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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD648E it is the complementary color #329B71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD648E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD648E shade: #D26489, #E3769C, #F488AF, #FF9AC2 and #FFACD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD648E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD648E shade: #CD648E, #BC527B, #AB4068, #9A2E55 and #891C42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD648E shade: #CD648E, #CD6472 and #CD6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD648E shade: #CD648E, #CD64AA, #CD64C6, #B764CD and #9B64CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD648E shade matches the following richer shades: #CD648E, #DD548B, #EE4387 and #FE3384

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD648E shade: #CD648E, #BC7591, #AC8595, #9B9698 and #8BA69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD648E shade: #CD64C6, #CD64AA, #CD648E, #CD6472 and #CD7264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD648E shade: #A83664, #C24577, #CD648E, #D784A5 and #E1A3BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD648E shade: #CD648E, #CDB864 and #64B8CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD648E shade: #CD648E, #8ECD64 and #648ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD648E shade: #CD648E, #CDB864, #64CDA3 and #6479CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD648E shade: #CD648E, #C2CD64, #64CDA3 and #6F64CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

Complementary color

CMYK 68 / 0 / 27 / 39

HEX #329B71

RGB 50 155 113

HSL 156, 0.51%, 0.4%

LAB 57.38, -40.11, 13.47

 

CMYK 0 / 52 / 35 / 18

HEX #D26489

RGB 210 100 137

HSL 339.82, 0.55%, 0.61%

LAB 56.71, 47.2, 0.42

 

CMYK 0 / 48 / 31 / 11

HEX #E3769C

RGB 227 118 156

HSL 339.08, 0.66%, 0.68%

LAB 63.08, 46.37, -0.97

 

CMYK 0 / 44 / 28 / 4

HEX #F488AF

RGB 244 136 175

HSL 338.33, 0.83%, 0.75%

LAB 69.42, 45.52, -2.16

 

CMYK 0 / 40 / 24 / 0

HEX #FF9AC2

RGB 255 154 194

HSL 336.24, 1%, 0.8%

LAB 74.99, 42.66, -4.36

 

CMYK 0 / 33 / 16 / 0

HEX #FFACD5

RGB 255 172 213

HSL 330.36, 1%, 0.84%

LAB 79.37, 36.13, -8.26

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 56 / 35 / 26

HEX #BC527B

RGB 188 82 123

HSL 336.79, 0.44%, 0.53%

LAB 49.68, 46.9, -1.94

 

CMYK 0 / 63 / 39 / 33

HEX #AB4068

RGB 171 64 104

HSL 337.57, 0.46%, 0.46%

LAB 43.25, 47.5, -0.11

 

CMYK 0 / 70 / 45 / 40

HEX #9A2E55

RGB 154 46 85

HSL 338.33, 0.54%, 0.39%

LAB 36.89, 47.77, 2.23

 

CMYK 0 / 80 / 52 / 46

HEX #891C42

RGB 137 28 66

HSL 339.08, 0.66%, 0.32%

LAB 30.74, 47.36, 5.34

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 51 / 44 / 20

HEX #CD6472

RGB 205 100 114

HSL 352, 0.51%, 0.6%

LAB 55.39, 42.9, 11.93

 

CMYK 0 / 51 / 51 / 20

HEX #CD6464

RGB 205 100 100

HSL 0, 0.51%, 0.6%

LAB 55.09, 41.55, 19.71

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 51 / 17 / 20

HEX #CD64AA

RGB 205 100 170

HSL 320, 0.51%, 0.6%

LAB 57.07, 50.09, -18.33

 

CMYK 0 / 51 / 3 / 20

HEX #CD64C6

RGB 205 100 198

HSL 304, 0.51%, 0.6%

LAB 58.2, 54.64, -32.67

 

CMYK 11 / 51 / 0 / 20

HEX #B764CD

RGB 183 100 205

HSL 287.43, 0.51%, 0.6%

LAB 55.67, 49.8, -40.81

 

CMYK 24 / 51 / 0 / 20

HEX #9B64CD

RGB 155 100 205

HSL 271.43, 0.51%, 0.6%

LAB 52.39, 42.2, -46.22

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 62 / 37 / 13

HEX #DD548B

RGB 221 84 139

HSL 335.91, 0.67%, 0.6%

LAB 55.66, 58.32, -2.08

 

CMYK 0 / 72 / 43 / 7

HEX #EE4387

RGB 238 67 135

HSL 336.14, 0.83%, 0.6%

LAB 56.03, 69.28, 1.15

 

