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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85B755 it is the complementary color #7A48AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85B755. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85B755 shade: #8AB750, #9BC963, #ACDB76, #BDED89 and #CEFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85B755. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85B755 shade: #85B755, #74A542, #63932F, #52811C and #416F09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85B755 shade: #86B757, #A0B757, #B7B457, #B79A57 and #B78057

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85B755 shade: #86B757, #6CB757, #57B75B, #57B775 and #57B78F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85B755 shade matches the following richer shades: #86B757, #85CA43, #85DD30 and #84F11D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85B755 shade: #86B757, #86A36A, #86907D, #877C91 and #8769A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85B755 shade: #B7B357, #A0B757, #87B757, #6DB757 and #57B75A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85B755 shade: #5D8338, #71A044, #86B757, #9AC374 and #AFCF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85B755 shade: #85B755, #57B79A and #B757AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85B755 shade: #85B755, #5787B7 and #B75787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85B755 shade: #85B755, #57B79A, #8757B7 and #B75773

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85B755 shade: #85B755, #57B7B7, #8757B7 and #B75757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 54 / 28

HEX #85B755

RGB 133 183 85

HSL 90.61, 0.4%, 0.53%

LAB 69.12, -33.23, 44.08

 

Complementary color

CMYK 28 / 58 / 0 / 33

HEX #7A48AA

RGB 122 72 170

HSL 270.61, 0.4%, 0.47%

LAB 40.69, 40.61, -44.72

 

CMYK 25 / 0 / 56 / 28

HEX #8AB750

RGB 138 183 80

HSL 86.21, 0.42%, 0.52%

LAB 69.36, -31.87, 46.81

 

CMYK 23 / 0 / 51 / 21

HEX #9BC963

RGB 155 201 99

HSL 87.06, 0.49%, 0.59%

LAB 75.85, -31.95, 45.72

 

CMYK 21 / 0 / 46 / 14

HEX #ACDB76

RGB 172 219 118

HSL 87.92, 0.58%, 0.66%

LAB 82.24, -31.98, 44.57

 

CMYK 20 / 0 / 42 / 7

HEX #BDED89

RGB 189 237 137

HSL 88.8, 0.74%, 0.73%

LAB 88.54, -31.97, 43.43

 

CMYK 19 / 0 / 39 / 0

HEX #CEFF9C

RGB 206 255 156

HSL 89.7, 1%, 0.81%

LAB 94.76, -31.93, 42.3

 

CMYK 27 / 0 / 54 / 28

HEX #85B755

RGB 133 183 85

HSL 90.61, 0.4%, 0.53%

LAB 69.12, -33.23, 44.08

 

CMYK 30 / 0 / 60 / 35

HEX #74A542

RGB 116 165 66

HSL 89.7, 0.43%, 0.45%

LAB 62.52, -33.14, 45.15

 

CMYK 33 / 0 / 68 / 42

HEX #63932F

RGB 99 147 47

HSL 88.8, 0.52%, 0.38%

LAB 55.81, -32.93, 45.97

 

CMYK 36 / 0 / 78 / 49

HEX #52811C

RGB 82 129 28

HSL 87.92, 0.64%, 0.31%

LAB 48.98, -32.51, 46.2

 

CMYK 41 / 0 / 92 / 56

HEX #416F09

RGB 65 111 9

HSL 87.06, 0.85%, 0.24%

LAB 42.02, -31.75, 45.1

 

CMYK 27 / 0 / 52 / 28

HEX #86B757

RGB 134 183 87

HSL 90.63, 0.4%, 0.53%

LAB 69.2, -32.64, 43.23

 

CMYK 13 / 0 / 52 / 28

HEX #A0B757

RGB 160 183 87

HSL 74.38, 0.4%, 0.53%

LAB 70.89, -22.57, 45.65

 

CMYK 0 / 2 / 52 / 28

HEX #B7B457

RGB 183 180 87

HSL 58.13, 0.4%, 0.53%

LAB 71.82, -11.6, 47.19

 

