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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8291AC it is the complementary color #7D6E53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8291AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8291AC shade: #8791A7, #98A3BA, #A9B5CD, #BAC7E0 and #CBD9F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8291AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8291AC shade: #8291AC, #717F99, #606D86, #4F5B73 and #3E4960

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8291AC shade: #8190AB, #8185AB, #8981AB, #9481AB and #9F81AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8291AC shade: #8190AB, #8185AB and #8181AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8291AC shade matches the following richer shades: #8190AB, #708BBC, #5F86CD, #4E81DE and #3D7DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8291AC shade: #8190AB, #92959A, #A39A89, #B49E78 and #C5A367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8291AC shade: #81A7AB, #819CAB, #8190AB, #8185AB and #8881AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8291AC shade: #576683, #687A9A, #8190AB, #9AA6BB and #B3BCCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8291AC shade: #8291AC, #A481AB and #A1AB81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8291AC shade: #8291AC, #AB8190 and #90AB81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8291AC shade: #8291AC, #A481AB, #AB9C81 and #88AB81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8291AC shade: #8291AC, #AB81A5, #AB9C81 and #81AB87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 16 / 0 / 33

HEX #8291AC

RGB 130 145 172

HSL 218.57, 0.2%, 0.59%

LAB 59.87, 0.77, -15.95

 

Complementary color

CMYK 0 / 12 / 34 / 51

HEX #7D6E53

RGB 125 110 83

HSL 38.57, 0.2%, 0.41%

LAB 47.15, 1.52, 17.24

 

CMYK 19 / 13 / 0 / 35

HEX #8791A7

RGB 135 145 167

HSL 221.25, 0.15%, 0.59%

LAB 60.06, 1.21, -12.78

 

CMYK 18 / 12 / 0 / 27

HEX #98A3BA

RGB 152 163 186

HSL 220.59, 0.2%, 0.66%

LAB 66.84, 1.02, -13.15

 

CMYK 18 / 12 / 0 / 20

HEX #A9B5CD

RGB 169 181 205

HSL 220, 0.26%, 0.73%

LAB 73.47, 0.85, -13.53

 

CMYK 17 / 11 / 0 / 12

HEX #BAC7E0

RGB 186 199 224

HSL 219.47, 0.38%, 0.8%

LAB 79.99, 0.68, -13.91

 

CMYK 16 / 11 / 0 / 5

HEX #CBD9F3

RGB 203 217 243

HSL 219, 0.63%, 0.87%

LAB 86.4, 0.52, -14.3

 

CMYK 24 / 16 / 0 / 33

HEX #8291AC

RGB 130 145 172

HSL 218.57, 0.2%, 0.59%

LAB 59.87, 0.77, -15.95

 

CMYK 26 / 17 / 0 / 40

HEX #717F99

RGB 113 127 153

HSL 219, 0.16%, 0.52%

LAB 52.94, 0.99, -15.66

 

CMYK 28 / 19 / 0 / 47

HEX #606D86

RGB 96 109 134

HSL 219.47, 0.17%, 0.45%

LAB 45.83, 1.23, -15.38

 

CMYK 31 / 21 / 0 / 55

HEX #4F5B73

RGB 79 91 115

HSL 220, 0.19%, 0.38%

LAB 38.52, 1.51, -15.14

 

CMYK 35 / 24 / 0 / 62

HEX #3E4960

RGB 62 73 96

HSL 220.59, 0.22%, 0.31%

LAB 30.96, 1.86, -14.94

 

CMYK 25 / 16 / 0 / 33

HEX #8190AB

RGB 129 144 171

HSL 218.57, 0.2%, 0.59%

LAB 59.48, 0.78, -15.97

 

CMYK 25 / 22 / 0 / 33

HEX #8185AB

RGB 129 133 171

HSL 234.29, 0.2%, 0.59%

LAB 56.47, 7.1, -20.56

 

