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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 84 231 it is the complementary color RGB 70 171 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 84 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 84 231 shade: RGB 190 84 226, RGB 207 102 245, RGB 224 120 255, RGB 241 138 255 and RGB 255 156 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 84 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 84 231 shade: RGB 185 84 231, RGB 168 66 212, RGB 151 48 193, RGB 134 30 174 and RGB 117 12 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 84 231 shade: RGB 185 85 230, RGB 224 85 230, RGB 230 85 197, RGB 230 85 158 and RGB 230 85 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 84 231 shade: RGB 185 85 230, RGB 146 85 230, RGB 106 85 230 and RGB 85 85 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 84 231 shade matches the following richer shades: RGB 185 85 230 and RGB 191 69 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 84 231 shade: RGB 185 85 230, RGB 179 101 215, RGB 173 116 199, RGB 167 132 183 and RGB 161 148 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 84 231 shade: RGB 107 85 230, RGB 145 85 230, RGB 184 85 230, RGB 223 85 230 and RGB 230 85 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 84 231 shade: RGB 149 29 204, RGB 170 49 225, RGB 185 85 230, RGB 200 121 235 and RGB 214 157 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 84 231 shade: RGB 185 84 231, RGB 230 85 102 and RGB 85 230 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 84 231 shade: RGB 185 84 231, RGB 230 184 85 and RGB 85 230 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 84 231 shade: RGB 185 84 231, RGB 230 85 102, RGB 131 230 85 and RGB 85 230 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 84 231 shade: RGB 185 84 231, RGB 230 112 85, RGB 131 230 85 and RGB 85 204 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 64 / 0 / 9

HEX #B954E7

RGB 185 84 231

HSL 281.22, 0.75%, 0.62%

LAB 54.47, 63.28, -57.41

 

Complementary color

CMYK 59 / 0 / 86 / 33

HEX #46AB18

RGB 70 171 24

HSL 101.22, 0.75%, 0.38%

LAB 62.08, -53.44, 59.19

 

CMYK 16 / 63 / 0 / 11

HEX #BE54E2

RGB 190 84 226

HSL 284.79, 0.71%, 0.61%

LAB 54.84, 63.41, -53.96

 

CMYK 16 / 58 / 0 / 4

HEX #CF66F5

RGB 207 102 245

HSL 284.06, 0.88%, 0.68%

LAB 61.1, 62.97, -54.47

 

CMYK 12 / 53 / 0 / 0

HEX #E078FF

RGB 224 120 255

HSL 286.22, 1%, 0.74%

LAB 66.9, 60.6, -50.65

 

CMYK 5 / 46 / 0 / 0

HEX #F18AFF

RGB 241 138 255

HSL 292.82, 1%, 0.77%

LAB 72.29, 56.33, -42.03

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 20 / 64 / 0 / 9

HEX #B954E7

RGB 185 84 231

HSL 281.22, 0.75%, 0.62%

LAB 54.47, 63.28, -57.41

 

CMYK 21 / 69 / 0 / 17

HEX #A842D4

RGB 168 66 212

HSL 281.92, 0.63%, 0.55%

LAB 48.23, 63.51, -56.78

 

CMYK 22 / 75 / 0 / 24

HEX #9730C1

RGB 151 48 193

HSL 282.62, 0.6%, 0.47%

LAB 42.07, 63.29, -55.85

 

CMYK 23 / 83 / 0 / 32

HEX #861EAE

RGB 134 30 174

HSL 283.33, 0.71%, 0.4%

LAB 36.09, 62.28, -54.44

 

CMYK 25 / 92 / 0 / 39

HEX #750C9B

RGB 117 12 155

HSL 284.06, 0.86%, 0.33%

LAB 30.43, 60.01, -52.29

 

CMYK 20 / 63 / 0 / 10

HEX #B955E6

RGB 185 85 230

HSL 281.38, 0.74%, 0.62%

LAB 54.58, 62.63, -56.68

 

