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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D5CE4 it is the complementary color #72A31B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D5CE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D5CE4 shade: #925CDF, #A36EF2, #B480FF, #C592FF and #D6A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D5CE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D5CE4 shade: #8D5CE4, #7C4AD1, #6B38BE, #5A26AB and #491498

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D5CE4 shade: #8D5CE4, #B25CE4, #D65CE4, #E45CCD and #E45CA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D5CE4 shade: #8D5CE4, #695CE4 and #5C5CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D5CE4 shade matches the following richer shades: #8D5CE4 and #894DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D5CE4 shade: #8D5CE4, #916BD5, #967BC6, #9A8AB6 and #9E99A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D5CE4 shade: #5C75E4, #685CE4, #8C5CE4, #B05CE4 and #D45CE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D5CE4 shade: #5F21CD, #7439DE, #8D5CE4, #A680EA and #BFA3F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D5CE4 shade: #8D5CE4, #E45C99 and #63E45C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D5CE4 shade: #8D5CE4, #E48C5C and #5CE48C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D5CE4 shade: #8D5CE4, #E45C99, #B5E45C and #5CE4A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D5CE4 shade: #8D5CE4, #E45C71, #B5E45C and #5CE4D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

Complementary color

CMYK 30 / 0 / 83 / 36

HEX #72A31B

RGB 114 163 27

HSL 81.62, 0.72%, 0.37%

LAB 61.53, -35.61, 58.71

 

CMYK 35 / 59 / 0 / 13

HEX #925CDF

RGB 146 92 223

HSL 264.73, 0.67%, 0.62%

LAB 50.8, 48.7, -59.05

 

CMYK 33 / 55 / 0 / 5

HEX #A36EF2

RGB 163 110 242

HSL 264.09, 0.84%, 0.69%

LAB 57.41, 47.68, -58.99

 

CMYK 29 / 50 / 0 / 0

HEX #B480FF

RGB 180 128 255

HSL 264.57, 1%, 0.75%

LAB 63.64, 45.24, -56.12

 

CMYK 23 / 43 / 0 / 0

HEX #C592FF

RGB 197 146 255

HSL 268.07, 1%, 0.79%

LAB 69.22, 39.92, -47.19

 

CMYK 16 / 36 / 0 / 0

HEX #D6A4FF

RGB 214 164 255

HSL 272.97, 1%, 0.82%

LAB 74.87, 34.99, -38.24

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 41 / 65 / 0 / 18

HEX #7C4AD1

RGB 124 74 209

HSL 262.22, 0.59%, 0.55%

LAB 43.92, 49.95, -62.28

 

CMYK 44 / 71 / 0 / 25

HEX #6B38BE

RGB 107 56 190

HSL 262.84, 0.54%, 0.48%

LAB 37.25, 50.93, -62.18

 

CMYK 47 / 78 / 0 / 33

HEX #5A26AB

RGB 90 38 171

HSL 263.46, 0.64%, 0.41%

LAB 30.64, 51.6, -61.79

 

CMYK 52 / 87 / 0 / 40

HEX #491498

RGB 73 20 152

HSL 264.09, 0.77%, 0.34%

LAB 24.27, 51.46, -60.79

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 22 / 60 / 0 / 11

HEX #B25CE4

RGB 178 92 228

HSL 277.94, 0.72%, 0.63%

LAB 54.78, 57.3, -55.27

 

CMYK 6 / 60 / 0 / 11

HEX #D65CE4

RGB 214 92 228

HSL 293.82, 0.72%, 0.63%

LAB 59.48, 65.96, -47.52

 

CMYK 0 / 60 / 10 / 11

HEX #E45CCD

RGB 228 92 205

HSL 310.15, 0.72%, 0.63%

LAB 60.39, 65.68, -32.99

 

CMYK 0 / 60 / 26 / 11

HEX #E45CA8

RGB 228 92 168

HSL 326.47, 0.72%, 0.63%

LAB 58.95, 60.44, -14

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 54 / 60 / 0 / 11

HEX #695CE4

RGB 105 92 228

HSL 245.74, 0.72%, 0.63%

LAB 47.31, 41.62, -67.7

 

CMYK 60 / 60 / 0 / 11

HEX #5C5CE4

RGB 92 92 228

HSL 240, 0.72%, 0.63%

LAB 46.35, 39.36, -69.3

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 44 / 68 / 0 / 5

HEX #894DF3

RGB 137 77 243

HSL 261.69, 0.87%, 0.63%

LAB 48.38, 59.67, -74.27

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 32 / 50 / 0 / 16

HEX #916BD5

RGB 145 107 213

HSL 261.51, 0.56%, 0.63%

LAB 53.32, 37.61, -49.36

 

