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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #877DA8 it is the complementary color #788257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #877DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #877DA8 shade: #8C7DA3, #9D8FB6, #AEA1C9, #BFB3DC and #D0C5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #877DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #877DA8 shade: #877DA8, #766B95, #655982, #54476F and #43355C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #877DA8 shade: #857BA7, #917BA7, #9D7BA7, #A77BA5 and #A77B99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #877DA8 shade: #857BA7 and #7B7BA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #877DA8 shade matches the following richer shades: #857BA7, #7C69B9, #7257CA, #6946DC and #5F34EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #877DA8 shade: #857BA7, #8F8D95, #989E83, #A2B072 and #ABC260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #877DA8 shade: #7B89A7, #7B7DA7, #847BA7, #907BA7 and #9C7BA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #877DA8 shade: #5C537C, #6F6395, #857BA7, #9C94B7 and #B3ACC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #877DA8 shade: #877DA8, #A77B95 and #83A77B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #877DA8 shade: #877DA8, #A7847B and #7BA784

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #877DA8 shade: #877DA8, #A77B95, #9DA77B and #7BA78D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #877DA8 shade: #877DA8, #A77B87, #9DA77B and #7BA79A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 26 / 0 / 34

HEX #877DA8

RGB 135 125 168

HSL 253.95, 0.2%, 0.57%

LAB 54.71, 12.98, -21.49

 

Complementary color

CMYK 8 / 0 / 33 / 49

HEX #788257

RGB 120 130 87

HSL 73.95, 0.2%, 0.43%

LAB 52.56, -11.35, 22.1

 

CMYK 14 / 23 / 0 / 36

HEX #8C7DA3

RGB 140 125 163

HSL 263.68, 0.17%, 0.56%

LAB 54.96, 13.49, -18.18

 

CMYK 14 / 21 / 0 / 29

HEX #9D8FB6

RGB 157 143 182

HSL 261.54, 0.21%, 0.64%

LAB 61.82, 13.03, -18.45

 

CMYK 13 / 20 / 0 / 21

HEX #AEA1C9

RGB 174 161 201

HSL 259.5, 0.27%, 0.71%

LAB 68.54, 12.62, -18.74

 

CMYK 13 / 19 / 0 / 14

HEX #BFB3DC

RGB 191 179 220

HSL 257.56, 0.37%, 0.78%

LAB 75.13, 12.24, -19.04

 

CMYK 13 / 18 / 0 / 6

HEX #D0C5EF

RGB 208 197 239

HSL 255.71, 0.57%, 0.85%

LAB 81.61, 11.88, -19.35

 

CMYK 20 / 26 / 0 / 34

HEX #877DA8

RGB 135 125 168

HSL 253.95, 0.2%, 0.57%

LAB 54.71, 12.98, -21.49

 

CMYK 21 / 28 / 0 / 42

HEX #766B95

RGB 118 107 149

HSL 255.71, 0.17%, 0.5%

LAB 47.67, 13.5, -21.32

 

CMYK 22 / 32 / 0 / 49

HEX #655982

RGB 101 89 130

HSL 257.56, 0.19%, 0.43%

LAB 40.45, 14.1, -21.2

 

CMYK 24 / 36 / 0 / 56

HEX #54476F

RGB 84 71 111

HSL 259.5, 0.22%, 0.36%

LAB 33, 14.79, -21.12

 

CMYK 27 / 42 / 0 / 64

HEX #43355C

RGB 67 53 92

HSL 261.54, 0.27%, 0.28%

LAB 25.3, 15.62, -21.11

 

CMYK 20 / 26 / 0 / 35

HEX #857BA7

RGB 133 123 167

HSL 253.64, 0.2%, 0.57%

LAB 53.97, 13.27, -22.06

 

CMYK 13 / 26 / 0 / 35

HEX #917BA7

RGB 145 123 167

HSL 270, 0.2%, 0.57%

LAB 55.05, 17.23, -20.31

 

