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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC865D it is the complementary color #5379A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC865D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC865D shade: #B18658, #C2986B, #D3AA7E, #E4BC91 and #F5CEA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC865D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC865D shade: #AC865D, #9B744A, #8A6237, #795024 and #683E11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC865D shade: #AB865D, #AB705D and #AB5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC865D shade: #AB865D, #AB9B5D, #A7AB5D, #92AB5D and #7CAB5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC865D shade matches the following richer shades: #AB865D, #BF8649, #D38735, #E78822 and #FA890E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC865D shade: #AB865D, #978571, #848485, #708398 and #5C83AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC865D shade: #AB5D5E, #AB715D, #AB855D, #AB9A5D and #A7AB5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC865D shade: #785C3E, #93714C, #AB865D, #B99A78 and #C7AE93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC865D shade: #AC865D, #73AB5D and #665DAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC865D shade: #AC865D, #5DAB85 and #855DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC865D shade: #AC865D, #73AB5D, #5D83AB and #955DAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC865D shade: #AC865D, #5DAB5E, #5D83AB and #AB5DAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 46 / 33

HEX #AC865D

RGB 172 134 93

HSL 31.14, 0.32%, 0.52%

LAB 58.61, 9.15, 27.6

 

Complementary color

CMYK 49 / 25 / 0 / 36

HEX #5379A2

RGB 83 121 162

HSL 211.14, 0.32%, 0.48%

LAB 49.64, -1.64, -26.12

 

CMYK 0 / 24 / 50 / 31

HEX #B18658

RGB 177 134 88

HSL 31.01, 0.36%, 0.52%

LAB 59.07, 10.77, 31.03

 

CMYK 0 / 22 / 45 / 24

HEX #C2986B

RGB 194 152 107

HSL 31.03, 0.42%, 0.59%

LAB 65.74, 9.88, 29.64

 

CMYK 0 / 19 / 40 / 17

HEX #D3AA7E

RGB 211 170 126

HSL 31.06, 0.49%, 0.66%

LAB 72.3, 9.11, 28.35

 

CMYK 0 / 18 / 36 / 11

HEX #E4BC91

RGB 228 188 145

HSL 31.08, 0.61%, 0.73%

LAB 78.76, 8.45, 27.15

 

CMYK 0 / 16 / 33 / 4

HEX #F5CEA4

RGB 245 206 164

HSL 31.11, 0.8%, 0.8%

LAB 85.12, 7.87, 26.02

 

CMYK 0 / 22 / 46 / 33

HEX #AC865D

RGB 172 134 93

HSL 31.14, 0.32%, 0.52%

LAB 58.61, 9.15, 27.6

 

CMYK 0 / 25 / 52 / 39

HEX #9B744A

RGB 155 116 74

HSL 31.11, 0.35%, 0.45%

LAB 51.78, 10.09, 29.03

 

CMYK 0 / 29 / 60 / 46

HEX #8A6237

RGB 138 98 55

HSL 31.08, 0.43%, 0.38%

LAB 44.82, 11.23, 30.59

 

CMYK 0 / 34 / 70 / 53

HEX #795024

RGB 121 80 36

HSL 31.06, 0.54%, 0.31%

LAB 37.72, 12.66, 32.19

 

CMYK 0 / 40 / 84 / 59

HEX #683E11

RGB 104 62 17

HSL 31.03, 0.72%, 0.24%

LAB 30.47, 14.47, 33.55

 

CMYK 0 / 22 / 46 / 33

HEX #AB865D

RGB 171 134 93

HSL 31.54, 0.32%, 0.52%

LAB 58.51, 8.73, 27.44

 

CMYK 0 / 35 / 46 / 33

HEX #AB705D

RGB 171 112 93

HSL 14.62, 0.32%, 0.52%

LAB 52.99, 21.12, 20.16

 

