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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 61 248 it is the complementary color RGB 65 194 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 61 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190 61 248 shade: RGB 195 61 243, RGB 212 79 255, RGB 229 97 255, RGB 246 115 255 and RGB 255 133 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 61 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190 61 248 shade: RGB 190 61 248, RGB 173 43 229, RGB 156 25 210, RGB 139 7 191 and RGB 122 0 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190 61 248 shade: RGB 190 63 248, RGB 240 63 248, RGB 248 63 205, RGB 248 63 155 and RGB 248 63 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190 61 248 shade: RGB 190 63 248, RGB 140 63 248, RGB 90 63 248 and RGB 63 63 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190 61 248 shade matches the following richer shades: RGB 190 63 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190 61 248 shade: RGB 190 63 248, RGB 184 79 231, RGB 178 95 215, RGB 172 111 199 and RGB 166 127 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190 61 248 shade: RGB 90 63 248, RGB 140 63 248, RGB 189 63 248, RGB 238 63 248 and RGB 248 63 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190 61 248 shade: RGB 154 8 220, RGB 177 23 246, RGB 190 63 248, RGB 204 102 249 and RGB 217 142 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190 61 248 shade: RGB 190 61 248, RGB 248 63 84 and RGB 63 248 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190 61 248 shade: RGB 190 61 248, RGB 248 189 63 and RGB 63 248 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190 61 248 shade: RGB 190 61 248, RGB 248 63 84, RGB 121 248 63 and RGB 63 248 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190 61 248 shade: RGB 190 61 248, RGB 248 96 63, RGB 121 248 63 and RGB 63 214 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 75 / 0 / 3

HEX #BE3DF8

RGB 190 61 248

HSL 281.39, 0.93%, 0.61%

LAB 53.02, 76.73, -69.24

 

Complementary color

CMYK 66 / 0 / 96 / 24

HEX #41C207

RGB 65 194 7

HSL 101.39, 0.93%, 0.39%

LAB 69.27, -62.85, 67.93

 

CMYK 20 / 75 / 0 / 5

HEX #C33DF3

RGB 195 61 243

HSL 284.18, 0.88%, 0.6%

LAB 53.4, 76.67, -65.8

 

CMYK 17 / 69 / 0 / 0

HEX #D44FFF

RGB 212 79 255

HSL 285.34, 1%, 0.65%

LAB 58.8, 75.76, -63.65

 

CMYK 10 / 62 / 0 / 0

HEX #E561FF

RGB 229 97 255

HSL 290.13, 1%, 0.69%

LAB 63.69, 72.23, -55.69

 

CMYK 4 / 55 / 0 / 0

HEX #F673FF

RGB 246 115 255

HSL 296.14, 1%, 0.73%

LAB 68.81, 68.53, -47.46

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 23 / 75 / 0 / 3

HEX #BE3DF8

RGB 190 61 248

HSL 281.39, 0.93%, 0.61%

LAB 53.02, 76.73, -69.24

 

CMYK 24 / 81 / 0 / 10

HEX #AD2BE5

RGB 173 43 229

HSL 281.94, 0.78%, 0.53%

LAB 47.33, 75.75, -67.89

 

CMYK 26 / 88 / 0 / 18

HEX #9C19D2

RGB 156 25 210

HSL 282.49, 0.79%, 0.46%

LAB 41.87, 73.84, -66.01

 

CMYK 27 / 96 / 0 / 25

HEX #8B07BF

RGB 139 7 191

HSL 283.04, 0.93%, 0.39%

LAB 36.75, 70.66, -63.4

 

CMYK 29 / 100 / 0 / 33

HEX #7A00AC

RGB 122 0 172

HSL 282.56, 1%, 0.34%

LAB 32.07, 65.81, -59.87

 

CMYK 23 / 75 / 0 / 3

HEX #BE3FF8

RGB 190 63 248

HSL 281.19, 0.93%, 0.61%

LAB 53.25, 76.05, -68.85

 

