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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9AF98F it is the complementary color #650670. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9AF98F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9AF98F shade: #9FF98A, #B0FF9D, #C1FFB0, #D2FFC3 and #E3FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9AF98F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9AF98F shade: #9AF98F, #89E77C, #78D569, #67C356 and #56B143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9AF98F shade: #9AF98F, #B6F98F, #D3F98F, #EFF98F and #F9E58F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9AF98F shade: #9AF98F, #8FF9A1, #8FF9BD, #8FF9DA and #8FF9F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9AF98F shade matches the following richer shades: #9AF98F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9AF98F shade: #9AF98F, #A2EF99, #A9E6A2, #B1DCAC and #B8D3B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9AF98F shade: #D4F98F, #B8F98F, #9BF98F, #8FF99F and #8FF9BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9AF98F shade: #53F541, #77F768, #9AF98F, #BDFBB6 and #E1FDDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9AF98F shade: #9AF98F, #8FF0F9 and #F98FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9AF98F shade: #9AF98F, #8F9BF9 and #F98F9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9AF98F shade: #9AF98F, #8FF0F9, #EC8FF9 and #F9988F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9AF98F shade: #9AF98F, #8FD0F9, #EC8FF9 and #F9B88F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

Complementary color

CMYK 10 / 95 / 0 / 56

HEX #650670

RGB 101 6 112

HSL 293.77, 0.9%, 0.23%

LAB 23.89, 50.39, -36.04

 

CMYK 36 / 0 / 45 / 2

HEX #9FF98A

RGB 159 249 138

HSL 108.65, 0.9%, 0.76%

LAB 90.3, -47.27, 44.83

 

CMYK 31 / 0 / 38 / 0

HEX #B0FF9D

RGB 176 255 157

HSL 108.37, 1%, 0.81%

LAB 93.1, -41.92, 39.33

 

CMYK 24 / 0 / 31 / 0

HEX #C1FFB0

RGB 193 255 176

HSL 107.09, 1%, 0.85%

LAB 94.31, -33.63, 31.67

 

CMYK 18 / 0 / 24 / 0

HEX #D2FFC3

RGB 210 255 195

HSL 105, 1%, 0.88%

LAB 95.65, -25.05, 24.06

 

CMYK 11 / 0 / 16 / 0

HEX #E3FFD6

RGB 227 255 214

HSL 100.98, 1%, 0.92%

LAB 97.11, -16.28, 16.58

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 41 / 0 / 46 / 9

HEX #89E77C

RGB 137 231 124

HSL 112.71, 0.69%, 0.7%

LAB 83.93, -48.28, 43.36

 

CMYK 44 / 0 / 51 / 16

HEX #78D569

RGB 120 213 105

HSL 111.67, 0.56%, 0.62%

LAB 77.64, -48.37, 44.59

 

CMYK 47 / 0 / 56 / 24

HEX #67C356

RGB 103 195 86

HSL 110.64, 0.48%, 0.55%

LAB 71.27, -48.35, 45.79

 

CMYK 51 / 0 / 62 / 31

HEX #56B143

RGB 86 177 67

HSL 109.64, 0.45%, 0.48%

LAB 64.83, -48.18, 46.9

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 27 / 0 / 43 / 2

HEX #B6F98F

RGB 182 249 143

HSL 97.92, 0.9%, 0.77%

LAB 91.54, -39.14, 44.23

 

CMYK 15 / 0 / 43 / 2

HEX #D3F98F

RGB 211 249 143

HSL 81.51, 0.9%, 0.77%

LAB 93.27, -28.9, 46.78

 

CMYK 4 / 0 / 43 / 2

HEX #EFF98F

RGB 239 249 143

HSL 65.66, 0.9%, 0.77%

LAB 95.2, -18.43, 49.6

 

CMYK 0 / 8 / 43 / 2

HEX #F9E58F

RGB 249 229 143

HSL 48.68, 0.9%, 0.77%

LAB 90.85, -4.69, 44.32

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 43 / 0 / 35 / 2

HEX #8FF9A1

RGB 143 249 161

HSL 130.19, 0.9%, 0.77%

LAB 89.94, -48.64, 32.91

 

CMYK 43 / 0 / 24 / 2

HEX #8FF9BD

RGB 143 249 189

HSL 146.04, 0.9%, 0.77%

LAB 90.44, -43.7, 19.38

 

CMYK 43 / 0 / 12 / 2

HEX #8FF9DA

RGB 143 249 218

HSL 162.45, 0.9%, 0.77%

LAB 91.08, -37.79, 5.31

 

CMYK 43 / 0 / 1 / 2

HEX #8FF9F6

RGB 143 249 246

HSL 178.3, 0.9%, 0.77%

LAB 91.79, -31.38, -8.18

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 32 / 0 / 36 / 6

HEX #A2EF99

RGB 162 239 153

HSL 113.72, 0.73%, 0.77%

LAB 87.83, -39.88, 34.29

 

