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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E9CA8 it is the complementary color #716357. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E9CA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E9CA8 shade: #939CA3, #A4AEB6, #B5C0C9, #C6D2DC and #D7E4EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E9CA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E9CA8 shade: #8E9CA8, #7D8A95, #6C7882, #5B666F and #4A545C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E9CA8 shade: #8E9CA8, #8E95A8, #8E8EA8, #958EA8 and #9C8EA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E9CA8 shade: #8E9CA8, #8E95A8 and #8E8EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E9CA8 shade matches the following richer shades: #8E9CA8, #7E9DB8, #6E9FC8, #5EA0D8 and #4EA1E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E9CA8 shade: #8E9CA8, #9E9B98, #AE9A88, #BE9878 and #CE9768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E9CA8 shade: #8EA8A6, #8EA3A8, #8E9CA8, #8E95A8 and #8E8FA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E9CA8 shade: #637381, #778896, #8E9CA8, #A5B0BA and #BDC5CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E9CA8 shade: #8E9CA8, #9F8EA8 and #A7A88E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E9CA8 shade: #8E9CA8, #A88E9C and #9CA88E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E9CA8 shade: #8E9CA8, #9F8EA8, #A89A8E and #97A88E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E9CA8 shade: #8E9CA8, #A78EA8, #A89A8E and #8FA88E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

Complementary color

CMYK 0 / 12 / 23 / 56

HEX #716357

RGB 113 99 87

HSL 27.69, 0.13%, 0.39%

LAB 42.95, 3.48, 8.87

 

CMYK 10 / 4 / 0 / 36

HEX #939CA3

RGB 147 156 163

HSL 206.25, 0.08%, 0.61%

LAB 63.86, -1.77, -4.76

 

CMYK 10 / 4 / 0 / 29

HEX #A4AEB6

RGB 164 174 182

HSL 206.67, 0.11%, 0.68%

LAB 70.55, -1.88, -5.3

 

CMYK 10 / 4 / 0 / 21

HEX #B5C0C9

RGB 181 192 201

HSL 207, 0.16%, 0.75%

LAB 77.13, -1.99, -5.82

 

CMYK 10 / 5 / 0 / 14

HEX #C6D2DC

RGB 198 210 220

HSL 207.27, 0.24%, 0.82%

LAB 83.58, -2.1, -6.34

 

CMYK 10 / 5 / 0 / 6

HEX #D7E4EF

RGB 215 228 239

HSL 207.5, 0.43%, 0.89%

LAB 89.94, -2.21, -6.84

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 16 / 7 / 0 / 42

HEX #7D8A95

RGB 125 138 149

HSL 207.5, 0.1%, 0.54%

LAB 56.79, -2.3, -7.46

 

CMYK 17 / 8 / 0 / 49

HEX #6C7882

RGB 108 120 130

HSL 207.27, 0.09%, 0.47%

LAB 49.78, -2.2, -6.98

 

CMYK 18 / 8 / 0 / 56

HEX #5B666F

RGB 91 102 111

HSL 207, 0.1%, 0.4%

LAB 42.57, -2.09, -6.48

 

CMYK 20 / 9 / 0 / 64

HEX #4A545C

RGB 74 84 92

HSL 206.67, 0.11%, 0.33%

LAB 35.14, -1.99, -5.98

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 15 / 15 / 0 / 34

HEX #8E8EA8

RGB 142 142 168

HSL 240, 0.13%, 0.61%

LAB 59.82, 5.47, -13.66

 

CMYK 11 / 15 / 0 / 34

HEX #958EA8

RGB 149 142 168

HSL 256.15, 0.13%, 0.61%

LAB 60.39, 7.85, -12.74

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 15 / 15 / 0 / 34

HEX #8E8EA8

RGB 142 142 168

HSL 240, 0.13%, 0.61%

LAB 59.82, 5.47, -13.66

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 32 / 15 / 0 / 28

HEX #7E9DB8

RGB 126 157 184

HSL 207.93, 0.29%, 0.61%

LAB 63.35, -4.22, -17.47

 

CMYK 45 / 21 / 0 / 22

HEX #6E9FC8

RGB 110 159 200

HSL 207.33, 0.45%, 0.61%

LAB 63.57, -5.41, -26.16

 

CMYK 56 / 26 / 0 / 15

HEX #5EA0D8

RGB 94 160 216

HSL 207.54, 0.61%, 0.61%

LAB 63.74, -4.85, -34.87

 

