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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C94B7 it is the complementary color #636B48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C94B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C94B7 shade: #A194B2, #B2A6C5, #C3B8D8, #D4CAEB and #E5DCFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C94B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C94B7 shade: #9C94B7, #8B82A4, #7A7091, #695E7E and #584C6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C94B7 shade: #9C93B7, #A593B7, #AF93B7, #B793B6 and #B793AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C94B7 shade: #9C93B7 and #9393B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C94B7 shade matches the following richer shades: #9C93B7, #9485C6, #8C77D4, #8468E2 and #7C5AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C94B7 shade: #9C93B7, #A3A2A9, #ABB09A, #B3BF8C and #BBCD7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C94B7 shade: #939FB7, #9395B7, #9B93B7, #A593B7 and #AE93B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C94B7 shade: #6E6395, #857BA7, #9C93B7, #B2ACC8 and #C9C5D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C94B7 shade: #9C94B7, #B793A8 and #9AB793

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C94B7 shade: #9C94B7, #B79B93 and #93B79B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C94B7 shade: #9C94B7, #B793A8, #AFB793 and #93B7A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C94B7 shade: #9C94B7, #B7939E, #AFB793 and #93B7AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 19 / 0 / 28

HEX #9C94B7

RGB 156 148 183

HSL 253.71, 0.2%, 0.65%

LAB 63.07, 10.08, -17.13

 

Complementary color

CMYK 7 / 0 / 33 / 58

HEX #636B48

RGB 99 107 72

HSL 73.71, 0.2%, 0.35%

LAB 43.71, -9.53, 18.64

 

CMYK 10 / 17 / 0 / 30

HEX #A194B2

RGB 161 148 178

HSL 266, 0.16%, 0.64%

LAB 63.32, 10.67, -13.89

 

CMYK 10 / 16 / 0 / 23

HEX #B2A6C5

RGB 178 166 197

HSL 263.23, 0.21%, 0.71%

LAB 70.01, 10.31, -14.27

 

CMYK 10 / 15 / 0 / 15

HEX #C3B8D8

RGB 195 184 216

HSL 260.63, 0.29%, 0.78%

LAB 76.58, 9.98, -14.65

 

CMYK 10 / 14 / 0 / 8

HEX #D4CAEB

RGB 212 202 235

HSL 258.18, 0.45%, 0.86%

LAB 83.04, 9.67, -15.03

 

CMYK 10 / 13 / 0 / 0

HEX #E5DCFE

RGB 229 220 254

HSL 255.88, 0.94%, 0.93%

LAB 89.39, 9.39, -15.41

 

CMYK 15 / 19 / 0 / 28

HEX #9C94B7

RGB 156 148 183

HSL 253.71, 0.2%, 0.65%

LAB 63.07, 10.08, -17.13

 

CMYK 15 / 21 / 0 / 36

HEX #8B82A4

RGB 139 130 164

HSL 255.88, 0.16%, 0.58%

LAB 56.22, 10.46, -16.84

 

CMYK 16 / 23 / 0 / 43

HEX #7A7091

RGB 122 112 145

HSL 258.18, 0.13%, 0.5%

LAB 49.22, 10.89, -16.56

 

CMYK 17 / 25 / 0 / 51

HEX #695E7E

RGB 105 94 126

HSL 260.63, 0.15%, 0.43%

LAB 42.02, 11.38, -16.31

 

CMYK 18 / 29 / 0 / 58

HEX #584C6B

RGB 88 76 107

HSL 263.23, 0.17%, 0.36%

LAB 34.61, 11.95, -16.09

 

CMYK 15 / 20 / 0 / 28

HEX #9C93B7

RGB 156 147 183

HSL 255, 0.2%, 0.65%

LAB 62.81, 10.64, -17.53

 

CMYK 10 / 20 / 0 / 28

HEX #A593B7

RGB 165 147 183

HSL 270, 0.2%, 0.65%

LAB 63.58, 13.65, -16.28

 

