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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9353E8 it is the complementary color #6CAC17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9353E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9353E8 shade: #9853E3, #A965F6, #BA77FF, #CB89FF and #DC9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9353E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9353E8 shade: #9353E8, #8241D5, #712FC2, #601DAF and #4F0B9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9353E8 shade: #9354E7, #BB54E7, #E354E7, #E754C4 and #E7549C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9353E8 shade: #9354E7, #6B54E7 and #5454E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9353E8 shade matches the following richer shades: #9354E7 and #9144F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9353E8 shade: #9354E7, #9564D8, #9873C8, #9A83B8 and #9C93A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9353E8 shade: #5465E7, #6A54E7, #9154E7, #B954E7 and #E054E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9353E8 shade: #681CCD, #7C30E2, #9354E7, #AA78EC and #C19DF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9353E8 shade: #9353E8, #E7548C and #54E756

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9353E8 shade: #9353E8, #E79154 and #54E791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9353E8 shade: #9353E8, #E7548C, #AAE754 and #54E7AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9353E8 shade: #9353E8, #E75460, #AAE754 and #54E7DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 64 / 0 / 9

HEX #9353E8

RGB 147 83 232

HSL 265.77, 0.76%, 0.62%

LAB 49.76, 55.83, -65.81

 

Complementary color

CMYK 37 / 0 / 87 / 33

HEX #6CAC17

RGB 108 172 23

HSL 85.77, 0.76%, 0.38%

LAB 63.96, -41.95, 61.67

 

CMYK 33 / 63 / 0 / 11

HEX #9853E3

RGB 152 83 227

HSL 268.75, 0.72%, 0.61%

LAB 49.99, 55.65, -62.58

 

CMYK 31 / 59 / 0 / 4

HEX #A965F6

RGB 169 101 246

HSL 268.14, 0.89%, 0.68%

LAB 56.48, 54.79, -62.67

 

CMYK 27 / 53 / 0 / 0

HEX #BA77FF

RGB 186 119 255

HSL 269.56, 1%, 0.73%

LAB 62.38, 51.54, -58.09

 

CMYK 20 / 46 / 0 / 0

HEX #CB89FF

RGB 203 137 255

HSL 273.56, 1%, 0.77%

LAB 67.88, 46.41, -49.26

 

CMYK 14 / 39 / 0 / 0

HEX #DC9BFF

RGB 220 155 255

HSL 279, 1%, 0.8%

LAB 73.47, 41.58, -40.37

 

CMYK 37 / 64 / 0 / 9

HEX #9353E8

RGB 147 83 232

HSL 265.77, 0.76%, 0.62%

LAB 49.76, 55.83, -65.81

 

CMYK 39 / 69 / 0 / 16

HEX #8241D5

RGB 130 65 213

HSL 266.35, 0.64%, 0.55%

LAB 43.26, 56.64, -65.63

 

CMYK 42 / 76 / 0 / 24

HEX #712FC2

RGB 113 47 194

HSL 266.94, 0.61%, 0.47%

LAB 36.82, 57.14, -65.2

 

CMYK 45 / 83 / 0 / 31

HEX #601DAF

RGB 96 29 175

HSL 267.53, 0.72%, 0.4%

LAB 30.55, 56.99, -64.31

 

CMYK 49 / 93 / 0 / 39

HEX #4F0B9C

RGB 79 11 156

HSL 268.14, 0.87%, 0.33%

LAB 24.65, 55.58, -62.6

 

CMYK 36 / 64 / 0 / 9

HEX #9354E7

RGB 147 84 231

HSL 265.71, 0.75%, 0.62%

LAB 49.87, 55.08, -65.05

 

CMYK 19 / 64 / 0 / 9

HEX #BB54E7

RGB 187 84 231

HSL 282.04, 0.75%, 0.62%

LAB 54.74, 63.73, -56.97

 

CMYK 2 / 64 / 0 / 9

HEX #E354E7

RGB 227 84 231

HSL 298.37, 0.75%, 0.62%

LAB 60.29, 72.85, -47.8

 

CMYK 0 / 64 / 15 / 9

HEX #E754C4

RGB 231 84 196

HSL 314.29, 0.75%, 0.62%

LAB 59.26, 68.4, -29.58

 

CMYK 0 / 64 / 32 / 9

HEX #E7549C

RGB 231 84 156

HSL 330.61, 0.75%, 0.62%

LAB 57.78, 63.2, -8.74

 

CMYK 36 / 64 / 0 / 9

HEX #9354E7

RGB 147 84 231

HSL 265.71, 0.75%, 0.62%

LAB 49.87, 55.08, -65.05

 

CMYK 54 / 64 / 0 / 9

HEX #6B54E7

RGB 107 84 231

HSL 249.39, 0.75%, 0.62%

LAB 45.96, 47.47, -71.59

 

CMYK 64 / 64 / 0 / 9

HEX #5454E7

RGB 84 84 231

HSL 240, 0.75%, 0.62%

LAB 44.23, 43.87, -74.49

 

CMYK 36 / 64 / 0 / 9

HEX #9354E7

RGB 147 84 231

HSL 265.71, 0.75%, 0.62%

LAB 49.87, 55.08, -65.05

 

CMYK 41 / 72 / 0 / 3

HEX #9144F7

RGB 145 68 247

HSL 265.81, 0.92%, 0.62%

LAB 48.1, 66.16, -76.94

 

CMYK 36 / 64 / 0 / 9

HEX #9354E7

RGB 147 84 231

HSL 265.71, 0.75%, 0.62%

LAB 49.87, 55.08, -65.05

 

