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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FCEF9 it is the complementary color #703106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FCEF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FCEF9 shade: #94CEF4, #A5E0FF, #B6F2FF, #C7FFFF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FCEF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FCEF9 shade: #8FCEF9, #7EBCE6, #6DAAD3, #5C98C0 and #4B86AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FCEF9 shade: #8FCEF9, #8FB1F9, #8F95F9, #A68FF9 and #C28FF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FCEF9 shade: #8FCEF9, #8FB1F9, #8F95F9 and #8F8FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FCEF9 shade matches the following richer shades: #8FCEF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FCEF9 shade: #8FCEF9, #99CCEF, #A2CAE6, #ACC8DC and #B5C7D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FCEF9 shade: #8FF9EB, #8FEBF9, #8FCEF9, #8FB2F9 and #8F96F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FCEF9 shade: #41ACF5, #68BDF7, #8FCEF9, #B6DFFB and #DDF0FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FCEF9 shade: #8FCEF9, #CE8FF9 and #F9F98F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FCEF9 shade: #8FCEF9, #F98FCE and #CEF98F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FCEF9 shade: #8FCEF9, #CE8FF9, #F9B98F and #B9F98F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FCEF9 shade: #8FCEF9, #EE8FF9, #F9B98F and #9AF98F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

Complementary color

CMYK 0 / 56 / 95 / 56

HEX #703106

RGB 112 49 6

HSL 24.34, 0.9%, 0.23%

LAB 28.52, 25.49, 36.99

 

CMYK 39 / 16 / 0 / 4

HEX #94CEF4

RGB 148 206 244

HSL 203.75, 0.81%, 0.77%

LAB 80.16, -9.22, -24.58

 

CMYK 35 / 12 / 0 / 0

HEX #A5E0FF

RGB 165 224 255

HSL 200.67, 1%, 0.82%

LAB 86.27, -11.38, -21.05

 

CMYK 29 / 5 / 0 / 0

HEX #B6F2FF

RGB 182 242 255

HSL 190.68, 1%, 0.86%

LAB 91.98, -15.87, -12.37

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 45 / 18 / 0 / 10

HEX #7EBCE6

RGB 126 188 230

HSL 204.23, 0.68%, 0.7%

LAB 73.62, -8.9, -27.16

 

CMYK 48 / 19 / 0 / 17

HEX #6DAAD3

RGB 109 170 211

HSL 204.12, 0.54%, 0.63%

LAB 67.05, -8.57, -26.92

 

CMYK 52 / 21 / 0 / 25

HEX #5C98C0

RGB 92 152 192

HSL 204, 0.44%, 0.56%

LAB 60.37, -8.16, -26.69

 

CMYK 57 / 23 / 0 / 32

HEX #4B86AD

RGB 75 134 173

HSL 203.88, 0.4%, 0.49%

LAB 53.56, -7.63, -26.46

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 43 / 29 / 0 / 2

HEX #8FB1F9

RGB 143 177 249

HSL 220.75, 0.9%, 0.77%

LAB 72.31, 6.57, -39.39

 

CMYK 43 / 40 / 0 / 2

HEX #8F95F9

RGB 143 149 249

HSL 236.6, 0.9%, 0.77%

LAB 65.1, 22.53, -50.71

 

CMYK 33 / 43 / 0 / 2

HEX #A68FF9

RGB 166 143 249

HSL 253.02, 0.9%, 0.77%

LAB 65.43, 31.8, -50.08

 

CMYK 22 / 43 / 0 / 2

HEX #C28FF9

RGB 194 143 249

HSL 268.87, 0.9%, 0.77%

LAB 67.99, 39.37, -45.87

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 43 / 29 / 0 / 2

HEX #8FB1F9

RGB 143 177 249

HSL 220.75, 0.9%, 0.77%

LAB 72.31, 6.57, -39.39

 

CMYK 43 / 40 / 0 / 2

HEX #8F95F9

RGB 143 149 249

HSL 236.6, 0.9%, 0.77%

LAB 65.1, 22.53, -50.71

 

CMYK 43 / 43 / 0 / 2

HEX #8F8FF9

RGB 143 143 249

HSL 240, 0.9%, 0.77%

LAB 63.61, 26, -53.07

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 36 / 15 / 0 / 6

HEX #99CCEF

RGB 153 204 239

HSL 204.42, 0.73%, 0.77%

LAB 79.72, -8.14, -22.56

 