CMYK 3 / 63 / 0 / 10

HEX #E055E6

RGB 224 85 230

HSL 297.52, 0.74%, 0.62%

LAB 59.94, 71.59, -47.82

 

CMYK 0 / 63 / 14 / 10

HEX #E655C5

RGB 230 85 197

HSL 313.66, 0.74%, 0.62%

LAB 59.3, 67.89, -30.11

 

CMYK 0 / 63 / 31 / 10

HEX #E6559E

RGB 230 85 158

HSL 329.79, 0.74%, 0.62%

LAB 57.84, 62.74, -9.84

 

CMYK 0 / 63 / 48 / 10

HEX #E65577

RGB 230 85 119

HSL 345.93, 0.74%, 0.62%

LAB 56.73, 58.7, 11.44

 

CMYK 20 / 63 / 0 / 10

HEX #B955E6

RGB 185 85 230

HSL 281.38, 0.74%, 0.62%

LAB 54.58, 62.63, -56.68

 

CMYK 37 / 63 / 0 / 10

HEX #9255E6

RGB 146 85 230

HSL 265.24, 0.74%, 0.62%

LAB 49.88, 54.11, -64.48

 

CMYK 54 / 63 / 0 / 10

HEX #6A55E6

RGB 106 85 230

HSL 248.69, 0.74%, 0.62%

LAB 46.01, 46.43, -70.95

 

CMYK 63 / 63 / 0 / 10

HEX #5555E6

RGB 85 85 230

HSL 240, 0.74%, 0.62%

LAB 44.44, 43.1, -73.58

 

CMYK 20 / 63 / 0 / 10

HEX #B955E6

RGB 185 85 230

HSL 281.38, 0.74%, 0.62%

LAB 54.58, 62.63, -56.68

 

CMYK 22 / 72 / 0 / 4

HEX #BF45F6

RGB 191 69 246

HSL 281.36, 0.91%, 0.62%

LAB 54.01, 73.69, -66.51

 

CMYK 20 / 63 / 0 / 10

HEX #B955E6

RGB 185 85 230

HSL 281.38, 0.74%, 0.62%

LAB 54.58, 62.63, -56.68

 

CMYK 17 / 53 / 0 / 16

HEX #B365D7

RGB 179 101 215

HSL 281.05, 0.59%, 0.62%

LAB 55.88, 50.27, -46.18

 

CMYK 13 / 42 / 0 / 22

HEX #AD74C7

RGB 173 116 199

HSL 281.2, 0.43%, 0.62%

LAB 57.56, 37.14, -34.53

 

CMYK 9 / 28 / 0 / 28

HEX #A784B7

RGB 167 132 183

HSL 281.18, 0.26%, 0.62%

LAB 60.01, 22.84, -21.69

 

CMYK 4 / 12 / 0 / 34

HEX #A194A8

RGB 161 148 168

HSL 279, 0.1%, 0.62%

LAB 63, 8.61, -8.73

 

CMYK 53 / 63 / 0 / 10

HEX #6B55E6

RGB 107 85 230

HSL 249.1, 0.74%, 0.62%

LAB 46.09, 46.61, -70.81

 

CMYK 37 / 63 / 0 / 10

HEX #9155E6

RGB 145 85 230

HSL 264.83, 0.74%, 0.62%

LAB 49.77, 53.9, -64.66

 

CMYK 20 / 63 / 0 / 10

HEX #B855E6

RGB 184 85 230

HSL 280.97, 0.74%, 0.62%

LAB 54.45, 62.4, -56.89

 

CMYK 3 / 63 / 0 / 10

HEX #DF55E6

RGB 223 85 230

HSL 297.1, 0.74%, 0.62%

LAB 59.8, 71.36, -48.06

 

CMYK 0 / 63 / 13 / 10

HEX #E655C7

RGB 230 85 199

HSL 312.83, 0.74%, 0.62%

LAB 59.38, 68.18, -31.12

 

