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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 98 10 213 it is the complementary color RGB 157 245 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 98 10 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 98 10 213 shade: RGB 103 10 208, RGB 120 28 227, RGB 137 46 246, RGB 154 64 255 and RGB 171 82 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 98 10 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 98 10 213 shade: RGB 98 10 213, RGB 81 0 194, RGB 64 0 175, RGB 47 0 156 and RGB 30 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 98 10 213 shade: RGB 98 10 214, RGB 153 10 214, RGB 208 10 214, RGB 214 10 164 and RGB 214 10 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 98 10 213 shade: RGB 98 10 214, RGB 43 10 214 and RGB 10 10 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 98 10 213 shade matches the following richer shades: RGB 98 10 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 98 10 213 shade: RGB 98 10 214, RGB 101 28 196, RGB 103 46 177, RGB 105 64 159 and RGB 108 82 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 98 10 213 shade: RGB 10 30 214, RGB 44 10 214, RGB 98 10 214, RGB 153 10 214 and RGB 207 10 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 98 10 213 shade: RGB 62 6 135, RGB 80 8 174, RGB 98 10 214, RGB 118 21 244 and RGB 141 61 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 98 10 213 shade: RGB 98 10 213, RGB 214 10 84 and RGB 10 214 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 98 10 213 shade: RGB 98 10 213, RGB 214 98 10 and RGB 10 214 98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 98 10 213 shade: RGB 98 10 213, RGB 214 10 84, RGB 125 214 10 and RGB 10 214 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 98 10 213 shade: RGB 98 10 213, RGB 214 10 23, RGB 125 214 10 and RGB 10 214 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 95 / 0 / 16

HEX #620AD5

RGB 98 10 213

HSL 266.01, 0.91%, 0.44%

LAB 33.17, 70.61, -82.33

 

Complementary color

CMYK 36 / 0 / 83 / 4

HEX #9DF52A

RGB 157 245 42

HSL 86.01, 0.91%, 0.56%

LAB 88.28, -54.15, 79.48

 

CMYK 50 / 95 / 0 / 18

HEX #670AD0

RGB 103 10 208

HSL 268.18, 0.91%, 0.43%

LAB 33.25, 69.9, -79.28

 

CMYK 47 / 88 / 0 / 11

HEX #781CE3

RGB 120 28 227

HSL 267.74, 0.78%, 0.5%

LAB 38.5, 72.21, -81.49

 

CMYK 44 / 81 / 0 / 4

HEX #892EF6

RGB 137 46 246

HSL 267.3, 0.92%, 0.57%

LAB 44.13, 73.24, -82.91

 

CMYK 40 / 75 / 0 / 0

HEX #9A40FF

RGB 154 64 255

HSL 268.27, 1%, 0.63%

LAB 49.2, 71.13, -79.55

 

CMYK 33 / 68 / 0 / 0

HEX #AB52FF

RGB 171 82 255

HSL 270.87, 1%, 0.66%

LAB 53.93, 66.46, -71.76

 

CMYK 54 / 95 / 0 / 16

HEX #620AD5

RGB 98 10 213

HSL 266.01, 0.91%, 0.44%

LAB 33.17, 70.61, -82.33

 

CMYK 58 / 100 / 0 / 24

HEX #5100C2

RGB 81 0 194

HSL 265.05, 1%, 0.38%

LAB 28.5, 66.68, -79.05

 

CMYK 63 / 100 / 0 / 31

HEX #4000AF

RGB 64 0 175

HSL 261.94, 1%, 0.34%

LAB 24.27, 61.28, -74.8

 

CMYK 70 / 100 / 0 / 39

HEX #2F009C

RGB 47 0 156

HSL 258.08, 1%, 0.31%

LAB 20.06, 55.85, -70.31

 

CMYK 78 / 100 / 0 / 46

HEX #1E0089

RGB 30 0 137

HSL 253.14, 1%, 0.27%

LAB 15.91, 50.42, -65.46

 

CMYK 54 / 95 / 0 / 16

HEX #620AD6

RGB 98 10 214

HSL 265.88, 0.91%, 0.44%

LAB 33.28, 70.84, -82.73

 

CMYK 29 / 95 / 0 / 16

HEX #990AD6

RGB 153 10 214

HSL 282.06, 0.91%, 0.44%

LAB 40.97, 76.44, -69.81

 

CMYK 3 / 95 / 0 / 16

HEX #D00AD6

RGB 208 10 214

HSL 298.24, 0.91%, 0.44%

LAB 50.08, 84.37, -54.62

 

CMYK 0 / 95 / 23 / 16

HEX #D60AA4

RGB 214 10 164

HSL 314.71, 0.91%, 0.44%

LAB 48.5, 78.78, -27.87

 

CMYK 0 / 95 / 49 / 16

HEX #D60A6D

RGB 214 10 109

HSL 330.88, 0.91%, 0.44%

LAB 46.47, 73.43, 2.45

 

CMYK 54 / 95 / 0 / 16

HEX #620AD6

RGB 98 10 214

HSL 265.88, 0.91%, 0.44%

LAB 33.28, 70.84, -82.73

 

CMYK 80 / 95 / 0 / 16

HEX #2B0AD6

RGB 43 10 214

HSL 249.71, 0.91%, 0.44%

LAB 28.34, 68.08, -91.08

 

CMYK 95 / 95 / 0 / 16

HEX #0A0AD6

RGB 10 10 214

HSL 240, 0.91%, 0.44%

LAB 27.12, 67.53, -93.15

 

CMYK 54 / 95 / 0 / 16

HEX #620AD6

RGB 98 10 214

HSL 265.88, 0.91%, 0.44%

LAB 33.28, 70.84, -82.73

 

