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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E64CD it is the complementary color #719B32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E64CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E64CD shade: #9364C8, #A476DB, #B588EE, #C69AFF and #D7ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E64CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E64CD shade: #8E64CD, #7D52BA, #6C40A7, #5B2E94 and #4A1C81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E64CD shade: #8E64CD, #AA64CD, #C664CD, #CD64B7 and #CD649B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E64CD shade: #8E64CD, #7264CD and #6464CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E64CD shade matches the following richer shades: #8E64CD, #8B54DD, #8743EE and #8433FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E64CD shade: #8E64CD, #9175BC, #9585AC, #98969B and #9BA68B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E64CD shade: #6472CD, #7264CD, #8E64CD, #AA64CD and #C664CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E64CD shade: #6436A8, #7745C2, #8E64CD, #A584D7 and #BCA3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E64CD shade: #8E64CD, #CD648E and #64CD64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E64CD shade: #8E64CD, #CD8E64 and #64CD8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E64CD shade: #8E64CD, #CD648E, #A3CD64 and #64CDA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E64CD shade: #8E64CD, #CD646F, #A3CD64 and #64CDC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

Complementary color

CMYK 27 / 0 / 68 / 39

HEX #719B32

RGB 113 155 50

HSL 84, 0.51%, 0.4%

LAB 59.14, -30.99, 48.47

 

CMYK 27 / 50 / 0 / 22

HEX #9364C8

RGB 147 100 200

HSL 268.2, 0.48%, 0.59%

LAB 51.25, 38.86, -45.22

 

CMYK 25 / 46 / 0 / 14

HEX #A476DB

RGB 164 118 219

HSL 267.33, 0.58%, 0.66%

LAB 58, 37.95, -45.19

 

CMYK 24 / 43 / 0 / 7

HEX #B588EE

RGB 181 136 238

HSL 266.47, 0.75%, 0.73%

LAB 64.65, 37.09, -45.17

 

CMYK 22 / 40 / 0 / 0

HEX #C69AFF

RGB 198 154 255

HSL 266.14, 1%, 0.8%

LAB 71.1, 35.83, -44.22

 

CMYK 16 / 33 / 0 / 0

HEX #D7ACFF

RGB 215 172 255

HSL 271.08, 1%, 0.84%

LAB 76.78, 30.95, -35.26

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 33 / 56 / 0 / 27

HEX #7D52BA

RGB 125 82 186

HSL 264.81, 0.43%, 0.53%

LAB 44.15, 39.81, -48.59

 

CMYK 35 / 62 / 0 / 35

HEX #6C40A7

RGB 108 64 167

HSL 265.63, 0.45%, 0.45%

LAB 37.2, 40.86, -48.63

 

CMYK 39 / 69 / 0 / 42

HEX #5B2E94

RGB 91 46 148

HSL 266.47, 0.53%, 0.38%

LAB 30.2, 41.83, -48.55

 

CMYK 43 / 78 / 0 / 49

HEX #4A1C81

RGB 74 28 129

HSL 267.33, 0.64%, 0.31%

LAB 23.24, 42.43, -48.15

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 17 / 51 / 0 / 20

HEX #AA64CD

RGB 170 100 205

HSL 280, 0.51%, 0.6%

LAB 54.1, 46.24, -43.4

 

CMYK 3 / 51 / 0 / 20

HEX #C664CD

RGB 198 100 205

HSL 296, 0.51%, 0.6%

LAB 57.59, 53.94, -37.67

 

CMYK 0 / 51 / 11 / 20

HEX #CD64B7

RGB 205 100 183

HSL 312.57, 0.51%, 0.6%

LAB 57.57, 52.13, -25.06

 

CMYK 0 / 51 / 24 / 20

HEX #CD649B

RGB 205 100 155

HSL 328.57, 0.51%, 0.6%

LAB 56.55, 47.89, -10.41

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 44 / 51 / 0 / 20

HEX #7264CD

RGB 114 100 205

HSL 248, 0.51%, 0.6%

LAB 48.39, 31.85, -52.84

 

CMYK 51 / 51 / 0 / 20

HEX #6464CD

RGB 100 100 205

HSL 240, 0.51%, 0.6%

LAB 47.28, 28.72, -54.68

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 37 / 62 / 0 / 13

HEX #8B54DD

RGB 139 84 221

HSL 264.09, 0.67%, 0.6%

LAB 48.32, 50.9, -61.94

 