CMYK 3 / 75 / 0 / 3

HEX #F03FF8

RGB 240 63 248

HSL 297.41, 0.93%, 0.61%

LAB 60.66, 85.37, -56.57

 

CMYK 0 / 75 / 17 / 3

HEX #F83FCD

RGB 248 63 205

HSL 313.95, 0.93%, 0.61%

LAB 59.82, 80.85, -33.64

 

CMYK 0 / 75 / 38 / 3

HEX #F83F9B

RGB 248 63 155

HSL 330.16, 0.93%, 0.61%

LAB 57.92, 75.09, -7.65

 

CMYK 0 / 75 / 58 / 3

HEX #F83F69

RGB 248 63 105

HSL 346.38, 0.93%, 0.61%

LAB 56.62, 70.95, 20.03

 

CMYK 23 / 75 / 0 / 3

HEX #BE3FF8

RGB 190 63 248

HSL 281.19, 0.93%, 0.61%

LAB 53.25, 76.05, -68.85

 

CMYK 44 / 75 / 0 / 3

HEX #8C3FF8

RGB 140 63 248

HSL 264.97, 0.93%, 0.61%

LAB 46.85, 67.75, -79.55

 

CMYK 64 / 75 / 0 / 3

HEX #5A3FF8

RGB 90 63 248

HSL 248.76, 0.93%, 0.61%

LAB 42.01, 61.25, -87.69

 

CMYK 75 / 75 / 0 / 3

HEX #3F3FF8

RGB 63 63 248

HSL 240, 0.93%, 0.61%

LAB 40.23, 58.8, -90.69

 

CMYK 23 / 75 / 0 / 3

HEX #BE3FF8

RGB 190 63 248

HSL 281.19, 0.93%, 0.61%

LAB 53.25, 76.05, -68.85

 

CMYK 23 / 75 / 0 / 3

HEX #BE3FF8

RGB 190 63 248

HSL 281.19, 0.93%, 0.61%

LAB 53.25, 76.05, -68.85

 

CMYK 20 / 66 / 0 / 9

HEX #B84FE7

RGB 184 79 231

HSL 281.45, 0.76%, 0.61%

LAB 53.55, 65.26, -58.9

 

CMYK 17 / 56 / 0 / 16

HEX #B25FD7

RGB 178 95 215

HSL 281.5, 0.6%, 0.61%

LAB 54.61, 53.06, -48.21

 

CMYK 14 / 44 / 0 / 22

HEX #AC6FC7

RGB 172 111 199

HSL 281.59, 0.44%, 0.61%

LAB 56.35, 39.59, -36.42

 

CMYK 9 / 31 / 0 / 28

HEX #A67FB7

RGB 166 127 183

HSL 281.79, 0.28%, 0.61%

LAB 58.7, 25.35, -23.71

 

CMYK 64 / 75 / 0 / 3

HEX #5A3FF8

RGB 90 63 248

HSL 248.76, 0.93%, 0.61%

LAB 42.01, 61.25, -87.69

 

CMYK 44 / 75 / 0 / 3

HEX #8C3FF8

RGB 140 63 248

HSL 264.97, 0.93%, 0.61%

LAB 46.85, 67.75, -79.55

 

CMYK 24 / 75 / 0 / 3

HEX #BD3FF8

RGB 189 63 248

HSL 280.86, 0.93%, 0.61%

LAB 53.11, 75.87, -69.09

 

CMYK 4 / 75 / 0 / 3

HEX #EE3FF8

RGB 238 63 248

HSL 296.76, 0.93%, 0.61%

LAB 60.35, 84.99, -57.08

 

CMYK 0 / 75 / 17 / 3

HEX #F83FCF

RGB 248 63 207

HSL 313.3, 0.93%, 0.61%

LAB 59.9, 81.12, -34.64

 

