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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A00B2 it is the complementary color #75FF4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A00B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A00B2 shade: #8F00AD, #A012C0, #B124D3, #C236E6 and #D348F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A00B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A00B2 shade: #8A00B2, #79009F, #68008C, #570079 and #460066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A00B2 shade: #8A00B2, #B200AA, #B2007A, #B2004A and #B2001A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A00B2 shade: #8A00B2, #5A00B2, #2A00B2 and #0000B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A00B2 shade matches the following richer shades: #8A00B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A00B2 shade: #8A00B2, #820EA4, #7A1C95, #722B87 and #6A3978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A00B2 shade: #2900B2, #5900B2, #8800B2, #B200AC and #B2007C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A00B2 shade: #4A005F, #6A0089, #8A00B2, #AA00DB and #C706FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A00B2 shade: #8A00B2, #B20005 and #00B241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A00B2 shade: #8A00B2, #B28800 and #00B288

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A00B2 shade: #8A00B2, #B20005, #29B200 and #00B2AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A00B2 shade: #8A00B2, #B22F00, #29B200 and #0082B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

Complementary color

CMYK 54 / 0 / 70 / 0

HEX #75FF4D

RGB 117 255 77

HSL 106.52, 1%, 0.65%

LAB 89.78, -67.9, 70.01

 

CMYK 17 / 100 / 0 / 32

HEX #8F00AD

RGB 143 0 173

HSL 289.6, 1%, 0.34%

LAB 35.71, 68.81, -54.39

 

CMYK 17 / 91 / 0 / 25

HEX #A012C0

RGB 160 18 192

HSL 288.97, 0.83%, 0.41%

LAB 40.75, 72.39, -57.32

 

CMYK 16 / 83 / 0 / 17

HEX #B124D3

RGB 177 36 211

HSL 288.34, 0.71%, 0.48%

LAB 46.06, 74.89, -59.64

 

CMYK 16 / 77 / 0 / 10

HEX #C236E6

RGB 194 54 230

HSL 287.73, 0.78%, 0.56%

LAB 51.63, 76.33, -61.34

 

CMYK 15 / 71 / 0 / 2

HEX #D348F9

RGB 211 72 249

HSL 287.12, 0.94%, 0.63%

LAB 57.39, 77.03, -62.59

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 24 / 100 / 0 / 38

HEX #79009F

RGB 121 0 159

HSL 285.66, 1%, 0.31%

LAB 30.8, 63.22, -54.09

 

CMYK 26 / 100 / 0 / 45

HEX #68008C

RGB 104 0 140

HSL 284.57, 1%, 0.27%

LAB 26.26, 57.3, -49.92

 

CMYK 28 / 100 / 0 / 53

HEX #570079

RGB 87 0 121

HSL 283.14, 1%, 0.24%

LAB 21.6, 51.24, -45.65

 

CMYK 31 / 100 / 0 / 60

HEX #460066

RGB 70 0 102

HSL 281.18, 1%, 0.2%

LAB 16.8, 45, -41.28

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 0 / 100 / 4 / 30

HEX #B200AA

RGB 178 0 170

HSL 302.7, 1%, 0.35%

LAB 41.79, 73.86, -42.47

 

CMYK 0 / 100 / 31 / 30

HEX #B2007A

RGB 178 0 122

HSL 318.88, 1%, 0.35%

LAB 39.36, 67.78, -17.01

 

CMYK 0 / 100 / 58 / 30

HEX #B2004A

RGB 178 0 74

HSL 335.06, 1%, 0.35%

LAB 37.77, 63.61, 11.21

 

CMYK 0 / 100 / 85 / 30

HEX #B2001A

RGB 178 0 26

HSL 351.24, 1%, 0.35%

LAB 37, 61.55, 40.05

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 49 / 100 / 0 / 30

HEX #5A00B2

RGB 90 0 178

HSL 270.34, 1%, 0.35%

LAB 27.81, 63.73, -70.64

 

CMYK 76 / 100 / 0 / 30

HEX #2A00B2

RGB 42 0 178

HSL 254.16, 1%, 0.35%

LAB 22.68, 61.11, -79.32

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 21 / 91 / 0 / 36

HEX #820EA4

RGB 130 14 164

HSL 286.4, 0.84%, 0.35%

LAB 33.44, 63.36, -52.77

 

