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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EF5D4 it is the complementary color #710A2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EF5D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EF5D4 shade: #93F5CF, #A4FFE2, #B5FFF5, #C6FFFF and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EF5D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EF5D4 shade: #8EF5D4, #7DE3C1, #6CD1AE, #5BBF9B and #4AAD88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EF5D4 shade: #8EF5D4, #8EF5B8, #8EF59C, #9BF58E and #B7F58E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EF5D4 shade: #8EF5D4, #8EF5EF, #8EDEF5, #8EC2F5 and #8EA7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EF5D4 shade matches the following richer shades: #8EF5D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EF5D4 shade: #8EF5D4, #98EBD0, #A2E1CD, #ACD7C9 and #B6CDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EF5D4 shade: #8EF59C, #8EF5B7, #8EF5D2, #8EF5EE and #8EE0F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EF5D4 shade: #42EEB7, #68F1C5, #8EF5D4, #B4F8E2 and #DAFBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EF5D4 shade: #8EF5D4, #8E9CF5 and #F5A98E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EF5D4 shade: #8EF5D4, #D28EF5 and #F5D28E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EF5D4 shade: #8EF5D4, #8E9CF5, #F58EB0 and #F5E78E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EF5D4 shade: #8EF5D4, #9F8EF5, #F58EB0 and #E4F58E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

Complementary color

CMYK 0 / 91 / 62 / 56

HEX #710A2B

RGB 113 10 43

HSL 340.78, 0.84%, 0.24%

LAB 23.35, 43.47, 9.87

 

CMYK 40 / 0 / 16 / 4

HEX #93F5CF

RGB 147 245 207

HSL 156.73, 0.83%, 0.77%

LAB 89.87, -37.28, 9.29

 

CMYK 36 / 0 / 11 / 0

HEX #A4FFE2

RGB 164 255 226

HSL 160.88, 1%, 0.82%

LAB 93.84, -33.4, 5.28

 

CMYK 29 / 0 / 4 / 0

HEX #B5FFF5

RGB 181 255 245

HSL 171.89, 1%, 0.85%

LAB 95.13, -24.72, -2.54

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 45 / 0 / 15 / 11

HEX #7DE3C1

RGB 125 227 193

HSL 160, 0.65%, 0.69%

LAB 83.52, -37.68, 7.4

 

CMYK 48 / 0 / 17 / 18

HEX #6CD1AE

RGB 108 209 174

HSL 159.21, 0.52%, 0.62%

LAB 77.19, -37.83, 8.33

 

CMYK 52 / 0 / 19 / 25

HEX #5BBF9B

RGB 91 191 155

HSL 158.4, 0.44%, 0.55%

LAB 70.77, -37.93, 9.33

 

CMYK 57 / 0 / 21 / 32

HEX #4AAD88

RGB 74 173 136

HSL 157.58, 0.4%, 0.48%

LAB 64.26, -37.97, 10.42

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 42 / 0 / 25 / 4

HEX #8EF5B8

RGB 142 245 184

HSL 144.47, 0.84%, 0.76%

LAB 89.17, -43.16, 20.16

 

CMYK 42 / 0 / 36 / 4

HEX #8EF59C

RGB 142 245 156

HSL 128.16, 0.84%, 0.76%

LAB 88.66, -48.03, 33.72

 

CMYK 37 / 0 / 42 / 4

HEX #9BF58E

RGB 155 245 142

HSL 112.43, 0.84%, 0.76%

LAB 89.03, -46.27, 41.23

 

CMYK 25 / 0 / 42 / 4

HEX #B7F58E

RGB 183 245 142

HSL 96.12, 0.84%, 0.76%

LAB 90.47, -37.12, 43.37

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 42 / 0 / 2 / 4

HEX #8EF5EF

RGB 142 245 239

HSL 176.5, 0.84%, 0.76%

LAB 90.45, -31.4, -6.52

 

CMYK 42 / 9 / 0 / 4

HEX #8EDEF5

RGB 142 222 245

HSL 193.4, 0.84%, 0.76%

LAB 84.27, -18.7, -18.91

 

CMYK 42 / 21 / 0 / 4

HEX #8EC2F5

RGB 142 194 245

HSL 209.71, 0.84%, 0.76%

LAB 76.63, -4.1, -30.55

 

CMYK 42 / 32 / 0 / 4

HEX #8EA7F5

RGB 142 167 245

HSL 225.44, 0.84%, 0.76%

LAB 69.46, 10.84, -41.68

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 35 / 0 / 11 / 8

HEX #98EBD0

RGB 152 235 208

HSL 160.48, 0.67%, 0.76%

LAB 87.31, -31.09, 5.13

 

