMYK 14 / 3 / 0 / 28

HEX #9DB1B7

RGB 157 177 183

HSL 193.85, 0.15%, 0.67%

LAB 70.89, -5.63, -5.41

 

CMYK 57 / 0 / 16 / 7

HEX #67EEC8

RGB 103 238 200

HSL 163.11, 0.8%, 0.67%

LAB 86.11, -45.88, 7.34

 

CMYK 57 / 0 / 1 / 7

HEX #67EEEB

RGB 103 238 235

HSL 178.67, 0.8%, 0.67%

LAB 87.01, -37.28, -9.68

 

CMYK 57 / 14 / 0 / 7

HEX #67CCEE

RGB 103 204 238

HSL 195.11, 0.8%, 0.67%

LAB 77.43, -20, -25.73

 

CMYK 57 / 29 / 0 / 7

HEX #67A8EE

RGB 103 168 238

HSL 211.11, 0.8%, 0.67%

LAB 67.32, -0.67, -41.35

 

CMYK 57 / 45 / 0 / 7

HEX #6784EE

RGB 103 132 238

HSL 227.11, 0.8%, 0.67%

LAB 57.62, 20.37, -56.71

 

CMYK 87 / 22 / 0 / 10

HEX #1DB2E5

RGB 29 178 229

HSL 195.3, 0.79%, 0.51%

LAB 67.84, -18.82, -35.77

 

CMYK 72 / 18 / 0 / 8

HEX #42BFEA

RGB 66 191 234

HSL 195.36, 0.8%, 0.59%

LAB 72.47, -20.48, -31.28

 

CMYK 57 / 15 / 0 / 7

HEX #67CBEE

RGB 103 203 238

HSL 195.56, 0.8%, 0.67%

LAB 77.14, -19.49, -26.16

 

CMYK 42 / 11 / 0 / 5

HEX #8CD8F2

RGB 140 216 242

HSL 195.29, 0.8%, 0.75%

LAB 82.43, -16.92, -20.11

 

CMYK 28 / 7 / 0 / 4

HEX #B1E4F6

RGB 177 228 246

HSL 195.65, 0.79%, 0.83%

LAB 87.72, -12.26, -14.07

 

CMYK 56 / 14 / 0 / 7

HEX #69CCEE

RGB 105 204 238

HSL 195.34, 0.8%, 0.67%

LAB 77.5, -19.61, -25.61

 

CMYK 31 / 57 / 0 / 7

HEX #A467EE

RGB 164 103 238

HSL 267.11, 0.8%, 0.67%

LAB 55.85, 50.68, -59.25

 

CMYK 0 / 9 / 57 / 7

HEX #EED967

RGB 238 217 103

HSL 50.67, 0.8%, 0.67%

LAB 86.4, -6.52, 57.76

 

CMYK 56 / 14 / 0 / 7

HEX #69CCEE

RGB 105 204 238

HSL 195.34, 0.8%, 0.67%

LAB 77.5, -19.61, -25.61

 

CMYK 0 / 57 / 14 / 7

HEX #EE67CC

RGB 238 103 204

HSL 315.11, 0.8%, 0.67%

LAB 63.54, 63.49, -27.43

 

CMYK 14 / 0 / 57 / 7

HEX #CCEE67

RGB 204 238 103

HSL 75.11, 0.8%, 0.67%

LAB 89.38, -30.3, 60.46

 

CMYK 56 / 14 / 0 / 7

HEX #69CCEE

RGB 105 204 238

HSL 195.34, 0.8%, 0.67%

LAB 77.5, -19.61, -25.61

 

CMYK 31 / 57 / 0 / 7

HEX #A467EE

RGB 164 103 238

HSL 267.11, 0.8%, 0.67%

LAB 55.85, 50.68, -59.25

 

CMYK 0 / 42 / 57 / 7

HEX #EE8967

RGB 238 137 103

HSL 15.11, 0.8%, 0.67%

LAB 67.31, 35.31, 34.85

 

CMYK 26 / 0 / 57 / 7

HEX #B1EE67

RGB 177 238 103

HSL 87.11, 0.8%, 0.67%

LAB 87.72, -40.34, 58.12

 

CMYK 56 / 14 / 0 / 7

HEX #69CCEE

RGB 105 204 238

HSL 195.34, 0.8%, 0.67%

LAB 77.5, -19.61, -25.61

 

CMYK 14 / 57 / 0 / 7

HEX #CC67EE

RGB 204 103 238

HSL 284.89, 0.8%, 0.67%

LAB 60.53, 60.38, -51.52

 

CMYK 0 / 42 / 57 / 7

HEX #EE8967

RGB 238 137 103

HSL 15.11, 0.8%, 0.67%

LAB 67.31, 35.31, 34.85

 

CMYK 42 / 0 / 57 / 7

HEX #89EE67

RGB 137 238 103

HSL 104.89, 0.8%, 0.67%

LAB 85.73, -53.64, 55.31

 

Description

Color code: HEX #69CCEE | qconv.com Color code: HEX #69CCEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 204 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 204 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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