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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #831BAF it is the complementary color #7CE450. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #831BAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #831BAF shade: #881BAA, #992DBD, #AA3FD0, #BB51E3 and #CC63F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #831BAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #831BAF shade: #831BAF, #72099C, #610089, #500076 and #3F0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #831BAF shade: #841BB0, #AC1BB0, #B01B8C, #B01B64 and #B01B3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #831BAF shade: #841BB0, #5C1BB0, #331BB0 and #1B1BB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #831BAF shade matches the following richer shades: #841BB0 and #8A0BC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #831BAF shade: #841BB0, #7D2C9F, #763C8F, #704D7E and #695D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #831BAF shade: #341BB0, #5C1BB0, #831BB0, #AB1BB0 and #B01B8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #831BAF shade: #4E1069, #69158C, #841BB0, #9E21D4 and #B03DE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #831BAF shade: #831BAF, #B01B2A and #1BB048

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #831BAF shade: #831BAF, #B0831B and #1BB083

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #831BAF shade: #831BAF, #B01B2A, #48B01B and #1BB0A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #831BAF shade: #831BAF, #B0391B, #48B01B and #1B92B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 85 / 0 / 31

HEX #831BAF

RGB 131 27 175

HSL 282.16, 0.73%, 0.4%

LAB 35.41, 62.8, -56.16

 

Complementary color

CMYK 46 / 0 / 65 / 11

HEX #7CE450

RGB 124 228 80

HSL 102.16, 0.73%, 0.6%

LAB 82.03, -55.81, 60.77

 

CMYK 20 / 84 / 0 / 33

HEX #881BAA

RGB 136 27 170

HSL 285.73, 0.73%, 0.39%

LAB 35.83, 62.66, -52.45

 

CMYK 19 / 76 / 0 / 26

HEX #992DBD

RGB 153 45 189

HSL 285, 0.62%, 0.46%

LAB 41.73, 63.93, -54.05

 

CMYK 18 / 70 / 0 / 18

HEX #AA3FD0

RGB 170 63 208

HSL 284.28, 0.61%, 0.53%

LAB 47.82, 64.35, -55.12

 

CMYK 18 / 64 / 0 / 11

HEX #BB51E3

RGB 187 81 227

HSL 283.56, 0.72%, 0.6%

LAB 54.02, 64.25, -55.86

 

CMYK 17 / 60 / 0 / 4

HEX #CC63F6

RGB 204 99 246

HSL 282.86, 0.89%, 0.68%

LAB 60.26, 63.84, -56.38

 

CMYK 25 / 85 / 0 / 31

HEX #831BAF

RGB 131 27 175

HSL 282.16, 0.73%, 0.4%

LAB 35.41, 62.8, -56.16

 

CMYK 27 / 94 / 0 / 39

HEX #72099C

RGB 114 9 156

HSL 282.86, 0.89%, 0.32%

LAB 29.85, 60.26, -53.87

 

CMYK 29 / 100 / 0 / 46

HEX #610089

RGB 97 0 137

HSL 282.48, 1%, 0.27%

LAB 24.79, 55.78, -50.5

 

CMYK 32 / 100 / 0 / 54

HEX #500076

RGB 80 0 118

HSL 280.68, 1%, 0.23%

LAB 20.1, 49.69, -46.24

 

CMYK 36 / 100 / 0 / 61

HEX #3F0063

RGB 63 0 99

HSL 278.18, 1%, 0.19%

LAB 15.26, 43.43, -41.87

 

CMYK 25 / 85 / 0 / 31

HEX #841BB0

RGB 132 27 176

HSL 282.28, 0.73%, 0.4%

LAB 35.64, 63.16, -56.37

 

CMYK 2 / 85 / 0 / 31

HEX #AC1BB0

RGB 172 27 176

HSL 298.39, 0.73%, 0.4%

LAB 42.29, 70.13, -45.31

 

CMYK 0 / 85 / 20 / 31

HEX #B01B8C

RGB 176 27 140

HSL 314.5, 0.73%, 0.4%

LAB 41.07, 65.73, -25.52

 

CMYK 0 / 85 / 43 / 31

HEX #B01B64

RGB 176 27 100

HSL 330.6, 0.73%, 0.4%

LAB 39.47, 61.23, -3.05

 

CMYK 0 / 85 / 66 / 31

HEX #B01B3C

RGB 176 27 60

HSL 346.71, 0.73%, 0.4%

LAB 38.45, 58.25, 21.02

 

CMYK 25 / 85 / 0 / 31

HEX #841BB0

RGB 132 27 176

HSL 282.28, 0.73%, 0.4%

LAB 35.64, 63.16, -56.37

 

CMYK 48 / 85 / 0 / 31

HEX #5C1BB0

RGB 92 27 176

HSL 266.17, 0.73%, 0.4%

LAB 29.9, 57.4, -66

 

CMYK 71 / 85 / 0 / 31

HEX #331BB0

RGB 51 27 176

HSL 249.66, 0.73%, 0.4%

LAB 25.63, 53.36, -73.19

 

CMYK 85 / 85 / 0 / 31

HEX #1B1BB0

RGB 27 27 176

HSL 240, 0.73%, 0.4%

LAB 24.17, 52.04, -75.66

 

CMYK 25 / 85 / 0 / 31

HEX #841BB0

RGB 132 27 176

HSL 282.28, 0.73%, 0.4%

LAB 35.64, 63.16, -56.37

 

CMYK 28 / 94 / 0 / 25

HEX #8A0BC0

RGB 138 11 192

HSL 282.1, 0.89%, 0.4%

LAB 36.83, 70.23, -63.86

 