CMYK 54 / 95 / 0 / 16

HEX #620AD6

RGB 98 10 214

HSL 265.88, 0.91%, 0.44%

LAB 33.28, 70.84, -82.73

 

CMYK 48 / 86 / 0 / 23

HEX #651CC4

RGB 101 28 196

HSL 266.07, 0.75%, 0.44%

LAB 33.1, 62.98, -72.53

 

CMYK 42 / 74 / 0 / 31

HEX #672EB1

RGB 103 46 177

HSL 266.11, 0.59%, 0.44%

LAB 34.01, 51.65, -59.8

 

CMYK 34 / 60 / 0 / 38

HEX #69409F

RGB 105 64 159

HSL 265.89, 0.43%, 0.44%

LAB 36.32, 38.04, -45.27

 

CMYK 23 / 42 / 0 / 45

HEX #6C528D

RGB 108 82 141

HSL 266.44, 0.26%, 0.44%

LAB 39.82, 23.49, -28.8

 

CMYK 95 / 86 / 0 / 16

HEX #0A1ED6

RGB 10 30 214

HSL 234.12, 0.91%, 0.44%

LAB 29.03, 61.72, -89.97

 

CMYK 79 / 95 / 0 / 16

HEX #2C0AD6

RGB 44 10 214

HSL 250, 0.91%, 0.44%

LAB 28.4, 68.1, -90.98

 

CMYK 54 / 95 / 0 / 16

HEX #620AD6

RGB 98 10 214

HSL 265.88, 0.91%, 0.44%

LAB 33.28, 70.84, -82.73

 

CMYK 29 / 95 / 0 / 16

HEX #990AD6

RGB 153 10 214

HSL 282.06, 0.91%, 0.44%

LAB 40.97, 76.44, -69.81

 

CMYK 3 / 95 / 0 / 16

HEX #CF0AD6

RGB 207 10 214

HSL 297.94, 0.91%, 0.44%

LAB 49.9, 84.21, -54.91

 

CMYK 54 / 96 / 0 / 47

HEX #3E0687

RGB 62 6 135

HSL 266.05, 0.91%, 0.28%

LAB 19.65, 50, -57.89

 

CMYK 54 / 95 / 0 / 32

HEX #5008AE

RGB 80 8 174

HSL 266.02, 0.91%, 0.36%

LAB 26.55, 60.52, -70.37

 

CMYK 54 / 95 / 0 / 16

HEX #620AD6

RGB 98 10 214

HSL 265.88, 0.91%, 0.44%

LAB 33.28, 70.84, -82.73

 

CMYK 52 / 91 / 0 / 4

HEX #7615F4

RGB 118 21 244

HSL 266.1, 0.91%, 0.52%

LAB 39.44, 77.34, -89.59

 

CMYK 42 / 75 / 0 / 4

HEX #8D3DF5

RGB 141 61 245

HSL 266.09, 0.9%, 0.6%

LAB 46.44, 68.01, -78.55

 

CMYK 54 / 95 / 0 / 16

HEX #620AD5

RGB 98 10 213

HSL 266.01, 0.91%, 0.44%

LAB 33.17, 70.61, -82.33

 

CMYK 0 / 95 / 61 / 16

HEX #D60A54

RGB 214 10 84

HSL 338.24, 0.91%, 0.44%

LAB 45.84, 71.74, 17.12

 

CMYK 95 / 0 / 93 / 16

HEX #0AD610

RGB 10 214 16

HSL 121.76, 0.91%, 0.44%

LAB 74.95, -74.83, 71.28

 

CMYK 54 / 95 / 0 / 16

HEX #620AD5

RGB 98 10 213

HSL 266.01, 0.91%, 0.44%

LAB 33.17, 70.61, -82.33

 

CMYK 0 / 54 / 95 / 16

HEX #D6620A

RGB 214 98 10

HSL 25.88, 0.91%, 0.44%

LAB 55.13, 41.81, 61.94

 

CMYK 95 / 0 / 54 / 16

HEX #0AD662

RGB 10 214 98

HSL 145.88, 0.91%, 0.44%

LAB 75.48, -68.16, 44.73

 

CMYK 54 / 95 / 0 / 16

HEX #620AD5

RGB 98 10 213

HSL 266.01, 0.91%, 0.44%

LAB 33.17, 70.61, -82.33

 

CMYK 0 / 95 / 61 / 16

HEX #D60A54

RGB 214 10 84

HSL 338.24, 0.91%, 0.44%

LAB 45.84, 71.74, 17.12

 

CMYK 42 / 0 / 95 / 16

HEX #7DD60A

RGB 125 214 10

HSL 86.18, 0.91%, 0.44%

LAB 77.56, -53.44, 75.18

 

CMYK 95 / 0 / 35 / 16

HEX #0AD68B

RGB 10 214 139

HSL 157.94, 0.91%, 0.44%

LAB 76.08, -60.95, 25.02

 

CMYK 54 / 95 / 0 / 16

HEX #620AD5

RGB 98 10 213

HSL 266.01, 0.91%, 0.44%

LAB 33.17, 70.61, -82.33

 

CMYK 0 / 95 / 89 / 16

HEX #D60A17

RGB 214 10 23

HSL 356.18, 0.91%, 0.44%

LAB 45.05, 69.54, 51.21

 

CMYK 42 / 0 / 95 / 16

HEX #7DD60A

RGB 125 214 10

HSL 86.18, 0.91%, 0.44%

LAB 77.56, -53.44, 75.18

 

CMYK 95 / 0 / 7 / 16

HEX #0AD6C8

RGB 10 214 200

HSL 175.88, 0.91%, 0.44%

LAB 77.48, -45.91, -5.42

 

Description

Color code: RGB 98 10 213 | qconv.com Color code: RGB 98 10 213 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 10 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 10 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 95 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 95% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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