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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B87F88 it is the complementary color #478077. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B87F88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B87F88 shade: #BD7F83, #CE9196, #DFA3A9, #F0B5BC and #FFC7CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B87F88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B87F88 shade: #B87F88, #A76D75, #965B62, #85494F and #74373C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B87F88 shade: #B87E87 and #B87E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B87F88 shade: #B87E87, #B87E97, #B87EA6, #B87EB6 and #AA7EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B87F88 shade matches the following richer shades: #B87E87, #C86E7C, #D85E71, #E84E66 and #F83E5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B87F88 shade: #B87E87, #A88E92, #989E9D, #88AEA8 and #78BFB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B87F88 shade: #B87EA7, #B87E97, #B87E88, #B8847E and #B8937E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B87F88 shade: #93515B, #A9646F, #B87E87, #C799A0 and #D5B3B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B87F88 shade: #B87F88, #B6B87E and #7E9FB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B87F88 shade: #B87F88, #88B87E and #7E88B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B87F88 shade: #B87F88, #B6B87E, #7EB8AE and #807EB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B87F88 shade: #B87F88, #A5B87E, #7EB8AE and #917EB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 26 / 28

HEX #B87F88

RGB 184 127 136

HSL 350.53, 0.29%, 0.61%

LAB 59.11, 23.36, 4.07

 

Complementary color

CMYK 45 / 0 / 7 / 50

HEX #478077

RGB 71 128 119

HSL 170.53, 0.29%, 0.39%

LAB 49.63, -21.06, -0.97

 

CMYK 0 / 33 / 31 / 26

HEX #BD7F83

RGB 189 127 131

HSL 356.13, 0.32%, 0.62%

LAB 59.56, 24.57, 7.67

 

CMYK 0 / 30 / 27 / 19

HEX #CE9196

RGB 206 145 150

HSL 355.08, 0.38%, 0.69%

LAB 66.19, 23.77, 6.62

 

CMYK 0 / 27 / 24 / 13

HEX #DFA3A9

RGB 223 163 169

HSL 354, 0.48%, 0.76%

LAB 72.72, 23.04, 5.67

 

CMYK 0 / 25 / 22 / 6

HEX #F0B5BC

RGB 240 181 188

HSL 352.88, 0.66%, 0.83%

LAB 79.16, 22.38, 4.8

 

CMYK 0 / 22 / 19 / 0

HEX #FFC7CF

RGB 255 199 207

HSL 351.43, 1%, 0.89%

LAB 85.31, 21.07, 3.68

 

CMYK 0 / 31 / 26 / 28

HEX #B87F88

RGB 184 127 136

HSL 350.53, 0.29%, 0.61%

LAB 59.11, 23.36, 4.07

 

CMYK 0 / 35 / 30 / 35

HEX #A76D75

RGB 167 109 117

HSL 351.72, 0.25%, 0.54%

LAB 52.33, 24.19, 5.12

 

CMYK 0 / 39 / 35 / 41

HEX #965B62

RGB 150 91 98

HSL 352.88, 0.24%, 0.47%

LAB 45.43, 25.12, 6.31

 

CMYK 0 / 45 / 41 / 48

HEX #85494F

RGB 133 73 79

HSL 354, 0.29%, 0.4%

LAB 38.4, 26.16, 7.73

 

CMYK 0 / 53 / 48 / 55

HEX #74373C

RGB 116 55 60

HSL 355.08, 0.36%, 0.34%

LAB 31.28, 27.3, 9.48

 

CMYK 0 / 32 / 27 / 28

HEX #B87E87

RGB 184 126 135

HSL 350.69, 0.29%, 0.61%

LAB 58.85, 23.77, 4.27

 

CMYK 0 / 32 / 32 / 28

HEX #B87E7E

RGB 184 126 126

HSL 0, 0.29%, 0.61%

LAB 58.62, 22.52, 9.13

 