CMYK 25 / 85 / 0 / 31

HEX #841BB0

RGB 132 27 176

HSL 282.28, 0.73%, 0.4%

LAB 35.64, 63.16, -56.37

 

CMYK 21 / 72 / 0 / 38

HEX #7D2C9F

RGB 125 44 159

HSL 282.26, 0.57%, 0.4%

LAB 35.33, 52.6, -46.72

 

CMYK 17 / 58 / 0 / 44

HEX #763C8F

RGB 118 60 143

HSL 281.93, 0.41%, 0.4%

LAB 36.11, 39.72, -35.8

 

CMYK 11 / 39 / 0 / 51

HEX #704D7E

RGB 112 77 126

HSL 282.86, 0.24%, 0.4%

LAB 38.3, 24.22, -21.98

 

CMYK 5 / 15 / 0 / 57

HEX #695D6E

RGB 105 93 110

HSL 282.35, 0.08%, 0.4%

LAB 41.15, 8.31, -7.88

 

CMYK 70 / 85 / 0 / 31

HEX #341BB0

RGB 52 27 176

HSL 250.07, 0.73%, 0.4%

LAB 25.71, 53.43, -73.05

 

CMYK 48 / 85 / 0 / 31

HEX #5C1BB0

RGB 92 27 176

HSL 266.17, 0.73%, 0.4%

LAB 29.9, 57.4, -66

 

CMYK 26 / 85 / 0 / 31

HEX #831BB0

RGB 131 27 176

HSL 281.88, 0.73%, 0.4%

LAB 35.49, 63, -56.63

 

CMYK 3 / 85 / 0 / 31

HEX #AB1BB0

RGB 171 27 176

HSL 297.99, 0.73%, 0.4%

LAB 42.12, 69.95, -45.6

 

CMYK 0 / 85 / 20 / 31

HEX #B01B8D

RGB 176 27 141

HSL 314.09, 0.73%, 0.4%

LAB 41.12, 65.86, -26.06

 

CMYK 26 / 85 / 0 / 59

HEX #4E1069

RGB 78 16 105

HSL 281.8, 0.74%, 0.24%

LAB 20.08, 42.18, -37.85

 

CMYK 25 / 85 / 0 / 45

HEX #69158C

RGB 105 21 140

HSL 282.35, 0.74%, 0.32%

LAB 27.93, 53.01, -47.19

 

CMYK 25 / 85 / 0 / 31

HEX #841BB0

RGB 132 27 176

HSL 282.28, 0.73%, 0.4%

LAB 35.64, 63.16, -56.37

 

CMYK 25 / 84 / 0 / 17

HEX #9E21D4

RGB 158 33 212

HSL 281.9, 0.73%, 0.48%

LAB 42.93, 72.75, -65.42

 

CMYK 21 / 73 / 0 / 12

HEX #B03DE0

RGB 176 61 224

HSL 282.33, 0.72%, 0.56%

LAB 49.43, 69.47, -61.62

 

CMYK 25 / 85 / 0 / 31

HEX #831BAF

RGB 131 27 175

HSL 282.16, 0.73%, 0.4%

LAB 35.41, 62.8, -56.16

 

CMYK 0 / 85 / 76 / 31

HEX #B01B2A

RGB 176 27 42

HSL 353.96, 0.73%, 0.4%

LAB 38.17, 57.41, 31.87

 

CMYK 85 / 0 / 59 / 31

HEX #1BB048

RGB 27 176 72

HSL 138.12, 0.73%, 0.4%

LAB 63.14, -58.59, 42.3

 

CMYK 25 / 85 / 0 / 31

HEX #831BAF

RGB 131 27 175

HSL 282.16, 0.73%, 0.4%

LAB 35.41, 62.8, -56.16

 

CMYK 0 / 26 / 85 / 31

HEX #B0831B

RGB 176 131 27

HSL 41.88, 0.73%, 0.4%

LAB 57.6, 8.24, 57.31

 

CMYK 85 / 0 / 26 / 31

HEX #1BB083

RGB 27 176 131

HSL 161.88, 0.73%, 0.4%

LAB 64.1, -47.49, 12.81

 

CMYK 25 / 85 / 0 / 31

HEX #831BAF

RGB 131 27 175

HSL 282.16, 0.73%, 0.4%

LAB 35.41, 62.8, -56.16

 

CMYK 0 / 85 / 76 / 31

HEX #B01B2A

RGB 176 27 42

HSL 353.96, 0.73%, 0.4%

LAB 38.17, 57.41, 31.87

 

CMYK 59 / 0 / 85 / 31

HEX #48B01B

RGB 72 176 27

HSL 101.88, 0.73%, 0.4%

LAB 63.76, -54.57, 59.99

 

CMYK 85 / 0 / 9 / 31

HEX #1BB0A1

RGB 27 176 161

HSL 173.96, 0.73%, 0.4%

LAB 64.85, -39.59, -2.73

 

CMYK 25 / 85 / 0 / 31

HEX #831BAF

RGB 131 27 175

HSL 282.16, 0.73%, 0.4%

LAB 35.41, 62.8, -56.16

 

CMYK 0 / 68 / 85 / 31

HEX #B0391B

RGB 176 57 27

HSL 12.08, 0.73%, 0.4%

LAB 41.59, 47, 43.47

 

CMYK 59 / 0 / 85 / 31

HEX #48B01B

RGB 72 176 27

HSL 101.88, 0.73%, 0.4%

LAB 63.76, -54.57, 59.99

 

CMYK 85 / 17 / 0 / 31

HEX #1B92B0

RGB 27 146 176

HSL 192.08, 0.73%, 0.4%

LAB 56.01, -20.28, -24.5

 

Description

Color code: HEX #831BAF | qconv.com Color code: HEX #831BAF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 27 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 27 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 85 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 85% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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