CMYK 0 / 80 / 48 / 0

HEX #FE3384

RGB 254 51 132

HSL 336.06, 0.99%, 0.6%

LAB 57.18, 77.77, 4.95

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 38 / 23 / 26

HEX #BC7591

RGB 188 117 145

HSL 336.34, 0.35%, 0.6%

LAB 57.52, 31.71, -3.39

 

CMYK 0 / 23 / 13 / 33

HEX #AC8595

RGB 172 133 149

HSL 335.38, 0.19%, 0.6%

LAB 59.63, 17.53, -2.79

 

CMYK 0 / 3 / 2 / 39

HEX #9B9698

RGB 155 150 152

HSL 336, 0.02%, 0.6%

LAB 62.55, 2.21, -0.41

 

CMYK 16 / 0 / 7 / 35

HEX #8BA69B

RGB 139 166 155

HSL 155.56, 0.13%, 0.6%

LAB 65.85, -11.61, 2.57

 

CMYK 0 / 51 / 3 / 20

HEX #CD64C6

RGB 205 100 198

HSL 304, 0.51%, 0.6%

LAB 58.2, 54.64, -32.67

 

CMYK 0 / 51 / 17 / 20

HEX #CD64AA

RGB 205 100 170

HSL 320, 0.51%, 0.6%

LAB 57.07, 50.09, -18.33

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 51 / 44 / 20

HEX #CD6472

RGB 205 100 114

HSL 352, 0.51%, 0.6%

LAB 55.39, 42.9, 11.93

 

CMYK 0 / 44 / 51 / 20

HEX #CD7264

RGB 205 114 100

HSL 8, 0.51%, 0.6%

LAB 57.97, 34.31, 23.57

 

CMYK 0 / 68 / 40 / 34

HEX #A83664

RGB 168 54 100

HSL 335.79, 0.51%, 0.44%

LAB 41.03, 50.42, -0.93

 

CMYK 0 / 64 / 39 / 24

HEX #C24577

RGB 194 69 119

HSL 336, 0.51%, 0.52%

LAB 48.33, 54.23, -1.4

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 39 / 23 / 16

HEX #D784A5

RGB 215 132 165

HSL 336.14, 0.51%, 0.68%

LAB 64.7, 36.21, -3.9

 

CMYK 0 / 28 / 16 / 12

HEX #E1A3BC

RGB 225 163 188

HSL 335.81, 0.51%, 0.76%

LAB 73.44, 26.62, -3.73

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 10 / 51 / 20

HEX #CDB864

RGB 205 184 100

HSL 48, 0.51%, 0.6%

LAB 74.94, -3.39, 45.02

 

CMYK 51 / 10 / 0 / 20

HEX #64B8CD

RGB 100 184 205

HSL 192, 0.51%, 0.6%

LAB 70.45, -19.76, -18.46

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 31 / 0 / 51 / 20

HEX #8ECD64

RGB 142 205 100

HSL 96, 0.51%, 0.6%

LAB 76.27, -38.37, 45.57

 

CMYK 51 / 31 / 0 / 20

HEX #648ECD

RGB 100 142 205

HSL 216, 0.51%, 0.6%

LAB 58.47, 3.35, -36.92

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 0 / 10 / 51 / 20

HEX #CDB864

RGB 205 184 100

HSL 48, 0.51%, 0.6%

LAB 74.94, -3.39, 45.02

 

CMYK 51 / 0 / 20 / 20

HEX #64CDA3

RGB 100 205 163

HSL 156, 0.51%, 0.6%

LAB 75.46, -40.35, 11.72

 

CMYK 51 / 41 / 0 / 20

HEX #6479CD

RGB 100 121 205

HSL 228, 0.51%, 0.6%

LAB 52.72, 15.87, -45.99

 

CMYK 0 / 51 / 31 / 20

HEX #CD648E

RGB 205 100 142

HSL 336, 0.51%, 0.6%

LAB 56.13, 46.14, -3.43

 

CMYK 5 / 0 / 51 / 20

HEX #C2CD64

RGB 194 205 100

HSL 66.29, 0.51%, 0.6%

LAB 79.64, -18.62, 50.4

 

CMYK 51 / 0 / 20 / 20

HEX #64CDA3

RGB 100 205 163

HSL 156, 0.51%, 0.6%

LAB 75.46, -40.35, 11.72

 

CMYK 46 / 51 / 0 / 20

HEX #6F64CD

RGB 111 100 205

HSL 246.29, 0.51%, 0.6%

LAB 48.14, 31.16, -53.26

 

Description

Color code: HEX #CD648E | qconv.com Color code: HEX #CD648E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 100 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 100 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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