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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F96A8 it is the complementary color #706957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F96A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F96A8 shade: #9496A3, #A5A8B6, #B6BAC9, #C7CCDC and #D8DEEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F96A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F96A8 shade: #8F96A8, #7E8495, #6D7282, #5C606F and #4B4E5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F96A8 shade: #8E95A8, #8E8EA8, #958EA8, #9C8EA8 and #A38EA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F96A8 shade: #8E95A8, #8E8EA8 and #8E8EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F96A8 shade matches the following richer shades: #8E95A8, #7E8EB8, #6E87C8, #5E80D8 and #4E79E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F96A8 shade: #8E95A8, #9E9C98, #AEA488, #BEAB78 and #CEB268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F96A8 shade: #8EA3A8, #8E9CA8, #8E95A8, #8E8FA8 and #958EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F96A8 shade: #636B81, #778096, #8E95A8, #A5ABBA and #BDC1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F96A8 shade: #8F96A8, #A68EA8 and #A0A88E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F96A8 shade: #8F96A8, #A88E95 and #95A88E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F96A8 shade: #8F96A8, #A68EA8, #A8A18E and #90A88E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F96A8 shade: #8F96A8, #A88EA2, #A8A18E and #8EA894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 11 / 0 / 34

HEX #8F96A8

RGB 143 150 168

HSL 223.2, 0.13%, 0.61%

LAB 62.07, 1.28, -10.28

 

Complementary color

CMYK 0 / 6 / 22 / 56

HEX #706957

RGB 112 105 87

HSL 43.2, 0.13%, 0.39%

LAB 44.57, -0.5, 11.13

 

CMYK 9 / 8 / 0 / 36

HEX #9496A3

RGB 148 150 163

HSL 232, 0.08%, 0.61%

LAB 62.3, 1.91, -7.06

 

CMYK 9 / 8 / 0 / 29

HEX #A5A8B6

RGB 165 168 182

HSL 229.41, 0.1%, 0.68%

LAB 69.03, 1.73, -7.55

 

CMYK 9 / 7 / 0 / 21

HEX #B6BAC9

RGB 182 186 201

HSL 227.37, 0.15%, 0.75%

LAB 75.63, 1.55, -8.04

 

CMYK 10 / 7 / 0 / 14

HEX #C7CCDC

RGB 199 204 220

HSL 225.71, 0.23%, 0.82%

LAB 82.11, 1.38, -8.52

 

CMYK 10 / 7 / 0 / 6

HEX #D8DEEF

RGB 216 222 239

HSL 224.35, 0.42%, 0.89%

LAB 88.48, 1.22, -8.99

 

CMYK 15 / 11 / 0 / 34

HEX #8F96A8

RGB 143 150 168

HSL 223.2, 0.13%, 0.61%

LAB 62.07, 1.28, -10.28

 

CMYK 15 / 11 / 0 / 42

HEX #7E8495

RGB 126 132 149

HSL 224.35, 0.1%, 0.54%

LAB 55.18, 1.47, -9.85

 

CMYK 16 / 12 / 0 / 49

HEX #6D7282

RGB 109 114 130

HSL 225.71, 0.09%, 0.47%

LAB 48.13, 1.67, -9.43

 

CMYK 17 / 14 / 0 / 56

HEX #5C606F

RGB 92 96 111

HSL 227.37, 0.09%, 0.4%

LAB 40.88, 1.89, -9.01

 

CMYK 18 / 15 / 0 / 64

HEX #4B4E5C

RGB 75 78 92

HSL 229.41, 0.1%, 0.33%

LAB 33.39, 2.13, -8.6

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 15 / 15 / 0 / 34

HEX #8E8EA8

RGB 142 142 168

HSL 240, 0.13%, 0.61%

LAB 59.82, 5.47, -13.66

 

CMYK 11 / 15 / 0 / 34

HEX #958EA8

RGB 149 142 168

HSL 256.15, 0.13%, 0.61%

LAB 60.39, 7.85, -12.74

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 3 / 15 / 0 / 34

HEX #A38EA8

RGB 163 142 168

HSL 288.46, 0.13%, 0.61%

LAB 61.62, 12.71, -10.77

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 15 / 15 / 0 / 34

HEX #8E8EA8

RGB 142 142 168

HSL 240, 0.13%, 0.61%

LAB 59.82, 5.47, -13.66

 

CMYK 15 / 15 / 0 / 34

HEX #8E8EA8

RGB 142 142 168

HSL 240, 0.13%, 0.61%

LAB 59.82, 5.47, -13.66

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 32 / 23 / 0 / 28

HEX #7E8EB8

RGB 126 142 184

HSL 223.45, 0.29%, 0.61%

LAB 59.2, 4.27, -23.81

 

CMYK 45 / 33 / 0 / 22

HEX #6E87C8

RGB 110 135 200

HSL 223.33, 0.45%, 0.61%

LAB 56.89, 8.37, -36.53

 

CMYK 56 / 41 / 0 / 15

HEX #5E80D8

RGB 94 128 216

HSL 223.28, 0.61%, 0.61%

LAB 54.84, 13.85, -48.86

 

