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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #876211 it is the complementary color #789DEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #876211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #876211 shade: #8C620C, #9D741F, #AE8632, #BF9845 and #D0AA58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #876211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #876211 shade: #876211, #765000, #653E00, #542C00 and #431A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #876211 shade: #886210, #884210, #882210 and #881010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #876211 shade: #886210, #888210, #6D8810, #4D8810 and #2C8810

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #876211 shade matches the following richer shades: #886210 and #946704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #876211 shade: #886210, #7B5E1D, #6F5929, #635435 and #565042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #876211 shade: #882210, #884210, #886210, #888210 and #6E8810

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #876211 shade: #3E2D07, #63480C, #886210, #AC7D15 and #D19819

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #876211 shade: #876211, #1E8810 and #321088

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #876211 shade: #876211, #108862 and #621088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #876211 shade: #876211, #1E8810, #103688 and #7A1088

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #876211 shade: #876211, #108826, #103688 and #881072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 87 / 47

HEX #876211

RGB 135 98 17

HSL 41.19, 0.78%, 0.3%

LAB 44.13, 7.75, 47.16

 

Complementary color

CMYK 50 / 34 / 0 / 7

HEX #789DEE

RGB 120 157 238

HSL 221.19, 0.78%, 0.7%

LAB 65.18, 9.25, -44.65

 

CMYK 0 / 30 / 91 / 45

HEX #8C620C

RGB 140 98 12

HSL 40.31, 0.84%, 0.3%

LAB 44.71, 10, 49.3

 

CMYK 0 / 26 / 80 / 38

HEX #9D741F

RGB 157 116 31

HSL 40.48, 0.67%, 0.37%

LAB 51.56, 8.13, 49.81

 

CMYK 0 / 23 / 71 / 32

HEX #AE8632

RGB 174 134 50

HSL 40.65, 0.55%, 0.44%

LAB 58.3, 6.61, 49.18

 

CMYK 0 / 20 / 64 / 25

HEX #BF9845

RGB 191 152 69

HSL 40.82, 0.49%, 0.51%

LAB 64.93, 5.35, 48.1

 

CMYK 0 / 18 / 58 / 18

HEX #D0AA58

RGB 208 170 88

HSL 41, 0.56%, 0.58%

LAB 71.46, 4.29, 46.85

 

CMYK 0 / 27 / 87 / 47

HEX #876211

RGB 135 98 17

HSL 41.19, 0.78%, 0.3%

LAB 44.13, 7.75, 47.16

 

CMYK 0 / 32 / 100 / 54

HEX #765000

RGB 118 80 0

HSL 40.68, 1%, 0.23%

LAB 37.09, 9.83, 45.76

 

CMYK 0 / 39 / 100 / 60

HEX #653E00

RGB 101 62 0

HSL 36.83, 1%, 0.2%

LAB 29.94, 12.45, 39.82

 

CMYK 0 / 48 / 100 / 67

HEX #542C00

RGB 84 44 0

HSL 31.43, 1%, 0.16%

LAB 22.61, 15.24, 32.23

 

CMYK 0 / 61 / 100 / 74

HEX #431A00

RGB 67 26 0

HSL 23.28, 1%, 0.13%

LAB 15.13, 18.1, 22.77

 

CMYK 0 / 28 / 88 / 47

HEX #886210

RGB 136 98 16

HSL 41, 0.79%, 0.3%

LAB 44.24, 8.2, 47.61

 

CMYK 0 / 51 / 88 / 47

HEX #884210

RGB 136 66 16

HSL 25, 0.79%, 0.3%

LAB 36.31, 26.73, 41.02

 

CMYK 0 / 75 / 88 / 47

HEX #882210

RGB 136 34 16

HSL 9, 0.79%, 0.3%

LAB 30.44, 42.15, 36.08

 

CMYK 0 / 88 / 88 / 47

HEX #881010

RGB 136 16 16

HSL 0, 0.79%, 0.3%

LAB 28.49, 47.62, 34.42

 

CMYK 0 / 28 / 88 / 47

HEX #886210

RGB 136 98 16

HSL 41, 0.79%, 0.3%

LAB 44.24, 8.2, 47.61

 

CMYK 0 / 4 / 88 / 47

HEX #888210

RGB 136 130 16

HSL 57, 0.79%, 0.3%

LAB 53.21, -9.96, 54.96

 

CMYK 20 / 0 / 88 / 47

HEX #6D8810

RGB 109 136 16

HSL 73.5, 0.79%, 0.3%

LAB 52.84, -25.29, 53.77

 

CMYK 43 / 0 / 88 / 47

HEX #4D8810

RGB 77 136 16

HSL 89.5, 0.79%, 0.3%

LAB 50.95, -38.03, 51.41

 

CMYK 68 / 0 / 88 / 47

HEX #2C8810

RGB 44 136 16

HSL 106, 0.79%, 0.3%

LAB 49.72, -47.71, 49.86

 

CMYK 0 / 28 / 88 / 47

HEX #886210

RGB 136 98 16

HSL 41, 0.79%, 0.3%

LAB 44.24, 8.2, 47.61

 

CMYK 0 / 30 / 97 / 42

HEX #946704

RGB 148 103 4

HSL 41.25, 0.95%, 0.3%

LAB 46.98, 10.71, 53.27

 

CMYK 0 / 28 / 88 / 47

HEX #886210

RGB 136 98 16

HSL 41, 0.79%, 0.3%

LAB 44.24, 8.2, 47.61

 

