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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85623C it is the complementary color #7A9DC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85623C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85623C shade: #8A6237, #9B744A, #AC865D, #BD9870 and #CEAA83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85623C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85623C shade: #85623C, #745029, #633E16, #522C03 and #411A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85623C shade: #85623C, #854E3C and #853C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85623C shade: #85623C, #85763C, #81853C, #6D853C and #59853C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85623C shade matches the following richer shades: #85623C, #95632C, #A5631C and #B4640D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85623C shade: #85623C, #76614B, #66615B, #56606B and #475F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85623C shade: #853C3D, #854E3C, #85623C, #85753C and #82853C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85623C shade: #4C3822, #694D2F, #85623C, #A27748 and #B68B5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85623C shade: #85623C, #50853C and #443C85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85623C shade: #85623C, #3C8562 and #623C85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85623C shade: #85623C, #50853C, #3C5F85 and #703C85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85623C shade: #85623C, #3C853D, #3C5F85 and #853C84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

Complementary color

CMYK 37 / 19 / 0 / 24

HEX #7A9DC3

RGB 122 157 195

HSL 211.23, 0.38%, 0.62%

LAB 63.5, -2.5, -23.42

 

CMYK 0 / 29 / 60 / 46

HEX #8A6237

RGB 138 98 55

HSL 31.08, 0.43%, 0.38%

LAB 44.82, 11.23, 30.59

 

CMYK 0 / 25 / 52 / 39

HEX #9B744A

RGB 155 116 74

HSL 31.11, 0.35%, 0.45%

LAB 51.78, 10.09, 29.03

 

CMYK 0 / 22 / 46 / 33

HEX #AC865D

RGB 172 134 93

HSL 31.14, 0.32%, 0.52%

LAB 58.61, 9.15, 27.6

 

CMYK 0 / 20 / 41 / 26

HEX #BD9870

RGB 189 152 112

HSL 31.17, 0.37%, 0.59%

LAB 65.31, 8.36, 26.27

 

CMYK 0 / 17 / 36 / 19

HEX #CEAA83

RGB 206 170 131

HSL 31.2, 0.43%, 0.66%

LAB 71.9, 7.69, 25.04

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 0 / 31 / 65 / 55

HEX #745029

RGB 116 80 41

HSL 31.2, 0.48%, 0.31%

LAB 37.13, 10.67, 28.62

 

CMYK 0 / 37 / 78 / 61

HEX #633E16

RGB 99 62 22

HSL 31.17, 0.64%, 0.24%

LAB 29.8, 12.29, 30.21

 

CMYK 0 / 46 / 96 / 68

HEX #522C03

RGB 82 44 3

HSL 31.14, 0.93%, 0.17%

LAB 22.31, 14.36, 30.6

 

CMYK 0 / 60 / 100 / 75

HEX #411A00

RGB 65 26 0

HSL 24, 1%, 0.13%

LAB 14.75, 17.13, 22.21

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 0 / 41 / 55 / 48

HEX #854E3C

RGB 133 78 60

HSL 14.79, 0.38%, 0.38%

LAB 39.18, 21.19, 20.51

 

CMYK 0 / 55 / 55 / 48

HEX #853C3C

RGB 133 60 60

HSL 0, 0.38%, 0.38%

LAB 35.09, 31.33, 15.13

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 0 / 11 / 55 / 48

HEX #85763C

RGB 133 118 60

HSL 47.67, 0.38%, 0.38%

LAB 49.82, -2.18, 33.72

 

CMYK 3 / 0 / 55 / 48

HEX #81853C

RGB 129 133 60

HSL 63.29, 0.38%, 0.38%

LAB 53.78, -12.29, 38.27

 

CMYK 18 / 0 / 55 / 48

HEX #6D853C

RGB 109 133 60

HSL 79.73, 0.38%, 0.38%

LAB 52.23, -20.88, 36.08

 

CMYK 33 / 0 / 55 / 48

HEX #59853C

RGB 89 133 60

HSL 96.16, 0.38%, 0.38%

LAB 50.95, -28.84, 34.24

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 0 / 34 / 70 / 42

HEX #95632C

RGB 149 99 44

HSL 31.43, 0.54%, 0.38%

LAB 46.3, 14.86, 38.47

 

CMYK 0 / 40 / 83 / 35

HEX #A5631C

RGB 165 99 28

HSL 31.09, 0.71%, 0.38%

LAB 48.27, 21.31, 48.34

 

