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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94515C it is the complementary color #6BAEA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94515C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94515C shade: #995157, #AA636A, #BB757D, #CC8790 and #DD99A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94515C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94515C shade: #94515C, #833F49, #722D36, #611B23 and #500910

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94515C shade: #94515C and #945151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94515C shade: #94515C, #94516E, #945180, #945192 and #835194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94515C shade matches the following richer shades: #94515C, #A63E4F, #B92C43, #CB1936 and #DE072A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94515C shade: #94515C, #816468, #6E7675, #5C8981 and #499B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94515C shade: #945180, #94516E, #94515C, #945851 and #946951

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94515C shade: #5E343B, #79424B, #94515C, #AA6470 and #B87F88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94515C shade: #94515C, #919451 and #517794

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94515C shade: #94515C, #5C9451 and #515C94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94515C shade: #94515C, #919451, #519488 and #535194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94515C shade: #94515C, #7D9451, #519488 and #675194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

Complementary color

CMYK 39 / 0 / 6 / 32

HEX #6BAEA3

RGB 107 174 163

HSL 170.15, 0.29%, 0.55%

LAB 66.55, -23.89, -1.08

 

CMYK 0 / 47 / 43 / 40

HEX #995157

RGB 153 81 87

HSL 355, 0.31%, 0.46%

LAB 43.28, 30.55, 10.04

 

CMYK 0 / 42 / 38 / 33

HEX #AA636A

RGB 170 99 106

HSL 354.08, 0.29%, 0.53%

LAB 50.11, 29.49, 8.52

 

CMYK 0 / 37 / 33 / 27

HEX #BB757D

RGB 187 117 125

HSL 353.14, 0.34%, 0.6%

LAB 56.85, 28.52, 7.23

 

CMYK 0 / 34 / 29 / 20

HEX #CC8790

RGB 204 135 144

HSL 352.17, 0.4%, 0.66%

LAB 63.49, 27.64, 6.1

 

CMYK 0 / 31 / 26 / 13

HEX #DD99A3

RGB 221 153 163

HSL 351.18, 0.5%, 0.73%

LAB 70.03, 26.84, 5.09

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 0 / 52 / 44 / 49

HEX #833F49

RGB 131 63 73

HSL 351.18, 0.35%, 0.38%

LAB 35.72, 30.27, 7.68

 

CMYK 0 / 61 / 53 / 55

HEX #722D36

RGB 114 45 54

HSL 352.17, 0.43%, 0.31%

LAB 28.7, 31.32, 9.79

 

CMYK 0 / 72 / 64 / 62

HEX #611B23

RGB 97 27 35

HSL 353.14, 0.56%, 0.24%

LAB 21.75, 32.13, 12.68

 

CMYK 0 / 89 / 80 / 69

HEX #500910

RGB 80 9 16

HSL 354.08, 0.8%, 0.17%

LAB 15.16, 32.03, 16.41

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 0 / 45 / 45 / 42

HEX #945151

RGB 148 81 81

HSL 0, 0.29%, 0.45%

LAB 42.42, 27.89, 12.42

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 0 / 45 / 26 / 42

HEX #94516E

RGB 148 81 110

HSL 334.03, 0.29%, 0.45%

LAB 43.22, 31.71, -4.25

 

CMYK 0 / 45 / 14 / 42

HEX #945180

RGB 148 81 128

HSL 317.91, 0.29%, 0.45%

LAB 43.86, 34.61, -14.28

 

CMYK 0 / 45 / 1 / 42

HEX #945192

RGB 148 81 146

HSL 301.79, 0.29%, 0.45%

LAB 44.6, 37.89, -24.01

 

CMYK 11 / 45 / 0 / 42

HEX #835194

RGB 131 81 148

HSL 284.78, 0.29%, 0.45%

LAB 42.53, 32.95, -28.59

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 0 / 63 / 52 / 35

HEX #A63E4F

RGB 166 62 79

HSL 350.19, 0.46%, 0.45%

LAB 41.4, 44.21, 12.69

 

CMYK 0 / 76 / 64 / 27

HEX #B92C43

RGB 185 44 67

HSL 350.21, 0.62%, 0.45%

LAB 42.03, 56.49, 21.6

 

CMYK 0 / 88 / 73 / 20

HEX #CB1936

RGB 203 25 54

HSL 350.22, 0.78%, 0.45%

LAB 43.74, 65.58, 32.47

 