CMYK 0 / 24 / 76 / 52

HEX #7B5E1D

RGB 123 94 29

HSL 41.49, 0.62%, 0.3%

LAB 41.7, 4.85, 39.86

 

CMYK 0 / 20 / 63 / 56

HEX #6F5929

RGB 111 89 41

HSL 41.14, 0.46%, 0.3%

LAB 39.04, 2.87, 30.68

 

CMYK 0 / 15 / 46 / 61

HEX #635435

RGB 99 84 53

HSL 40.43, 0.3%, 0.3%

LAB 36.46, 1.42, 20.39

 

CMYK 0 / 7 / 23 / 66

HEX #565042

RGB 86 80 66

HSL 42, 0.13%, 0.3%

LAB 34.21, -0.17, 9.15

 

CMYK 0 / 75 / 88 / 47

HEX #882210

RGB 136 34 16

HSL 9, 0.79%, 0.3%

LAB 30.44, 42.15, 36.08

 

CMYK 0 / 51 / 88 / 47

HEX #884210

RGB 136 66 16

HSL 25, 0.79%, 0.3%

LAB 36.31, 26.73, 41.02

 

CMYK 0 / 28 / 88 / 47

HEX #886210

RGB 136 98 16

HSL 41, 0.79%, 0.3%

LAB 44.24, 8.2, 47.61

 

CMYK 0 / 4 / 88 / 47

HEX #888210

RGB 136 130 16

HSL 57, 0.79%, 0.3%

LAB 53.21, -9.96, 54.96

 

CMYK 19 / 0 / 88 / 47

HEX #6E8810

RGB 110 136 16

HSL 73, 0.79%, 0.3%

LAB 52.91, -24.85, 53.86

 

CMYK 0 / 27 / 89 / 76

HEX #3E2D07

RGB 62 45 7

HSL 41.45, 0.8%, 0.14%

LAB 19.71, 3.47, 25.28

 

CMYK 0 / 27 / 88 / 61

HEX #63480C

RGB 99 72 12

HSL 41.38, 0.78%, 0.22%

LAB 32.51, 5.64, 37.2

 

CMYK 0 / 28 / 88 / 47

HEX #886210

RGB 136 98 16

HSL 41, 0.79%, 0.3%

LAB 44.24, 8.2, 47.61

 

CMYK 0 / 27 / 88 / 33

HEX #AC7D15

RGB 172 125 21

HSL 41.32, 0.78%, 0.38%

LAB 55.58, 9.62, 57.18

 

CMYK 0 / 27 / 88 / 18

HEX #D19819

RGB 209 152 25

HSL 41.41, 0.79%, 0.46%

LAB 66.58, 11.41, 66.71

 

CMYK 0 / 27 / 87 / 47

HEX #876211

RGB 135 98 17

HSL 41.19, 0.78%, 0.3%

LAB 44.13, 7.75, 47.16

 

CMYK 78 / 0 / 88 / 47

HEX #1E8810

RGB 30 136 16

HSL 113, 0.79%, 0.3%

LAB 49.4, -50.41, 49.46

 

CMYK 63 / 88 / 0 / 47

HEX #321088

RGB 50 16 136

HSL 257, 0.79%, 0.3%

LAB 19.33, 46.17, -59.09

 

CMYK 0 / 27 / 87 / 47

HEX #876211

RGB 135 98 17

HSL 41.19, 0.78%, 0.3%

LAB 44.13, 7.75, 47.16

 

CMYK 88 / 0 / 28 / 47

HEX #108862

RGB 16 136 98

HSL 161, 0.79%, 0.3%

LAB 50.22, -40.12, 11.91

 

CMYK 28 / 88 / 0 / 47

HEX #621088

RGB 98 16 136

HSL 281, 0.79%, 0.3%

LAB 26, 52.37, -47.9

 

CMYK 0 / 27 / 87 / 47

HEX #876211

RGB 135 98 17

HSL 41.19, 0.78%, 0.3%

LAB 44.13, 7.75, 47.16

 

CMYK 78 / 0 / 88 / 47

HEX #1E8810

RGB 30 136 16

HSL 113, 0.79%, 0.3%

LAB 49.4, -50.41, 49.46

 

CMYK 88 / 60 / 0 / 47

HEX #103688

RGB 16 54 136

HSL 221, 0.79%, 0.3%

LAB 25.34, 20.64, -49.29

 

CMYK 10 / 88 / 0 / 47

HEX #7A1088

RGB 122 16 136

HSL 293, 0.79%, 0.3%

LAB 30.12, 56.52, -41.02

 

CMYK 0 / 27 / 87 / 47

HEX #876211

RGB 135 98 17

HSL 41.19, 0.78%, 0.3%

LAB 44.13, 7.75, 47.16

 

CMYK 88 / 0 / 72 / 47

HEX #108826

RGB 16 136 38

HSL 131, 0.79%, 0.3%

LAB 49.32, -50.61, 42.04

 

CMYK 88 / 60 / 0 / 47

HEX #103688

RGB 16 54 136

HSL 221, 0.79%, 0.3%

LAB 25.34, 20.64, -49.29

 

CMYK 0 / 88 / 16 / 47

HEX #881072

RGB 136 16 114

HSL 311, 0.79%, 0.3%

LAB 31.39, 55.79, -24.98

 

Description

Color code: HEX #876211 | qconv.com Color code: HEX #876211 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 98 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 98 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 87 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 87% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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