CMYK 4 / 20 / 0 / 28

HEX #AF93B7

RGB 175 147 183

HSL 286.67, 0.2%, 0.65%

LAB 64.48, 17.05, -14.83

 

CMYK 0 / 20 / 1 / 28

HEX #B793B6

RGB 183 147 182

HSL 301.67, 0.2%, 0.65%

LAB 65.21, 19.61, -13.1

 

CMYK 0 / 20 / 6 / 28

HEX #B793AC

RGB 183 147 172

HSL 318.33, 0.2%, 0.65%

LAB 64.89, 17.74, -7.95

 

CMYK 15 / 20 / 0 / 28

HEX #9C93B7

RGB 156 147 183

HSL 255, 0.2%, 0.65%

LAB 62.81, 10.64, -17.53

 

CMYK 20 / 20 / 0 / 28

HEX #9393B7

RGB 147 147 183

HSL 240, 0.2%, 0.65%

LAB 62.07, 7.7, -18.71

 

CMYK 15 / 20 / 0 / 28

HEX #9C93B7

RGB 156 147 183

HSL 255, 0.2%, 0.65%

LAB 62.81, 10.64, -17.53

 

CMYK 25 / 33 / 0 / 22

HEX #9485C6

RGB 148 133 198

HSL 253.85, 0.36%, 0.65%

LAB 59.11, 19.65, -31.73

 

CMYK 34 / 44 / 0 / 17

HEX #8C77D4

RGB 140 119 212

HSL 253.55, 0.52%, 0.65%

LAB 55.61, 29.1, -45.19

 

CMYK 42 / 54 / 0 / 11

HEX #8468E2

RGB 132 104 226

HSL 253.77, 0.68%, 0.65%

LAB 52.17, 39.61, -58.61

 

CMYK 49 / 63 / 0 / 5

HEX #7C5AF1

RGB 124 90 241

HSL 253.51, 0.84%, 0.65%

LAB 49.43, 50.04, -71.49

 

CMYK 15 / 20 / 0 / 28

HEX #9C93B7

RGB 156 147 183

HSL 255, 0.2%, 0.65%

LAB 62.81, 10.64, -17.53

 

CMYK 4 / 4 / 0 / 34

HEX #A3A2A9

RGB 163 162 169

HSL 248.57, 0.04%, 0.65%

LAB 66.89, 1.71, -3.5

 

CMYK 3 / 0 / 13 / 31

HEX #ABB09A

RGB 171 176 154

HSL 73.64, 0.12%, 0.65%

LAB 70.9, -5.73, 10.67

 

CMYK 6 / 0 / 27 / 25

HEX #B3BF8C

RGB 179 191 140

HSL 74.12, 0.28%, 0.65%

LAB 75.29, -12.78, 24.41

 

CMYK 9 / 0 / 39 / 20

HEX #BBCD7D

RGB 187 205 125

HSL 73.5, 0.44%, 0.65%

LAB 79.45, -18.77, 37.79

 

CMYK 20 / 13 / 0 / 28

HEX #939FB7

RGB 147 159 183

HSL 220, 0.2%, 0.65%

LAB 65.29, 0.94, -13.84

 

CMYK 20 / 19 / 0 / 28

HEX #9395B7

RGB 147 149 183

HSL 236.67, 0.2%, 0.65%

LAB 62.61, 6.56, -17.9

 

CMYK 15 / 20 / 0 / 28

HEX #9B93B7

RGB 155 147 183

HSL 253.33, 0.2%, 0.65%

LAB 62.72, 10.31, -17.66

 

CMYK 10 / 20 / 0 / 28

HEX #A593B7

RGB 165 147 183

HSL 270, 0.2%, 0.65%

LAB 63.58, 13.65, -16.28

 

CMYK 5 / 20 / 0 / 28

HEX #AE93B7

RGB 174 147 183

HSL 285, 0.2%, 0.65%

LAB 64.39, 16.71, -14.98

 

