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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85E31C it is the complementary color #7A1CE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85E31C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85E31C shade: #8AE317, #9BF52A, #ACFF3D, #BDFF50 and #CEFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85E31C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85E31C shade: #85E31C, #74D109, #63BF00, #52AD00 and #419B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85E31C shade: #85E21C, #BAE21C, #E2D51C, #E29F1C and #E26A1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85E31C shade: #85E21C, #4FE21C, #1CE21E, #1CE254 and #1CE289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85E31C shade matches the following richer shades: #85E21C and #86F707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85E31C shade: #85E21C, #83CE30, #82B945, #81A559 and #80906E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85E31C shade: #E2D51C, #BBE21C, #86E21C, #51E21C and #1CE21C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85E31C shade: #599912, #6FBE17, #85E21C, #98E740 and #ACEC65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85E31C shade: #85E31C, #1CE2A0 and #E21CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85E31C shade: #85E31C, #1C86E2 and #E21C86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85E31C shade: #85E31C, #1CE2A0, #781CE2 and #E21C5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85E31C shade: #85E31C, #1CE2DC, #781CE2 and #E21C22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 88 / 11

HEX #85E31C

RGB 133 227 28

HSL 88.34, 0.78%, 0.5%

LAB 81.84, -55.5, 76.36

 

Complementary color

CMYK 46 / 88 / 0 / 11

HEX #7A1CE3

RGB 122 28 227

HSL 268.34, 0.78%, 0.5%

LAB 38.75, 72.42, -81.07

 

CMYK 39 / 0 / 90 / 11

HEX #8AE317

RGB 138 227 23

HSL 86.18, 0.82%, 0.49%

LAB 82.06, -53.98, 77.46

 

CMYK 37 / 0 / 83 / 4

HEX #9BF52A

RGB 155 245 42

HSL 86.6, 0.91%, 0.56%

LAB 88.18, -54.82, 79.36

 

CMYK 33 / 0 / 76 / 0

HEX #ACFF3D

RGB 172 255 61

HSL 85.67, 1%, 0.62%

LAB 91.97, -52.24, 78.13

 

CMYK 26 / 0 / 69 / 0

HEX #BDFF50

RGB 189 255 80

HSL 82.63, 1%, 0.66%

LAB 92.98, -45.16, 73.21

 

CMYK 19 / 0 / 61 / 0

HEX #CEFF63

RGB 206 255 99

HSL 78.85, 1%, 0.69%

LAB 94.12, -37.62, 67.44

 

CMYK 41 / 0 / 88 / 11

HEX #85E31C

RGB 133 227 28

HSL 88.34, 0.78%, 0.5%

LAB 81.84, -55.5, 76.36

 

CMYK 44 / 0 / 96 / 18

HEX #74D109

RGB 116 209 9

HSL 87.9, 0.92%, 0.43%

LAB 75.66, -54.45, 73.58

 

CMYK 48 / 0 / 100 / 25

HEX #63BF00

RGB 99 191 0

HSL 88.9, 1%, 0.37%

LAB 69.41, -53.09, 69.29

 

CMYK 53 / 0 / 100 / 32

HEX #52AD00

RGB 82 173 0

HSL 91.56, 1%, 0.34%

LAB 63.08, -51.49, 64.04

 

CMYK 58 / 0 / 100 / 39

HEX #419B00

RGB 65 155 0

HSL 94.84, 1%, 0.3%

LAB 56.65, -49.71, 58.72

 

CMYK 41 / 0 / 88 / 11

HEX #85E21C

RGB 133 226 28

HSL 88.18, 0.78%, 0.5%

LAB 81.55, -55.11, 76.11

 

CMYK 18 / 0 / 88 / 11

HEX #BAE21C

RGB 186 226 28

HSL 72.12, 0.78%, 0.5%

LAB 84.44, -35.71, 79.7

 

