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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AB9EF it is the complementary color #754610. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AB9EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AB9EF shade: #8FB9EA, #A0CBFD, #B1DDFF, #C2EFFF and #D3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AB9EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AB9EF shade: #8AB9EF, #79A7DC, #6895C9, #5783B6 and #4671A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AB9EF shade: #8AB9EF, #8A9EEF, #918AEF, #AC8AEF and #C88AEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AB9EF shade: #8AB9EF, #8A9EEF and #8A8AEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AB9EF shade matches the following richer shades: #8AB9EF and #7FB8F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AB9EF shade: #8AB9EF, #95B9E4, #9FBAD9, #AABBCE and #B5BCC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AB9EF shade: #8AEFEF, #8AD4EF, #8AB9EF, #8A9EEF and #918AEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AB9EF shade: #418DE5, #66A3EA, #8AB9EF, #AECEF4 and #D2E4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AB9EF shade: #8AB9EF, #D48AEF and #E1EF8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AB9EF shade: #8AB9EF, #EF8AB9 and #B9EF8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AB9EF shade: #8AB9EF, #D48AEF, #EFC08A and #A5EF8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AB9EF shade: #8AB9EF, #EF8AEB, #EFC08A and #8AEF8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

Complementary color

CMYK 0 / 40 / 86 / 54

HEX #754610

RGB 117 70 16

HSL 32.08, 0.76%, 0.26%

LAB 34.4, 15.79, 38.25

 

CMYK 39 / 21 / 0 / 8

HEX #8FB9EA

RGB 143 185 234

HSL 212.31, 0.68%, 0.74%

LAB 73.85, -1.9, -28.88

 

CMYK 37 / 20 / 0 / 1

HEX #A0CBFD

RGB 160 203 253

HSL 212.26, 0.96%, 0.81%

LAB 80.34, -2.19, -29.06

 

CMYK 31 / 13 / 0 / 0

HEX #B1DDFF

RGB 177 221 255

HSL 206.15, 1%, 0.85%

LAB 86.15, -6.57, -21.18

 

CMYK 24 / 6 / 0 / 0

HEX #C2EFFF

RGB 194 239 255

HSL 195.74, 1%, 0.88%

LAB 91.87, -10.95, -12.47

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 45 / 24 / 0 / 14

HEX #79A7DC

RGB 121 167 220

HSL 212.12, 0.59%, 0.67%

LAB 67.18, -1.44, -31.63

 

CMYK 48 / 26 / 0 / 21

HEX #6895C9

RGB 104 149 201

HSL 212.16, 0.47%, 0.6%

LAB 60.48, -0.96, -31.53

 

CMYK 52 / 28 / 0 / 29

HEX #5783B6

RGB 87 131 182

HSL 212.21, 0.39%, 0.53%

LAB 53.64, -0.36, -31.46

 

CMYK 57 / 31 / 0 / 36

HEX #4671A3

RGB 70 113 163

HSL 212.26, 0.4%, 0.46%

LAB 46.65, 0.39, -31.41

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 42 / 34 / 0 / 6

HEX #8A9EEF

RGB 138 158 239

HSL 228.12, 0.76%, 0.74%

LAB 66.59, 13.29, -42.92

 

CMYK 39 / 42 / 0 / 6

HEX #918AEF

RGB 145 138 239

HSL 244.16, 0.76%, 0.74%

LAB 62.02, 26.61, -50.08

 

CMYK 28 / 42 / 0 / 6

HEX #AC8AEF

RGB 172 138 239

HSL 260.2, 0.76%, 0.74%

LAB 64.31, 33.73, -46.32

 

CMYK 16 / 42 / 0 / 6

HEX #C88AEF

RGB 200 138 239

HSL 276.83, 0.76%, 0.74%

LAB 67.04, 41.57, -41.83

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 42 / 34 / 0 / 6

HEX #8A9EEF

RGB 138 158 239

HSL 228.12, 0.76%, 0.74%

LAB 66.59, 13.29, -42.92

 

CMYK 42 / 42 / 0 / 6

HEX #8A8AEF

RGB 138 138 239

HSL 240, 0.76%, 0.74%

LAB 61.49, 24.88, -50.95

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 49 / 26 / 0 / 2

HEX #7FB8F9

RGB 127 184 249

HSL 211.97, 0.91%, 0.74%

LAB 73.31, -1.13, -37.91

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 35 / 19 / 0 / 11

HEX #95B9E4

RGB 149 185 228

HSL 212.66, 0.59%, 0.74%

LAB 73.99, -1.84, -25.39

 

