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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C3BF6 it is the complementary color #73C409. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C3BF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C3BF6 shade: #913BF1, #A24DFF, #B35FFF, #C471FF and #D583FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C3BF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C3BF6 shade: #8C3BF6, #7B29E3, #6A17D0, #5905BD and #4800AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C3BF6 shade: #8C3CF5, #BE3CF5, #F03CF5, #F53CC8 and #F53C96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C3BF6 shade: #8C3CF5, #5A3CF5 and #3C3CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C3BF6 shade matches the following richer shades: #8C3CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C3BF6 shade: #8C3CF5, #8E4CE5, #915DD4, #936DC4 and #957EB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C3BF6 shade: #3C51F5, #583CF5, #893CF5, #BB3CF5 and #EC3CF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C3BF6 shade: #620AD5, #7514F3, #8C3CF5, #A363F7 and #BA8AF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C3BF6 shade: #8C3BF6, #F53C83 and #3CF53F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C3BF6 shade: #8C3BF6, #F5893C and #3CF589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C3BF6 shade: #8C3BF6, #F53C83, #A8F53C and #3CF5AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C3BF6 shade: #8C3BF6, #F53C4B, #A8F53C and #3CF5E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 76 / 0 / 4

HEX #8C3BF6

RGB 140 59 246

HSL 265.99, 0.91%, 0.6%

LAB 46.12, 68.9, -79.63

 

Complementary color

CMYK 41 / 0 / 95 / 23

HEX #73C409

RGB 115 196 9

HSL 85.99, 0.91%, 0.4%

LAB 71.65, -49.7, 70.36

 

CMYK 40 / 76 / 0 / 5

HEX #913BF1

RGB 145 59 241

HSL 268.35, 0.87%, 0.59%

LAB 46.31, 68.49, -76.49

 

CMYK 36 / 70 / 0 / 0

HEX #A24DFF

RGB 162 77 255

HSL 268.65, 1%, 0.65%

LAB 52.07, 67.02, -74.83

 

CMYK 30 / 63 / 0 / 0

HEX #B35FFF

RGB 179 95 255

HSL 271.5, 1%, 0.69%

LAB 57.06, 62.04, -66.66

 

CMYK 23 / 56 / 0 / 0

HEX #C471FF

RGB 196 113 255

HSL 275.07, 1%, 0.72%

LAB 62.31, 57.06, -58.14

 

CMYK 16 / 49 / 0 / 0

HEX #D583FF

RGB 213 131 255

HSL 279.68, 1%, 0.76%

LAB 67.72, 52.23, -49.43

 

CMYK 43 / 76 / 0 / 4

HEX #8C3BF6

RGB 140 59 246

HSL 265.99, 0.91%, 0.6%

LAB 46.12, 68.9, -79.63

 

CMYK 46 / 82 / 0 / 11

HEX #7B29E3

RGB 123 41 227

HSL 266.45, 0.77%, 0.53%

LAB 40.15, 68.76, -78.76

 

CMYK 49 / 89 / 0 / 18

HEX #6A17D0

RGB 106 23 208

HSL 266.92, 0.8%, 0.45%

LAB 34.46, 67.68, -77.27

 

CMYK 53 / 97 / 0 / 26

HEX #5905BD

RGB 89 5 189

HSL 267.39, 0.95%, 0.38%

LAB 29.18, 65.25, -74.94

 

CMYK 58 / 100 / 0 / 33

HEX #4800AA

RGB 72 0 170

HSL 265.41, 1%, 0.33%

LAB 24.58, 60.58, -71.26

 

CMYK 43 / 76 / 0 / 4

HEX #8C3CF5

RGB 140 60 245

HSL 265.95, 0.9%, 0.6%

LAB 46.18, 68.26, -78.98

 

CMYK 22 / 76 / 0 / 4

HEX #BE3CF5

RGB 190 60 245

HSL 282.16, 0.9%, 0.6%

LAB 52.7, 76.48, -68.08

 

CMYK 2 / 76 / 0 / 4

HEX #F03CF5

RGB 240 60 245

HSL 298.38, 0.9%, 0.6%

LAB 60.2, 85.74, -55.62

 

CMYK 0 / 76 / 18 / 4

HEX #F53CC8

RGB 245 60 200

HSL 314.59, 0.9%, 0.6%

LAB 58.8, 80.39, -32.41

 

CMYK 0 / 76 / 39 / 4

HEX #F53C96

RGB 245 60 150

HSL 330.81, 0.9%, 0.6%

LAB 56.93, 74.72, -6.25

 

CMYK 43 / 76 / 0 / 4

HEX #8C3CF5

RGB 140 60 245

HSL 265.95, 0.9%, 0.6%

LAB 46.18, 68.26, -78.98

 

CMYK 63 / 76 / 0 / 4

HEX #5A3CF5

RGB 90 60 245

HSL 249.73, 0.9%, 0.6%

LAB 41.21, 61.84, -87.32

 

CMYK 76 / 76 / 0 / 4

HEX #3C3CF5

RGB 60 60 245

HSL 240, 0.9%, 0.6%

LAB 39.22, 59.2, -90.68

 

CMYK 43 / 76 / 0 / 4

HEX #8C3CF5

RGB 140 60 245

HSL 265.95, 0.9%, 0.6%

LAB 46.18, 68.26, -78.98

 

CMYK 43 / 76 / 0 / 4

HEX #8C3CF5

RGB 140 60 245

HSL 265.95, 0.9%, 0.6%

LAB 46.18, 68.26, -78.98

 

