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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75FF4D it is the complementary color #8A00B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75FF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75FF4D shade: #7AFF48, #8BFF5B, #9CFF6E, #ADFF81 and #BEFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75FF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75FF4D shade: #75FF4D, #64ED3A, #53DB27, #42C914 and #31B701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75FF4D shade: #74FF4C, #A4FF4C, #D4FF4C, #FFF84C and #FFC84C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75FF4D shade: #74FF4C, #4CFF54, #4CFF84, #4CFFB4 and #4CFFE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75FF4D shade matches the following richer shades: #74FF4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75FF4D shade: #74FF4C, #7CF05A, #84E269, #8CD377 and #94C586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75FF4D shade: #D5FF4C, #A5FF4C, #76FF4C, #4CFF52 and #4CFF82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75FF4D shade: #37F800, #54FF23, #74FF4C, #94FF75 and #B4FF9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75FF4D shade: #75FF4D, #4CFFF9 and #FF4CBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75FF4D shade: #75FF4D, #4C76FF and #FF4C76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75FF4D shade: #75FF4D, #4CFFF9, #D54CFF and #FF4C52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75FF4D shade: #75FF4D, #4CCFFF, #D54CFF and #FF7C4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 70 / 0

HEX #75FF4D

RGB 117 255 77

HSL 106.52, 1%, 0.65%

LAB 89.78, -67.9, 70.01

 

Complementary color

CMYK 22 / 100 / 0 / 30

HEX #8A00B2

RGB 138 0 178

HSL 286.52, 1%, 0.35%

LAB 35.24, 69, -58.17

 

CMYK 52 / 0 / 72 / 0

HEX #7AFF48

RGB 122 255 72

HSL 103.61, 1%, 0.64%

LAB 89.92, -66.97, 71.93

 

CMYK 45 / 0 / 64 / 0

HEX #8BFF5B

RGB 139 255 91

HSL 102.44, 1%, 0.68%

LAB 90.67, -60.81, 65.92

 

CMYK 39 / 0 / 57 / 0

HEX #9CFF6E

RGB 156 255 110

HSL 100.97, 1%, 0.72%

LAB 91.56, -53.92, 59.2

 

CMYK 32 / 0 / 49 / 0

HEX #ADFF81

RGB 173 255 129

HSL 99.05, 1%, 0.75%

LAB 92.57, -46.44, 52.05

 

CMYK 25 / 0 / 42 / 0

HEX #BEFF94

RGB 190 255 148

HSL 96.45, 1%, 0.79%

LAB 93.71, -38.48, 44.66

 

CMYK 54 / 0 / 70 / 0

HEX #75FF4D

RGB 117 255 77

HSL 106.52, 1%, 0.65%

LAB 89.78, -67.9, 70.01

 

CMYK 58 / 0 / 76 / 7

HEX #64ED3A

RGB 100 237 58

HSL 105.92, 0.83%, 0.58%

LAB 83.75, -67.17, 70.17

 

CMYK 62 / 0 / 82 / 14

HEX #53DB27

RGB 83 219 39

HSL 105.33, 0.71%, 0.51%

LAB 77.67, -66.11, 69.67

 

CMYK 67 / 0 / 90 / 21

HEX #42C914

RGB 66 201 20

HSL 104.75, 0.82%, 0.43%

LAB 71.54, -64.59, 68.11

 

CMYK 73 / 0 / 99 / 28

HEX #31B701

RGB 49 183 1

HSL 104.18, 0.99%, 0.36%

LAB 65.37, -62.53, 65.34

 

CMYK 55 / 0 / 70 / 0

HEX #74FF4C

RGB 116 255 76

HSL 106.59, 1%, 0.65%

LAB 89.75, -68.23, 70.31

 

CMYK 36 / 0 / 70 / 0

HEX #A4FF4C

RGB 164 255 76

HSL 90.5, 1%, 0.65%

LAB 91.66, -54.11, 72.87

 

CMYK 17 / 0 / 70 / 0

HEX #D4FF4C

RGB 212 255 76

HSL 74.41, 1%, 0.65%

LAB 94.33, -36.82, 76.42

 

CMYK 0 / 3 / 70 / 0

HEX #FFF84C

RGB 255 248 76

HSL 57.65, 1%, 0.65%

LAB 95.55, -16.49, 78.65

 

CMYK 0 / 22 / 70 / 0

HEX #FFC84C

RGB 255 200 76

HSL 41.56, 1%, 0.65%

LAB 83.49, 7.57, 66.69

 

CMYK 55 / 0 / 70 / 0

HEX #74FF4C

RGB 116 255 76

HSL 106.59, 1%, 0.65%

LAB 89.75, -68.23, 70.31

 

CMYK 70 / 0 / 67 / 0

HEX #4CFF54

RGB 76 255 84

HSL 122.68, 1%, 0.65%

LAB 88.78, -75.88, 66.05

 

CMYK 70 / 0 / 48 / 0

HEX #4CFF84

RGB 76 255 132

HSL 138.77, 1%, 0.65%

LAB 89.26, -70.16, 45.81

 

CMYK 70 / 0 / 29 / 0

HEX #4CFFB4

RGB 76 255 180

HSL 154.86, 1%, 0.65%

LAB 90.02, -61.67, 23.09

 

CMYK 70 / 0 / 11 / 0

HEX #4CFFE4

RGB 76 255 228

HSL 170.95, 1%, 0.65%

LAB 91.08, -50.67, -0.11

 

CMYK 55 / 0 / 70 / 0

HEX #74FF4C

RGB 116 255 76

HSL 106.59, 1%, 0.65%

LAB 89.75, -68.23, 70.31

 

