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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6E362 it is the complementary color #391C9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6E362. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6E362 shade: #CBE35D, #DCF570, #EDFF83, #FEFF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6E362. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6E362 shade: #C6E362, #B5D14F, #A4BF3C, #93AD29 and #829B16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6E362 shade: #C6E362, #E3DD62, #E3BB62, #E39862 and #E37562

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6E362 shade: #C6E362, #A3E362, #81E362, #62E367 and #62E389

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6E362 shade matches the following richer shades: #C6E362 and #CEF254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6E362 shade: #C6E362, #BED471, #B6C580, #AEB68F and #A5A89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6E362 shade: #E3BA62, #E3DD62, #C7E362, #A5E362 and #83E362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6E362 shade: #A8CF24, #B9DD3F, #C6E362, #D3E986 and #DFEFA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6E362 shade: #C6E362, #62E398 and #CB62E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6E362 shade: #C6E362, #62C7E3 and #E362C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6E362 shade: #C6E362, #62E398, #7E62E3 and #E362AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6E362 shade: #C6E362, #62E3BF, #7E62E3 and #E36287

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

Complementary color

CMYK 64 / 82 / 0 / 38

HEX #391C9D

RGB 57 28 157

HSL 253.49, 0.7%, 0.36%

LAB 24.11, 47.93, -64.18

 

CMYK 11 / 0 / 59 / 11

HEX #CBE35D

RGB 203 227 93

HSL 70.75, 0.71%, 0.63%

LAB 86.22, -26.29, 61.21

 

CMYK 10 / 0 / 54 / 4

HEX #DCF570

RGB 220 245 112

HSL 71.28, 0.87%, 0.7%

LAB 92.44, -26.68, 60.29

 

CMYK 7 / 0 / 49 / 0

HEX #EDFF83

RGB 237 255 131

HSL 68.71, 1%, 0.76%

LAB 96.48, -23.23, 56.76

 

CMYK 0 / 0 / 41 / 0

HEX #FEFF96

RGB 254 255 150

HSL 60.57, 1%, 0.79%

LAB 97.95, -14.91, 49.93

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 13 / 0 / 62 / 18

HEX #B5D14F

RGB 181 209 79

HSL 72.92, 0.59%, 0.56%

LAB 79.61, -27.47, 59.47

 

CMYK 14 / 0 / 69 / 25

HEX #A4BF3C

RGB 164 191 60

HSL 72.37, 0.52%, 0.49%

LAB 73.21, -26.96, 60.04

 

CMYK 15 / 0 / 76 / 32

HEX #93AD29

RGB 147 173 41

HSL 71.82, 0.62%, 0.42%

LAB 66.71, -26.31, 60.07

 

CMYK 16 / 0 / 86 / 39

HEX #829B16

RGB 130 155 22

HSL 71.28, 0.75%, 0.35%

LAB 60.11, -25.45, 59.13

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 0 / 3 / 57 / 11

HEX #E3DD62

RGB 227 221 98

HSL 57.21, 0.7%, 0.64%

LAB 86.47, -13.37, 59.83

 

CMYK 0 / 18 / 57 / 11

HEX #E3BB62

RGB 227 187 98

HSL 41.4, 0.7%, 0.64%

LAB 77.73, 4.02, 49.81

 

CMYK 0 / 33 / 57 / 11

HEX #E39862

RGB 227 152 98

HSL 25.12, 0.7%, 0.64%

LAB 69.23, 22.63, 39.61

 

CMYK 0 / 48 / 57 / 11

HEX #E37562

RGB 227 117 98

HSL 8.84, 0.7%, 0.64%

LAB 61.6, 40.98, 30.01

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 28 / 0 / 57 / 11

HEX #A3E362

RGB 163 227 98

HSL 89.77, 0.7%, 0.64%

LAB 83.76, -40.95, 55.59

 

CMYK 43 / 0 / 57 / 11

HEX #81E362

RGB 129 227 98

HSL 105.58, 0.7%, 0.64%

LAB 82.1, -52.18, 53.24

 

CMYK 57 / 0 / 55 / 11

HEX #62E367

RGB 98 227 103

HSL 122.33, 0.7%, 0.64%

LAB 81.02, -59.98, 49.42

 

CMYK 57 / 0 / 40 / 11

HEX #62E389

RGB 98 227 137

HSL 138.14, 0.7%, 0.64%

LAB 81.48, -55.01, 33.49

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 15 / 0 / 65 / 5

HEX #CEF254

RGB 206 242 84

HSL 73.67, 0.86%, 0.64%

LAB 90.44, -32.76, 69.45

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 10 / 0 / 47 / 17

HEX #BED471

RGB 190 212 113

HSL 73.33, 0.54%, 0.64%

LAB 81.42, -22.39, 46.25

 