CMYK 30 / 96 / 0 / 14

HEX #9A08DC

RGB 154 8 220

HSL 281.32, 0.93%, 0.45%

LAB 41.55, 77.89, -72.3

 

CMYK 28 / 91 / 0 / 4

HEX #B117F6

RGB 177 23 246

HSL 281.43, 0.93%, 0.53%

LAB 47.77, 83.76, -76.73

 

CMYK 23 / 75 / 0 / 3

HEX #BE3FF8

RGB 190 63 248

HSL 281.19, 0.93%, 0.61%

LAB 53.25, 76.05, -68.85

 

CMYK 18 / 59 / 0 / 2

HEX #CC66F9

RGB 204 102 249

HSL 281.63, 0.92%, 0.69%

LAB 60.94, 63.05, -56.96

 

CMYK 13 / 43 / 0 / 2

HEX #D98EFA

RGB 217 142 250

HSL 281.67, 0.92%, 0.77%

LAB 70.18, 46.58, -42.82

 

CMYK 23 / 75 / 0 / 3

HEX #BE3DF8

RGB 190 61 248

HSL 281.39, 0.93%, 0.61%

LAB 53.02, 76.73, -69.24

 

CMYK 0 / 75 / 66 / 3

HEX #F83F54

RGB 248 63 84

HSL 353.19, 0.93%, 0.61%

LAB 56.24, 69.73, 31.88

 

CMYK 75 / 0 / 54 / 3

HEX #3FF873

RGB 63 248 115

HSL 136.86, 0.93%, 0.61%

LAB 86.72, -72.11, 50.55

 

CMYK 23 / 75 / 0 / 3

HEX #BE3DF8

RGB 190 61 248

HSL 281.39, 0.93%, 0.61%

LAB 53.02, 76.73, -69.24

 

CMYK 0 / 24 / 75 / 3

HEX #F8BD3F

RGB 248 189 63

HSL 40.86, 0.93%, 0.61%

LAB 80.02, 9.76, 68.08

 

CMYK 75 / 0 / 24 / 3

HEX #3FF8BD

RGB 63 248 189

HSL 160.86, 0.93%, 0.61%

LAB 87.9, -58.73, 15.49

 

CMYK 23 / 75 / 0 / 3

HEX #BE3DF8

RGB 190 61 248

HSL 281.39, 0.93%, 0.61%

LAB 53.02, 76.73, -69.24

 

CMYK 0 / 75 / 66 / 3

HEX #F83F54

RGB 248 63 84

HSL 353.19, 0.93%, 0.61%

LAB 56.24, 69.73, 31.88

 

CMYK 51 / 0 / 75 / 3

HEX #79F83F

RGB 121 248 63

HSL 101.19, 0.93%, 0.61%

LAB 87.76, -65.33, 72.73

 

CMYK 75 / 0 / 9 / 3

HEX #3FF8E2

RGB 63 248 226

HSL 172.86, 0.93%, 0.61%

LAB 88.77, -49.75, -2.48

 

CMYK 23 / 75 / 0 / 3

HEX #BE3DF8

RGB 190 61 248

HSL 281.39, 0.93%, 0.61%

LAB 53.02, 76.73, -69.24

 

CMYK 0 / 61 / 75 / 3

HEX #F8603F

RGB 248 96 63

HSL 10.7, 0.93%, 0.61%

LAB 60.5, 56.44, 48.37

 

CMYK 51 / 0 / 75 / 3

HEX #79F83F

RGB 121 248 63

HSL 101.19, 0.93%, 0.61%

LAB 87.76, -65.33, 72.73

 

CMYK 75 / 14 / 0 / 3

HEX #3FD6F8

RGB 63 214 248

HSL 191.03, 0.93%, 0.61%

LAB 79.57, -27.99, -27.88

 

Description

Color code: RGB 190 61 248 | qconv.com Color code: RGB 190 61 248 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 61 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 61 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 75 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 75% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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