CMYK 55 / 0 / 70 / 0

HEX #74FF4C

RGB 116 255 76

HSL 106.59, 1%, 0.65%

LAB 89.75, -68.23, 70.31

 

CMYK 48 / 0 / 63 / 6

HEX #7CF05A

RGB 124 240 90

HSL 106.4, 0.83%, 0.65%

LAB 85.68, -59.5, 60.69

 

CMYK 42 / 0 / 54 / 11

HEX #84E269

RGB 132 226 105

HSL 106.61, 0.68%, 0.65%

LAB 82.01, -50.09, 49.98

 

CMYK 34 / 0 / 44 / 17

HEX #8CD377

RGB 140 211 119

HSL 106.3, 0.51%, 0.65%

LAB 78.17, -39.37, 38.59

 

CMYK 25 / 0 / 32 / 23

HEX #94C586

RGB 148 197 134

HSL 106.67, 0.35%, 0.65%

LAB 74.79, -27.98, 26.56

 

CMYK 16 / 0 / 70 / 0

HEX #D5FF4C

RGB 213 255 76

HSL 74.08, 1%, 0.65%

LAB 94.39, -36.44, 76.5

 

CMYK 35 / 0 / 70 / 0

HEX #A5FF4C

RGB 165 255 76

HSL 90.17, 1%, 0.65%

LAB 91.7, -53.78, 72.93

 

CMYK 54 / 0 / 70 / 0

HEX #76FF4C

RGB 118 255 76

HSL 105.92, 1%, 0.65%

LAB 89.81, -67.72, 70.4

 

CMYK 70 / 0 / 68 / 0

HEX #4CFF52

RGB 76 255 82

HSL 122.01, 1%, 0.65%

LAB 88.76, -76.05, 66.79

 

CMYK 70 / 0 / 49 / 0

HEX #4CFF82

RGB 76 255 130

HSL 138.1, 1%, 0.65%

LAB 89.24, -70.46, 46.73

 

CMYK 78 / 0 / 100 / 3

HEX #37F800

RGB 55 248 0

HSL 106.69, 1%, 0.49%

LAB 85.98, -80.7, 81.94

 

CMYK 67 / 0 / 86 / 0

HEX #54FF23

RGB 84 255 35

HSL 106.64, 1%, 0.57%

LAB 88.7, -77.47, 80.32

 

CMYK 55 / 0 / 70 / 0

HEX #74FF4C

RGB 116 255 76

HSL 106.59, 1%, 0.65%

LAB 89.75, -68.23, 70.31

 

CMYK 42 / 0 / 54 / 0

HEX #94FF75

RGB 148 255 117

HSL 106.52, 1%, 0.73%

LAB 91.28, -55.62, 55.7

 

CMYK 29 / 0 / 38 / 0

HEX #B4FF9F

RGB 180 255 159

HSL 106.88, 1%, 0.81%

LAB 93.33, -40.35, 38.7

 

CMYK 54 / 0 / 70 / 0

HEX #75FF4D

RGB 117 255 77

HSL 106.52, 1%, 0.65%

LAB 89.78, -67.9, 70.01

 

CMYK 70 / 0 / 2 / 0

HEX #4CFFF9

RGB 76 255 249

HSL 177.99, 1%, 0.65%

LAB 91.64, -45.19, -10.18

 

CMYK 0 / 70 / 26 / 0

HEX #FF4CBD

RGB 255 76 189

HSL 322.12, 1%, 0.65%

LAB 61.74, 76.47, -21.45

 

CMYK 54 / 0 / 70 / 0

HEX #75FF4D

RGB 117 255 77

HSL 106.52, 1%, 0.65%

LAB 89.78, -67.9, 70.01

 

CMYK 70 / 54 / 0 / 0

HEX #4C76FF

RGB 76 118 255

HSL 225.92, 1%, 0.65%

LAB 53.72, 30.21, -72.46

 

CMYK 0 / 70 / 54 / 0

HEX #FF4C76

RGB 255 76 118

HSL 345.92, 1%, 0.65%

LAB 59.65, 69.57, 16.72

 

CMYK 54 / 0 / 70 / 0

HEX #75FF4D

RGB 117 255 77

HSL 106.52, 1%, 0.65%

LAB 89.78, -67.9, 70.01

 

CMYK 70 / 0 / 2 / 0

HEX #4CFFF9

RGB 76 255 249

HSL 177.99, 1%, 0.65%

LAB 91.64, -45.19, -10.18

 

CMYK 16 / 70 / 0 / 0

HEX #D54CFF

RGB 213 76 255

HSL 285.92, 1%, 0.65%

LAB 58.54, 77.08, -64.05

 

CMYK 0 / 70 / 68 / 0

HEX #FF4C52

RGB 255 76 82

HSL 357.99, 1%, 0.65%

LAB 59.01, 67.38, 36.71

 

CMYK 54 / 0 / 70 / 0

HEX #75FF4D

RGB 117 255 77

HSL 106.52, 1%, 0.65%

LAB 89.78, -67.9, 70.01

 

CMYK 70 / 19 / 0 / 0

HEX #4CCFFF

RGB 76 207 255

HSL 196.09, 1%, 0.65%

LAB 78.1, -20.75, -33.85

 

CMYK 16 / 70 / 0 / 0

HEX #D54CFF

RGB 213 76 255

HSL 285.92, 1%, 0.65%

LAB 58.54, 77.08, -64.05

 

CMYK 0 / 51 / 70 / 0

HEX #FF7C4C

RGB 255 124 76

HSL 16.09, 1%, 0.65%

LAB 66.67, 46.62, 48.82

 

Description

Color code: HEX #75FF4D | qconv.com Color code: HEX #75FF4D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 255 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 255 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 70 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 70% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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