CMYK 38 / 67 / 0 / 10

HEX #8E4CE5

RGB 142 76 229

HSL 265.88, 0.75%, 0.6%

LAB 47.72, 57.56, -67.44

 

CMYK 32 / 56 / 0 / 17

HEX #915DD4

RGB 145 93 212

HSL 266.22, 0.58%, 0.6%

LAB 50.22, 45.18, -53.74

 

CMYK 25 / 44 / 0 / 23

HEX #936DC4

RGB 147 109 196

HSL 266.21, 0.42%, 0.6%

LAB 53.09, 32.77, -40.03

 

CMYK 17 / 30 / 0 / 30

HEX #957EB3

RGB 149 126 179

HSL 266.04, 0.26%, 0.6%

LAB 56.65, 19.51, -24.72

 

CMYK 76 / 67 / 0 / 4

HEX #3C51F5

RGB 60 81 245

HSL 233.19, 0.9%, 0.6%

LAB 43.42, 47.54, -83.75

 

CMYK 64 / 76 / 0 / 4

HEX #583CF5

RGB 88 60 245

HSL 249.08, 0.9%, 0.6%

LAB 41.06, 61.63, -87.58

 

CMYK 44 / 76 / 0 / 4

HEX #893CF5

RGB 137 60 245

HSL 264.97, 0.9%, 0.6%

LAB 45.83, 67.82, -79.56

 

CMYK 24 / 76 / 0 / 4

HEX #BB3CF5

RGB 187 60 245

HSL 281.19, 0.9%, 0.6%

LAB 52.27, 75.96, -68.78

 

CMYK 4 / 76 / 0 / 4

HEX #EC3CF5

RGB 236 60 245

HSL 297.08, 0.9%, 0.6%

LAB 59.58, 84.97, -56.66

 

CMYK 54 / 95 / 0 / 16

HEX #620AD5

RGB 98 10 213

HSL 266.01, 0.91%, 0.44%

LAB 33.17, 70.61, -82.33

 

CMYK 52 / 92 / 0 / 5

HEX #7514F3

RGB 117 20 243

HSL 266.1, 0.9%, 0.52%

LAB 39.16, 77.22, -89.49

 

CMYK 43 / 76 / 0 / 4

HEX #8C3CF5

RGB 140 60 245

HSL 265.95, 0.9%, 0.6%

LAB 46.18, 68.26, -78.98

 

CMYK 34 / 60 / 0 / 3

HEX #A363F7

RGB 163 99 247

HSL 265.95, 0.9%, 0.68%

LAB 55.51, 54.72, -64.82

 

CMYK 25 / 45 / 0 / 2

HEX #BA8AF9

RGB 186 138 249

HSL 265.95, 0.9%, 0.76%

LAB 66.1, 39.92, -48.9

 

CMYK 43 / 76 / 0 / 4

HEX #8C3BF6

RGB 140 59 246

HSL 265.99, 0.91%, 0.6%

LAB 46.12, 68.9, -79.63

 

CMYK 0 / 76 / 47 / 4

HEX #F53C83

RGB 245 60 131

HSL 336.97, 0.9%, 0.6%

LAB 56.37, 72.99, 4.17

 

CMYK 76 / 0 / 74 / 4

HEX #3CF53F

RGB 60 245 63

HSL 120.97, 0.9%, 0.6%

LAB 85.31, -76.91, 69.81

 

CMYK 43 / 76 / 0 / 4

HEX #8C3BF6

RGB 140 59 246

HSL 265.99, 0.91%, 0.6%

LAB 46.12, 68.9, -79.63

 

CMYK 0 / 44 / 76 / 4

HEX #F5893C

RGB 245 137 60

HSL 24.97, 0.9%, 0.6%

LAB 67.75, 35.58, 57.14

 

CMYK 76 / 0 / 44 / 4

HEX #3CF589

RGB 60 245 137

HSL 144.97, 0.9%, 0.6%

LAB 86.04, -68.19, 39.26

 

CMYK 43 / 76 / 0 / 4

HEX #8C3BF6

RGB 140 59 246

HSL 265.99, 0.91%, 0.6%

LAB 46.12, 68.9, -79.63

 

CMYK 0 / 76 / 47 / 4

HEX #F53C83

RGB 245 60 131

HSL 336.97, 0.9%, 0.6%

LAB 56.37, 72.99, 4.17

 

CMYK 31 / 0 / 76 / 4

HEX #A8F53C

RGB 168 245 60

HSL 84.97, 0.9%, 0.6%

LAB 88.9, -49.57, 75.47

 

CMYK 76 / 0 / 29 / 4

HEX #3CF5AE

RGB 60 245 174

HSL 156.97, 0.9%, 0.6%

LAB 86.66, -61.2, 21.48

 

CMYK 43 / 76 / 0 / 4

HEX #8C3BF6

RGB 140 59 246

HSL 265.99, 0.91%, 0.6%

LAB 46.12, 68.9, -79.63

 

CMYK 0 / 76 / 69 / 4

HEX #F53C4B

RGB 245 60 75

HSL 355.14, 0.9%, 0.6%

LAB 55.23, 69.36, 35.72

 

CMYK 31 / 0 / 76 / 4

HEX #A8F53C

RGB 168 245 60

HSL 84.97, 0.9%, 0.6%

LAB 88.9, -49.57, 75.47

 

CMYK 76 / 0 / 6 / 4

HEX #3CF5E6

RGB 60 245 230

HSL 175.14, 0.9%, 0.6%

LAB 87.96, -47.73, -5.77

 

Description

Color code: HEX #8C3BF6 | qconv.com Color code: HEX #8C3BF6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 59 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 59 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 76 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 76% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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