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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9634CC it is the complementary color #69CB33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9634CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9634CC shade: #9B34C7, #AC46DA, #BD58ED, #CE6AFF and #DF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9634CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9634CC shade: #9634CC, #8522B9, #7410A6, #630093 and #520080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9634CC shade: #9533CC, #BE33CC, #CC33AF, #CC3386 and #CC335D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9634CC shade: #9533CC, #6C33CC, #4333CC and #3333CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9634CC shade matches the following richer shades: #9533CC, #9B1EE0 and #A109F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9634CC shade: #9533CC, #8F47B7, #895CA2, #83708E and #7D8579

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9634CC shade: #4233CC, #6B33CC, #9333CC, #BC33CC and #CC33B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9634CC shade: #652289, #7D2AAA, #9533CC, #A654D4 and #B775DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9634CC shade: #9634CC, #CC334C and #33CC56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9634CC shade: #9634CC, #CC9333 and #33CC93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9634CC shade: #9634CC, #CC334C, #6BCC33 and #33CCB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9634CC shade: #9634CC, #CC4733, #6BCC33 and #33B7CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 75 / 0 / 20

HEX #9634CC

RGB 150 52 204

HSL 278.68, 0.6%, 0.5%

LAB 43.21, 63.87, -60.4

 

Complementary color

CMYK 48 / 0 / 75 / 20

HEX #69CB33

RGB 105 203 51

HSL 98.68, 0.6%, 0.5%

LAB 73.52, -54.03, 62.51

 

CMYK 22 / 74 / 0 / 22

HEX #9B34C7

RGB 155 52 199

HSL 282.04, 0.59%, 0.49%

LAB 43.58, 63.79, -56.88

 

CMYK 21 / 68 / 0 / 15

HEX #AC46DA

RGB 172 70 218

HSL 281.35, 0.67%, 0.56%

LAB 49.75, 63.9, -57.73

 

CMYK 20 / 63 / 0 / 7

HEX #BD58ED

RGB 189 88 237

HSL 280.67, 0.81%, 0.64%

LAB 56, 63.6, -58.3

 

CMYK 19 / 58 / 0 / 0

HEX #CE6AFF

RGB 206 106 255

HSL 280.27, 1%, 0.71%

LAB 62.21, 62.87, -58.23

 

CMYK 13 / 51 / 0 / 0

HEX #DF7CFF

RGB 223 124 255

HSL 285.34, 1%, 0.74%

LAB 67.52, 58.39, -49.68

 

CMYK 26 / 75 / 0 / 20

HEX #9634CC

RGB 150 52 204

HSL 278.68, 0.6%, 0.5%

LAB 43.21, 63.87, -60.4

 

CMYK 28 / 82 / 0 / 27

HEX #8522B9

RGB 133 34 185

HSL 279.34, 0.69%, 0.43%

LAB 37.18, 63.16, -59.21

 

CMYK 30 / 90 / 0 / 35

HEX #7410A6

RGB 116 16 166

HSL 280, 0.82%, 0.36%

LAB 31.43, 61.3, -57.34

 

CMYK 33 / 100 / 0 / 42

HEX #630093

RGB 99 0 147

HSL 280.41, 1%, 0.29%

LAB 26.04, 58.05, -54.66

 

CMYK 36 / 100 / 0 / 50

HEX #520080

RGB 82 0 128

HSL 278.44, 1%, 0.25%

LAB 21.4, 52.05, -50.48

 

CMYK 27 / 75 / 0 / 20

HEX #9533CC

RGB 149 51 204

HSL 278.43, 0.6%, 0.5%

LAB 42.94, 64.06, -60.85

 

CMYK 7 / 75 / 0 / 20

HEX #BE33CC

RGB 190 51 204

HSL 294.51, 0.6%, 0.5%

LAB 49.1, 71.95, -50.61

 

CMYK 0 / 75 / 14 / 20

HEX #CC33AF

RGB 204 51 175

HSL 311.37, 0.6%, 0.5%

LAB 49.86, 70.45, -32.39

 

CMYK 0 / 75 / 34 / 20

HEX #CC3386

RGB 204 51 134

HSL 327.45, 0.6%, 0.5%

LAB 48.17, 65.31, -10.55

 

CMYK 0 / 75 / 54 / 20

HEX #CC335D

RGB 204 51 93

HSL 343.53, 0.6%, 0.5%

LAB 46.97, 61.52, 12.77

 

CMYK 27 / 75 / 0 / 20

HEX #9533CC

RGB 149 51 204

HSL 278.43, 0.6%, 0.5%

LAB 42.94, 64.06, -60.85

 

CMYK 47 / 75 / 0 / 20

HEX #6C33CC

RGB 108 51 204

HSL 262.35, 0.6%, 0.5%

LAB 37.69, 57.12, -69.63

 

CMYK 67 / 75 / 0 / 20

HEX #4333CC

RGB 67 51 204

HSL 246.27, 0.6%, 0.5%

LAB 33.82, 51.81, -76.14

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 27 / 75 / 0 / 20

HEX #9533CC

RGB 149 51 204

HSL 278.43, 0.6%, 0.5%

LAB 42.94, 64.06, -60.85

 

CMYK 31 / 87 / 0 / 12

HEX #9B1EE0

RGB 155 30 224

HSL 278.66, 0.76%, 0.5%

LAB 43.18, 75.36, -71.91

 

CMYK 34 / 96 / 0 / 4

HEX #A109F5

RGB 161 9 245

HSL 278.64, 0.93%, 0.5%

LAB 44.75, 83.33, -81.21

 

CMYK 27 / 75 / 0 / 20

HEX #9533CC

RGB 149 51 204

HSL 278.43, 0.6%, 0.5%

LAB 42.94, 64.06, -60.85

 