CMYK 0 / 6 / 88 / 11

HEX #E2D51C

RGB 226 213 28

HSL 56.06, 0.78%, 0.5%

LAB 83.88, -12.95, 80.49

 

CMYK 0 / 30 / 88 / 11

HEX #E29F1C

RGB 226 159 28

HSL 39.7, 0.78%, 0.5%

LAB 70.21, 15.11, 69.66

 

CMYK 0 / 53 / 88 / 11

HEX #E26A1C

RGB 226 106 28

HSL 23.64, 0.78%, 0.5%

LAB 58.57, 42.78, 60.51

 

CMYK 41 / 0 / 88 / 11

HEX #85E21C

RGB 133 226 28

HSL 88.18, 0.78%, 0.5%

LAB 81.55, -55.11, 76.11

 

CMYK 65 / 0 / 88 / 11

HEX #4FE21C

RGB 79 226 28

HSL 104.55, 0.78%, 0.5%

LAB 79.69, -69.67, 73.8

 

CMYK 88 / 0 / 87 / 11

HEX #1CE21E

RGB 28 226 30

HSL 120.61, 0.78%, 0.5%

LAB 78.89, -76.66, 72.41

 

CMYK 88 / 0 / 63 / 11

HEX #1CE254

RGB 28 226 84

HSL 136.97, 0.78%, 0.5%

LAB 79.2, -72.68, 55.37

 

CMYK 88 / 0 / 39 / 11

HEX #1CE289

RGB 28 226 137

HSL 153.03, 0.78%, 0.5%

LAB 79.87, -64.69, 31.13

 

CMYK 41 / 0 / 88 / 11

HEX #85E21C

RGB 133 226 28

HSL 88.18, 0.78%, 0.5%

LAB 81.55, -55.11, 76.11

 

CMYK 46 / 0 / 97 / 3

HEX #86F707

RGB 134 247 7

HSL 88.25, 0.94%, 0.5%

LAB 87.78, -63.09, 83.71

 

CMYK 41 / 0 / 88 / 11

HEX #85E21C

RGB 133 226 28

HSL 88.18, 0.78%, 0.5%

LAB 81.55, -55.11, 76.11

 

CMYK 36 / 0 / 77 / 19

HEX #83CE30

RGB 131 206 48

HSL 88.48, 0.62%, 0.5%

LAB 75.56, -46.96, 65.85

 

CMYK 30 / 0 / 63 / 27

HEX #82B945

RGB 130 185 69

HSL 88.45, 0.46%, 0.5%

LAB 69.38, -36.8, 51.66

 

CMYK 22 / 0 / 46 / 35

HEX #81A559

RGB 129 165 89

HSL 88.42, 0.3%, 0.5%

LAB 63.59, -25.66, 35.32

 

CMYK 11 / 0 / 24 / 44

HEX #80906E

RGB 128 144 110

HSL 88.24, 0.13%, 0.5%

LAB 57.71, -12.19, 16.2

 

CMYK 0 / 6 / 88 / 11

HEX #E2D51C

RGB 226 213 28

HSL 56.06, 0.78%, 0.5%

LAB 83.88, -12.95, 80.49

 

CMYK 17 / 0 / 88 / 11

HEX #BBE21C

RGB 187 226 28

HSL 71.82, 0.78%, 0.5%

LAB 84.51, -35.32, 79.78

 

CMYK 41 / 0 / 88 / 11

HEX #86E21C

RGB 134 226 28

HSL 87.88, 0.78%, 0.5%

LAB 81.59, -54.79, 76.17

 

CMYK 64 / 0 / 88 / 11

HEX #51E21C

RGB 81 226 28

HSL 103.94, 0.78%, 0.5%

LAB 79.74, -69.25, 73.86

 

CMYK 88 / 0 / 88 / 11

HEX #1CE21C

RGB 28 226 28

HSL 120, 0.78%, 0.5%

LAB 78.88, -76.74, 72.78

 