CMYK 43 / 72 / 0 / 7

HEX #8743EE

RGB 135 67 238

HSL 263.86, 0.83%, 0.6%

LAB 46.09, 62.78, -75.2

 

CMYK 48 / 80 / 0 / 0

HEX #8433FE

RGB 132 51 254

HSL 263.94, 0.99%, 0.6%

LAB 44.84, 72.76, -86.24

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 23 / 38 / 0 / 26

HEX #9175BC

RGB 145 117 188

HSL 263.66, 0.35%, 0.6%

LAB 54.42, 25.61, -33.36

 

CMYK 13 / 23 / 0 / 33

HEX #9585AC

RGB 149 133 172

HSL 264.62, 0.19%, 0.6%

LAB 58.17, 13.88, -18.38

 

CMYK 2 / 3 / 0 / 39

HEX #98969B

RGB 152 150 155

HSL 264, 0.02%, 0.6%

LAB 62.38, 1.7, -2.37

 

CMYK 7 / 0 / 16 / 35

HEX #9BA68B

RGB 155 166 139

HSL 84.44, 0.13%, 0.6%

LAB 66.6, -8.87, 12.68

 

CMYK 51 / 44 / 0 / 20

HEX #6472CD

RGB 100 114 205

HSL 232, 0.51%, 0.6%

LAB 50.86, 20.14, -48.94

 

CMYK 44 / 51 / 0 / 20

HEX #7264CD

RGB 114 100 205

HSL 248, 0.51%, 0.6%

LAB 48.39, 31.85, -52.84

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 17 / 51 / 0 / 20

HEX #AA64CD

RGB 170 100 205

HSL 280, 0.51%, 0.6%

LAB 54.1, 46.24, -43.4

 

CMYK 3 / 51 / 0 / 20

HEX #C664CD

RGB 198 100 205

HSL 296, 0.51%, 0.6%

LAB 57.59, 53.94, -37.67

 

CMYK 40 / 68 / 0 / 34

HEX #6436A8

RGB 100 54 168

HSL 264.21, 0.51%, 0.44%

LAB 34.34, 44.79, -53.89

 

CMYK 39 / 64 / 0 / 24

HEX #7745C2

RGB 119 69 194

HSL 264, 0.51%, 0.52%

LAB 41.33, 47.64, -57.82

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 23 / 39 / 0 / 16

HEX #A584D7

RGB 165 132 215

HSL 263.86, 0.51%, 0.68%

LAB 61.14, 29.38, -38.01

 

CMYK 16 / 28 / 0 / 12

HEX #BCA3E1

RGB 188 163 225

HSL 264.19, 0.51%, 0.76%

LAB 71.09, 21.18, -27.95

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 51 / 0 / 51 / 20

HEX #64CD64

RGB 100 205 100

HSL 120, 0.51%, 0.6%

LAB 74.38, -51.45, 42.83

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 0 / 31 / 51 / 20

HEX #CD8E64

RGB 205 142 100

HSL 24, 0.51%, 0.6%

LAB 64.36, 19.2, 31.89

 

CMYK 51 / 0 / 31 / 20

HEX #64CD8E

RGB 100 205 142

HSL 144, 0.51%, 0.6%

LAB 75.03, -44.64, 22.29

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 20 / 0 / 51 / 20

HEX #A3CD64

RGB 163 205 100

HSL 84, 0.51%, 0.6%

LAB 77.5, -30.73, 47.34

 

CMYK 51 / 0 / 20 / 20

HEX #64CDA3

RGB 100 205 163

HSL 156, 0.51%, 0.6%

LAB 75.46, -40.35, 11.72

 

CMYK 31 / 51 / 0 / 20

HEX #8E64CD

RGB 142 100 205

HSL 264, 0.51%, 0.6%

LAB 51, 38.78, -48.51

 

CMYK 0 / 51 / 46 / 20

HEX #CD646F

RGB 205 100 111

HSL 353.71, 0.51%, 0.6%

LAB 55.32, 42.59, 13.59

 

CMYK 20 / 0 / 51 / 20

HEX #A3CD64

RGB 163 205 100

HSL 84, 0.51%, 0.6%

LAB 77.5, -30.73, 47.34

 

CMYK 51 / 0 / 5 / 20

HEX #64CDC2

RGB 100 205 194

HSL 173.71, 0.51%, 0.6%

LAB 76.23, -33.05, -3.85

 

Description

Color code: HEX #8E64CD | qconv.com Color code: HEX #8E64CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 100 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 100 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 51 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 51% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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