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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E45C71 it is the complementary color #1BA38E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E45C71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E45C71 shade: #E95C6C, #FA6E7F, #FF8092, #FF92A5 and #FFA4B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E45C71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E45C71 shade: #E45C71, #D34A5E, #C2384B, #B12638 and #A01425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E45C71 shade: #E45C71 and #E45C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E45C71 shade: #E45C71, #E45C96, #E45CBA, #E45CDF and #C45CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E45C71 shade matches the following richer shades: #E45C71 and #F34D67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E45C71 shade: #E45C71, #D56B7C, #C67B86, #B68A91 and #A7999B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E45C71 shade: #E45CBB, #E45C97, #E45C73, #E46A5C and #E48E5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E45C71 shade: #CD213B, #DE3952, #E45C71, #EA8090 and #F0A3AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E45C71 shade: #E45C71, #E0E45C and #5CA9E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E45C71 shade: #E45C71, #73E45C and #5C73E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E45C71 shade: #E45C71, #E0E45C, #5CE4CD and #615CE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E45C71 shade: #E45C71, #B7E45C, #5CE4CD and #8A5CE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

Complementary color

CMYK 83 / 0 / 13 / 36

HEX #1BA38E

RGB 27 163 142

HSL 170.74, 0.72%, 0.37%

LAB 60.23, -39.17, 1.15

 

CMYK 0 / 61 / 54 / 9

HEX #E95C6C

RGB 233 92 108

HSL 353.19, 0.76%, 0.64%

LAB 58.09, 55.75, 19.84

 

CMYK 0 / 56 / 49 / 2

HEX #FA6E7F

RGB 250 110 127

HSL 352.71, 0.93%, 0.71%

LAB 64.17, 54.91, 17.61

 

CMYK 0 / 50 / 43 / 0

HEX #FF8092

RGB 255 128 146

HSL 351.5, 1%, 0.75%

LAB 68.59, 49.89, 13.11

 

CMYK 0 / 43 / 35 / 0

HEX #FF92A5

RGB 255 146 165

HSL 349.54, 1%, 0.79%

LAB 72.58, 43.02, 8.17

 

CMYK 0 / 36 / 28 / 0

HEX #FFA4B8

RGB 255 164 184

HSL 346.81, 1%, 0.82%

LAB 76.84, 36.15, 3.83

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 0 / 65 / 55 / 17

HEX #D34A5E

RGB 211 74 94

HSL 351.24, 0.61%, 0.56%

LAB 51.33, 55.19, 18.33

 

CMYK 0 / 71 / 61 / 24

HEX #C2384B

RGB 194 56 75

HSL 351.74, 0.55%, 0.49%

LAB 45.37, 55.56, 21.34

 

CMYK 0 / 79 / 68 / 31

HEX #B12638

RGB 177 38 56

HSL 352.23, 0.65%, 0.42%

LAB 39.61, 55.38, 25.04

 

CMYK 0 / 88 / 77 / 37

HEX #A01425

RGB 160 20 37

HSL 352.71, 0.78%, 0.35%

LAB 34.21, 54.28, 29.56

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 0 / 60 / 60 / 11

HEX #E45C5C

RGB 228 92 92

HSL 0, 0.72%, 0.63%

LAB 57, 52.9, 27.51

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 0 / 60 / 34 / 11

HEX #E45C96

RGB 228 92 150

HSL 334.41, 0.72%, 0.63%

LAB 58.37, 58.24, -4.42

 

CMYK 0 / 60 / 18 / 11

HEX #E45CBA

RGB 228 92 186

HSL 318.53, 0.72%, 0.63%

LAB 59.61, 62.88, -23.36

 

CMYK 0 / 60 / 2 / 11

HEX #E45CDF

RGB 228 92 223

HSL 302.21, 0.72%, 0.63%

LAB 61.2, 68.55, -41.87

 

CMYK 14 / 60 / 0 / 11

HEX #C45CE4

RGB 196 92 228

HSL 285.88, 0.72%, 0.63%

LAB 57.07, 61.6, -51.5

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 0 / 68 / 58 / 5

HEX #F34D67

RGB 243 77 103

HSL 350.6, 0.87%, 0.63%

LAB 57.41, 64.62, 22.12

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 0 / 50 / 42 / 16

HEX #D56B7C

RGB 213 107 124

HSL 350.38, 0.56%, 0.63%

LAB 58.15, 43.28, 10.14

 