CMYK 28 / 0 / 9 / 12

HEX #A2E1CD

RGB 162 225 205

HSL 160.95, 0.51%, 0.76%

LAB 84.97, -24.05, 3.38

 

CMYK 20 / 0 / 7 / 16

HEX #ACD7C9

RGB 172 215 201

HSL 160.47, 0.35%, 0.76%

LAB 82.69, -16.84, 2.27

 

CMYK 11 / 0 / 3 / 20

HEX #B6CDC6

RGB 182 205 198

HSL 161.74, 0.19%, 0.76%

LAB 80.56, -9.08, 0.85

 

CMYK 42 / 0 / 36 / 4

HEX #8EF59C

RGB 142 245 156

HSL 128.16, 0.84%, 0.76%

LAB 88.66, -48.03, 33.72

 

CMYK 42 / 0 / 25 / 4

HEX #8EF5B7

RGB 142 245 183

HSL 143.88, 0.84%, 0.76%

LAB 89.15, -43.35, 20.65

 

CMYK 42 / 0 / 14 / 4

HEX #8EF5D2

RGB 142 245 210

HSL 159.61, 0.84%, 0.76%

LAB 89.72, -37.94, 7.51

 

CMYK 42 / 0 / 3 / 4

HEX #8EF5EE

RGB 142 245 238

HSL 175.92, 0.84%, 0.76%

LAB 90.43, -31.64, -6.04

 

CMYK 42 / 9 / 0 / 4

HEX #8EE0F5

RGB 142 224 245

HSL 192.23, 0.84%, 0.76%

LAB 84.82, -19.71, -18.08

 

CMYK 72 / 0 / 23 / 7

HEX #42EEB7

RGB 66 238 183

HSL 160.81, 0.83%, 0.6%

LAB 84.86, -55.81, 14.31

 

CMYK 57 / 0 / 18 / 5

HEX #68F1C5

RGB 104 241 197

HSL 160.73, 0.83%, 0.68%

LAB 86.94, -47.64, 10.1

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 27 / 0 / 9 / 3

HEX #B4F8E2

RGB 180 248 226

HSL 160.59, 0.83%, 0.84%

LAB 92.72, -25.59, 3.76

 

CMYK 13 / 0 / 4 / 2

HEX #DAFBF1

RGB 218 251 241

HSL 161.82, 0.8%, 0.92%

LAB 96.1, -12.51, 1.19

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 42 / 36 / 0 / 4

HEX #8E9CF5

RGB 142 156 245

HSL 231.84, 0.84%, 0.76%

LAB 66.61, 17.12, -46.15

 

CMYK 0 / 31 / 42 / 4

HEX #F5A98E

RGB 245 169 142

HSL 15.73, 0.84%, 0.76%

LAB 75.91, 24.81, 25.21

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 14 / 42 / 0 / 4

HEX #D28EF5

RGB 210 142 245

HSL 279.61, 0.84%, 0.76%

LAB 69.21, 43.56, -41.65

 

CMYK 0 / 14 / 42 / 4

HEX #F5D28E

RGB 245 210 142

HSL 39.61, 0.84%, 0.76%

LAB 85.74, 3.32, 38.2

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 42 / 36 / 0 / 4

HEX #8E9CF5

RGB 142 156 245

HSL 231.84, 0.84%, 0.76%

LAB 66.61, 17.12, -46.15

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB0

RGB 245 142 176

HSL 340.19, 0.84%, 0.76%

LAB 70.8, 42.95, -0.7

 

CMYK 0 / 6 / 42 / 4

HEX #F5E78E

RGB 245 231 142

HSL 51.84, 0.84%, 0.76%

LAB 91.02, -7.36, 44.95

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 35 / 42 / 0 / 4

HEX #9F8EF5

RGB 159 142 245

HSL 249.9, 0.84%, 0.76%

LAB 64.41, 29.5, -49.53

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB0

RGB 245 142 176

HSL 340.19, 0.84%, 0.76%

LAB 70.8, 42.95, -0.7

 

CMYK 7 / 0 / 42 / 4

HEX #E4F58E

RGB 228 245 142

HSL 69.9, 0.84%, 0.76%

LAB 93.34, -20.78, 47.6

 

Description

Color code: HEX #8EF5D4 | qconv.com Color code: HEX #8EF5D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 245 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 245 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 13 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 13% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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