CMYK 20 / 25 / 0 / 33

HEX #8981AB

RGB 137 129 171

HSL 251.43, 0.2%, 0.59%

LAB 56.05, 12.01, -21.15

 

CMYK 13 / 25 / 0 / 33

HEX #9481AB

RGB 148 129 171

HSL 267.14, 0.2%, 0.59%

LAB 57.01, 15.64, -19.58

 

CMYK 7 / 25 / 0 / 33

HEX #9F81AB

RGB 159 129 171

HSL 282.86, 0.2%, 0.59%

LAB 58.05, 19.35, -17.91

HEX #9F81AB

CMYK 25 / 16 / 0 / 33

HEX #8190AB

RGB 129 144 171

HSL 218.57, 0.2%, 0.59%

LAB 59.48, 0.78, -15.97

 

CMYK 25 / 22 / 0 / 33

HEX #8185AB

RGB 129 133 171

HSL 234.29, 0.2%, 0.59%

LAB 56.47, 7.1, -20.56

 

CMYK 25 / 25 / 0 / 33

HEX #8181AB

RGB 129 129 171

HSL 240, 0.2%, 0.59%

LAB 55.39, 9.43, -22.21

 

CMYK 25 / 16 / 0 / 33

HEX #8190AB

RGB 129 144 171

HSL 218.57, 0.2%, 0.59%

LAB 59.48, 0.78, -15.97

 

CMYK 40 / 26 / 0 / 26

HEX #708BBC

RGB 112 139 188

HSL 218.68, 0.36%, 0.59%

LAB 57.6, 3.09, -28.62

 

CMYK 54 / 35 / 0 / 20

HEX #5F86CD

RGB 95 134 205

HSL 218.73, 0.52%, 0.59%

LAB 55.98, 6.93, -40.85

 

CMYK 65 / 42 / 0 / 13

HEX #4E81DE

RGB 78 129 222

HSL 218.75, 0.69%, 0.59%

LAB 54.65, 12.27, -52.59

 

CMYK 74 / 48 / 0 / 6

HEX #3D7DEF

RGB 61 125 239

HSL 218.43, 0.85%, 0.59%

LAB 53.91, 18.32, -63.31

 

CMYK 25 / 16 / 0 / 33

HEX #8190AB

RGB 129 144 171

HSL 218.57, 0.2%, 0.59%

LAB 59.48, 0.78, -15.97

 

CMYK 5 / 3 / 0 / 40

HEX #92959A

RGB 146 149 154

HSL 217.5, 0.04%, 0.59%

LAB 61.6, -0.09, -3.01

 

CMYK 0 / 6 / 16 / 36

HEX #A39A89

RGB 163 154 137

HSL 39.23, 0.12%, 0.59%

LAB 63.92, 0.34, 10.1

 

CMYK 0 / 12 / 33 / 29

HEX #B49E78

RGB 180 158 120

HSL 38, 0.29%, 0.59%

LAB 66.15, 2.38, 22.85

 

CMYK 0 / 17 / 48 / 23

HEX #C5A367

RGB 197 163 103

HSL 38.3, 0.45%, 0.59%

LAB 68.78, 4.73, 35.73

 

CMYK 25 / 2 / 0 / 33

HEX #81A7AB

RGB 129 167 171

HSL 185.71, 0.2%, 0.59%

LAB 65.94, -11.91, -6.3

 

CMYK 25 / 9 / 0 / 33

HEX #819CAB

RGB 129 156 171

HSL 201.43, 0.2%, 0.59%

LAB 62.83, -5.94, -10.93

 

CMYK 25 / 16 / 0 / 33

HEX #8190AB

RGB 129 144 171

HSL 218.57, 0.2%, 0.59%

LAB 59.48, 0.78, -15.97

 

CMYK 25 / 22 / 0 / 33

HEX #8185AB

RGB 129 133 171

HSL 234.29, 0.2%, 0.59%

LAB 56.47, 7.1, -20.56

 