CMYK 6 / 26 / 0 / 35

HEX #9D7BA7

RGB 157 123 167

HSL 286.36, 0.2%, 0.57%

LAB 56.21, 21.29, -18.43

 

CMYK 0 / 26 / 1 / 35

HEX #A77BA5

RGB 167 123 165

HSL 302.73, 0.2%, 0.57%

LAB 57.17, 24.32, -15.72

 

CMYK 0 / 26 / 8 / 35

HEX #A77B99

RGB 167 123 153

HSL 319.09, 0.2%, 0.57%

LAB 56.76, 22.08, -9.41

 

CMYK 20 / 26 / 0 / 35

HEX #857BA7

RGB 133 123 167

HSL 253.64, 0.2%, 0.57%

LAB 53.97, 13.27, -22.06

 

CMYK 26 / 26 / 0 / 35

HEX #7B7BA7

RGB 123 123 167

HSL 240, 0.2%, 0.57%

LAB 53.13, 10.06, -23.42

 

CMYK 20 / 26 / 0 / 35

HEX #857BA7

RGB 133 123 167

HSL 253.64, 0.2%, 0.57%

LAB 53.97, 13.27, -22.06

 

CMYK 33 / 43 / 0 / 27

HEX #7C69B9

RGB 124 105 185

HSL 254.25, 0.36%, 0.57%

LAB 49.36, 25.82, -39.72

 

CMYK 44 / 57 / 0 / 21

HEX #7257CA

RGB 114 87 202

HSL 254.09, 0.52%, 0.57%

LAB 45.16, 38.68, -56.3

 

CMYK 52 / 68 / 0 / 14

HEX #6946DC

RGB 105 70 220

HSL 254, 0.68%, 0.57%

LAB 42.08, 51.62, -71.68

 

CMYK 60 / 78 / 0 / 7

HEX #5F34EE

RGB 95 52 238

HSL 253.87, 0.85%, 0.57%

LAB 39.68, 64.06, -85.88

 

CMYK 20 / 26 / 0 / 35

HEX #857BA7

RGB 133 123 167

HSL 253.64, 0.2%, 0.57%

LAB 53.97, 13.27, -22.06

 

CMYK 4 / 5 / 0 / 42

HEX #8F8D95

RGB 143 141 149

HSL 255, 0.04%, 0.57%

LAB 59.03, 2.32, -3.99

 

CMYK 4 / 0 / 17 / 38

HEX #989E83

RGB 152 158 131

HSL 73.33, 0.12%, 0.57%

LAB 63.97, -7.05, 13.4

 

CMYK 8 / 0 / 35 / 31

HEX #A2B072

RGB 162 176 114

HSL 73.55, 0.28%, 0.57%

LAB 69.43, -15.18, 30.17

 

CMYK 12 / 0 / 51 / 24

HEX #ABC260

RGB 171 194 96

HSL 74.08, 0.45%, 0.57%

LAB 74.88, -22.74, 46.25

 

CMYK 26 / 18 / 0 / 35

HEX #7B89A7

RGB 123 137 167

HSL 220.91, 0.2%, 0.57%

LAB 56.97, 1.89, -17.54

 

CMYK 26 / 25 / 0 / 35

HEX #7B7DA7

RGB 123 125 167

HSL 237.27, 0.2%, 0.57%

LAB 53.67, 8.88, -22.58

 

CMYK 21 / 26 / 0 / 35

HEX #847BA7

RGB 132 123 167

HSL 252.27, 0.2%, 0.57%

LAB 53.88, 12.94, -22.2

 

CMYK 14 / 26 / 0 / 35

HEX #907BA7

RGB 144 123 167

HSL 268.64, 0.2%, 0.57%

LAB 54.95, 16.9, -20.46

 

CMYK 7 / 26 / 0 / 35

HEX #9C7BA7

RGB 156 123 167

HSL 285, 0.2%, 0.57%

LAB 56.11, 20.95, -18.59

 