CMYK 0 / 44 / 93 / 29

HEX #B4640D

RGB 180 100 13

HSL 31.26, 0.87%, 0.38%

LAB 50.51, 26.94, 55.76

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 0 / 18 / 36 / 54

HEX #76614B

RGB 118 97 75

HSL 30.7, 0.22%, 0.38%

LAB 42.63, 5.02, 15.73

 

CMYK 0 / 5 / 11 / 60

HEX #66615B

RGB 102 97 91

HSL 32.73, 0.06%, 0.38%

LAB 41.42, 0.81, 4.12

 

CMYK 20 / 10 / 0 / 58

HEX #56606B

RGB 86 96 107

HSL 211.43, 0.11%, 0.38%

LAB 40.26, -1.25, -7.55

 

CMYK 42 / 22 / 0 / 52

HEX #475F7A

RGB 71 95 122

HSL 211.76, 0.26%, 0.38%

LAB 39.46, -1.42, -18.04

 

CMYK 0 / 55 / 54 / 48

HEX #853C3D

RGB 133 60 61

HSL 359.18, 0.38%, 0.38%

LAB 35.11, 31.43, 14.52

 

CMYK 0 / 41 / 55 / 48

HEX #854E3C

RGB 133 78 60

HSL 14.79, 0.38%, 0.38%

LAB 39.18, 21.19, 20.51

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 0 / 12 / 55 / 48

HEX #85753C

RGB 133 117 60

HSL 46.85, 0.38%, 0.38%

LAB 49.54, -1.61, 33.38

 

CMYK 2 / 0 / 55 / 48

HEX #82853C

RGB 130 133 60

HSL 62.47, 0.38%, 0.38%

LAB 53.86, -11.85, 38.39

 

CMYK 0 / 26 / 55 / 70

HEX #4C3822

RGB 76 56 34

HSL 31.43, 0.38%, 0.22%

LAB 25.2, 5.72, 17.13

 

CMYK 0 / 27 / 55 / 59

HEX #694D2F

RGB 105 77 47

HSL 31.03, 0.38%, 0.3%

LAB 35.04, 7.85, 22.3

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 0 / 27 / 56 / 36

HEX #A27748

RGB 162 119 72

HSL 31.33, 0.38%, 0.46%

LAB 53.32, 11.26, 32.22

 

CMYK 0 / 24 / 49 / 29

HEX #B68B5D

RGB 182 139 93

HSL 31.01, 0.38%, 0.54%

LAB 60.96, 10.6, 30.83

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 40 / 0 / 55 / 48

HEX #50853C

RGB 80 133 60

HSL 103.56, 0.38%, 0.38%

LAB 50.46, -32.12, 33.54

 

CMYK 49 / 55 / 0 / 48

HEX #443C85

RGB 68 60 133

HSL 246.58, 0.38%, 0.38%

LAB 29.8, 23.83, -40.05

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 55 / 0 / 26 / 48

HEX #3C8562

RGB 60 133 98

HSL 151.23, 0.38%, 0.38%

LAB 50.24, -31.54, 12.09

 

CMYK 26 / 55 / 0 / 48

HEX #623C85

RGB 98 60 133

HSL 271.23, 0.38%, 0.38%

LAB 32.97, 31.76, -34.8

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 40 / 0 / 55 / 48

HEX #50853C

RGB 80 133 60

HSL 103.56, 0.38%, 0.38%

LAB 50.46, -32.12, 33.54

 

CMYK 55 / 29 / 0 / 48

HEX #3C5F85

RGB 60 95 133

HSL 211.23, 0.38%, 0.38%

LAB 39.31, -0.87, -25.03

 

CMYK 16 / 55 / 0 / 48

HEX #703C85

RGB 112 60 133

HSL 282.74, 0.38%, 0.38%

LAB 34.74, 35.77, -31.88

 

CMYK 0 / 26 / 55 / 48

HEX #85623C

RGB 133 98 60

HSL 31.23, 0.38%, 0.38%

LAB 44.3, 9.41, 27.01

 

CMYK 55 / 0 / 54 / 48

HEX #3C853D

RGB 60 133 61

HSL 120.82, 0.38%, 0.38%

LAB 49.58, -38.34, 31.76

 

CMYK 55 / 29 / 0 / 48

HEX #3C5F85

RGB 60 95 133

HSL 211.23, 0.38%, 0.38%

LAB 39.31, -0.87, -25.03

 

CMYK 0 / 55 / 1 / 48

HEX #853C84

RGB 133 60 132

HSL 300.82, 0.38%, 0.38%

LAB 37.63, 41.72, -26.51

 

Description

Color code: HEX #85623C | qconv.com Color code: HEX #85623C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 98 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 98 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 55 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 55% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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