CMYK 20 / 25 / 0 / 33

HEX #8881AB

RGB 136 129 171

HSL 250, 0.2%, 0.59%

LAB 55.96, 11.68, -21.28

 

CMYK 34 / 22 / 0 / 49

HEX #576683

RGB 87 102 131

HSL 219.55, 0.2%, 0.43%

LAB 43.01, 1.77, -17.95

 

CMYK 32 / 21 / 0 / 40

HEX #687A9A

RGB 104 122 154

HSL 218.4, 0.2%, 0.51%

LAB 50.91, 1.35, -19.38

 

CMYK 25 / 16 / 0 / 33

HEX #8190AB

RGB 129 144 171

HSL 218.57, 0.2%, 0.59%

LAB 59.48, 0.78, -15.97

 

CMYK 18 / 11 / 0 / 27

HEX #9AA6BB

RGB 154 166 187

HSL 218.18, 0.2%, 0.67%

LAB 67.82, 0.24, -12.21

 

CMYK 12 / 8 / 0 / 20

HEX #B3BCCC

RGB 179 188 204

HSL 218.4, 0.2%, 0.75%

LAB 76.01, 0.1, -9.11

 

CMYK 24 / 16 / 0 / 33

HEX #8291AC

RGB 130 145 172

HSL 218.57, 0.2%, 0.59%

LAB 59.87, 0.77, -15.95

 

CMYK 4 / 25 / 0 / 33

HEX #A481AB

RGB 164 129 171

HSL 290, 0.2%, 0.59%

LAB 58.54, 21.06, -17.12

 

CMYK 6 / 0 / 25 / 33

HEX #A1AB81

RGB 161 171 129

HSL 74.29, 0.2%, 0.59%

LAB 68.23, -10.86, 20.5

 

CMYK 24 / 16 / 0 / 33

HEX #8291AC

RGB 130 145 172

HSL 218.57, 0.2%, 0.59%

LAB 59.87, 0.77, -15.95

 

CMYK 0 / 25 / 16 / 33

HEX #AB8190

RGB 171 129 144

HSL 338.57, 0.2%, 0.59%

LAB 58.39, 18.57, -1.76

 

CMYK 16 / 0 / 25 / 33

HEX #90AB81

RGB 144 171 129

HSL 98.57, 0.2%, 0.59%

LAB 67.01, -17.25, 18.62

 

CMYK 24 / 16 / 0 / 33

HEX #8291AC

RGB 130 145 172

HSL 218.57, 0.2%, 0.59%

LAB 59.87, 0.77, -15.95

 

CMYK 4 / 25 / 0 / 33

HEX #A481AB

RGB 164 129 171

HSL 290, 0.2%, 0.59%

LAB 58.54, 21.06, -17.12

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 20 / 0 / 25 / 33

HEX #88AB81

RGB 136 171 129

HSL 110, 0.2%, 0.59%

LAB 66.48, -20.15, 17.81

 

CMYK 24 / 16 / 0 / 33

HEX #8291AC

RGB 130 145 172

HSL 218.57, 0.2%, 0.59%

LAB 59.87, 0.77, -15.95

 

CMYK 0 / 25 / 4 / 33

HEX #AB81A5

RGB 171 129 165

HSL 308.57, 0.2%, 0.59%

LAB 59.04, 22.32, -12.85

 

CMYK 0 / 9 / 25 / 33

HEX #AB9C81

RGB 171 156 129

HSL 38.57, 0.2%, 0.59%

LAB 64.98, 1.11, 16.15

 

CMYK 25 / 0 / 21 / 33

HEX #81AB87

RGB 129 171 135

HSL 128.57, 0.2%, 0.59%

LAB 66.17, -21.52, 14.02

 

Description

Color code: HEX #8291AC | qconv.com Color code: HEX #8291AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 145 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 145 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 16 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 16% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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