CMYK 26 / 34 / 0 / 42

HEX #6E6395

RGB 110 99 149

HSL 253.2, 0.2%, 0.49%

LAB 44.81, 15.76, -25.8

 

CMYK 20 / 26 / 0 / 35

HEX #857BA7

RGB 133 123 167

HSL 253.64, 0.2%, 0.57%

LAB 53.97, 13.27, -22.06

 

CMYK 15 / 20 / 0 / 28

HEX #9C93B7

RGB 156 147 183

HSL 255, 0.2%, 0.65%

LAB 62.81, 10.64, -17.53

 

CMYK 11 / 14 / 0 / 22

HEX #B2ACC8

RGB 178 172 200

HSL 252.86, 0.2%, 0.73%

LAB 71.65, 7.63, -13.46

 

CMYK 7 / 9 / 0 / 15

HEX #C9C5D8

RGB 201 197 216

HSL 252.63, 0.2%, 0.81%

LAB 80.35, 4.97, -8.96

 

CMYK 15 / 19 / 0 / 28

HEX #9C94B7

RGB 156 148 183

HSL 253.71, 0.2%, 0.65%

LAB 63.07, 10.08, -17.13

 

CMYK 0 / 20 / 8 / 28

HEX #B793A8

RGB 183 147 168

HSL 325, 0.2%, 0.65%

LAB 64.77, 17.02, -5.87

 

CMYK 16 / 0 / 20 / 28

HEX #9AB793

RGB 154 183 147

HSL 108.33, 0.2%, 0.65%

LAB 71.45, -16.76, 15.09

 

CMYK 15 / 19 / 0 / 28

HEX #9C94B7

RGB 156 148 183

HSL 253.71, 0.2%, 0.65%

LAB 63.07, 10.08, -17.13

 

CMYK 0 / 15 / 20 / 28

HEX #B79B93

RGB 183 155 147

HSL 13.33, 0.2%, 0.65%

LAB 66.23, 9.06, 8.03

 

CMYK 20 / 0 / 15 / 28

HEX #93B79B

RGB 147 183 155

HSL 133.33, 0.2%, 0.65%

LAB 71.17, -17.76, 10.27

 

CMYK 15 / 19 / 0 / 28

HEX #9C94B7

RGB 156 148 183

HSL 253.71, 0.2%, 0.65%

LAB 63.07, 10.08, -17.13

 

CMYK 0 / 20 / 8 / 28

HEX #B793A8

RGB 183 147 168

HSL 325, 0.2%, 0.65%

LAB 64.77, 17.02, -5.87

 

CMYK 4 / 0 / 20 / 28

HEX #AFB793

RGB 175 183 147

HSL 73.33, 0.2%, 0.65%

LAB 72.95, -9.09, 17.4

 

CMYK 20 / 0 / 11 / 28

HEX #93B7A2

RGB 147 183 162

HSL 145, 0.2%, 0.65%

LAB 71.34, -16.41, 6.69

 

CMYK 15 / 19 / 0 / 28

HEX #9C94B7

RGB 156 148 183

HSL 253.71, 0.2%, 0.65%

LAB 63.07, 10.08, -17.13

 

CMYK 0 / 20 / 14 / 28

HEX #B7939E

RGB 183 147 158

HSL 341.67, 0.2%, 0.65%

LAB 64.49, 15.29, -0.66

 

CMYK 4 / 0 / 20 / 28

HEX #AFB793

RGB 175 183 147

HSL 73.33, 0.2%, 0.65%

LAB 72.95, -9.09, 17.4

 

CMYK 20 / 0 / 5 / 28

HEX #93B7AD

RGB 147 183 173

HSL 163.33, 0.2%, 0.65%

LAB 71.61, -14.19, 1.07

 

Description

Color code: HEX #9C94B7 | qconv.com Color code: HEX #9C94B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 148 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 148 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 19 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 19% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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