CMYK 18 / 81 / 0 / 42

HEX #7A1C95

RGB 122 28 149

HSL 286.61, 0.68%, 0.35%

LAB 32.12, 55.8, -45.83

 

CMYK 16 / 68 / 0 / 47

HEX #722B87

RGB 114 43 135

HSL 286.3, 0.52%, 0.35%

LAB 31.93, 45.46, -37.57

 

CMYK 12 / 53 / 0 / 53

HEX #6A3978

RGB 106 57 120

HSL 286.67, 0.36%, 0.35%

LAB 32.58, 32.75, -27.24

 

CMYK 77 / 100 / 0 / 30

HEX #2900B2

RGB 41 0 178

HSL 253.82, 1%, 0.35%

LAB 22.6, 61.08, -79.44

 

CMYK 50 / 100 / 0 / 30

HEX #5900B2

RGB 89 0 178

HSL 270, 1%, 0.35%

LAB 27.68, 63.65, -70.87

 

CMYK 24 / 100 / 0 / 30

HEX #8800B2

RGB 136 0 178

HSL 285.84, 1%, 0.35%

LAB 34.9, 68.74, -58.74

 

CMYK 0 / 100 / 3 / 30

HEX #B200AC

RGB 178 0 172

HSL 302.02, 1%, 0.35%

LAB 41.91, 74.14, -43.48

 

CMYK 0 / 100 / 30 / 30

HEX #B2007C

RGB 178 0 124

HSL 318.2, 1%, 0.35%

LAB 39.45, 68, -18.13

 

CMYK 22 / 100 / 0 / 63

HEX #4A005F

RGB 74 0 95

HSL 286.74, 1%, 0.19%

LAB 16.9, 44.14, -36.45

 

CMYK 23 / 100 / 0 / 46

HEX #6A0089

RGB 106 0 137

HSL 286.42, 1%, 0.27%

LAB 26.36, 57.01, -47.87

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 22 / 100 / 0 / 14

HEX #AA00DB

RGB 170 0 219

HSL 286.58, 1%, 0.43%

LAB 43.74, 80.5, -68.04

 

CMYK 22 / 98 / 0 / 0

HEX #C706FF

RGB 199 6 255

HSL 286.51, 1%, 0.51%

LAB 51.26, 89.93, -75.93

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 0 / 100 / 97 / 30

HEX #B20005

RGB 178 0 5

HSL 358.31, 1%, 0.35%

LAB 36.88, 61.23, 49.25

 

CMYK 100 / 0 / 63 / 30

HEX #00B241

RGB 0 178 65

HSL 141.91, 1%, 0.35%

LAB 63.53, -61.77, 45.89

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 0 / 24 / 100 / 30

HEX #B28800

RGB 178 136 0

HSL 45.84, 1%, 0.35%

LAB 59.04, 5.89, 64.06

 

CMYK 100 / 0 / 24 / 30

HEX #00B288

RGB 0 178 136

HSL 165.84, 1%, 0.35%

LAB 64.66, -48.48, 10.82

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 0 / 100 / 97 / 30

HEX #B20005

RGB 178 0 5

HSL 358.31, 1%, 0.35%

LAB 36.88, 61.23, 49.25

 

CMYK 77 / 0 / 100 / 30

HEX #29B200

RGB 41 178 0

HSL 106.18, 1%, 0.35%

LAB 63.6, -62.31, 63.99

 

CMYK 100 / 0 / 3 / 30

HEX #00B2AC

RGB 0 178 172

HSL 177.98, 1%, 0.35%

LAB 65.61, -38.53, -7.74

 

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 0 / 74 / 100 / 30

HEX #B22F00

RGB 178 47 0

HSL 15.84, 1%, 0.35%

LAB 40.41, 51.14, 52.77

 

CMYK 77 / 0 / 100 / 30

HEX #29B200

RGB 41 178 0

HSL 106.18, 1%, 0.35%

LAB 63.6, -62.31, 63.99

 

CMYK 100 / 27 / 0 / 30

HEX #0082B2

RGB 0 130 178

HSL 196.18, 1%, 0.35%

LAB 50.9, -12.16, -33.61

 

Description

Color code: HEX #8A00B2 | qconv.com Color code: HEX #8A00B2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, none green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 0 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 100 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 100% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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