CMYK 0 / 16 / 52 / 28

HEX #B79A57

RGB 183 154 87

HSL 41.88, 0.4%, 0.53%

LAB 64.86, 2.21, 38.89

 

CMYK 0 / 30 / 52 / 28

HEX #B78057

RGB 183 128 87

HSL 25.63, 0.4%, 0.53%

LAB 58.22, 16.57, 30.64

 

CMYK 27 / 0 / 52 / 28

HEX #86B757

RGB 134 183 87

HSL 90.63, 0.4%, 0.53%

LAB 69.2, -32.64, 43.23

 

CMYK 41 / 0 / 52 / 28

HEX #6CB757

RGB 108 183 87

HSL 106.88, 0.4%, 0.53%

LAB 67.83, -41.67, 41.26

 

CMYK 52 / 0 / 50 / 28

HEX #57B75B

RGB 87 183 91

HSL 122.5, 0.4%, 0.53%

LAB 67.01, -47.36, 38.09

 

CMYK 52 / 0 / 36 / 28

HEX #57B775

RGB 87 183 117

HSL 138.75, 0.4%, 0.53%

LAB 67.41, -43.17, 25.16

 

CMYK 52 / 0 / 22 / 28

HEX #57B78F

RGB 87 183 143

HSL 155, 0.4%, 0.53%

LAB 67.93, -37.93, 11.82

 

CMYK 27 / 0 / 52 / 28

HEX #86B757

RGB 134 183 87

HSL 90.63, 0.4%, 0.53%

LAB 69.2, -32.64, 43.23

 

CMYK 34 / 0 / 67 / 21

HEX #85CA43

RGB 133 202 67

HSL 90.67, 0.56%, 0.53%

LAB 74.59, -43.35, 58.15

 

CMYK 40 / 0 / 78 / 13

HEX #85DD30

RGB 133 221 48

HSL 90.52, 0.72%, 0.53%

LAB 80.13, -52.38, 70.17

 

CMYK 45 / 0 / 88 / 5

HEX #84F11D

RGB 132 241 29

HSL 90.85, 0.88%, 0.53%

LAB 85.96, -61.1, 79.64

 

CMYK 27 / 0 / 52 / 28

HEX #86B757

RGB 134 183 87

HSL 90.63, 0.4%, 0.53%

LAB 69.2, -32.64, 43.23

 

CMYK 18 / 0 / 35 / 36

HEX #86A36A

RGB 134 163 106

HSL 90.53, 0.24%, 0.53%

LAB 63.59, -20.46, 26.41

 

CMYK 7 / 0 / 13 / 44

HEX #86907D

RGB 134 144 125

HSL 91.58, 0.08%, 0.53%

LAB 58.5, -7.29, 8.87

 

CMYK 7 / 14 / 0 / 43

HEX #877C91

RGB 135 124 145

HSL 271.43, 0.09%, 0.53%

LAB 53.61, 8.38, -9.81

 

CMYK 18 / 36 / 0 / 36

HEX #8769A4

RGB 135 105 164

HSL 270.51, 0.24%, 0.53%

LAB 49.42, 23.83, -27.33

 

CMYK 0 / 2 / 52 / 28

HEX #B7B357

RGB 183 179 87

HSL 57.5, 0.4%, 0.53%

LAB 71.55, -11.09, 46.87

 

CMYK 13 / 0 / 52 / 28

HEX #A0B757

RGB 160 183 87

HSL 74.38, 0.4%, 0.53%

LAB 70.89, -22.57, 45.65

 

CMYK 26 / 0 / 52 / 28

HEX #87B757

RGB 135 183 87

HSL 90, 0.4%, 0.53%

LAB 69.26, -32.27, 43.31

 

CMYK 40 / 0 / 52 / 28

HEX #6DB757

RGB 109 183 87

HSL 106.25, 0.4%, 0.53%

LAB 67.88, -41.35, 41.33

 