CMYK 0 / 32 / 27 / 28

HEX #B87E87

RGB 184 126 135

HSL 350.69, 0.29%, 0.61%

LAB 58.85, 23.77, 4.27

 

CMYK 0 / 32 / 18 / 28

HEX #B87E97

RGB 184 126 151

HSL 334.14, 0.29%, 0.61%

LAB 59.29, 26.22, -4.29

 

CMYK 0 / 32 / 10 / 28

HEX #B87EA6

RGB 184 126 166

HSL 318.62, 0.29%, 0.61%

LAB 59.77, 28.74, -12.2

 

CMYK 0 / 32 / 1 / 28

HEX #B87EB6

RGB 184 126 182

HSL 302.07, 0.29%, 0.61%

LAB 60.33, 31.66, -20.48

 

CMYK 8 / 32 / 0 / 28

HEX #AA7EB8

RGB 170 126 184

HSL 285.52, 0.29%, 0.61%

LAB 58.91, 27.44, -23.93

 

CMYK 0 / 32 / 27 / 28

HEX #B87E87

RGB 184 126 135

HSL 350.69, 0.29%, 0.61%

LAB 58.85, 23.77, 4.27

 

CMYK 0 / 45 / 38 / 22

HEX #C86E7C

RGB 200 110 124

HSL 350.67, 0.45%, 0.61%

LAB 56.96, 37.04, 8.21

 

CMYK 0 / 56 / 48 / 15

HEX #D85E71

RGB 216 94 113

HSL 350.66, 0.61%, 0.61%

LAB 55.88, 49.57, 13.45

 

CMYK 0 / 66 / 56 / 9

HEX #E84E66

RGB 232 78 102

HSL 350.65, 0.77%, 0.61%

LAB 55.65, 60.81, 20.02

 

CMYK 0 / 75 / 63 / 3

HEX #F83E5B

RGB 248 62 91

HSL 350.65, 0.93%, 0.61%

LAB 56.24, 70.41, 27.8

 

CMYK 0 / 32 / 27 / 28

HEX #B87E87

RGB 184 126 135

HSL 350.69, 0.29%, 0.61%

LAB 58.85, 23.77, 4.27

 

CMYK 0 / 15 / 13 / 34

HEX #A88E92

RGB 168 142 146

HSL 350.77, 0.13%, 0.61%

LAB 61.43, 10.44, 1.51

 

CMYK 4 / 0 / 1 / 38

HEX #989E9D

RGB 152 158 157

HSL 170, 0.03%, 0.61%

LAB 64.61, -2.34, -0.23

 

CMYK 22 / 0 / 3 / 32

HEX #88AEA8

RGB 136 174 168

HSL 170.53, 0.19%, 0.61%

LAB 68.27, -14.09, -1.15

 

CMYK 37 / 0 / 6 / 25

HEX #78BFB3

RGB 120 191 179

HSL 169.86, 0.36%, 0.61%

LAB 72.57, -25.04, -1

 

CMYK 0 / 32 / 9 / 28

HEX #B87EA7

RGB 184 126 167

HSL 317.59, 0.29%, 0.61%

LAB 59.8, 28.92, -12.72

 

CMYK 0 / 32 / 18 / 28

HEX #B87E97

RGB 184 126 151

HSL 334.14, 0.29%, 0.61%

LAB 59.29, 26.22, -4.29

 

CMYK 0 / 32 / 26 / 28

HEX #B87E88

RGB 184 126 136

HSL 349.66, 0.29%, 0.61%

LAB 58.87, 23.92, 3.73

 

CMYK 0 / 28 / 32 / 28

HEX #B8847E

RGB 184 132 126

HSL 6.21, 0.29%, 0.61%

LAB 60.07, 19.17, 11.17

 

CMYK 0 / 20 / 32 / 28

HEX #B8937E

RGB 184 147 126

HSL 21.72, 0.29%, 0.61%

LAB 63.81, 10.83, 16.39

 

