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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5D8338 it is the complementary color #A27CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5D8338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5D8338 shade: #628333, #739546, #84A759, #95B96C and #A6CB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5D8338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5D8338 shade: #5D8338, #4C7125, #3B5F12, #2A4D00 and #193B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5D8338 shade: #5D8438, #728438, #848138, #846D38 and #845838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5D8338 shade: #5D8438, #498438, #38843C, #388450 and #388464

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5D8338 shade matches the following richer shades: #5D8438, #5D9329, #5DA21A and #5DB10A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5D8338 shade: #5D8438, #5E7447, #5E6557, #5E5666 and #5E4775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5D8338 shade: #848138, #728438, #5E8438, #4A8438 and #38843B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5D8338 shade: #344A1F, #49672C, #5D8438, #72A044 and #86B757

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5D8338 shade: #5D8338, #38846D and #84387C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5D8338 shade: #5D8338, #385E84 and #84385E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5D8338 shade: #5D8338, #38846D, #5E3884 and #84384F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5D8338 shade: #5D8338, #388484, #5E3884 and #843838

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 57 / 49

HEX #5D8338

RGB 93 131 56

HSL 90.4, 0.4%, 0.37%

LAB 50.51, -26.79, 35.8

 

Complementary color

CMYK 19 / 38 / 0 / 22

HEX #A27CC7

RGB 162 124 199

HSL 270.4, 0.4%, 0.63%

LAB 58.25, 29.32, -33.54

 

CMYK 25 / 0 / 61 / 49

HEX #628333

RGB 98 131 51

HSL 84.75, 0.44%, 0.36%

LAB 50.77, -25.31, 38.64

 

CMYK 23 / 0 / 53 / 42

HEX #739546

RGB 115 149 70

HSL 85.82, 0.36%, 0.43%

LAB 57.64, -25.45, 37.53

 

CMYK 21 / 0 / 47 / 35

HEX #84A759

RGB 132 167 89

HSL 86.92, 0.31%, 0.5%

LAB 64.37, -25.5, 36.33

 

CMYK 19 / 0 / 42 / 27

HEX #95B96C

RGB 149 185 108

HSL 88.05, 0.35%, 0.57%

LAB 70.99, -25.49, 35.13

 

CMYK 18 / 0 / 37 / 20

HEX #A6CB7F

RGB 166 203 127

HSL 89.21, 0.42%, 0.65%

LAB 77.49, -25.45, 33.97

 

CMYK 29 / 0 / 57 / 49

HEX #5D8338

RGB 93 131 56

HSL 90.4, 0.4%, 0.37%

LAB 50.51, -26.79, 35.8

 

CMYK 33 / 0 / 67 / 56

HEX #4C7125

RGB 76 113 37

HSL 89.21, 0.51%, 0.29%

LAB 43.48, -26.64, 36.81

 

CMYK 38 / 0 / 81 / 63

HEX #3B5F12

RGB 59 95 18

HSL 88.05, 0.68%, 0.22%

LAB 36.29, -26.23, 37.17

 

CMYK 45 / 0 / 100 / 70

HEX #2A4D00

RGB 42 77 0

HSL 87.27, 1%, 0.15%

LAB 28.9, -25.49, 36.54

 

CMYK 58 / 0 / 100 / 77

HEX #193B00

RGB 25 59 0

HSL 94.58, 1%, 0.12%

LAB 21.34, -23.71, 29.06

 

CMYK 30 / 0 / 58 / 48

HEX #5D8438

RGB 93 132 56

HSL 90.79, 0.4%, 0.37%

LAB 50.82, -27.28, 36.17

 

CMYK 14 / 0 / 58 / 48

HEX #728438

RGB 114 132 56

HSL 74.21, 0.4%, 0.37%

LAB 52.25, -18.65, 38.19

 

CMYK 0 / 2 / 58 / 48

HEX #848138

RGB 132 129 56

HSL 57.63, 0.4%, 0.37%

LAB 52.83, -9.13, 39.24

 