CMYK 42 / 0 / 88 / 40

HEX #599912

RGB 89 153 18

HSL 88.44, 0.79%, 0.34%

LAB 57.03, -40.89, 56.43

 

CMYK 42 / 0 / 88 / 25

HEX #6FBE17

RGB 111 190 23

HSL 88.38, 0.78%, 0.42%

LAB 69.66, -48.34, 66.59

 

CMYK 41 / 0 / 88 / 11

HEX #85E21C

RGB 133 226 28

HSL 88.18, 0.78%, 0.5%

LAB 81.55, -55.11, 76.11

 

CMYK 34 / 0 / 72 / 9

HEX #98E740

RGB 152 231 64

HSL 88.38, 0.78%, 0.58%

LAB 84.07, -49.14, 69.23

 

CMYK 27 / 0 / 57 / 7

HEX #ACEC65

RGB 172 236 101

HSL 88.44, 0.78%, 0.66%

LAB 86.85, -41.43, 57.93

 

CMYK 41 / 0 / 88 / 11

HEX #85E31C

RGB 133 227 28

HSL 88.34, 0.78%, 0.5%

LAB 81.84, -55.5, 76.36

 

CMYK 88 / 0 / 29 / 11

HEX #1CE2A0

RGB 28 226 160

HSL 160, 0.78%, 0.5%

LAB 80.28, -59.99, 19.83

 

CMYK 0 / 88 / 6 / 11

HEX #E21CD5

RGB 226 28 213

HSL 303.94, 0.78%, 0.5%

LAB 53.82, 85.23, -47.9

 

CMYK 41 / 0 / 88 / 11

HEX #85E31C

RGB 133 227 28

HSL 88.34, 0.78%, 0.5%

LAB 81.84, -55.5, 76.36

 

CMYK 88 / 41 / 0 / 11

HEX #1C86E2

RGB 28 134 226

HSL 207.88, 0.78%, 0.5%

LAB 54.85, 4.96, -54.59

 

CMYK 0 / 88 / 41 / 11

HEX #E21C86

RGB 226 28 134

HSL 327.88, 0.78%, 0.5%

LAB 50.36, 76.01, -6.85

 

CMYK 41 / 0 / 88 / 11

HEX #85E31C

RGB 133 227 28

HSL 88.34, 0.78%, 0.5%

LAB 81.84, -55.5, 76.36

 

CMYK 88 / 0 / 29 / 11

HEX #1CE2A0

RGB 28 226 160

HSL 160, 0.78%, 0.5%

LAB 80.28, -59.99, 19.83

 

CMYK 47 / 88 / 0 / 11

HEX #781CE2

RGB 120 28 226

HSL 267.88, 0.78%, 0.5%

LAB 38.4, 71.99, -81.08

 

CMYK 0 / 88 / 58 / 11

HEX #E21C5E

RGB 226 28 94

HSL 340, 0.78%, 0.5%

LAB 49.26, 72.94, 15.98

 

CMYK 41 / 0 / 88 / 11

HEX #85E31C

RGB 133 227 28

HSL 88.34, 0.78%, 0.5%

LAB 81.84, -55.5, 76.36

 

CMYK 88 / 0 / 3 / 11

HEX #1CE2DC

RGB 28 226 220

HSL 178.18, 0.78%, 0.5%

LAB 81.73, -44.72, -9.77

 

CMYK 47 / 88 / 0 / 11

HEX #781CE2

RGB 120 28 226

HSL 267.88, 0.78%, 0.5%

LAB 38.4, 71.99, -81.08

 

CMYK 0 / 88 / 85 / 11

HEX #E21C22

RGB 226 28 34

HSL 358.18, 0.78%, 0.5%

LAB 48.4, 70.48, 49.8

 

Description

Color code: HEX #85E31C | qconv.com Color code: HEX #85E31C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 227 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 227 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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