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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8607C4 it is the complementary color #79F83B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8607C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8607C4 shade: #8B07BF, #9C19D2, #AD2BE5, #BE3DF8 and #CF4FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8607C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8607C4 shade: #8607C4, #7500B1, #64009E, #53008B and #420078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8607C4 shade: #8607C4, #B907C4, #C4079C, #C40769 and #C40736

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8607C4 shade: #8607C4, #5307C4, #2007C4 and #0707C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8607C4 shade matches the following richer shades: #8607C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8607C4 shade: #8607C4, #8017B4, #7B28A3, #753893 and #6F4982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8607C4 shade: #2007C4, #5307C4, #8507C4, #B807C4 and #C4079E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8607C4 shade: #500475, #6B059D, #8607C4, #A108EC and #B327F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8607C4 shade: #8607C4, #C40720 and #07C439

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8607C4 shade: #8607C4, #C48507 and #07C485

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8607C4 shade: #8607C4, #C40720, #46C407 and #07C4AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8607C4 shade: #8607C4, #C42607, #46C407 and #07A5C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

Complementary color

CMYK 51 / 0 / 76 / 3

HEX #79F83B

RGB 121 248 59

HSL 100.32, 0.93%, 0.6%

LAB 87.73, -65.57, 73.94

 

CMYK 27 / 96 / 0 / 25

HEX #8B07BF

RGB 139 7 191

HSL 283.04, 0.93%, 0.39%

LAB 36.75, 70.66, -63.4

 

CMYK 26 / 88 / 0 / 18

HEX #9C19D2

RGB 156 25 210

HSL 282.49, 0.79%, 0.46%

LAB 41.87, 73.84, -66.01

 

CMYK 24 / 81 / 0 / 10

HEX #AD2BE5

RGB 173 43 229

HSL 281.94, 0.78%, 0.53%

LAB 47.33, 75.75, -67.89

 

CMYK 23 / 75 / 0 / 3

HEX #BE3DF8

RGB 190 61 248

HSL 281.39, 0.93%, 0.61%

LAB 53.02, 76.73, -69.24

 

CMYK 19 / 69 / 0 / 0

HEX #CF4FFF

RGB 207 79 255

HSL 283.64, 1%, 0.65%

LAB 58.11, 74.76, -64.79

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 34 / 100 / 0 / 31

HEX #7500B1

RGB 117 0 177

HSL 279.66, 1%, 0.35%

LAB 31.71, 66.19, -63.49

 

CMYK 37 / 100 / 0 / 38

HEX #64009E

RGB 100 0 158

HSL 277.97, 1%, 0.31%

LAB 27.24, 60.41, -59.45

 

CMYK 40 / 100 / 0 / 45

HEX #53008B

RGB 83 0 139

HSL 275.83, 1%, 0.27%

LAB 22.66, 54.52, -55.33

 

CMYK 45 / 100 / 0 / 53

HEX #420078

RGB 66 0 120

HSL 273, 1%, 0.24%

LAB 17.98, 48.51, -51.09

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 6 / 96 / 0 / 23

HEX #B907C4

RGB 185 7 196

HSL 296.51, 0.93%, 0.4%

LAB 44.87, 78.22, -52.8

 

CMYK 0 / 96 / 20 / 23

HEX #C4079C

RGB 196 7 156

HSL 312.7, 0.93%, 0.4%

LAB 44.64, 74.6, -29.36

 

CMYK 0 / 96 / 46 / 23

HEX #C40769

RGB 196 7 105

HSL 328.89, 0.93%, 0.4%

LAB 42.62, 69.33, -1.1

 

CMYK 0 / 96 / 72 / 23

HEX #C40736

RGB 196 7 54

HSL 345.08, 0.93%, 0.4%

LAB 41.46, 66.18, 29.43

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 58 / 96 / 0 / 23

HEX #5307C4

RGB 83 7 196

HSL 264.13, 0.93%, 0.4%

LAB 29.35, 66.08, -78.8

 

CMYK 84 / 96 / 0 / 23

HEX #2007C4

RGB 32 7 196

HSL 247.94, 0.93%, 0.4%

LAB 25.09, 63.83, -86.01

 

CMYK 96 / 96 / 0 / 23

HEX #0707C4

RGB 7 7 196

HSL 240, 0.93%, 0.4%

LAB 24.27, 63.48, -87.4

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 29 / 87 / 0 / 29

HEX #8017B4

RGB 128 23 180

HSL 280.13, 0.77%, 0.4%

LAB 35, 64.34, -59.82

 