CMYK 0 / 17 / 58 / 48

HEX #846D38

RGB 132 109 56

HSL 41.84, 0.4%, 0.37%

LAB 47.14, 2.16, 32.64

 

CMYK 0 / 33 / 58 / 48

HEX #845838

RGB 132 88 56

HSL 25.26, 0.4%, 0.37%

LAB 41.49, 14.5, 25.78

 

CMYK 30 / 0 / 58 / 48

HEX #5D8438

RGB 93 132 56

HSL 90.79, 0.4%, 0.37%

LAB 50.82, -27.28, 36.17

 

CMYK 45 / 0 / 58 / 48

HEX #498438

RGB 73 132 56

HSL 106.58, 0.4%, 0.37%

LAB 49.74, -34.56, 34.64

 

CMYK 58 / 0 / 55 / 48

HEX #38843C

RGB 56 132 60

HSL 123.16, 0.4%, 0.37%

LAB 49.09, -39.16, 31.65

 

CMYK 58 / 0 / 39 / 48

HEX #388450

RGB 56 132 80

HSL 138.95, 0.4%, 0.37%

LAB 49.4, -35.83, 21.19

 

CMYK 58 / 0 / 24 / 48

HEX #388464

RGB 56 132 100

HSL 154.74, 0.4%, 0.37%

LAB 49.81, -31.58, 10.32

 

CMYK 30 / 0 / 58 / 48

HEX #5D8438

RGB 93 132 56

HSL 90.79, 0.4%, 0.37%

LAB 50.82, -27.28, 36.17

 

CMYK 37 / 0 / 72 / 42

HEX #5D9329

RGB 93 147 41

HSL 90.57, 0.56%, 0.37%

LAB 55.44, -35.64, 47.93

 

CMYK 43 / 0 / 84 / 36

HEX #5DA21A

RGB 93 162 26

HSL 90.44, 0.72%, 0.37%

LAB 60.11, -42.95, 57.29

 

CMYK 47 / 0 / 94 / 31

HEX #5DB10A

RGB 93 177 10

HSL 90.18, 0.89%, 0.37%

LAB 64.8, -49.44, 64.31

 

CMYK 30 / 0 / 58 / 48

HEX #5D8438

RGB 93 132 56

HSL 90.79, 0.4%, 0.37%

LAB 50.82, -27.28, 36.17

 

CMYK 19 / 0 / 39 / 55

HEX #5E7447

RGB 94 116 71

HSL 89.33, 0.24%, 0.37%

LAB 46.08, -16.75, 22.27

 

CMYK 7 / 0 / 14 / 60

HEX #5E6557

RGB 94 101 87

HSL 90, 0.07%, 0.37%

LAB 41.81, -5.58, 7.01

 

CMYK 8 / 16 / 0 / 60

HEX #5E5666

RGB 94 86 102

HSL 270, 0.09%, 0.37%

LAB 37.83, 6.67, -8.02

 

CMYK 20 / 39 / 0 / 54

HEX #5E4775

RGB 94 71 117

HSL 270, 0.24%, 0.37%

LAB 34.34, 19.71, -22.73

 

CMYK 0 / 2 / 58 / 48

HEX #848138

RGB 132 129 56

HSL 57.63, 0.4%, 0.37%

LAB 52.83, -9.13, 39.24

 

CMYK 14 / 0 / 58 / 48

HEX #728438

RGB 114 132 56

HSL 74.21, 0.4%, 0.37%

LAB 52.25, -18.65, 38.19

 

CMYK 29 / 0 / 58 / 48

HEX #5E8438

RGB 94 132 56

HSL 90, 0.4%, 0.37%

LAB 50.88, -26.89, 36.26

 

CMYK 44 / 0 / 58 / 48

HEX #4A8438

RGB 74 132 56

HSL 105.79, 0.4%, 0.37%

LAB 49.79, -34.23, 34.7

 

