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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95B711 it is the complementary color #6A48EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95B711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95B711 shade: #9AB70C, #ABC91F, #BCDB32, #CDED45 and #DEFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95B711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95B711 shade: #95B711, #84A500, #739300, #628100 and #516F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95B711 shade: #94B510, #B5AB10, #B57E10, #B55210 and #B52510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95B711 shade: #94B510, #67B510, #3BB510, #10B513 and #10B53F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95B711 shade matches the following richer shades: #94B510 and #9DC600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95B711 shade: #94B510, #8AA520, #819531, #778541 and #6E7551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95B711 shade: #B57E10, #B5AA10, #94B510, #68B510 and #3CB510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95B711 shade: #566A09, #75900D, #94B510, #B2DB14 and #C4EB2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95B711 shade: #95B711, #10B552 and #9410B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95B711 shade: #95B711, #1094B5 and #B51094

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95B711 shade: #95B711, #10B552, #3110B5 and #B51073

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95B711 shade: #95B711, #10B584, #3110B5 and #B51042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 91 / 28

HEX #95B711

RGB 149 183 17

HSL 72.29, 0.83%, 0.39%

LAB 69.68, -31.05, 68.54

 

Complementary color

CMYK 55 / 70 / 0 / 7

HEX #6A48EE

RGB 106 72 238

HSL 252.29, 0.83%, 0.61%

LAB 44.05, 55.85, -78.66

 

CMYK 16 / 0 / 93 / 28

HEX #9AB70C

RGB 154 183 12

HSL 70.18, 0.88%, 0.38%

LAB 70.01, -29.07, 69.66

 

CMYK 15 / 0 / 85 / 21

HEX #ABC91F

RGB 171 201 31

HSL 70.59, 0.73%, 0.45%

LAB 76.39, -30.14, 72.02

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB32

RGB 188 219 50

HSL 71.01, 0.7%, 0.53%

LAB 82.69, -31, 73.1

 

CMYK 14 / 0 / 71 / 7

HEX #CDED45

RGB 205 237 69

HSL 71.43, 0.82%, 0.6%

LAB 88.91, -31.71, 73.34

 

CMYK 13 / 0 / 65 / 0

HEX #DEFF58

RGB 222 255 88

HSL 71.86, 1%, 0.67%

LAB 95.06, -32.28, 73.05

 

CMYK 19 / 0 / 91 / 28

HEX #95B711

RGB 149 183 17

HSL 72.29, 0.83%, 0.39%

LAB 69.68, -31.05, 68.54

 

CMYK 20 / 0 / 100 / 35

HEX #84A500

RGB 132 165 0

HSL 72, 1%, 0.32%

LAB 63.19, -29.89, 65.25

 

CMYK 22 / 0 / 100 / 42

HEX #739300

RGB 115 147 0

HSL 73.06, 1%, 0.29%

LAB 56.6, -28.45, 59.76

 

CMYK 24 / 0 / 100 / 49

HEX #628100

RGB 98 129 0

HSL 74.42, 1%, 0.25%

LAB 49.85, -26.99, 54.14

 

CMYK 27 / 0 / 100 / 56

HEX #516F00

RGB 81 111 0

HSL 76.22, 1%, 0.22%

LAB 42.94, -25.5, 48.38

 

CMYK 18 / 0 / 91 / 29

HEX #94B510

RGB 148 181 16

HSL 72, 0.84%, 0.39%

LAB 69.03, -30.54, 68.14

 

CMYK 0 / 6 / 91 / 29

HEX #B5AB10

RGB 181 171 16

HSL 56.36, 0.84%, 0.39%

LAB 68.74, -11.33, 69

 

CMYK 0 / 30 / 91 / 29

HEX #B57E10

RGB 181 126 16

HSL 40, 0.84%, 0.39%

LAB 56.86, 13.03, 59.86

 

CMYK 0 / 55 / 91 / 29

HEX #B55210

RGB 181 82 16

HSL 24, 0.84%, 0.39%

LAB 46.84, 36.92, 52.34

 

CMYK 0 / 80 / 91 / 29

HEX #B52510

RGB 181 37 16

HSL 7.64, 0.84%, 0.39%

LAB 39.89, 55.55, 47.32

 

CMYK 18 / 0 / 91 / 29

HEX #94B510

RGB 148 181 16

HSL 72, 0.84%, 0.39%

LAB 69.03, -30.54, 68.14

 

CMYK 43 / 0 / 91 / 29

HEX #67B510

RGB 103 181 16

HSL 88.36, 0.84%, 0.39%

LAB 66.5, -47.61, 65.03

 

CMYK 67 / 0 / 91 / 29

HEX #3BB510

RGB 59 181 16

HSL 104.36, 0.84%, 0.39%

LAB 64.97, -59.67, 63.15

 

CMYK 91 / 0 / 90 / 29

HEX #10B513

RGB 16 181 19

HSL 121.09, 0.84%, 0.39%

LAB 64.33, -65.32, 61.81

 

CMYK 91 / 0 / 65 / 29

HEX #10B53F

RGB 16 181 63

HSL 137.09, 0.84%, 0.39%

LAB 64.58, -62.14, 47.97

 

CMYK 18 / 0 / 91 / 29

HEX #94B510

RGB 148 181 16

HSL 72, 0.84%, 0.39%

LAB 69.03, -30.54, 68.14

 

CMYK 21 / 0 / 100 / 22

HEX #9DC600

RGB 157 198 0

HSL 72.42, 1%, 0.39%

LAB 74.54, -35, 74.56

 