CMYK 26 / 33 / 0 / 51

HEX #5C537C

RGB 92 83 124

HSL 253.17, 0.2%, 0.41%

LAB 37.69, 13.29, -21.86

 

CMYK 26 / 34 / 0 / 42

HEX #6F6395

RGB 111 99 149

HSL 254.4, 0.2%, 0.49%

LAB 44.9, 16.08, -25.65

 

CMYK 20 / 26 / 0 / 35

HEX #857BA7

RGB 133 123 167

HSL 253.64, 0.2%, 0.57%

LAB 53.97, 13.27, -22.06

 

CMYK 15 / 19 / 0 / 28

HEX #9C94B7

RGB 156 148 183

HSL 253.71, 0.2%, 0.65%

LAB 63.07, 10.08, -17.13

 

CMYK 11 / 14 / 0 / 22

HEX #B3ACC8

RGB 179 172 200

HSL 255, 0.2%, 0.73%

LAB 71.73, 7.96, -13.33

 

CMYK 20 / 26 / 0 / 34

HEX #877DA8

RGB 135 125 168

HSL 253.95, 0.2%, 0.57%

LAB 54.71, 12.98, -21.49

 

CMYK 0 / 26 / 11 / 35

HEX #A77B95

RGB 167 123 149

HSL 324.55, 0.2%, 0.57%

LAB 56.64, 21.36, -7.28

 

CMYK 22 / 0 / 26 / 35

HEX #83A77B

RGB 131 167 123

HSL 109.09, 0.2%, 0.57%

LAB 64.88, -20.93, 18.85

 

CMYK 20 / 26 / 0 / 34

HEX #877DA8

RGB 135 125 168

HSL 253.95, 0.2%, 0.57%

LAB 54.71, 12.98, -21.49

 

CMYK 0 / 21 / 26 / 35

HEX #A7847B

RGB 167 132 123

HSL 12.27, 0.2%, 0.57%

LAB 58.18, 12.02, 9.96

 

CMYK 26 / 0 / 21 / 35

HEX #7BA784

RGB 123 167 132

HSL 132.27, 0.2%, 0.57%

LAB 64.58, -22.1, 13.4

 

CMYK 20 / 26 / 0 / 34

HEX #877DA8

RGB 135 125 168

HSL 253.95, 0.2%, 0.57%

LAB 54.71, 12.98, -21.49

 

CMYK 0 / 26 / 11 / 35

HEX #A77B95

RGB 167 123 149

HSL 324.55, 0.2%, 0.57%

LAB 56.64, 21.36, -7.28

 

CMYK 6 / 0 / 26 / 35

HEX #9DA77B

RGB 157 167 123

HSL 73.64, 0.2%, 0.57%

LAB 66.7, -11.19, 21.63

 

CMYK 26 / 0 / 16 / 35

HEX #7BA78D

RGB 123 167 141

HSL 144.55, 0.2%, 0.57%

LAB 64.78, -20.34, 8.69

 

CMYK 20 / 26 / 0 / 34

HEX #877DA8

RGB 135 125 168

HSL 253.95, 0.2%, 0.57%

LAB 54.71, 12.98, -21.49

 

CMYK 0 / 26 / 19 / 35

HEX #A77B87

RGB 167 123 135

HSL 343.64, 0.2%, 0.57%

LAB 56.22, 18.98, 0.22

 

CMYK 6 / 0 / 26 / 35

HEX #9DA77B

RGB 157 167 123

HSL 73.64, 0.2%, 0.57%

LAB 66.7, -11.19, 21.63

 

CMYK 26 / 0 / 8 / 35

HEX #7BA79A

RGB 123 167 154

HSL 162.27, 0.2%, 0.57%

LAB 65.11, -17.62, 1.92

 

Description

Color code: HEX #877DA8 | qconv.com Color code: HEX #877DA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 125 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 125 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 26 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 26% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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