CMYK 24 / 38 / 0 / 22

HEX #967BC6

RGB 150 123 198

HSL 261.6, 0.4%, 0.63%

LAB 56.81, 26.05, -35.3

 

CMYK 15 / 24 / 0 / 29

HEX #9A8AB6

RGB 154 138 182

HSL 261.82, 0.23%, 0.63%

LAB 60.27, 14.9, -20.84

 

CMYK 5 / 8 / 0 / 35

HEX #9E99A7

RGB 158 153 167

HSL 261.43, 0.07%, 0.63%

LAB 64.03, 4.55, -6.66

 

CMYK 60 / 49 / 0 / 11

HEX #5C75E4

RGB 92 117 228

HSL 228.97, 0.72%, 0.63%

LAB 52.51, 24.12, -59.35

 

CMYK 54 / 60 / 0 / 11

HEX #685CE4

RGB 104 92 228

HSL 245.29, 0.72%, 0.63%

LAB 47.23, 41.43, -67.83

 

CMYK 39 / 60 / 0 / 11

HEX #8C5CE4

RGB 140 92 228

HSL 261.18, 0.72%, 0.63%

LAB 50.49, 48.64, -62.4

 

CMYK 23 / 60 / 0 / 11

HEX #B05CE4

RGB 176 92 228

HSL 277.06, 0.72%, 0.63%

LAB 54.54, 56.83, -55.68

 

CMYK 7 / 60 / 0 / 11

HEX #D45CE4

RGB 212 92 228

HSL 292.94, 0.72%, 0.63%

LAB 59.21, 65.48, -47.97

 

CMYK 54 / 84 / 0 / 20

HEX #5F21CD

RGB 95 33 205

HSL 261.63, 0.72%, 0.47%

LAB 33.83, 62.89, -76.61

 

CMYK 48 / 74 / 0 / 13

HEX #7439DE

RGB 116 57 222

HSL 261.45, 0.71%, 0.55%

LAB 41.08, 60.27, -74.41

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 29 / 45 / 0 / 8

HEX #A680EA

RGB 166 128 234

HSL 261.51, 0.72%, 0.71%

LAB 61.21, 36.5, -48.49

 

CMYK 20 / 32 / 0 / 6

HEX #BFA3F0

RGB 191 163 240

HSL 261.82, 0.72%, 0.79%

LAB 71.93, 25.43, -34.82

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 0 / 60 / 33 / 11

HEX #E45C99

RGB 228 92 153

HSL 333.09, 0.72%, 0.63%

LAB 58.46, 58.59, -6.03

 

CMYK 57 / 0 / 60 / 11

HEX #63E45C

RGB 99 228 92

HSL 116.91, 0.72%, 0.63%

LAB 81.24, -61.38, 54.62

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 0 / 39 / 60 / 11

HEX #E48C5C

RGB 228 140 92

HSL 21.18, 0.72%, 0.63%

LAB 66.54, 28.98, 39.48

 

CMYK 60 / 0 / 39 / 11

HEX #5CE48C

RGB 92 228 140

HSL 141.18, 0.72%, 0.63%

LAB 81.65, -56.19, 32.17

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 0 / 60 / 33 / 11

HEX #E45C99

RGB 228 92 153

HSL 333.09, 0.72%, 0.63%

LAB 58.46, 58.59, -6.03

 

CMYK 21 / 0 / 60 / 11

HEX #B5E45C

RGB 181 228 92

HSL 80.74, 0.72%, 0.63%

LAB 85.04, -35.33, 59.93

 

CMYK 60 / 0 / 27 / 11

HEX #5CE4A7

RGB 92 228 167

HSL 153.09, 0.72%, 0.63%

LAB 82.14, -51.04, 18.93

 

CMYK 38 / 60 / 0 / 11

HEX #8D5CE4

RGB 141 92 228

HSL 261.62, 0.72%, 0.63%

LAB 50.59, 48.86, -62.23

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 21 / 0 / 60 / 11

HEX #B5E45C

RGB 181 228 92

HSL 80.74, 0.72%, 0.63%

LAB 85.04, -35.33, 59.93

 

CMYK 60 / 0 / 9 / 11

HEX #5CE4D0

RGB 92 228 208

HSL 171.18, 0.72%, 0.63%

LAB 83.08, -41.63, -1.3

 

Description

Color code: HEX #8D5CE4 | qconv.com Color code: HEX #8D5CE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 92 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 92 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 60 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 60% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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