CMYK 66 / 48 / 0 / 9

HEX #4E79E8

RGB 78 121 232

HSL 223.25, 0.77%, 0.61%

LAB 53.08, 20.64, -60.71

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 0 / 1 / 4 / 38

HEX #9E9C98

RGB 158 156 152

HSL 40, 0.03%, 0.61%

LAB 64.41, -0.02, 2.34

 

CMYK 0 / 6 / 22 / 32

HEX #AEA488

RGB 174 164 136

HSL 44.21, 0.19%, 0.61%

LAB 67.52, -1.03, 15.85

 

CMYK 0 / 10 / 37 / 25

HEX #BEAB78

RGB 190 171 120

HSL 43.71, 0.35%, 0.61%

LAB 70.48, -0.6, 28.79

 

CMYK 0 / 14 / 50 / 19

HEX #CEB268

RGB 206 178 104

HSL 43.53, 0.51%, 0.61%

LAB 73.52, 0.55, 41.31

 

CMYK 15 / 3 / 0 / 34

HEX #8EA3A8

RGB 142 163 168

HSL 191.54, 0.13%, 0.61%

LAB 65.57, -6.24, -5.07

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 15 / 15 / 0 / 34

HEX #8E8FA8

RGB 142 143 168

HSL 237.69, 0.13%, 0.61%

LAB 60.09, 4.9, -13.25

 

CMYK 11 / 15 / 0 / 34

HEX #958EA8

RGB 149 142 168

HSL 256.15, 0.13%, 0.61%

LAB 60.39, 7.85, -12.74

 

CMYK 23 / 17 / 0 / 49

HEX #636B81

RGB 99 107 129

HSL 224, 0.13%, 0.45%

LAB 45.29, 2.14, -13.19

 

CMYK 21 / 15 / 0 / 41

HEX #778096

RGB 119 128 150

HSL 222.58, 0.13%, 0.53%

LAB 53.56, 1.64, -12.93

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 11 / 8 / 0 / 27

HEX #A5ABBA

RGB 165 171 186

HSL 222.86, 0.13%, 0.69%

LAB 69.94, 0.91, -8.4

 

CMYK 7 / 5 / 0 / 20

HEX #BDC1CC

RGB 189 193 204

HSL 224, 0.13%, 0.77%

LAB 78.06, 0.74, -5.99

 

CMYK 15 / 11 / 0 / 34

HEX #8F96A8

RGB 143 150 168

HSL 223.2, 0.13%, 0.61%

LAB 62.07, 1.28, -10.28

 

CMYK 1 / 15 / 0 / 34

HEX #A68EA8

RGB 166 142 168

HSL 295.38, 0.13%, 0.61%

LAB 61.9, 13.76, -10.33

 

CMYK 5 / 0 / 15 / 34

HEX #A0A88E

RGB 160 168 142

HSL 78.46, 0.13%, 0.61%

LAB 67.6, -7.57, 12.49

 

CMYK 15 / 11 / 0 / 34

HEX #8F96A8

RGB 143 150 168

HSL 223.2, 0.13%, 0.61%

LAB 62.07, 1.28, -10.28

 

CMYK 0 / 15 / 11 / 34

HEX #A88E95

RGB 168 142 149

HSL 343.85, 0.13%, 0.61%

LAB 61.52, 10.96, -0.08

 

CMYK 11 / 0 / 15 / 34

HEX #95A88E

RGB 149 168 142

HSL 103.85, 0.13%, 0.61%

LAB 66.78, -11.63, 11.22

 

CMYK 15 / 11 / 0 / 34

HEX #8F96A8

RGB 143 150 168

HSL 223.2, 0.13%, 0.61%

LAB 62.07, 1.28, -10.28

 

CMYK 1 / 15 / 0 / 34

HEX #A68EA8

RGB 166 142 168

HSL 295.38, 0.13%, 0.61%

LAB 61.9, 13.76, -10.33

 

CMYK 0 / 4 / 15 / 34

HEX #A8A18E

RGB 168 161 142

HSL 43.85, 0.13%, 0.61%

LAB 66.34, -0.77, 10.8

 

CMYK 14 / 0 / 15 / 34

HEX #90A88E

RGB 144 168 142

HSL 115.38, 0.13%, 0.61%

LAB 66.43, -13.43, 10.67

 

CMYK 15 / 11 / 0 / 34

HEX #8F96A8

RGB 143 150 168

HSL 223.2, 0.13%, 0.61%

LAB 62.07, 1.28, -10.28

 

CMYK 0 / 15 / 4 / 34

HEX #A88EA2

RGB 168 142 162

HSL 313.85, 0.13%, 0.61%

LAB 61.89, 13.32, -6.91

 

CMYK 0 / 4 / 15 / 34

HEX #A8A18E

RGB 168 161 142

HSL 43.85, 0.13%, 0.61%

LAB 66.34, -0.77, 10.8

 

CMYK 15 / 0 / 12 / 34

HEX #8EA894

RGB 142 168 148

HSL 133.85, 0.13%, 0.61%

LAB 66.44, -13.01, 7.34

 

Description

Color code: HEX #8F96A8 | qconv.com Color code: HEX #8F96A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 150 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 150 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 11 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 11% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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