CMYK 58 / 0 / 55 / 48

HEX #38843B

RGB 56 132 59

HSL 122.37, 0.4%, 0.37%

LAB 49.08, -39.3, 32.15

 

CMYK 30 / 0 / 58 / 71

HEX #344A1F

RGB 52 74 31

HSL 90.7, 0.41%, 0.21%

LAB 28.71, -17.19, 22.74

 

CMYK 29 / 0 / 57 / 60

HEX #49672C

RGB 73 103 44

HSL 90.51, 0.4%, 0.29%

LAB 40.08, -22.12, 29.44

 

CMYK 30 / 0 / 58 / 48

HEX #5D8438

RGB 93 132 56

HSL 90.79, 0.4%, 0.37%

LAB 50.82, -27.28, 36.17

 

CMYK 29 / 0 / 58 / 37

HEX #72A044

RGB 114 160 68

HSL 90, 0.4%, 0.45%

LAB 60.9, -31.36, 42.33

 

CMYK 27 / 0 / 52 / 28

HEX #86B757

RGB 134 183 87

HSL 90.63, 0.4%, 0.53%

LAB 69.2, -32.64, 43.23

 

CMYK 29 / 0 / 57 / 49

HEX #5D8338

RGB 93 131 56

HSL 90.4, 0.4%, 0.37%

LAB 50.51, -26.79, 35.8

 

CMYK 58 / 0 / 17 / 48

HEX #38846D

RGB 56 132 109

HSL 161.84, 0.4%, 0.37%

LAB 50.03, -29.4, 5.4

 

CMYK 0 / 58 / 6 / 48

HEX #84387C

RGB 132 56 124

HSL 306.32, 0.4%, 0.37%

LAB 36.35, 41.95, -23.58

 

CMYK 29 / 0 / 57 / 49

HEX #5D8338

RGB 93 131 56

HSL 90.4, 0.4%, 0.37%

LAB 50.51, -26.79, 35.8

 

CMYK 58 / 29 / 0 / 48

HEX #385E84

RGB 56 94 132

HSL 210, 0.4%, 0.37%

LAB 38.75, -1.53, -25.31

 

CMYK 0 / 58 / 29 / 48

HEX #84385E

RGB 132 56 94

HSL 330, 0.4%, 0.37%

LAB 35.09, 37.08, -6.61

 

CMYK 29 / 0 / 57 / 49

HEX #5D8338

RGB 93 131 56

HSL 90.4, 0.4%, 0.37%

LAB 50.51, -26.79, 35.8

 

CMYK 58 / 0 / 17 / 48

HEX #38846D

RGB 56 132 109

HSL 161.84, 0.4%, 0.37%

LAB 50.03, -29.4, 5.4

 

CMYK 29 / 58 / 0 / 48

HEX #5E3884

RGB 94 56 132

HSL 270, 0.4%, 0.37%

LAB 31.52, 32.75, -36.52

 

CMYK 0 / 58 / 40 / 48

HEX #84384F

RGB 132 56 79

HSL 341.84, 0.4%, 0.37%

LAB 34.6, 35.1, 2.27

 

CMYK 29 / 0 / 57 / 49

HEX #5D8338

RGB 93 131 56

HSL 90.4, 0.4%, 0.37%

LAB 50.51, -26.79, 35.8

 

CMYK 58 / 0 / 0 / 48

HEX #388484

RGB 56 132 132

HSL 180, 0.4%, 0.37%

LAB 50.7, -23.14, -7.08

 

CMYK 29 / 58 / 0 / 48

HEX #5E3884

RGB 94 56 132

HSL 270, 0.4%, 0.37%

LAB 31.52, 32.75, -36.52

 

CMYK 0 / 58 / 58 / 48

HEX #843838

RGB 132 56 56

HSL 0, 0.4%, 0.37%

LAB 34.02, 32.71, 16.21

 

Description

Color code: HEX #5D8338 | qconv.com Color code: HEX #5D8338 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 131 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 131 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 57 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 57% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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