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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #862311 it is the complementary color #79DCEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #862311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #862311 shade: #8B230C, #9C351F, #AD4732, #BE5945 and #CF6B58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #862311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #862311 shade: #862311, #751100, #640000, #530000 and #420000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #862311 shade: #872311 and #871111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #862311 shade: #872311, #874311, #876311, #878311 and #6C8711

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #862311 shade matches the following richer shades: #872311 and #931B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #862311 shade: #872311, #7B2C1D, #6E342A, #623D36 and #554543

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #862311 shade: #87113E, #87111F, #872311, #874211 and #876211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #862311 shade: #3E1008, #621A0C, #872311, #AB2D16 and #D0361B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #862311 shade: #862311, #5E8711 and #112F87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #862311 shade: #862311, #118723 and #231187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #862311 shade: #862311, #5E8711, #117587 and #3A1187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #862311 shade: #862311, #3A8711, #117587 and #5E1187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 87 / 47

HEX #862311

RGB 134 35 17

HSL 9.23, 0.77%, 0.3%

LAB 30.18, 41.1, 35.2

 

Complementary color

CMYK 49 / 8 / 0 / 7

HEX #79DCEE

RGB 121 220 238

HSL 189.23, 0.77%, 0.7%

LAB 82.61, -24.35, -17.8

 

CMYK 0 / 75 / 91 / 45

HEX #8B230C

RGB 139 35 12

HSL 10.87, 0.84%, 0.3%

LAB 31.16, 42.71, 38.76

 

CMYK 0 / 66 / 80 / 39

HEX #9C351F

RGB 156 53 31

HSL 10.56, 0.67%, 0.37%

LAB 37.32, 41.74, 36.11

 

CMYK 0 / 59 / 71 / 32

HEX #AD4732

RGB 173 71 50

HSL 10.24, 0.55%, 0.44%

LAB 43.68, 40.44, 33.3

 

CMYK 0 / 53 / 64 / 25

HEX #BE5945

RGB 190 89 69

HSL 9.92, 0.48%, 0.51%

LAB 50.12, 39.07, 30.8

 

CMYK 0 / 48 / 57 / 19

HEX #CF6B58

RGB 207 107 88

HSL 9.58, 0.55%, 0.58%

LAB 56.57, 37.73, 28.62

 

CMYK 0 / 74 / 87 / 47

HEX #862311

RGB 134 35 17

HSL 9.23, 0.77%, 0.3%

LAB 30.18, 41.1, 35.2

 

CMYK 0 / 85 / 100 / 54

HEX #751100

RGB 117 17 0

HSL 8.72, 1%, 0.23%

LAB 24.27, 41.24, 35.97

 

CMYK 0 / 100 / 100 / 61

HEX #640000

RGB 100 0 0

HSL 0, 1%, 0.2%

LAB 18.84, 40.31, 28.96

 

CMYK 0 / 100 / 100 / 67

HEX #530000

RGB 83 0 0

HSL 0, 1%, 0.16%

LAB 14.62, 35.43, 22.82

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 74 / 87 / 47

HEX #872311

RGB 135 35 17

HSL 9.15, 0.78%, 0.3%

LAB 30.38, 41.45, 35.46

 

CMYK 0 / 87 / 87 / 47

HEX #871111

RGB 135 17 17

HSL 0, 0.78%, 0.3%

LAB 28.36, 47.12, 33.68

 

CMYK 0 / 74 / 87 / 47

HEX #872311

RGB 135 35 17

HSL 9.15, 0.78%, 0.3%

LAB 30.38, 41.45, 35.46

 

CMYK 0 / 50 / 87 / 47

HEX #874311

RGB 135 67 17

HSL 25.42, 0.78%, 0.3%

LAB 36.38, 25.76, 40.62

 

CMYK 0 / 27 / 87 / 47

HEX #876311

RGB 135 99 17

HSL 41.69, 0.78%, 0.3%

LAB 44.4, 7.17, 47.38

 

CMYK 0 / 3 / 87 / 47

HEX #878311

RGB 135 131 17

HSL 57.97, 0.78%, 0.3%

LAB 53.41, -10.94, 54.86

 

CMYK 20 / 0 / 87 / 47

HEX #6C8711

RGB 108 135 17

HSL 73.73, 0.78%, 0.3%

LAB 52.46, -25.19, 53.2

 

CMYK 0 / 74 / 87 / 47

HEX #872311

RGB 135 35 17

HSL 9.15, 0.78%, 0.3%

LAB 30.38, 41.45, 35.46

 

CMYK 0 / 82 / 97 / 42

HEX #931B05

RGB 147 27 5

HSL 9.3, 0.93%, 0.3%

LAB 31.8, 47.9, 42.84

 

CMYK 0 / 74 / 87 / 47

HEX #872311

RGB 135 35 17

HSL 9.15, 0.78%, 0.3%

LAB 30.38, 41.45, 35.46

 

CMYK 0 / 64 / 76 / 52

HEX #7B2C1D

RGB 123 44 29

HSL 9.57, 0.62%, 0.3%

LAB 29.67, 33.49, 27.32

 

CMYK 0 / 53 / 62 / 57

HEX #6E342A

RGB 110 52 42

HSL 8.82, 0.45%, 0.3%

LAB 29.26, 24.75, 18.22

 

