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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 219 50 it is the complementary color RGB 67 36 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 219 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 219 50 shade: RGB 193 219 45, RGB 210 237 64, RGB 227 255 83, RGB 244 255 102 and RGB 255 255 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 219 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 219 50 shade: RGB 188 219 50, RGB 171 201 31, RGB 154 183 12, RGB 137 165 0 and RGB 120 147 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 219 50 shade: RGB 188 219 51, RGB 219 204 51, RGB 219 159 51, RGB 219 114 51 and RGB 219 68 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 219 50 shade: RGB 188 219 51, RGB 143 219 51, RGB 97 219 51, RGB 52 219 51 and RGB 51 219 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 219 50 shade matches the following richer shades: RGB 188 219 51 and RGB 200 238 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 219 50 shade: RGB 188 219 51, RGB 175 199 70, RGB 163 180 90, RGB 151 160 109 and RGB 139 141 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 219 50 shade: RGB 219 160 51, RGB 219 205 51, RGB 188 219 51, RGB 143 219 51 and RGB 98 219 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 219 50 shade: RGB 135 159 28, RGB 165 194 34, RGB 188 219 51, RGB 199 225 86 and RGB 211 231 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 219 50 shade: RGB 188 219 50, RGB 51 219 115 and RGB 182 51 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 219 50 shade: RGB 188 219 50, RGB 51 188 219 and RGB 219 51 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 219 50 shade: RGB 188 219 50, RGB 51 219 115, RGB 82 51 219 and RGB 219 51 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 219 50 shade: RGB 188 219 50, RGB 51 219 165, RGB 82 51 219 and RGB 219 51 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 77 / 14

HEX #BCDB32

RGB 188 219 50

HSL 71.01, 0.7%, 0.53%

LAB 82.69, -31, 73.1

 

Complementary color

CMYK 67 / 82 / 0 / 20

HEX #4324CD

RGB 67 36 205

HSL 251.01, 0.7%, 0.47%

LAB 31.49, 59.13, -80.56

 

CMYK 12 / 0 / 79 / 14

HEX #C1DB2D

RGB 193 219 45

HSL 68.97, 0.71%, 0.52%

LAB 83.01, -29.17, 74.91

 

CMYK 11 / 0 / 73 / 7

HEX #D2ED40

RGB 210 237 64

HSL 69.36, 0.83%, 0.59%

LAB 89.22, -29.97, 75.42

 

CMYK 11 / 0 / 67 / 0

HEX #E3FF53

RGB 227 255 83

HSL 69.77, 1%, 0.66%

LAB 95.36, -30.63, 75.31

 

CMYK 4 / 0 / 60 / 0

HEX #F4FF66

RGB 244 255 102

HSL 64.31, 1%, 0.7%

LAB 96.7, -22.79, 69.77

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB32

RGB 188 219 50

HSL 71.01, 0.7%, 0.53%

LAB 82.69, -31, 73.1

 

CMYK 15 / 0 / 85 / 21

HEX #ABC91F

RGB 171 201 31

HSL 70.59, 0.73%, 0.45%

LAB 76.39, -30.14, 72.02

 

CMYK 16 / 0 / 93 / 28

HEX #9AB70C

RGB 154 183 12

HSL 70.18, 0.88%, 0.38%

LAB 70.01, -29.07, 69.66

 

CMYK 17 / 0 / 100 / 35

HEX #89A500

RGB 137 165 0

HSL 70.18, 1%, 0.32%

LAB 63.53, -27.78, 65.66

 

CMYK 18 / 0 / 100 / 42

HEX #789300

RGB 120 147 0

HSL 71.02, 1%, 0.29%

LAB 56.94, -26.31, 60.17

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB33

RGB 188 219 51

HSL 71.07, 0.7%, 0.53%

LAB 82.7, -30.96, 72.81

 

CMYK 0 / 7 / 77 / 14

HEX #DBCC33

RGB 219 204 51

HSL 54.64, 0.7%, 0.53%

LAB 81.01, -10.77, 72.14

 

CMYK 0 / 27 / 77 / 14

HEX #DB9F33

RGB 219 159 51

HSL 38.57, 0.7%, 0.53%

LAB 69.54, 12.77, 61.51

 

CMYK 0 / 48 / 77 / 14

HEX #DB7233

RGB 219 114 51

HSL 22.5, 0.7%, 0.53%

LAB 59.28, 36.7, 51.55

 

CMYK 0 / 69 / 77 / 14

HEX #DB4433

RGB 219 68 51

HSL 6.07, 0.7%, 0.53%

LAB 51.19, 57.78, 43.27

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB33

RGB 188 219 51

HSL 71.07, 0.7%, 0.53%

LAB 82.7, -30.96, 72.81

 

CMYK 35 / 0 / 77 / 14

HEX #8FDB33

RGB 143 219 51

HSL 87.14, 0.7%, 0.53%

LAB 80.03, -48.01, 69.37

 

CMYK 56 / 0 / 77 / 14

HEX #61DB33

RGB 97 219 51

HSL 103.57, 0.7%, 0.53%

LAB 78.14, -62.11, 66.89

 

CMYK 76 / 0 / 77 / 14

HEX #34DB33

RGB 52 219 51

HSL 119.64, 0.7%, 0.53%

LAB 77.06, -71.04, 65.48

 

CMYK 77 / 0 / 57 / 14

HEX #33DB5F

RGB 51 219 95

HSL 135.71, 0.7%, 0.53%

LAB 77.4, -66.88, 48.52

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB33

RGB 188 219 51

HSL 71.07, 0.7%, 0.53%

LAB 82.7, -30.96, 72.81

 