CMYK 18 / 0 / 91 / 29

HEX #94B510

RGB 148 181 16

HSL 72, 0.84%, 0.39%

LAB 69.03, -30.54, 68.14

 

CMYK 16 / 0 / 81 / 35

HEX #8AA520

RGB 138 165 32

HSL 72.18, 0.68%, 0.39%

LAB 63.69, -26.59, 59.84

 

CMYK 13 / 0 / 67 / 42

HEX #819531

RGB 129 149 49

HSL 72, 0.51%, 0.39%

LAB 58.4, -21.54, 48.44

 

CMYK 11 / 0 / 51 / 48

HEX #778541

RGB 119 133 65

HSL 72.35, 0.34%, 0.39%

LAB 53.04, -16.13, 34.65

 

CMYK 6 / 0 / 31 / 54

HEX #6E7551

RGB 110 117 81

HSL 71.67, 0.18%, 0.39%

LAB 47.79, -9.18, 19.03

 

CMYK 0 / 30 / 91 / 29

HEX #B57E10

RGB 181 126 16

HSL 40, 0.84%, 0.39%

LAB 56.86, 13.03, 59.86

 

CMYK 0 / 6 / 91 / 29

HEX #B5AA10

RGB 181 170 16

HSL 56, 0.84%, 0.39%

LAB 68.47, -10.81, 68.79

 

CMYK 18 / 0 / 91 / 29

HEX #94B510

RGB 148 181 16

HSL 72, 0.84%, 0.39%

LAB 69.03, -30.54, 68.14

 

CMYK 43 / 0 / 91 / 29

HEX #68B510

RGB 104 181 16

HSL 88, 0.84%, 0.39%

LAB 66.54, -47.28, 65.09

 

CMYK 67 / 0 / 91 / 29

HEX #3CB510

RGB 60 181 16

HSL 104, 0.84%, 0.39%

LAB 65, -59.47, 63.18

 

CMYK 19 / 0 / 92 / 58

HEX #566A09

RGB 86 106 9

HSL 72.37, 0.84%, 0.23%

LAB 41.7, -20.46, 45.36

 

CMYK 19 / 0 / 91 / 44

HEX #75900D

RGB 117 144 13

HSL 72.37, 0.83%, 0.31%

LAB 55.84, -25.87, 57.11

 

CMYK 18 / 0 / 91 / 29

HEX #94B510

RGB 148 181 16

HSL 72, 0.84%, 0.39%

LAB 69.03, -30.54, 68.14

 

CMYK 19 / 0 / 91 / 14

HEX #B2DB14

RGB 178 219 20

HSL 72.36, 0.83%, 0.47%

LAB 81.94, -35.88, 78.71

 

CMYK 17 / 0 / 81 / 8

HEX #C4EB2D

RGB 196 235 45

HSL 72.32, 0.83%, 0.55%

LAB 87.65, -35.36, 79.07

 

CMYK 19 / 0 / 91 / 28

HEX #95B711

RGB 149 183 17

HSL 72.29, 0.83%, 0.39%

LAB 69.68, -31.05, 68.54

 

CMYK 91 / 0 / 55 / 29

HEX #10B552

RGB 16 181 82

HSL 144, 0.84%, 0.39%

LAB 64.78, -59.67, 39.45

 

CMYK 18 / 91 / 0 / 29

HEX #9410B5

RGB 148 16 181

HSL 288, 0.84%, 0.39%

LAB 37.85, 68.91, -55.64

 

CMYK 19 / 0 / 91 / 28

HEX #95B711

RGB 149 183 17

HSL 72.29, 0.83%, 0.39%

LAB 69.68, -31.05, 68.54

 

CMYK 91 / 18 / 0 / 29

HEX #1094B5

RGB 16 148 181

HSL 192, 0.84%, 0.39%

LAB 56.71, -20.31, -26.28

 

CMYK 0 / 91 / 18 / 29

HEX #B51094

RGB 181 16 148

HSL 312, 0.84%, 0.39%

LAB 41.74, 69.71, -29.28

 

CMYK 19 / 0 / 91 / 28

HEX #95B711

RGB 149 183 17

HSL 72.29, 0.83%, 0.39%

LAB 69.68, -31.05, 68.54

 

CMYK 91 / 0 / 55 / 29

HEX #10B552

RGB 16 181 82

HSL 144, 0.84%, 0.39%

LAB 64.78, -59.67, 39.45

 

CMYK 73 / 91 / 0 / 29

HEX #3110B5

RGB 49 16 181

HSL 252, 0.84%, 0.39%

LAB 24.83, 58.42, -77.52

 

CMYK 0 / 91 / 36 / 29

HEX #B51073

RGB 181 16 115

HSL 324, 0.84%, 0.39%

LAB 40.3, 65.88, -11.15

 

CMYK 19 / 0 / 91 / 28

HEX #95B711

RGB 149 183 17

HSL 72.29, 0.83%, 0.39%

LAB 69.68, -31.05, 68.54

 

CMYK 91 / 0 / 27 / 29

HEX #10B584

RGB 16 181 132

HSL 162.18, 0.84%, 0.39%

LAB 65.61, -49.97, 14.36

 

CMYK 73 / 91 / 0 / 29

HEX #3110B5

RGB 49 16 181

HSL 252, 0.84%, 0.39%

LAB 24.83, 58.42, -77.52

 

CMYK 0 / 91 / 64 / 29

HEX #B51042

RGB 181 16 66

HSL 341.82, 0.84%, 0.39%

LAB 38.88, 61.97, 17.95

 

Description

Color code: HEX #95B711 | qconv.com Color code: HEX #95B711 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 183 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 183 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 91 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 91% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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