CMYK 30 / 12 / 0 / 10

HEX #A2CAE6

RGB 162 202 230

HSL 204.71, 0.58%, 0.77%

LAB 79.41, -6.79, -18.17

 

CMYK 22 / 9 / 0 / 14

HEX #ACC8DC

RGB 172 200 220

HSL 205, 0.41%, 0.77%

LAB 79.18, -5.07, -13.07

 

CMYK 14 / 6 / 0 / 17

HEX #B5C7D3

RGB 181 199 211

HSL 204, 0.25%, 0.77%

LAB 79.26, -3.66, -8.06

 

CMYK 43 / 0 / 6 / 2

HEX #8FF9EB

RGB 143 249 235

HSL 172.08, 0.9%, 0.77%

LAB 91.5, -33.97, -2.9

 

CMYK 43 / 6 / 0 / 2

HEX #8FEBF9

RGB 143 235 249

HSL 187.92, 0.9%, 0.77%

LAB 88.01, -23.91, -15.38

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 43 / 29 / 0 / 2

HEX #8FB2F9

RGB 143 178 249

HSL 220.19, 0.9%, 0.77%

LAB 72.57, 6.02, -38.98

 

CMYK 43 / 40 / 0 / 2

HEX #8F96F9

RGB 143 150 249

HSL 236.04, 0.9%, 0.77%

LAB 65.35, 21.95, -50.32

 

CMYK 73 / 30 / 0 / 4

HEX #41ACF5

RGB 65 172 245

HSL 204.33, 0.9%, 0.61%

LAB 67.44, -6.78, -45.08

 

CMYK 58 / 23 / 0 / 3

HEX #68BDF7

RGB 104 189 247

HSL 204.34, 0.9%, 0.69%

LAB 73.58, -9.27, -36.49

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 27 / 11 / 0 / 2

HEX #B6DFFB

RGB 182 223 251

HSL 204.35, 0.9%, 0.85%

LAB 86.84, -7.12, -17.99

 

CMYK 13 / 5 / 0 / 1

HEX #DDF0FD

RGB 221 240 253

HSL 204.38, 0.89%, 0.93%

LAB 93.79, -3.7, -8.39

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 17 / 43 / 0 / 2

HEX #CE8FF9

RGB 206 143 249

HSL 275.66, 0.9%, 0.77%

LAB 69.19, 42.73, -43.9

 

CMYK 0 / 0 / 43 / 2

HEX #F9F98F

RGB 249 249 143

HSL 60, 0.9%, 0.77%

LAB 95.94, -14.6, 50.7

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 0 / 43 / 17 / 2

HEX #F98FCE

RGB 249 143 206

HSL 324.34, 0.9%, 0.77%

LAB 72.39, 48, -14.94

 

CMYK 17 / 0 / 43 / 2

HEX #CEF98F

RGB 206 249 143

HSL 84.34, 0.9%, 0.77%

LAB 92.95, -30.72, 46.31

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 17 / 43 / 0 / 2

HEX #CE8FF9

RGB 206 143 249

HSL 275.66, 0.9%, 0.77%

LAB 69.19, 42.73, -43.9

 

CMYK 0 / 26 / 43 / 2

HEX #F9B98F

RGB 249 185 143

HSL 23.77, 0.9%, 0.77%

LAB 80.08, 18.03, 30.34

 

CMYK 26 / 0 / 43 / 2

HEX #B9F98F

RGB 185 249 143

HSL 96.23, 0.9%, 0.77%

LAB 91.71, -38.11, 44.48

 

CMYK 43 / 17 / 0 / 2

HEX #8FCEF9

RGB 143 206 249

HSL 204.34, 0.9%, 0.77%

LAB 80.08, -9.17, -27.4

 

CMYK 4 / 43 / 0 / 2

HEX #EE8FF9

RGB 238 143 249

HSL 293.77, 0.9%, 0.77%

LAB 72.67, 51.86, -38.21

 

CMYK 0 / 26 / 43 / 2

HEX #F9B98F

RGB 249 185 143

HSL 23.77, 0.9%, 0.77%

LAB 80.08, 18.03, 30.34

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

Description

Color code: HEX #8FCEF9 | qconv.com Color code: HEX #8FCEF9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 206 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 206 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 17 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 17% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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