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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EAD2E it is the complementary color #7152D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EAD2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EAD2E shade: #93AD29, #A4BF3C, #B5D14F, #C6E362 and #D7F575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EAD2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EAD2E shade: #8EAD2E, #7D9B1B, #6C8908, #5B7700 and #4A6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EAD2E shade: #8EAD2E, #ADAA2E, #AD872E, #AD652E and #AD432E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EAD2E shade: #8EAD2E, #6BAD2E, #49AD2E, #2EAD34 and #2EAD57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EAD2E shade matches the following richer shades: #8EAD2E, #97BE1C and #A0D00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EAD2E shade: #8EAD2E, #859B3F, #7C8951, #727863 and #696675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EAD2E shade: #AD872E, #ADA92E, #8FAD2E, #6DAD2E and #4BAD2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EAD2E shade: #586C1C, #738C25, #8EAD2E, #A7CA39 and #B5D35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EAD2E shade: #8EAD2E, #2EAD65 and #982EAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EAD2E shade: #8EAD2E, #2E8FAD and #AD2E8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EAD2E shade: #8EAD2E, #2EAD65, #4B2EAD and #AD2E76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EAD2E shade: #8EAD2E, #2EAD8B, #4B2EAD and #AD2E4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

Complementary color

CMYK 46 / 61 / 0 / 18

HEX #7152D1

RGB 113 82 209

HSL 254.65, 0.58%, 0.57%

LAB 44.45, 43.33, -61.49

 

CMYK 15 / 0 / 76 / 32

HEX #93AD29

RGB 147 173 41

HSL 71.82, 0.62%, 0.42%

LAB 66.71, -26.31, 60.07

 

CMYK 14 / 0 / 69 / 25

HEX #A4BF3C

RGB 164 191 60

HSL 72.37, 0.52%, 0.49%

LAB 73.21, -26.96, 60.04

 

CMYK 13 / 0 / 62 / 18

HEX #B5D14F

RGB 181 209 79

HSL 72.92, 0.59%, 0.56%

LAB 79.61, -27.47, 59.47

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 12 / 0 / 52 / 4

HEX #D7F575

RGB 215 245 117

HSL 74.06, 0.86%, 0.71%

LAB 92.15, -28.17, 57.63

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 19 / 0 / 83 / 39

HEX #7D9B1B

RGB 125 155 27

HSL 74.06, 0.7%, 0.36%

LAB 59.78, -27.4, 57.43

 

CMYK 21 / 0 / 94 / 46

HEX #6C8908

RGB 108 137 8

HSL 73.49, 0.89%, 0.28%

LAB 53.06, -26.41, 55.46

 

CMYK 24 / 0 / 100 / 53

HEX #5B7700

RGB 91 119 0

HSL 74.12, 1%, 0.23%

LAB 46.2, -25.1, 51.16

 

CMYK 27 / 0 / 100 / 60

HEX #4A6500

RGB 74 101 0

HSL 76.04, 1%, 0.2%

LAB 39.18, -23.59, 45.31

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 0 / 2 / 73 / 32

HEX #ADAA2E

RGB 173 170 46

HSL 58.58, 0.58%, 0.43%

LAB 67.9, -13.42, 60.21

 

CMYK 0 / 22 / 73 / 32

HEX #AD872E

RGB 173 135 46

HSL 42.05, 0.58%, 0.43%

LAB 58.42, 5.4, 51

 

CMYK 0 / 42 / 73 / 32

HEX #AD652E

RGB 173 101 46

HSL 25.98, 0.58%, 0.43%

LAB 49.96, 24.43, 42.33

 

CMYK 0 / 61 / 73 / 32

HEX #AD432E

RGB 173 67 46

HSL 9.92, 0.58%, 0.43%

LAB 42.91, 42.16, 34.68

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 38 / 0 / 73 / 32

HEX #6BAD2E

RGB 107 173 46

HSL 91.18, 0.58%, 0.43%

LAB 64.33, -41.6, 55.22

 

CMYK 58 / 0 / 73 / 32

HEX #49AD2E

RGB 73 173 46

HSL 107.24, 0.58%, 0.43%

LAB 62.93, -52.1, 53.35

 

CMYK 73 / 0 / 70 / 32

HEX #2EAD34

RGB 46 173 52

HSL 122.83, 0.58%, 0.43%

LAB 62.27, -57.37, 50.15

 

CMYK 73 / 0 / 50 / 32

HEX #2EAD57

RGB 46 173 87

HSL 139.37, 0.58%, 0.43%

LAB 62.64, -52.95, 34.42

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 21 / 0 / 85 / 25

HEX #97BE1C

RGB 151 190 28

HSL 74.44, 0.74%, 0.43%

LAB 71.89, -33.23, 68.33

 