CMYK 0 / 38 / 32 / 22

HEX #C67B86

RGB 198 123 134

HSL 351.2, 0.4%, 0.63%

LAB 59.79, 30.58, 6.42

 

CMYK 0 / 24 / 20 / 29

HEX #B68A91

RGB 182 138 145

HSL 350.45, 0.23%, 0.63%

LAB 61.8, 17.82, 2.78

 

CMYK 0 / 8 / 7 / 35

HEX #A7999B

RGB 167 153 155

HSL 351.43, 0.07%, 0.63%

LAB 64.45, 5.5, 0.81

 

CMYK 0 / 60 / 18 / 11

HEX #E45CBB

RGB 228 92 187

HSL 318.09, 0.72%, 0.63%

LAB 59.65, 63.02, -23.88

 

CMYK 0 / 60 / 34 / 11

HEX #E45C97

RGB 228 92 151

HSL 333.97, 0.72%, 0.63%

LAB 58.4, 58.36, -4.96

 

CMYK 0 / 60 / 50 / 11

HEX #E45C73

RGB 228 92 115

HSL 349.85, 0.72%, 0.63%

LAB 57.45, 54.69, 14.74

 

CMYK 0 / 54 / 60 / 11

HEX #E46A5C

RGB 228 106 92

HSL 6.18, 0.72%, 0.63%

LAB 59.5, 46.36, 30.72

 

CMYK 0 / 38 / 60 / 11

HEX #E48E5C

RGB 228 142 92

HSL 22.06, 0.72%, 0.63%

LAB 66.99, 27.92, 40.03

 

CMYK 0 / 84 / 71 / 20

HEX #CD213B

RGB 205 33 59

HSL 350.93, 0.72%, 0.47%

LAB 44.78, 64.72, 30.78

 

CMYK 0 / 74 / 63 / 13

HEX #DE3952

RGB 222 57 82

HSL 350.91, 0.71%, 0.55%

LAB 50.76, 64.04, 25.12

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 0 / 45 / 38 / 8

HEX #EA8090

RGB 234 128 144

HSL 350.94, 0.72%, 0.71%

LAB 65.71, 42.32, 9.77

 

CMYK 0 / 32 / 27 / 6

HEX #F0A3AF

RGB 240 163 175

HSL 350.65, 0.72%, 0.79%

LAB 74.71, 30.1, 5.46

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 2 / 0 / 60 / 11

HEX #E0E45C

RGB 224 228 92

HSL 61.76, 0.72%, 0.63%

LAB 88.02, -18.46, 64.05

 

CMYK 60 / 26 / 0 / 11

HEX #5CA9E4

RGB 92 169 228

HSL 206.03, 0.72%, 0.63%

LAB 66.71, -6.51, -36.86

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 50 / 0 / 60 / 11

HEX #73E45C

RGB 115 228 92

HSL 109.85, 0.72%, 0.63%

LAB 81.79, -57.25, 55.38

 

CMYK 60 / 50 / 0 / 11

HEX #5C73E4

RGB 92 115 228

HSL 229.85, 0.72%, 0.63%

LAB 51.99, 25.34, -60.18

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 2 / 0 / 60 / 11

HEX #E0E45C

RGB 224 228 92

HSL 61.76, 0.72%, 0.63%

LAB 88.02, -18.46, 64.05

 

CMYK 60 / 0 / 10 / 11

HEX #5CE4CD

RGB 92 228 205

HSL 169.85, 0.72%, 0.63%

LAB 83, -42.38, 0.18

 

CMYK 57 / 60 / 0 / 11

HEX #615CE4

RGB 97 92 228

HSL 242.21, 0.72%, 0.63%

LAB 46.71, 40.2, -68.71

 

CMYK 0 / 60 / 50 / 11

HEX #E45C71

RGB 228 92 113

HSL 350.74, 0.72%, 0.63%

LAB 57.41, 54.51, 15.85

 

CMYK 20 / 0 / 60 / 11

HEX #B7E45C

RGB 183 228 92

HSL 79.85, 0.72%, 0.63%

LAB 85.16, -34.57, 60.1

 

CMYK 60 / 0 / 10 / 11

HEX #5CE4CD

RGB 92 228 205

HSL 169.85, 0.72%, 0.63%

LAB 83, -42.38, 0.18

 

CMYK 39 / 60 / 0 / 11

HEX #8A5CE4

RGB 138 92 228

HSL 260.29, 0.72%, 0.63%

LAB 50.29, 48.21, -62.74

 

Description

Color code: HEX #E45C71 | qconv.com Color code: HEX #E45C71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 92 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 92 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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