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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #881BAA it is the complementary color #77E455. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #881BAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #881BAA shade: #8D1BA5, #9E2DB8, #AF3FCB, #C051DE and #D163F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #881BAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #881BAA shade: #881BAA, #770997, #660084, #550071 and #44005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #881BAA shade: #891AAC, #AC1AA7, #AC1A80, #AC1A59 and #AC1A31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #881BAA shade: #891AAC, #621AAC, #3B1AAC and #1A1AAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #881BAA shade matches the following richer shades: #891AAC and #910ABC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #881BAA shade: #891AAC, #812A9B, #783B8B, #704B7B and #675B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #881BAA shade: #3A1AAC, #611AAC, #871AAC, #AC1AA9 and #AC1A82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #881BAA shade: #500F64, #6C1588, #891AAC, #A620CF and #B839E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #881BAA shade: #881BAA, #AC1A22 and #1AAC4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #881BAA shade: #881BAA, #AC871A and #1AAC87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #881BAA shade: #881BAA, #AC1A22, #3FAC1A and #1AACA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #881BAA shade: #881BAA, #AC3F1A, #3FAC1A and #1A87AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 84 / 0 / 33

HEX #881BAA

RGB 136 27 170

HSL 285.73, 0.73%, 0.39%

LAB 35.83, 62.66, -52.45

 

Complementary color

CMYK 48 / 0 / 63 / 11

HEX #77E455

RGB 119 228 85

HSL 105.73, 0.73%, 0.61%

LAB 81.87, -56.82, 58.5

 

CMYK 15 / 84 / 0 / 35

HEX #8D1BA5

RGB 141 27 165

HSL 289.57, 0.72%, 0.38%

LAB 36.3, 62.61, -48.65

 

CMYK 14 / 76 / 0 / 28

HEX #9E2DB8

RGB 158 45 184

HSL 288.78, 0.61%, 0.45%

LAB 42.16, 63.96, -50.36

 

CMYK 14 / 69 / 0 / 20

HEX #AF3FCB

RGB 175 63 203

HSL 288, 0.57%, 0.52%

LAB 48.24, 64.45, -51.55

 

CMYK 14 / 64 / 0 / 13

HEX #C051DE

RGB 192 81 222

HSL 287.23, 0.68%, 0.59%

LAB 54.41, 64.41, -52.38

 

CMYK 13 / 59 / 0 / 5

HEX #D163F1

RGB 209 99 241

HSL 286.48, 0.84%, 0.67%

LAB 60.63, 64.05, -52.98

 

CMYK 20 / 84 / 0 / 33

HEX #881BAA

RGB 136 27 170

HSL 285.73, 0.73%, 0.39%

LAB 35.83, 62.66, -52.45

 

CMYK 21 / 94 / 0 / 41

HEX #770997

RGB 119 9 151

HSL 286.48, 0.89%, 0.31%

LAB 30.28, 60.03, -50.06

 

CMYK 23 / 100 / 0 / 48

HEX #660084

RGB 102 0 132

HSL 286.36, 1%, 0.26%

LAB 25.23, 55.49, -46.6

 

CMYK 25 / 100 / 0 / 56

HEX #550071

RGB 85 0 113

HSL 285.13, 1%, 0.22%

LAB 20.53, 49.36, -42.27

 

CMYK 28 / 100 / 0 / 63

HEX #44005E

RGB 68 0 94

HSL 283.4, 1%, 0.18%

LAB 15.68, 43.04, -37.82

 

CMYK 20 / 85 / 0 / 33

HEX #891AAC

RGB 137 26 172

HSL 285.62, 0.74%, 0.39%

LAB 36.05, 63.47, -53.28

 

CMYK 0 / 85 / 3 / 33

HEX #AC1AA7

RGB 172 26 167

HSL 302.05, 0.74%, 0.39%

LAB 41.69, 68.94, -40.91

 

CMYK 0 / 85 / 26 / 33

HEX #AC1A80

RGB 172 26 128

HSL 318.08, 0.74%, 0.39%

LAB 39.69, 63.54, -20.32

 

CMYK 0 / 85 / 48 / 33

HEX #AC1A59

RGB 172 26 89

HSL 334.11, 0.74%, 0.39%

LAB 38.25, 59.45, 2.07

 

CMYK 0 / 85 / 72 / 33

HEX #AC1A31

RGB 172 26 49

HSL 350.55, 0.74%, 0.39%

LAB 37.36, 56.82, 26.41

 

CMYK 20 / 85 / 0 / 33

HEX #891AAC

RGB 137 26 172

HSL 285.62, 0.74%, 0.39%

LAB 36.05, 63.47, -53.28

 

CMYK 43 / 85 / 0 / 33

HEX #621AAC

RGB 98 26 172

HSL 269.59, 0.74%, 0.39%

LAB 30.19, 57.54, -63.09

 

CMYK 66 / 85 / 0 / 33

HEX #3B1AAC

RGB 59 26 172

HSL 253.56, 0.74%, 0.39%

LAB 25.7, 53.25, -70.64

 

CMYK 85 / 85 / 0 / 33

HEX #1A1AAC

RGB 26 26 172

HSL 240, 0.74%, 0.39%

LAB 23.46, 51.21, -74.43

 

CMYK 20 / 85 / 0 / 33

HEX #891AAC

RGB 137 26 172

HSL 285.62, 0.74%, 0.39%

LAB 36.05, 63.47, -53.28

 

CMYK 23 / 95 / 0 / 26

HEX #910ABC

RGB 145 10 188

HSL 285.51, 0.9%, 0.39%

LAB 37.6, 70.56, -60.2

 

CMYK 20 / 85 / 0 / 33

HEX #891AAC

RGB 137 26 172

HSL 285.62, 0.74%, 0.39%

LAB 36.05, 63.47, -53.28

 