CMYK 8 / 0 / 35 / 23

HEX #B6C580

RGB 182 197 128

HSL 73.04, 0.37%, 0.64%

LAB 76.94, -16.32, 32.95

 

CMYK 4 / 0 / 21 / 29

HEX #AEB68F

RGB 174 182 143

HSL 72.31, 0.21%, 0.64%

LAB 72.52, -9.56, 18.96

 

CMYK 2 / 0 / 6 / 34

HEX #A5A89E

RGB 165 168 158

HSL 78, 0.05%, 0.64%

LAB 68.37, -2.93, 4.78

 

CMYK 0 / 18 / 57 / 11

HEX #E3BA62

RGB 227 186 98

HSL 40.93, 0.7%, 0.64%

LAB 77.48, 4.55, 49.52

 

CMYK 0 / 3 / 57 / 11

HEX #E3DD62

RGB 227 221 98

HSL 57.21, 0.7%, 0.64%

LAB 86.47, -13.37, 59.83

 

CMYK 12 / 0 / 57 / 11

HEX #C7E362

RGB 199 227 98

HSL 73.02, 0.7%, 0.64%

LAB 85.99, -27.47, 58.72

 

CMYK 27 / 0 / 57 / 11

HEX #A5E362

RGB 165 227 98

HSL 88.84, 0.7%, 0.64%

LAB 83.87, -40.23, 55.74

 

CMYK 42 / 0 / 57 / 11

HEX #83E362

RGB 131 227 98

HSL 104.65, 0.7%, 0.64%

LAB 82.19, -51.57, 53.36

 

CMYK 19 / 0 / 83 / 19

HEX #A8CF24

RGB 168 207 36

HSL 73.68, 0.7%, 0.48%

LAB 77.92, -33.99, 72.09

 

CMYK 16 / 0 / 71 / 13

HEX #B9DD3F

RGB 185 221 63

HSL 73.67, 0.7%, 0.56%

LAB 83.12, -32.52, 69.28

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 9 / 0 / 42 / 9

HEX #D3E986

RGB 211 233 134

HSL 73.33, 0.69%, 0.72%

LAB 88.85, -22.3, 45.58

 

CMYK 7 / 0 / 29 / 6

HEX #DFEFA9

RGB 223 239 169

HSL 73.71, 0.69%, 0.8%

LAB 91.81, -16.51, 32.18

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 57 / 0 / 33 / 11

HEX #62E398

RGB 98 227 152

HSL 145.12, 0.7%, 0.64%

LAB 81.73, -52.35, 26.18

 

CMYK 11 / 57 / 0 / 11

HEX #CB62E3

RGB 203 98 227

HSL 288.84, 0.7%, 0.64%

LAB 58.95, 60.35, -47.89

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 57 / 12 / 0 / 11

HEX #62C7E3

RGB 98 199 227

HSL 193.02, 0.7%, 0.64%

LAB 75.44, -21.58, -22.85

 

CMYK 0 / 57 / 12 / 11

HEX #E362C7

RGB 227 98 199

HSL 313.02, 0.7%, 0.64%

LAB 60.95, 61.9, -28.73

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 57 / 0 / 33 / 11

HEX #62E398

RGB 98 227 152

HSL 145.12, 0.7%, 0.64%

LAB 81.73, -52.35, 26.18

 

CMYK 44 / 57 / 0 / 11

HEX #7E62E3

RGB 126 98 227

HSL 253.02, 0.7%, 0.64%

LAB 50.35, 42.01, -62.12

 

CMYK 0 / 57 / 24 / 11

HEX #E362AD

RGB 227 98 173

HSL 325.12, 0.7%, 0.64%

LAB 59.96, 58.15, -15.37

 

CMYK 13 / 0 / 57 / 11

HEX #C6E362

RGB 198 227 98

HSL 73.49, 0.7%, 0.64%

LAB 85.92, -27.86, 58.62

 

CMYK 57 / 0 / 16 / 11

HEX #62E3BF

RGB 98 227 191

HSL 163.26, 0.7%, 0.64%

LAB 82.54, -44.17, 6.92

 

CMYK 44 / 57 / 0 / 11

HEX #7E62E3

RGB 126 98 227

HSL 253.02, 0.7%, 0.64%

LAB 50.35, 42.01, -62.12

 

CMYK 0 / 57 / 41 / 11

HEX #E36287

RGB 227 98 135

HSL 342.79, 0.7%, 0.64%

LAB 58.8, 53.57, 4.94

 

Description

Color code: HEX #C6E362 | qconv.com Color code: HEX #C6E362 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 227 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 227 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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