CMYK 66 / 31 / 0 / 9

HEX #4EA1E8

RGB 78 161 232

HSL 207.66, 0.77%, 0.61%

LAB 64.11, -3.16, -43.17

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 0 / 2 / 4 / 38

HEX #9E9B98

RGB 158 155 152

HSL 30, 0.03%, 0.61%

LAB 64.14, 0.53, 1.95

 

CMYK 0 / 11 / 22 / 32

HEX #AE9A88

RGB 174 154 136

HSL 28.42, 0.19%, 0.61%

LAB 64.87, 4.44, 12.15

 

CMYK 0 / 20 / 37 / 25

HEX #BE9878

RGB 190 152 120

HSL 27.43, 0.35%, 0.61%

LAB 65.56, 9.72, 22.23

 

CMYK 0 / 27 / 50 / 19

HEX #CE9768

RGB 206 151 104

HSL 27.65, 0.51%, 0.61%

LAB 66.71, 15.08, 32.77

 

CMYK 15 / 0 / 1 / 34

HEX #8EA8A6

RGB 142 168 166

HSL 175.38, 0.13%, 0.61%

LAB 66.91, -9.37, -1.99

 

CMYK 15 / 3 / 0 / 34

HEX #8EA3A8

RGB 142 163 168

HSL 191.54, 0.13%, 0.61%

LAB 65.57, -6.24, -5.07

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 15 / 15 / 0 / 34

HEX #8E8FA8

RGB 142 143 168

HSL 237.69, 0.13%, 0.61%

LAB 60.09, 4.9, -13.25

 

CMYK 23 / 11 / 0 / 49

HEX #637381

RGB 99 115 129

HSL 208, 0.13%, 0.45%

LAB 47.62, -2.61, -9.68

 

CMYK 21 / 9 / 0 / 41

HEX #778896

RGB 119 136 150

HSL 207.1, 0.13%, 0.53%

LAB 55.82, -2.96, -9.53

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 11 / 5 / 0 / 27

HEX #A5B0BA

RGB 165 176 186

HSL 208.57, 0.13%, 0.69%

LAB 71.28, -1.81, -6.42

 

CMYK 7 / 3 / 0 / 20

HEX #BDC5CC

RGB 189 197 204

HSL 208, 0.13%, 0.77%

LAB 79.11, -1.39, -4.45

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 5 / 15 / 0 / 34

HEX #9F8EA8

RGB 159 142 168

HSL 279.23, 0.13%, 0.61%

LAB 61.26, 11.31, -11.35

 

CMYK 1 / 0 / 15 / 34

HEX #A7A88E

RGB 167 168 142

HSL 62.31, 0.13%, 0.61%

LAB 68.15, -4.94, 13.34

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 0 / 15 / 7 / 34

HEX #A88E9C

RGB 168 142 156

HSL 327.69, 0.13%, 0.61%

LAB 61.72, 12.21, -3.76

 

CMYK 7 / 0 / 15 / 34

HEX #9CA88E

RGB 156 168 142

HSL 87.69, 0.13%, 0.61%

LAB 67.3, -9.06, 12.01

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 5 / 15 / 0 / 34

HEX #9F8EA8

RGB 159 142 168

HSL 279.23, 0.13%, 0.61%

LAB 61.26, 11.31, -11.35

 

CMYK 0 / 8 / 15 / 34

HEX #A89A8E

RGB 168 154 142

HSL 27.69, 0.13%, 0.61%

LAB 64.47, 3.07, 8.15

 

CMYK 10 / 0 / 15 / 34

HEX #97A88E

RGB 151 168 142

HSL 99.23, 0.13%, 0.61%

LAB 66.93, -10.9, 11.44

 

CMYK 15 / 7 / 0 / 34

HEX #8E9CA8

RGB 142 156 168

HSL 207.69, 0.13%, 0.61%

LAB 63.64, -2.4, -7.94

 

CMYK 1 / 15 / 0 / 34

HEX #A78EA8

RGB 167 142 168

HSL 297.69, 0.13%, 0.61%

LAB 61.99, 14.12, -10.18

 

CMYK 0 / 8 / 15 / 34

HEX #A89A8E

RGB 168 154 142

HSL 27.69, 0.13%, 0.61%

LAB 64.47, 3.07, 8.15

 

CMYK 15 / 0 / 15 / 34

HEX #8FA88E

RGB 143 168 142

HSL 117.69, 0.13%, 0.61%

LAB 66.37, -13.79, 10.57

 

Description

Color code: HEX #8E9CA8 | qconv.com Color code: HEX #8E9CA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 156 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 156 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 7 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 7% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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