CMYK 0 / 38 / 45 / 62

HEX #623D36

RGB 98 61 54

HSL 9.55, 0.29%, 0.3%

LAB 29.91, 15.33, 11.06

 

CMYK 0 / 19 / 21 / 67

HEX #554543

RGB 85 69 67

HSL 6.67, 0.12%, 0.3%

LAB 30.86, 6.47, 3.77

 

CMYK 0 / 87 / 54 / 47

HEX #87113E

RGB 135 17 62

HSL 337.12, 0.78%, 0.3%

LAB 29.16, 49.47, 5.7

 

CMYK 0 / 87 / 77 / 47

HEX #87111F

RGB 135 17 31

HSL 352.88, 0.78%, 0.3%

LAB 28.51, 47.58, 25.45

 

CMYK 0 / 74 / 87 / 47

HEX #872311

RGB 135 35 17

HSL 9.15, 0.78%, 0.3%

LAB 30.38, 41.45, 35.46

 

CMYK 0 / 51 / 87 / 47

HEX #874211

RGB 135 66 17

HSL 24.92, 0.78%, 0.3%

LAB 36.15, 26.32, 40.43

 

CMYK 0 / 27 / 87 / 47

HEX #876211

RGB 135 98 17

HSL 41.19, 0.78%, 0.3%

LAB 44.13, 7.75, 47.16

 

CMYK 0 / 74 / 87 / 76

HEX #3E1008

RGB 62 16 8

HSL 8.89, 0.77%, 0.14%

LAB 12.04, 21.98, 15.24

 

CMYK 0 / 73 / 88 / 62

HEX #621A0C

RGB 98 26 12

HSL 9.77, 0.78%, 0.22%

LAB 21.44, 31.7, 26.83

 

CMYK 0 / 74 / 87 / 47

HEX #872311

RGB 135 35 17

HSL 9.15, 0.78%, 0.3%

LAB 30.38, 41.45, 35.46

 

CMYK 0 / 74 / 87 / 33

HEX #AB2D16

RGB 171 45 22

HSL 9.26, 0.77%, 0.38%

LAB 38.89, 49.9, 43.11

 

CMYK 0 / 74 / 87 / 18

HEX #D0361B

RGB 208 54 27

HSL 8.95, 0.77%, 0.46%

LAB 47.14, 58.66, 50.55

 

CMYK 0 / 74 / 87 / 47

HEX #862311

RGB 134 35 17

HSL 9.23, 0.77%, 0.3%

LAB 30.18, 41.1, 35.2

 

CMYK 30 / 0 / 87 / 47

HEX #5E8711

RGB 94 135 17

HSL 80.85, 0.78%, 0.3%

LAB 51.55, -31.06, 52.06

 

CMYK 87 / 65 / 0 / 47

HEX #112F87

RGB 17 47 135

HSL 224.75, 0.78%, 0.3%

LAB 23.34, 25.22, -51.93

 

CMYK 0 / 74 / 87 / 47

HEX #862311

RGB 134 35 17

HSL 9.23, 0.77%, 0.3%

LAB 30.18, 41.1, 35.2

 

CMYK 87 / 0 / 74 / 47

HEX #118723

RGB 17 135 35

HSL 129.15, 0.78%, 0.3%

LAB 48.97, -50.48, 42.89

 

CMYK 74 / 87 / 0 / 47

HEX #231187

RGB 35 17 135

HSL 249.15, 0.78%, 0.3%

LAB 17.95, 44.27, -60.79

 

CMYK 0 / 74 / 87 / 47

HEX #862311

RGB 134 35 17

HSL 9.23, 0.77%, 0.3%

LAB 30.18, 41.1, 35.2

 

CMYK 30 / 0 / 87 / 47

HEX #5E8711

RGB 94 135 17

HSL 80.85, 0.78%, 0.3%

LAB 51.55, -31.06, 52.06

 

CMYK 87 / 13 / 0 / 47

HEX #117587

RGB 17 117 135

HSL 189.15, 0.78%, 0.3%

LAB 45.07, -19.82, -17.44

 

CMYK 57 / 87 / 0 / 47

HEX #3A1187

RGB 58 17 135

HSL 260.85, 0.78%, 0.3%

LAB 20.24, 46.33, -56.93

 

CMYK 0 / 74 / 87 / 47

HEX #862311

RGB 134 35 17

HSL 9.23, 0.77%, 0.3%

LAB 30.18, 41.1, 35.2

 

CMYK 57 / 0 / 87 / 47

HEX #3A8711

RGB 58 135 17

HSL 99.15, 0.78%, 0.3%

LAB 49.82, -43.72, 49.88

 

CMYK 87 / 13 / 0 / 47

HEX #117587

RGB 17 117 135

HSL 189.15, 0.78%, 0.3%

LAB 45.07, -19.82, -17.44

 

CMYK 30 / 87 / 0 / 47

HEX #5E1187

RGB 94 17 135

HSL 279.15, 0.78%, 0.3%

LAB 25.35, 51.25, -48.35

 

Description

Color code: HEX #862311 | qconv.com Color code: HEX #862311 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 35 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 35 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 87 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 87% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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