CMYK 25 / 75 / 0 / 36

HEX #7B28A3

RGB 123 40 163

HSL 280.49, 0.61%, 0.4%

LAB 34.75, 54.65, -50.09

 

CMYK 20 / 62 / 0 / 42

HEX #753893

RGB 117 56 147

HSL 280.22, 0.45%, 0.4%

LAB 35.43, 42.47, -39.33

 

CMYK 15 / 44 / 0 / 49

HEX #6F4982

RGB 111 73 130

HSL 280, 0.28%, 0.4%

LAB 37.4, 27.22, -25.85

 

CMYK 84 / 96 / 0 / 23

HEX #2007C4

RGB 32 7 196

HSL 247.94, 0.93%, 0.4%

LAB 25.09, 63.83, -86.01

 

CMYK 58 / 96 / 0 / 23

HEX #5307C4

RGB 83 7 196

HSL 264.13, 0.93%, 0.4%

LAB 29.35, 66.08, -78.8

 

CMYK 32 / 96 / 0 / 23

HEX #8507C4

RGB 133 7 196

HSL 280, 0.93%, 0.4%

LAB 36.22, 70.87, -67.24

 

CMYK 6 / 96 / 0 / 23

HEX #B807C4

RGB 184 7 196

HSL 296.19, 0.93%, 0.4%

LAB 44.7, 78.07, -53.09

 

CMYK 0 / 96 / 19 / 23

HEX #C4079E

RGB 196 7 158

HSL 312.06, 0.93%, 0.4%

LAB 44.74, 74.85, -30.41

 

CMYK 32 / 97 / 0 / 54

HEX #500475

RGB 80 4 117

HSL 280.35, 0.93%, 0.24%

LAB 20.35, 48.45, -45.19

 

CMYK 32 / 97 / 0 / 38

HEX #6B059D

RGB 107 5 157

HSL 280.26, 0.94%, 0.32%

LAB 28.56, 60.17, -56.63

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 32 / 97 / 0 / 7

HEX #A108EC

RGB 161 8 236

HSL 280.26, 0.93%, 0.48%

LAB 43.95, 81.72, -77.43

 

CMYK 28 / 84 / 0 / 3

HEX #B327F7

RGB 179 39 247

HSL 280.38, 0.93%, 0.56%

LAB 49.19, 81.11, -74.96

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 0 / 96 / 84 / 23

HEX #C40720

RGB 196 7 32

HSL 352.06, 0.93%, 0.4%

LAB 41.2, 65.47, 42.06

 

CMYK 96 / 0 / 71 / 23

HEX #07C439

RGB 7 196 57

HSL 135.87, 0.93%, 0.4%

LAB 69.34, -67.68, 55.5

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 0 / 32 / 96 / 23

HEX #C48507

RGB 196 133 7

HSL 40, 0.93%, 0.4%

LAB 60.36, 15.74, 64.82

 

CMYK 96 / 0 / 32 / 23

HEX #07C485

RGB 7 196 133

HSL 160, 0.93%, 0.4%

LAB 70.33, -55.81, 20.34

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 0 / 96 / 84 / 23

HEX #C40720

RGB 196 7 32

HSL 352.06, 0.93%, 0.4%

LAB 41.2, 65.47, 42.06

 

CMYK 64 / 0 / 96 / 23

HEX #46C407

RGB 70 196 7

HSL 100, 0.93%, 0.4%

LAB 70.03, -62.43, 68.6

 

CMYK 96 / 0 / 13 / 23

HEX #07C4AB

RGB 7 196 171

HSL 172.06, 0.93%, 0.4%

LAB 71.19, -46.42, 1.03

 

CMYK 32 / 96 / 0 / 23

HEX #8607C4

RGB 134 7 196

HSL 280.32, 0.93%, 0.4%

LAB 36.38, 70.99, -66.97

 

CMYK 0 / 81 / 96 / 23

HEX #C42607

RGB 196 38 7

HSL 9.84, 0.93%, 0.4%

LAB 42.97, 59.62, 53.74

 

CMYK 64 / 0 / 96 / 23

HEX #46C407

RGB 70 196 7

HSL 100, 0.93%, 0.4%

LAB 70.03, -62.43, 68.6

 

CMYK 96 / 16 / 0 / 23

HEX #07A5C4

RGB 7 165 196

HSL 189.84, 0.93%, 0.4%

LAB 62.46, -24.33, -25.88

 

Description

Color code: HEX #8607C4 | qconv.com Color code: HEX #8607C4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 7 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 7 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 96 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 96% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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