CMYK 27 / 86 / 0 / 20

HEX #951DCC

RGB 149 29 204

HSL 281.14, 0.75%, 0.46%

LAB 40.62, 70.81, -64.62

 

CMYK 24 / 78 / 0 / 12

HEX #AA31E1

RGB 170 49 225

HSL 281.25, 0.75%, 0.54%

LAB 47.21, 72.71, -65.83

 

CMYK 20 / 63 / 0 / 10

HEX #B955E6

RGB 185 85 230

HSL 281.38, 0.74%, 0.62%

LAB 54.58, 62.63, -56.68

 

CMYK 15 / 49 / 0 / 8

HEX #C879EB

RGB 200 121 235

HSL 281.58, 0.74%, 0.7%

LAB 63.3, 49.75, -45.5

 

CMYK 11 / 35 / 0 / 5

HEX #D69DF1

RGB 214 157 241

HSL 280.71, 0.75%, 0.78%

LAB 72.73, 35.86, -33.96

 

CMYK 20 / 64 / 0 / 9

HEX #B954E7

RGB 185 84 231

HSL 281.22, 0.75%, 0.62%

LAB 54.47, 63.28, -57.41

 

CMYK 0 / 63 / 56 / 10

HEX #E65566

RGB 230 85 102

HSL 352.97, 0.74%, 0.62%

LAB 56.37, 57.32, 20.93

 

CMYK 63 / 0 / 45 / 10

HEX #55E67E

RGB 85 230 126

HSL 136.97, 0.74%, 0.62%

LAB 81.86, -60.67, 39.39

 

CMYK 20 / 64 / 0 / 9

HEX #B954E7

RGB 185 84 231

HSL 281.22, 0.75%, 0.62%

LAB 54.47, 63.28, -57.41

 

CMYK 0 / 20 / 63 / 10

HEX #E6B855

RGB 230 184 85

HSL 40.97, 0.74%, 0.62%

LAB 77.14, 5.94, 55.32

 

CMYK 63 / 0 / 20 / 10

HEX #55E6B8

RGB 85 230 184

HSL 160.97, 0.74%, 0.62%

LAB 82.91, -49.47, 11.09

 

CMYK 20 / 64 / 0 / 9

HEX #B954E7

RGB 185 84 231

HSL 281.22, 0.75%, 0.62%

LAB 54.47, 63.28, -57.41

 

CMYK 0 / 63 / 56 / 10

HEX #E65566

RGB 230 85 102

HSL 352.97, 0.74%, 0.62%

LAB 56.37, 57.32, 20.93

 

CMYK 43 / 0 / 63 / 10

HEX #83E655

RGB 131 230 85

HSL 100.97, 0.74%, 0.62%

LAB 82.95, -54.04, 59.83

 

CMYK 63 / 0 / 7 / 10

HEX #55E6D5

RGB 85 230 213

HSL 172.97, 0.74%, 0.62%

LAB 83.62, -42.43, -3.18

 

CMYK 20 / 64 / 0 / 9

HEX #B954E7

RGB 185 84 231

HSL 281.22, 0.75%, 0.62%

LAB 54.47, 63.28, -57.41

 

CMYK 0 / 51 / 63 / 10

HEX #E67055

RGB 230 112 85

HSL 11.17, 0.74%, 0.62%

LAB 60.84, 43.69, 36.35

 

CMYK 43 / 0 / 63 / 10

HEX #83E655

RGB 131 230 85

HSL 100.97, 0.74%, 0.62%

LAB 82.95, -54.04, 59.83

 

CMYK 63 / 11 / 0 / 10

HEX #55CCE6

RGB 85 204 230

HSL 190.76, 0.74%, 0.62%

LAB 76.58, -25.52, -22.78

 

Description

Color code: RGB 185 84 231 | qconv.com Color code: RGB 185 84 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 84 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 84 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 64 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 64% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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