CMYK 31 / 54 / 0 / 15

HEX #9564D8

RGB 149 100 216

HSL 265.34, 0.6%, 0.62%

LAB 52.36, 43.31, -52.57

 

CMYK 24 / 43 / 0 / 22

HEX #9873C8

RGB 152 115 200

HSL 266.12, 0.44%, 0.62%

LAB 55.18, 31.73, -38.98

 

CMYK 16 / 29 / 0 / 28

HEX #9A83B8

RGB 154 131 184

HSL 266.04, 0.27%, 0.62%

LAB 58.57, 19.38, -24.58

 

CMYK 8 / 13 / 0 / 34

HEX #9C93A9

RGB 156 147 169

HSL 264.55, 0.11%, 0.62%

LAB 62.34, 7.64, -10.33

 

CMYK 64 / 56 / 0 / 9

HEX #5465E7

RGB 84 101 231

HSL 233.06, 0.75%, 0.62%

LAB 48.21, 33.6, -68

 

CMYK 54 / 64 / 0 / 9

HEX #6A54E7

RGB 106 84 231

HSL 248.98, 0.75%, 0.62%

LAB 45.87, 47.3, -71.73

 

CMYK 37 / 64 / 0 / 9

HEX #9154E7

RGB 145 84 231

HSL 264.9, 0.75%, 0.62%

LAB 49.65, 54.66, -65.42

 

CMYK 20 / 64 / 0 / 9

HEX #B954E7

RGB 185 84 231

HSL 281.22, 0.75%, 0.62%

LAB 54.47, 63.28, -57.41

 

CMYK 3 / 64 / 0 / 9

HEX #E054E7

RGB 224 84 231

HSL 297.14, 0.75%, 0.62%

LAB 59.85, 72.15, -48.52

 

CMYK 49 / 86 / 0 / 20

HEX #681CCD

RGB 104 28 205

HSL 265.76, 0.76%, 0.46%

LAB 34.36, 65.44, -75.7

 

CMYK 45 / 79 / 0 / 11

HEX #7C30E2

RGB 124 48 226

HSL 265.62, 0.75%, 0.54%

LAB 41.04, 66.15, -76.72

 

CMYK 36 / 64 / 0 / 9

HEX #9354E7

RGB 147 84 231

HSL 265.71, 0.75%, 0.62%

LAB 49.87, 55.08, -65.05

 

CMYK 28 / 49 / 0 / 7

HEX #AA78EC

RGB 170 120 236

HSL 265.86, 0.75%, 0.7%

LAB 59.92, 42.5, -51.61

 

CMYK 20 / 35 / 0 / 5

HEX #C19DF1

RGB 193 157 241

HSL 265.71, 0.75%, 0.78%

LAB 70.73, 29.57, -37.22

 

CMYK 37 / 64 / 0 / 9

HEX #9353E8

RGB 147 83 232

HSL 265.77, 0.76%, 0.62%

LAB 49.76, 55.83, -65.81

 

CMYK 0 / 64 / 39 / 9

HEX #E7548C

RGB 231 84 140

HSL 337.14, 0.75%, 0.62%

LAB 57.29, 61.44, -0.1

 

CMYK 64 / 0 / 63 / 9

HEX #54E756

RGB 84 231 86

HSL 120.82, 0.75%, 0.62%

LAB 81.68, -66.4, 57.56

 

CMYK 37 / 64 / 0 / 9

HEX #9353E8

RGB 147 83 232

HSL 265.77, 0.76%, 0.62%

LAB 49.76, 55.83, -65.81

 

CMYK 0 / 37 / 64 / 9

HEX #E79154

RGB 231 145 84

HSL 24.9, 0.75%, 0.62%

LAB 67.93, 27, 45.37

 

CMYK 64 / 0 / 37 / 9

HEX #54E791

RGB 84 231 145

HSL 144.9, 0.75%, 0.62%

LAB 82.42, -58.03, 30.62

 

CMYK 37 / 64 / 0 / 9

HEX #9353E8

RGB 147 83 232

HSL 265.77, 0.76%, 0.62%

LAB 49.76, 55.83, -65.81

 

CMYK 0 / 64 / 39 / 9

HEX #E7548C

RGB 231 84 140

HSL 337.14, 0.75%, 0.62%

LAB 57.29, 61.44, -0.1

 

CMYK 26 / 0 / 64 / 9

HEX #AAE754

RGB 170 231 84

HSL 84.9, 0.75%, 0.62%

LAB 85.17, -41.38, 63.2

 

CMYK 64 / 0 / 24 / 9

HEX #54E7AF

RGB 84 231 175

HSL 157.14, 0.75%, 0.62%

LAB 82.98, -52.05, 15.91

 

CMYK 37 / 64 / 0 / 9

HEX #9353E8

RGB 147 83 232

HSL 265.77, 0.76%, 0.62%

LAB 49.76, 55.83, -65.81

 

CMYK 0 / 64 / 58 / 9

HEX #E75460

RGB 231 84 96

HSL 355.1, 0.75%, 0.62%

LAB 56.26, 57.63, 24.33

 

CMYK 26 / 0 / 64 / 9

HEX #AAE754

RGB 170 231 84

HSL 84.9, 0.75%, 0.62%

LAB 85.17, -41.38, 63.2

 

CMYK 64 / 0 / 5 / 9

HEX #54E7DB

RGB 84 231 219

HSL 175.1, 0.75%, 0.62%

LAB 84.04, -41.48, -5.72

 

Description

Color code: HEX #9353E8 | qconv.com Color code: HEX #9353E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 83 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 83 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 64 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 64% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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