CMYK 23 / 0 / 95 / 18

HEX #A0D00A

RGB 160 208 10

HSL 74.55, 0.91%, 0.43%

LAB 77.64, -38.19, 76.02

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 14 / 0 / 59 / 39

HEX #859B3F

RGB 133 155 63

HSL 74.35, 0.42%, 0.43%

LAB 60.59, -21.8, 44.67

 

CMYK 9 / 0 / 41 / 46

HEX #7C8951

RGB 124 137 81

HSL 73.93, 0.26%, 0.43%

LAB 54.84, -14.29, 28.44

 

CMYK 5 / 0 / 18 / 53

HEX #727863

RGB 114 120 99

HSL 77.14, 0.1%, 0.43%

LAB 49.39, -6.3, 10.79

 

CMYK 10 / 13 / 0 / 54

HEX #696675

RGB 105 102 117

HSL 252, 0.07%, 0.43%

LAB 43.93, 4.4, -7.97

 

CMYK 0 / 22 / 73 / 32

HEX #AD872E

RGB 173 135 46

HSL 42.05, 0.58%, 0.43%

LAB 58.42, 5.4, 51

 

CMYK 0 / 2 / 73 / 32

HEX #ADA92E

RGB 173 169 46

HSL 58.11, 0.58%, 0.43%

LAB 67.62, -12.9, 59.94

 

CMYK 17 / 0 / 73 / 32

HEX #8FAD2E

RGB 143 173 46

HSL 74.17, 0.58%, 0.43%

LAB 66.46, -27.71, 58.03

 

CMYK 37 / 0 / 73 / 32

HEX #6DAD2E

RGB 109 173 46

HSL 90.24, 0.58%, 0.43%

LAB 64.43, -40.89, 55.35

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 19 / 0 / 74 / 58

HEX #586C1C

RGB 88 108 28

HSL 75, 0.59%, 0.27%

LAB 42.59, -19.71, 40.08

 

CMYK 18 / 0 / 74 / 45

HEX #738C25

RGB 115 140 37

HSL 74.56, 0.58%, 0.35%

LAB 54.59, -23.76, 49.07

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 17 / 0 / 72 / 21

HEX #A7CA39

RGB 167 202 57

HSL 74.48, 0.58%, 0.51%

LAB 76.53, -31.15, 64.52

 

CMYK 14 / 0 / 57 / 17

HEX #B5D35A

RGB 181 211 90

HSL 74.88, 0.58%, 0.59%

LAB 80.26, -27.57, 55.45

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 73 / 0 / 42 / 32

HEX #2EAD65

RGB 46 173 101

HSL 145.98, 0.58%, 0.43%

LAB 62.85, -50.53, 27.41

 

CMYK 12 / 73 / 0 / 32

HEX #982EAD

RGB 152 46 173

HSL 290.08, 0.58%, 0.43%

LAB 40.65, 60.33, -46.34

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 73 / 17 / 0 / 32

HEX #2E8FAD

RGB 46 143 173

HSL 194.17, 0.58%, 0.43%

LAB 55.32, -17.7, -23.82

 

CMYK 0 / 73 / 17 / 32

HEX #AD2E8F

RGB 173 46 143

HSL 314.17, 0.58%, 0.43%

LAB 42.49, 60.21, -25.17

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 73 / 0 / 42 / 32

HEX #2EAD65

RGB 46 173 101

HSL 145.98, 0.58%, 0.43%

LAB 62.85, -50.53, 27.41

 

CMYK 57 / 73 / 0 / 32

HEX #4B2EAD

RGB 75 46 173

HSL 253.7, 0.58%, 0.43%

LAB 30.56, 46.04, -63.18

 

CMYK 0 / 73 / 32 / 32

HEX #AD2E76

RGB 173 46 118

HSL 325.98, 0.58%, 0.43%

LAB 41.45, 56.94, -11.43

 

CMYK 18 / 0 / 73 / 32

HEX #8EAD2E

RGB 142 173 46

HSL 74.65, 0.58%, 0.43%

LAB 66.39, -28.13, 57.94

 

CMYK 73 / 0 / 20 / 32

HEX #2EAD8B

RGB 46 173 139

HSL 163.94, 0.58%, 0.43%

LAB 63.62, -42.2, 7.75

 

CMYK 57 / 73 / 0 / 32

HEX #4B2EAD

RGB 75 46 173

HSL 253.7, 0.58%, 0.43%

LAB 30.56, 46.04, -63.18

 

CMYK 0 / 73 / 54 / 32

HEX #AD2E4F

RGB 173 46 79

HSL 344.41, 0.58%, 0.43%

LAB 40.25, 53.05, 11.29

 

Description

Color code: HEX #8EAD2E | qconv.com Color code: HEX #8EAD2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 173 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 173 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 73% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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