CMYK 0 / 97 / 81 / 13

HEX #DE072A

RGB 222 7 42

HSL 350.23, 0.94%, 0.45%

LAB 46.78, 72.17, 43.83

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 0 / 22 / 19 / 49

HEX #816468

RGB 129 100 104

HSL 351.72, 0.13%, 0.45%

LAB 45.33, 12.34, 2.22

 

CMYK 7 / 0 / 1 / 54

HEX #6E7675

RGB 110 118 117

HSL 172.5, 0.04%, 0.45%

LAB 48.95, -3.21, -0.49

 

CMYK 33 / 0 / 6 / 46

HEX #5C8981

RGB 92 137 129

HSL 169.33, 0.2%, 0.45%

LAB 53.76, -17.22, -0.62

 

CMYK 53 / 0 / 8 / 39

HEX #499B8E

RGB 73 155 142

HSL 170.49, 0.36%, 0.45%

LAB 58.8, -28.27, -0.81

 

CMYK 0 / 45 / 14 / 42

HEX #945180

RGB 148 81 128

HSL 317.91, 0.29%, 0.45%

LAB 43.86, 34.61, -14.28

 

CMYK 0 / 45 / 26 / 42

HEX #94516E

RGB 148 81 110

HSL 334.03, 0.29%, 0.45%

LAB 43.22, 31.71, -4.25

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 0 / 41 / 45 / 42

HEX #945851

RGB 148 88 81

HSL 6.27, 0.29%, 0.45%

LAB 44.05, 23.93, 14.65

 

CMYK 0 / 29 / 45 / 42

HEX #946951

RGB 148 105 81

HSL 21.49, 0.29%, 0.45%

LAB 48.25, 14.12, 20.31

 

CMYK 0 / 45 / 37 / 63

HEX #5E343B

RGB 94 52 59

HSL 350, 0.29%, 0.29%

LAB 27.16, 19.82, 3.85

 

CMYK 0 / 45 / 38 / 53

HEX #79424B

RGB 121 66 75

HSL 350.18, 0.29%, 0.37%

LAB 34.94, 24.85, 5.1

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 0 / 41 / 34 / 33

HEX #AA6470

RGB 170 100 112

HSL 349.71, 0.29%, 0.53%

LAB 50.49, 29.7, 5.49

 

CMYK 0 / 31 / 26 / 28

HEX #B87F88

RGB 184 127 136

HSL 350.53, 0.29%, 0.61%

LAB 59.11, 23.36, 4.07

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 2 / 0 / 45 / 42

HEX #919451

RGB 145 148 81

HSL 62.69, 0.29%, 0.45%

LAB 59.7, -11.36, 34.91

 

CMYK 45 / 20 / 0 / 42

HEX #517794

RGB 81 119 148

HSL 205.97, 0.29%, 0.45%

LAB 48.36, -5.22, -19.9

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 38 / 0 / 45 / 42

HEX #5C9451

RGB 92 148 81

HSL 110.15, 0.29%, 0.45%

LAB 56.14, -32.08, 29.68

 

CMYK 45 / 38 / 0 / 42

HEX #515C94

RGB 81 92 148

HSL 230.15, 0.29%, 0.45%

LAB 40.48, 11.27, -32.16

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 2 / 0 / 45 / 42

HEX #919451

RGB 145 148 81

HSL 62.69, 0.29%, 0.45%

LAB 59.7, -11.36, 34.91

 

CMYK 45 / 0 / 8 / 42

HEX #519488

RGB 81 148 136

HSL 169.25, 0.29%, 0.45%

LAB 56.79, -24.36, -0.29

 

CMYK 44 / 45 / 0 / 42

HEX #535194

RGB 83 81 148

HSL 241.79, 0.29%, 0.45%

LAB 37.59, 18.81, -36.71

 

CMYK 0 / 45 / 38 / 42

HEX #94515C

RGB 148 81 92

HSL 350.15, 0.29%, 0.45%

LAB 42.69, 29.21, 6.04

 

CMYK 16 / 0 / 45 / 42

HEX #7D9451

RGB 125 148 81

HSL 80.6, 0.29%, 0.45%

LAB 58.16, -19.66, 32.66

 

CMYK 45 / 0 / 8 / 42

HEX #519488

RGB 81 148 136

HSL 169.25, 0.29%, 0.45%

LAB 56.79, -24.36, -0.29

 

CMYK 30 / 45 / 0 / 42

HEX #675194

RGB 103 81 148

HSL 259.7, 0.29%, 0.45%

LAB 39.42, 24.42, -33.7

 

Description

Color code: HEX #94515C | qconv.com Color code: HEX #94515C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 81 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 81 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 38 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 38% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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