CMYK 22 / 61 / 0 / 28

HEX #8F47B7

RGB 143 71 183

HSL 278.57, 0.44%, 0.5%

LAB 43.89, 49.43, -47.12

 

CMYK 15 / 43 / 0 / 36

HEX #895CA2

RGB 137 92 162

HSL 278.57, 0.28%, 0.5%

LAB 46.42, 31.6, -30.8

 

CMYK 8 / 21 / 0 / 44

HEX #83708E

RGB 131 112 142

HSL 278, 0.12%, 0.5%

LAB 49.94, 13.36, -13.62

 

CMYK 6 / 0 / 9 / 48

HEX #7D8579

RGB 125 133 121

HSL 100, 0.05%, 0.5%

LAB 54.57, -5.32, 5.45

 

CMYK 68 / 75 / 0 / 20

HEX #4233CC

RGB 66 51 204

HSL 245.88, 0.6%, 0.5%

LAB 33.74, 51.7, -76.26

 

CMYK 48 / 75 / 0 / 20

HEX #6B33CC

RGB 107 51 204

HSL 261.96, 0.6%, 0.5%

LAB 37.58, 56.97, -69.82

 

CMYK 28 / 75 / 0 / 20

HEX #9333CC

RGB 147 51 204

HSL 277.65, 0.6%, 0.5%

LAB 42.66, 63.7, -61.32

 

CMYK 8 / 75 / 0 / 20

HEX #BC33CC

RGB 188 51 204

HSL 293.73, 0.6%, 0.5%

LAB 48.78, 71.55, -51.13

 

CMYK 0 / 75 / 13 / 20

HEX #CC33B2

RGB 204 51 178

HSL 310.2, 0.6%, 0.5%

LAB 50, 70.87, -33.93

 

CMYK 26 / 75 / 0 / 46

HEX #652289

RGB 101 34 137

HSL 279.03, 0.6%, 0.34%

LAB 28.69, 46.95, -44.13

 

CMYK 26 / 75 / 0 / 33

HEX #7D2AAA

RGB 125 42 170

HSL 278.91, 0.6%, 0.42%

LAB 35.83, 55.77, -52.53

 

CMYK 27 / 75 / 0 / 20

HEX #9533CC

RGB 149 51 204

HSL 278.43, 0.6%, 0.5%

LAB 42.94, 64.06, -60.85

 

CMYK 22 / 60 / 0 / 17

HEX #A654D4

RGB 166 84 212

HSL 278.44, 0.6%, 0.58%

LAB 50.92, 54.9, -52.48

 

CMYK 17 / 47 / 0 / 14

HEX #B775DC

RGB 183 117 220

HSL 278.45, 0.6%, 0.66%

LAB 59.85, 44, -42.71

 

CMYK 26 / 75 / 0 / 20

HEX #9634CC

RGB 150 52 204

HSL 278.68, 0.6%, 0.5%

LAB 43.21, 63.87, -60.4

 

CMYK 0 / 75 / 63 / 20

HEX #CC334C

RGB 204 51 76

HSL 350.2, 0.6%, 0.5%

LAB 46.61, 60.37, 22.72

 

CMYK 75 / 0 / 58 / 20

HEX #33CC56

RGB 51 204 86

HSL 133.73, 0.6%, 0.5%

LAB 72.6, -63.1, 46.99

 

CMYK 26 / 75 / 0 / 20

HEX #9634CC

RGB 150 52 204

HSL 278.68, 0.6%, 0.5%

LAB 43.21, 63.87, -60.4

 

CMYK 0 / 28 / 75 / 20

HEX #CC9333

RGB 204 147 51

HSL 37.65, 0.6%, 0.5%

LAB 64.92, 12.75, 56.49

 

CMYK 75 / 0 / 28 / 20

HEX #33CC93

RGB 51 204 147

HSL 157.65, 0.6%, 0.5%

LAB 73.54, -52.38, 17.39

 

CMYK 26 / 75 / 0 / 20

HEX #9634CC

RGB 150 52 204

HSL 278.68, 0.6%, 0.5%

LAB 43.21, 63.87, -60.4

 

CMYK 0 / 75 / 63 / 20

HEX #CC334C

RGB 204 51 76

HSL 350.2, 0.6%, 0.5%

LAB 46.61, 60.37, 22.72

 

CMYK 48 / 0 / 75 / 20

HEX #6BCC33

RGB 107 204 51

HSL 98.04, 0.6%, 0.5%

LAB 73.9, -53.81, 62.92

 

CMYK 75 / 0 / 13 / 20

HEX #33CCB2

RGB 51 204 178

HSL 169.8, 0.6%, 0.5%

LAB 74.26, -44.88, 1.75

 

CMYK 26 / 75 / 0 / 20

HEX #9634CC

RGB 150 52 204

HSL 278.68, 0.6%, 0.5%

LAB 43.21, 63.87, -60.4

 

CMYK 0 / 65 / 75 / 20

HEX #CC4733

RGB 204 71 51

HSL 7.84, 0.6%, 0.5%

LAB 48.99, 51.6, 40.13

 

CMYK 48 / 0 / 75 / 20

HEX #6BCC33

RGB 107 204 51

HSL 98.04, 0.6%, 0.5%

LAB 73.9, -53.81, 62.92

 

CMYK 75 / 10 / 0 / 20

HEX #33B7CC

RGB 51 183 204

HSL 188.24, 0.6%, 0.5%

LAB 68.7, -27.72, -20.71

 

Description

Color code: HEX #9634CC | qconv.com Color code: HEX #9634CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 52 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 52 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 75 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 75% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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