CMYK 0 / 46 / 46 / 33

HEX #AB5D5D

RGB 171 93 93

HSL 0, 0.32%, 0.52%

LAB 48.61, 31.67, 14.2

 

CMYK 0 / 22 / 46 / 33

HEX #AB865D

RGB 171 134 93

HSL 31.54, 0.32%, 0.52%

LAB 58.51, 8.73, 27.44

 

CMYK 0 / 9 / 46 / 33

HEX #AB9B5D

RGB 171 155 93

HSL 47.69, 0.32%, 0.52%

LAB 64.07, -2.86, 34.54

 

CMYK 2 / 0 / 46 / 33

HEX #A7AB5D

RGB 167 171 93

HSL 63.08, 0.32%, 0.52%

LAB 68.12, -13.03, 39.48

 

CMYK 15 / 0 / 46 / 33

HEX #92AB5D

RGB 146 171 93

HSL 79.23, 0.32%, 0.52%

LAB 66.54, -21.54, 37.18

 

CMYK 27 / 0 / 46 / 33

HEX #7CAB5D

RGB 124 171 93

HSL 96.15, 0.32%, 0.52%

LAB 65.12, -29.94, 35.11

 

CMYK 0 / 22 / 46 / 33

HEX #AB865D

RGB 171 134 93

HSL 31.54, 0.32%, 0.52%

LAB 58.51, 8.73, 27.44

 

CMYK 0 / 30 / 62 / 25

HEX #BF8649

RGB 191 134 73

HSL 31.02, 0.48%, 0.52%

LAB 60.43, 15.51, 41.01

 

CMYK 0 / 36 / 75 / 17

HEX #D38735

RGB 211 135 53

HSL 31.14, 0.64%, 0.52%

LAB 62.87, 22.37, 53.9

 

CMYK 0 / 41 / 85 / 9

HEX #E78822

RGB 231 136 34

HSL 31.07, 0.8%, 0.52%

LAB 65.52, 29.58, 64.46

 

CMYK 0 / 45 / 94 / 2

HEX #FA890E

RGB 250 137 14

HSL 31.27, 0.96%, 0.52%

LAB 68.2, 36.47, 72.41

 

CMYK 0 / 22 / 46 / 33

HEX #AB865D

RGB 171 134 93

HSL 31.54, 0.32%, 0.52%

LAB 58.51, 8.73, 27.44

 

CMYK 0 / 12 / 25 / 41

HEX #978571

RGB 151 133 113

HSL 31.58, 0.15%, 0.52%

LAB 56.63, 3.54, 13.29

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 26 / 14 / 0 / 40

HEX #708398

RGB 112 131 152

HSL 211.5, 0.16%, 0.52%

LAB 53.97, -1.9, -13.52

 

CMYK 47 / 24 / 0 / 33

HEX #5C83AC

RGB 92 131 172

HSL 210.75, 0.33%, 0.52%

LAB 53.48, -2.2, -25.94

 

CMYK 0 / 46 / 45 / 33

HEX #AB5D5E

RGB 171 93 94

HSL 359.23, 0.32%, 0.52%

LAB 48.63, 31.78, 13.63

 

CMYK 0 / 34 / 46 / 33

HEX #AB715D

RGB 171 113 93

HSL 15.38, 0.32%, 0.52%

LAB 53.23, 20.56, 20.48

 

CMYK 0 / 22 / 46 / 33

HEX #AB855D

RGB 171 133 93

HSL 30.77, 0.32%, 0.52%

LAB 58.25, 9.29, 27.1

 

CMYK 0 / 10 / 46 / 33

HEX #AB9A5D

RGB 171 154 93

HSL 46.92, 0.32%, 0.52%

LAB 63.8, -2.32, 34.2

 

CMYK 2 / 0 / 46 / 33

HEX #A7AB5D

RGB 167 171 93

HSL 63.08, 0.32%, 0.52%

LAB 68.12, -13.03, 39.48

 