CMYK 27 / 14 / 0 / 15

HEX #9FBAD9

RGB 159 186 217

HSL 212.07, 0.43%, 0.74%

LAB 74.51, -2.21, -18.58

 

CMYK 17 / 9 / 0 / 19

HEX #AABBCE

RGB 170 187 206

HSL 211.67, 0.27%, 0.74%

LAB 75.17, -1.85, -11.53

 

CMYK 8 / 4 / 0 / 23

HEX #B5BCC4

RGB 181 188 196

HSL 212, 0.11%, 0.74%

LAB 75.93, -0.86, -4.88

 

CMYK 42 / 0 / 0 / 6

HEX #8AEFEF

RGB 138 239 239

HSL 180, 0.76%, 0.74%

LAB 88.62, -29.49, -9.25

 

CMYK 42 / 11 / 0 / 6

HEX #8AD4EF

RGB 138 212 239

HSL 196.04, 0.76%, 0.74%

LAB 81.14, -16.14, -20.48

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 42 / 34 / 0 / 6

HEX #8A9EEF

RGB 138 158 239

HSL 228.12, 0.76%, 0.74%

LAB 66.59, 13.29, -42.92

 

CMYK 39 / 42 / 0 / 6

HEX #918AEF

RGB 145 138 239

HSL 244.16, 0.76%, 0.74%

LAB 62.02, 26.61, -50.08

 

CMYK 72 / 38 / 0 / 10

HEX #418DE5

RGB 65 141 229

HSL 212.2, 0.76%, 0.58%

LAB 57.88, 5.51, -51.39

 

CMYK 56 / 30 / 0 / 8

HEX #66A3EA

RGB 102 163 234

HSL 212.27, 0.76%, 0.66%

LAB 65.72, 0.7, -41.68

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 29 / 16 / 0 / 4

HEX #AECEF4

RGB 174 206 244

HSL 212.57, 0.76%, 0.82%

LAB 81.66, -2.14, -22.17

 

CMYK 15 / 8 / 0 / 3

HEX #D2E4F8

RGB 210 228 248

HSL 211.58, 0.73%, 0.9%

LAB 89.84, -1.98, -11.73

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 11 / 42 / 0 / 6

HEX #D48AEF

RGB 212 138 239

HSL 283.96, 0.76%, 0.74%

LAB 68.32, 45.02, -39.74

 

CMYK 6 / 0 / 42 / 6

HEX #E1EF8A

RGB 225 239 138

HSL 68.32, 0.76%, 0.74%

LAB 91.49, -19.45, 47.17

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 0 / 42 / 23 / 6

HEX #EF8AB9

RGB 239 138 185

HSL 332.08, 0.76%, 0.74%

LAB 69.49, 44.19, -7.73

 

CMYK 23 / 0 / 42 / 6

HEX #B9EF8A

RGB 185 239 138

HSL 92.08, 0.76%, 0.74%

LAB 88.87, -34.19, 43.3

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 11 / 42 / 0 / 6

HEX #D48AEF

RGB 212 138 239

HSL 283.96, 0.76%, 0.74%

LAB 68.32, 45.02, -39.74

 

CMYK 0 / 20 / 42 / 6

HEX #EFC08A

RGB 239 192 138

HSL 32.08, 0.76%, 0.74%

LAB 80.67, 9.9, 33.56

 

CMYK 31 / 0 / 42 / 6

HEX #A5EF8A

RGB 165 239 138

HSL 103.96, 0.76%, 0.74%

LAB 87.76, -41.02, 41.67

 

CMYK 42 / 23 / 0 / 6

HEX #8AB9EF

RGB 138 185 239

HSL 212.08, 0.76%, 0.74%

LAB 73.76, -1.85, -31.76

 

CMYK 0 / 42 / 2 / 6

HEX #EF8AEB

RGB 239 138 235

HSL 302.38, 0.76%, 0.74%

LAB 71.23, 52.16, -32.78

 

CMYK 0 / 20 / 42 / 6

HEX #EFC08A

RGB 239 192 138

HSL 32.08, 0.76%, 0.74%

LAB 80.67, 9.9, 33.56

 

CMYK 42 / 0 / 41 / 6

HEX #8AEF8D

RGB 138 239 141

HSL 121.78, 0.76%, 0.74%

LAB 86.53, -48.95, 38.36

 

Description

Color code: HEX #8AB9EF | qconv.com Color code: HEX #8AB9EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 185 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 185 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 23 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 23% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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