CMYK 27 / 0 / 30 / 10

HEX #A9E6A2

RGB 169 230 162

HSL 113.82, 0.58%, 0.77%

LAB 85.82, -32.12, 27.09

 

CMYK 20 / 0 / 22 / 14

HEX #B1DCAC

RGB 177 220 172

HSL 113.75, 0.41%, 0.77%

LAB 83.71, -23.03, 19.08

 

CMYK 13 / 0 / 14 / 17

HEX #B8D3B5

RGB 184 211 181

HSL 114, 0.25%, 0.77%

LAB 81.9, -14.62, 11.85

 

CMYK 15 / 0 / 43 / 2

HEX #D4F98F

RGB 212 249 143

HSL 80.94, 0.9%, 0.77%

LAB 93.33, -28.54, 46.87

 

CMYK 26 / 0 / 43 / 2

HEX #B8F98F

RGB 184 249 143

HSL 96.79, 0.9%, 0.77%

LAB 91.65, -38.46, 44.39

 

CMYK 38 / 0 / 43 / 2

HEX #9BF98F

RGB 155 249 143

HSL 113.21, 0.9%, 0.77%

LAB 90.18, -47.84, 42.23

 

CMYK 43 / 0 / 36 / 2

HEX #8FF99F

RGB 143 249 159

HSL 129.06, 0.9%, 0.77%

LAB 89.9, -48.96, 33.86

 

CMYK 43 / 0 / 25 / 2

HEX #8FF9BB

RGB 143 249 187

HSL 144.91, 0.9%, 0.77%

LAB 90.4, -44.08, 20.35

 

CMYK 66 / 0 / 73 / 4

HEX #53F541

RGB 83 245 65

HSL 114, 0.9%, 0.61%

LAB 85.77, -73, 69.76

 

CMYK 52 / 0 / 58 / 3

HEX #77F768

RGB 119 247 104

HSL 113.71, 0.9%, 0.69%

LAB 87.7, -62.06, 56.98

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 25 / 0 / 27 / 2

HEX #BDFBB6

RGB 189 251 182

HSL 113.91, 0.9%, 0.85%

LAB 93.1, -32.17, 26.96

 

CMYK 11 / 0 / 13 / 1

HEX #E1FDDD

RGB 225 253 221

HSL 112.5, 0.89%, 0.93%

LAB 96.61, -14.81, 12.27

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 43 / 4 / 0 / 2

HEX #8FF0F9

RGB 143 240 249

HSL 185.09, 0.9%, 0.77%

LAB 89.39, -26.35, -13.31

 

CMYK 0 / 43 / 20 / 2

HEX #F98FC6

RGB 249 143 198

HSL 328.87, 0.9%, 0.77%

LAB 72.14, 46.82, -10.89

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 43 / 38 / 0 / 2

HEX #8F9BF9

RGB 143 155 249

HSL 233.21, 0.9%, 0.77%

LAB 66.61, 19.07, -48.32

 

CMYK 0 / 43 / 38 / 2

HEX #F98F9B

RGB 249 143 155

HSL 353.21, 0.9%, 0.77%

LAB 70.98, 41.27, 11.33

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 43 / 4 / 0 / 2

HEX #8FF0F9

RGB 143 240 249

HSL 185.09, 0.9%, 0.77%

LAB 89.39, -26.35, -13.31

 

CMYK 5 / 43 / 0 / 2

HEX #EC8FF9

RGB 236 143 249

HSL 292.64, 0.9%, 0.77%

LAB 72.44, 51.29, -38.58

 

CMYK 0 / 39 / 43 / 2

HEX #F9988F

RGB 249 152 143

HSL 5.09, 0.9%, 0.77%

LAB 72.61, 35.34, 20.26

 

CMYK 38 / 0 / 43 / 2

HEX #9AF98F

RGB 154 249 143

HSL 113.77, 0.9%, 0.77%

LAB 90.14, -48.14, 42.16

 

CMYK 43 / 16 / 0 / 2

HEX #8FD0F9

RGB 143 208 249

HSL 203.21, 0.9%, 0.77%

LAB 80.62, -10.22, -26.57

 

CMYK 5 / 43 / 0 / 2

HEX #EC8FF9

RGB 236 143 249

HSL 292.64, 0.9%, 0.77%

LAB 72.44, 51.29, -38.58

 

CMYK 0 / 26 / 43 / 2

HEX #F9B88F

RGB 249 184 143

HSL 23.21, 0.9%, 0.77%

LAB 79.84, 18.56, 30.03

 

Description

Color code: HEX #9AF98F | qconv.com Color code: HEX #9AF98F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 249 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 249 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 43 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 43% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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