CMYK 16 / 0 / 87 / 7

HEX #C8EE1F

RGB 200 238 31

HSL 71.01, 0.86%, 0.53%

LAB 88.7, -35.54, 83.03

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB33

RGB 188 219 51

HSL 71.07, 0.7%, 0.53%

LAB 82.7, -30.96, 72.81

 

CMYK 12 / 0 / 65 / 22

HEX #AFC746

RGB 175 199 70

HSL 71.16, 0.54%, 0.53%

LAB 76.32, -25.71, 59.54

 

CMYK 9 / 0 / 50 / 29

HEX #A3B45A

RGB 163 180 90

HSL 71.33, 0.38%, 0.53%

LAB 70.29, -19.57, 43.54

 

CMYK 6 / 0 / 32 / 37

HEX #97A06D

RGB 151 160 109

HSL 70.59, 0.21%, 0.53%

LAB 64.02, -11.85, 25.57

 

CMYK 1 / 0 / 9 / 45

HEX #8B8D80

RGB 139 141 128

HSL 69.23, 0.05%, 0.53%

LAB 58.13, -3.19, 6.68

 

CMYK 0 / 27 / 77 / 14

HEX #DBA033

RGB 219 160 51

HSL 38.93, 0.7%, 0.53%

LAB 69.78, 12.24, 61.74

 

CMYK 0 / 6 / 77 / 14

HEX #DBCD33

RGB 219 205 51

HSL 55, 0.7%, 0.53%

LAB 81.27, -11.27, 72.38

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB33

RGB 188 219 51

HSL 71.07, 0.7%, 0.53%

LAB 82.7, -30.96, 72.81

 

CMYK 35 / 0 / 77 / 14

HEX #8FDB33

RGB 143 219 51

HSL 87.14, 0.7%, 0.53%

LAB 80.03, -48.01, 69.37

 

CMYK 55 / 0 / 77 / 14

HEX #62DB33

RGB 98 219 51

HSL 103.21, 0.7%, 0.53%

LAB 78.17, -61.85, 66.94

 

CMYK 15 / 0 / 82 / 38

HEX #879F1C

RGB 135 159 28

HSL 70.99, 0.7%, 0.37%

LAB 61.68, -25.07, 59.1

 

CMYK 15 / 0 / 82 / 24

HEX #A5C222

RGB 165 194 34

HSL 70.88, 0.7%, 0.45%

LAB 74, -29.2, 69.1

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB33

RGB 188 219 51

HSL 71.07, 0.7%, 0.53%

LAB 82.7, -30.96, 72.81

 

CMYK 12 / 0 / 62 / 12

HEX #C7E156

RGB 199 225 86

HSL 71.22, 0.7%, 0.61%

LAB 85.33, -27.43, 63.1

 

CMYK 9 / 0 / 48 / 9

HEX #D3E779

RGB 211 231 121

HSL 70.91, 0.7%, 0.69%

LAB 88.15, -22.67, 50.96

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB32

RGB 188 219 50

HSL 71.01, 0.7%, 0.53%

LAB 82.69, -31, 73.1

 

CMYK 77 / 0 / 47 / 14

HEX #33DB73

RGB 51 219 115

HSL 142.86, 0.7%, 0.53%

LAB 77.64, -63.98, 39.3

 

CMYK 17 / 77 / 0 / 14

HEX #B633DB

RGB 182 51 219

HSL 286.79, 0.7%, 0.53%

LAB 48.79, 73.06, -59.77

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB32

RGB 188 219 50

HSL 71.01, 0.7%, 0.53%

LAB 82.69, -31, 73.1

 

CMYK 77 / 14 / 0 / 14

HEX #33BCDB

RGB 51 188 219

HSL 191.07, 0.7%, 0.53%

LAB 70.72, -25.48, -25.84

 

CMYK 0 / 77 / 14 / 14

HEX #DB33BC

RGB 219 51 188

HSL 311.07, 0.7%, 0.53%

LAB 53.01, 75.57, -34.86

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB32

RGB 188 219 50

HSL 71.01, 0.7%, 0.53%

LAB 82.69, -31, 73.1

 

CMYK 77 / 0 / 47 / 14

HEX #33DB73

RGB 51 219 115

HSL 142.86, 0.7%, 0.53%

LAB 77.64, -63.98, 39.3

 

CMYK 63 / 77 / 0 / 14

HEX #5233DB

RGB 82 51 219

HSL 251.07, 0.7%, 0.53%

LAB 36.51, 57.84, -80.33

 

CMYK 0 / 77 / 30 / 14

HEX #DB339A

RGB 219 51 154

HSL 323.21, 0.7%, 0.53%

LAB 51.57, 71.3, -17.14

 

CMYK 14 / 0 / 77 / 14

HEX #BCDB32

RGB 188 219 50

HSL 71.01, 0.7%, 0.53%

LAB 82.69, -31, 73.1

 

CMYK 77 / 0 / 25 / 14

HEX #33DBA5

RGB 51 219 165

HSL 160.71, 0.7%, 0.53%

LAB 78.51, -54.23, 14.78

 

CMYK 63 / 77 / 0 / 14

HEX #5233DB

RGB 82 51 219

HSL 251.07, 0.7%, 0.53%

LAB 36.51, 57.84, -80.33

 

CMYK 0 / 77 / 53 / 14

HEX #DB3368

RGB 219 51 104

HSL 341.07, 0.7%, 0.53%

LAB 50.01, 66.53, 10.7

 

Description

Color code: RGB 188 219 50 | qconv.com Color code: RGB 188 219 50 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 219 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 219 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 77 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 77% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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