CMYK 17 / 73 / 0 / 39

HEX #812A9B

RGB 129 42 155

HSL 286.19, 0.57%, 0.39%

LAB 35.38, 53.44, -44.19

 

CMYK 14 / 58 / 0 / 45

HEX #783B8B

RGB 120 59 139

HSL 285.75, 0.4%, 0.39%

LAB 35.96, 39.92, -33.58

 

CMYK 9 / 39 / 0 / 52

HEX #704B7B

RGB 112 75 123

HSL 286.25, 0.24%, 0.39%

LAB 37.67, 24.75, -21.1

 

CMYK 4 / 15 / 0 / 58

HEX #675B6B

RGB 103 91 107

HSL 285, 0.08%, 0.39%

LAB 40.29, 8.12, -7.34

 

CMYK 66 / 85 / 0 / 33

HEX #3A1AAC

RGB 58 26 172

HSL 253.15, 0.74%, 0.39%

LAB 25.61, 53.16, -70.79

 

CMYK 44 / 85 / 0 / 33

HEX #611AAC

RGB 97 26 172

HSL 269.18, 0.74%, 0.39%

LAB 30.06, 57.41, -63.31

 

CMYK 22 / 85 / 0 / 33

HEX #871AAC

RGB 135 26 172

HSL 284.79, 0.74%, 0.39%

LAB 35.73, 63.13, -53.82

 

CMYK 0 / 85 / 2 / 33

HEX #AC1AA9

RGB 172 26 169

HSL 301.23, 0.74%, 0.39%

LAB 41.8, 69.24, -41.92

 

CMYK 0 / 85 / 24 / 33

HEX #AC1A82

RGB 172 26 130

HSL 317.26, 0.74%, 0.39%

LAB 39.78, 63.79, -21.42

 

CMYK 20 / 85 / 0 / 61

HEX #500F64

RGB 80 15 100

HSL 285.88, 0.74%, 0.23%

LAB 19.91, 41.82, -34.83

 

CMYK 21 / 85 / 0 / 47

HEX #6C1588

RGB 108 21 136

HSL 285.39, 0.73%, 0.31%

LAB 28.12, 52.72, -44.37

 

CMYK 20 / 85 / 0 / 33

HEX #891AAC

RGB 137 26 172

HSL 285.62, 0.74%, 0.39%

LAB 36.05, 63.47, -53.28

 

CMYK 20 / 85 / 0 / 19

HEX #A620CF

RGB 166 32 207

HSL 285.94, 0.73%, 0.47%

LAB 43.72, 73.31, -61.2

 

CMYK 18 / 75 / 0 / 12

HEX #B839E0

RGB 184 57 224

HSL 285.63, 0.73%, 0.55%

LAB 50.1, 72.41, -60.5

 

CMYK 20 / 84 / 0 / 33

HEX #881BAA

RGB 136 27 170

HSL 285.73, 0.73%, 0.39%

LAB 35.83, 62.66, -52.45

 

CMYK 0 / 85 / 80 / 33

HEX #AC1A22

RGB 172 26 34

HSL 356.71, 0.74%, 0.39%

LAB 37.16, 56.23, 35.27

 

CMYK 85 / 0 / 55 / 33

HEX #1AAC4D

RGB 26 172 77

HSL 140.96, 0.74%, 0.39%

LAB 61.88, -56.66, 38.41

 

CMYK 20 / 84 / 0 / 33

HEX #881BAA

RGB 136 27 170

HSL 285.73, 0.73%, 0.39%

LAB 35.83, 62.66, -52.45

 

CMYK 0 / 22 / 85 / 33

HEX #AC871A

RGB 172 135 26

HSL 44.79, 0.74%, 0.39%

LAB 58.2, 4.17, 57.94

 

CMYK 85 / 0 / 22 / 33

HEX #1AAC87

RGB 26 172 135

HSL 164.79, 0.74%, 0.39%

LAB 62.91, -44.95, 8.91

 

CMYK 20 / 84 / 0 / 33

HEX #881BAA

RGB 136 27 170

HSL 285.73, 0.73%, 0.39%

LAB 35.83, 62.66, -52.45

 

CMYK 0 / 85 / 80 / 33

HEX #AC1A22

RGB 172 26 34

HSL 356.71, 0.74%, 0.39%

LAB 37.16, 56.23, 35.27

 

CMYK 63 / 0 / 85 / 33

HEX #3FAC1A

RGB 63 172 26

HSL 104.79, 0.74%, 0.39%

LAB 62.2, -55.42, 58.74

 

CMYK 85 / 0 / 5 / 33

HEX #1AACA4

RGB 26 172 164

HSL 176.71, 0.74%, 0.39%

LAB 63.68, -37, -6.13

 

CMYK 20 / 84 / 0 / 33

HEX #881BAA

RGB 136 27 170

HSL 285.73, 0.73%, 0.39%

LAB 35.83, 62.66, -52.45

 

CMYK 0 / 63 / 85 / 33

HEX #AC3F1A

RGB 172 63 26

HSL 15.21, 0.74%, 0.39%

LAB 41.85, 42.9, 43.89

 

CMYK 63 / 0 / 85 / 33

HEX #3FAC1A

RGB 63 172 26

HSL 104.79, 0.74%, 0.39%

LAB 62.2, -55.42, 58.74

 

CMYK 85 / 22 / 0 / 33

HEX #1A87AC

RGB 26 135 172

HSL 195.21, 0.74%, 0.39%

LAB 52.43, -15.82, -27.75

 

Description

Color code: HEX #881BAA | qconv.com Color code: HEX #881BAA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 27 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 27 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 84 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 84% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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