CMYK 0 / 23 / 48 / 53

HEX #785C3E

RGB 120 92 62

HSL 31.03, 0.32%, 0.36%

LAB 41.21, 7.29, 21.62

 

CMYK 0 / 23 / 48 / 42

HEX #93714C

RGB 147 113 76

HSL 31.27, 0.32%, 0.44%

LAB 50.14, 8.51, 25.64

 

CMYK 0 / 22 / 46 / 33

HEX #AB865D

RGB 171 134 93

HSL 31.54, 0.32%, 0.52%

LAB 58.51, 8.73, 27.44

 

CMYK 0 / 17 / 35 / 27

HEX #B99A78

RGB 185 154 120

HSL 31.38, 0.32%, 0.6%

LAB 65.58, 6.59, 22.16

 

CMYK 0 / 13 / 26 / 22

HEX #C7AE93

RGB 199 174 147

HSL 31.15, 0.32%, 0.68%

LAB 72.58, 4.87, 17.19

 

CMYK 0 / 22 / 46 / 33

HEX #AC865D

RGB 172 134 93

HSL 31.14, 0.32%, 0.52%

LAB 58.61, 9.15, 27.6

 

CMYK 33 / 0 / 46 / 33

HEX #73AB5D

RGB 115 171 93

HSL 103.08, 0.32%, 0.52%

LAB 64.61, -33.16, 34.36

 

CMYK 40 / 46 / 0 / 33

HEX #665DAB

RGB 102 93 171

HSL 246.92, 0.32%, 0.52%

LAB 43.64, 23.21, -40.72

 

CMYK 0 / 22 / 46 / 33

HEX #AC865D

RGB 172 134 93

HSL 31.14, 0.32%, 0.52%

LAB 58.61, 9.15, 27.6

 

CMYK 46 / 0 / 22 / 33

HEX #5DAB85

RGB 93 171 133

HSL 150.77, 0.32%, 0.52%

LAB 64.28, -33.06, 12.21

 

CMYK 22 / 46 / 0 / 33

HEX #855DAB

RGB 133 93 171

HSL 270.77, 0.32%, 0.52%

LAB 46.65, 31.92, -35.77

 

CMYK 0 / 22 / 46 / 33

HEX #AC865D

RGB 172 134 93

HSL 31.14, 0.32%, 0.52%

LAB 58.61, 9.15, 27.6

 

CMYK 33 / 0 / 46 / 33

HEX #73AB5D

RGB 115 171 93

HSL 103.08, 0.32%, 0.52%

LAB 64.61, -33.16, 34.36

 

CMYK 46 / 23 / 0 / 33

HEX #5D83AB

RGB 93 131 171

HSL 210.77, 0.32%, 0.52%

LAB 53.49, -2.23, -25.34

 

CMYK 13 / 46 / 0 / 33

HEX #955DAB

RGB 149 93 171

HSL 283.08, 0.32%, 0.52%

LAB 48.46, 36.69, -32.81

 

CMYK 0 / 22 / 46 / 33

HEX #AC865D

RGB 172 134 93

HSL 31.14, 0.32%, 0.52%

LAB 58.61, 9.15, 27.6

 

CMYK 46 / 0 / 45 / 33

HEX #5DAB5E

RGB 93 171 94

HSL 120.77, 0.32%, 0.52%

LAB 63.56, -40.18, 32.28

 

CMYK 46 / 23 / 0 / 33

HEX #5D83AB

RGB 93 131 171

HSL 210.77, 0.32%, 0.52%

LAB 53.49, -2.23, -25.34

 

CMYK 0 / 46 / 1 / 33

HEX #AB5DAA

RGB 171 93 170

HSL 300.77, 0.32%, 0.52%

LAB 51.14, 43.16, -27.84

 

Description

Color code: HEX #AC865D | qconv.com Color code: HEX #AC865D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 134 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 134 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 46 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 46% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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