CMYK 0 / 45 / 38 / 42

HEX #93515B

RGB 147 81 91

HSL 350.91, 0.29%, 0.45%

LAB 42.53, 28.69, 6.4

 

CMYK 0 / 41 / 34 / 34

HEX #A9646F

RGB 169 100 111

HSL 350.43, 0.29%, 0.53%

LAB 50.33, 29.19, 5.84

 

CMYK 0 / 32 / 27 / 28

HEX #B87E87

RGB 184 126 135

HSL 350.69, 0.29%, 0.61%

LAB 58.85, 23.77, 4.27

 

CMYK 0 / 23 / 20 / 22

HEX #C799A0

RGB 199 153 160

HSL 350.87, 0.29%, 0.69%

LAB 67.62, 18.24, 2.98

 

CMYK 0 / 16 / 13 / 16

HEX #D5B3B9

RGB 213 179 185

HSL 349.41, 0.29%, 0.77%

LAB 76, 13.21, 1.52

 

CMYK 0 / 31 / 26 / 28

HEX #B87F88

RGB 184 127 136

HSL 350.53, 0.29%, 0.61%

LAB 59.11, 23.36, 4.07

 

CMYK 1 / 0 / 32 / 28

HEX #B6B87E

RGB 182 184 126

HSL 62.07, 0.29%, 0.61%

LAB 73.37, -9.91, 29.3

 

CMYK 32 / 14 / 0 / 28

HEX #7E9FB8

RGB 126 159 184

HSL 205.86, 0.29%, 0.61%

LAB 63.91, -5.33, -16.62

 

CMYK 0 / 31 / 26 / 28

HEX #B87F88

RGB 184 127 136

HSL 350.53, 0.29%, 0.61%

LAB 59.11, 23.36, 4.07

 

CMYK 26 / 0 / 32 / 28

HEX #88B87E

RGB 136 184 126

HSL 109.66, 0.29%, 0.61%

LAB 70.19, -27.12, 24.49

 

CMYK 32 / 26 / 0 / 28

HEX #7E88B8

RGB 126 136 184

HSL 229.66, 0.29%, 0.61%

LAB 57.56, 7.74, -26.32

 

CMYK 0 / 31 / 26 / 28

HEX #B87F88

RGB 184 127 136

HSL 350.53, 0.29%, 0.61%

LAB 59.11, 23.36, 4.07

 

CMYK 1 / 0 / 32 / 28

HEX #B6B87E

RGB 182 184 126

HSL 62.07, 0.29%, 0.61%

LAB 73.37, -9.91, 29.3

 

CMYK 32 / 0 / 5 / 28

HEX #7EB8AE

RGB 126 184 174

HSL 169.66, 0.29%, 0.61%

LAB 70.71, -20.98, -0.94

 

CMYK 30 / 32 / 0 / 28

HEX #807EB8

RGB 128 126 184

HSL 242.07, 0.29%, 0.61%

LAB 55.04, 14.2, -30.21

 

CMYK 0 / 31 / 26 / 28

HEX #B87F88

RGB 184 127 136

HSL 350.53, 0.29%, 0.61%

LAB 59.11, 23.36, 4.07

 

CMYK 10 / 0 / 32 / 28

HEX #A5B87E

RGB 165 184 126

HSL 79.66, 0.29%, 0.61%

LAB 72.09, -16.5, 27.36

 

CMYK 32 / 0 / 5 / 28

HEX #7EB8AE

RGB 126 184 174

HSL 169.66, 0.29%, 0.61%

LAB 70.71, -20.98, -0.94

 

CMYK 21 / 32 / 0 / 28

HEX #917EB8

RGB 145 126 184

HSL 259.66, 0.29%, 0.61%

LAB 56.49, 19.41, -27.86

 

Description

Color code: HEX #B87F88 | qconv.com Color code: HEX #B87F88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 127 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 127 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 26 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 26% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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