CMYK 52 / 0 / 51 / 28

HEX #57B75A

RGB 87 183 90

HSL 121.88, 0.4%, 0.53%

LAB 67, -47.5, 38.57

 

CMYK 29 / 0 / 57 / 49

HEX #5D8338

RGB 93 131 56

HSL 90.4, 0.4%, 0.37%

LAB 50.51, -26.79, 35.8

 

CMYK 29 / 0 / 58 / 37

HEX #71A044

RGB 113 160 68

HSL 90.65, 0.4%, 0.45%

LAB 60.84, -31.74, 42.24

 

CMYK 27 / 0 / 52 / 28

HEX #86B757

RGB 134 183 87

HSL 90.63, 0.4%, 0.53%

LAB 69.2, -32.64, 43.23

 

CMYK 21 / 0 / 41 / 24

HEX #9AC374

RGB 154 195 116

HSL 91.14, 0.4%, 0.61%

LAB 74.29, -27.45, 35.32

 

CMYK 15 / 0 / 30 / 19

HEX #AFCF90

RGB 175 207 144

HSL 90.48, 0.4%, 0.69%

LAB 79.47, -21.75, 27.9

 

CMYK 27 / 0 / 54 / 28

HEX #85B755

RGB 133 183 85

HSL 90.61, 0.4%, 0.53%

LAB 69.12, -33.23, 44.08

 

CMYK 52 / 0 / 16 / 28

HEX #57B79A

RGB 87 183 154

HSL 161.88, 0.4%, 0.53%

LAB 68.19, -35.43, 6.16

 

CMYK 0 / 52 / 5 / 28

HEX #B757AD

RGB 183 87 173

HSL 306.25, 0.4%, 0.53%

LAB 51.72, 50.32, -28.55

 

CMYK 27 / 0 / 54 / 28

HEX #85B755

RGB 133 183 85

HSL 90.61, 0.4%, 0.53%

LAB 69.12, -33.23, 44.08

 

CMYK 52 / 26 / 0 / 28

HEX #5787B7

RGB 87 135 183

HSL 210, 0.4%, 0.53%

LAB 54.84, -2.39, -30.17

 

CMYK 0 / 52 / 26 / 28

HEX #B75787

RGB 183 87 135

HSL 330, 0.4%, 0.53%

LAB 50.25, 44.35, -8.36

 

CMYK 27 / 0 / 54 / 28

HEX #85B755

RGB 133 183 85

HSL 90.61, 0.4%, 0.53%

LAB 69.12, -33.23, 44.08

 

CMYK 52 / 0 / 16 / 28

HEX #57B79A

RGB 87 183 154

HSL 161.88, 0.4%, 0.53%

LAB 68.19, -35.43, 6.16

 

CMYK 26 / 52 / 0 / 28

HEX #8757B7

RGB 135 87 183

HSL 270, 0.4%, 0.53%

LAB 46.16, 38.82, -43.56

 

CMYK 0 / 52 / 37 / 28

HEX #B75773

RGB 183 87 115

HSL 342.5, 0.4%, 0.53%

LAB 49.64, 41.76, 2.71

 

CMYK 27 / 0 / 54 / 28

HEX #85B755

RGB 133 183 85

HSL 90.61, 0.4%, 0.53%

LAB 69.12, -33.23, 44.08

 

CMYK 52 / 0 / 0 / 28

HEX #57B7B7

RGB 87 183 183

HSL 180, 0.4%, 0.53%

LAB 68.98, -28.09, -8.65

 

CMYK 26 / 52 / 0 / 28

HEX #8757B7

RGB 135 87 183

HSL 270, 0.4%, 0.53%

LAB 46.16, 38.82, -43.56

 

CMYK 0 / 52 / 52 / 28

HEX #B75757

RGB 183 87 87

HSL 0, 0.4%, 0.53%

LAB 48.97, 38.83, 18.57

 

Description

Color code: HEX #85B755 | qconv.com Color code: HEX #85B755 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 183 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 183 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 54 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 54% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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