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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E4960 it is the complementary color #C1B69F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E4960. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E4960 shade: #43495B, #545B6E, #656D81, #767F94 and #8791A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E4960. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E4960 shade: #3E4960, #2D374D, #1C253A, #0B1327 and #000114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E4960 shade: #3D4860, #3D3F60, #453D60, #4E3D60 and #573D60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E4960 shade: #3D4860, #3D3F60 and #3D3D60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E4960 shade matches the following richer shades: #3D4860, #30446D, #243F7A, #173B86 and #0A3693

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E4960 shade: #3D4860, #4A4D53, #575146, #64563A and #705A2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E4960 shade: #3D5B60, #3D5260, #3D4960, #3D3F60 and #443D60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E4960 shade: #1D222E, #2D3547, #3D4860, #4D5B79 and #5D6E92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E4960 shade: #3E4960, #5B3D60 and #57603D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E4960 shade: #3E4960, #603D49 and #49603D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E4960 shade: #3E4960, #5B3D60, #60543D and #42603D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E4960 shade: #3E4960, #603D5A, #60543D and #3D6043

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 24 / 0 / 62

HEX #3E4960

RGB 62 73 96

HSL 220.59, 0.22%, 0.31%

LAB 30.96, 1.86, -14.94

 

Complementary color

CMYK 0 / 6 / 18 / 24

HEX #C1B69F

RGB 193 182 159

HSL 40.59, 0.22%, 0.69%

LAB 74.38, 0.07, 13.11

 

CMYK 26 / 20 / 0 / 64

HEX #43495B

RGB 67 73 91

HSL 225, 0.15%, 0.31%

LAB 31.15, 2.15, -11.43

 

CMYK 24 / 17 / 0 / 57

HEX #545B6E

RGB 84 91 110

HSL 223.85, 0.13%, 0.38%

LAB 38.71, 1.87, -11.73

 

CMYK 22 / 16 / 0 / 49

HEX #656D81

RGB 101 109 129

HSL 222.86, 0.12%, 0.45%

LAB 46.03, 1.62, -12.06

 

CMYK 20 / 14 / 0 / 42

HEX #767F94

RGB 118 127 148

HSL 222, 0.12%, 0.52%

LAB 53.13, 1.41, -12.42

 

CMYK 19 / 13 / 0 / 35

HEX #8791A7

RGB 135 145 167

HSL 221.25, 0.15%, 0.59%

LAB 60.06, 1.21, -12.78

 

CMYK 35 / 24 / 0 / 62

HEX #3E4960

RGB 62 73 96

HSL 220.59, 0.22%, 0.31%

LAB 30.96, 1.86, -14.94

 

CMYK 42 / 29 / 0 / 70

HEX #2D374D

RGB 45 55 77

HSL 221.25, 0.26%, 0.24%

LAB 23.09, 2.31, -14.81

 

CMYK 52 / 36 / 0 / 77

HEX #1C253A

RGB 28 37 58

HSL 222, 0.35%, 0.17%

LAB 14.82, 2.95, -14.78

 

CMYK 72 / 51 / 0 / 85

HEX #0B1327

RGB 11 19 39

HSL 222.86, 0.56%, 0.1%

LAB 6.17, 3.59, -14.65

 

CMYK 100 / 95 / 0 / 92

HEX #000114

RGB 0 1 20

HSL 237, 1%, 0.04%

LAB 0.65, 2.81, -8.44

 

CMYK 36 / 25 / 0 / 62

HEX #3D4860

RGB 61 72 96

HSL 221.14, 0.22%, 0.31%

LAB 30.57, 2.18, -15.54

 

CMYK 36 / 34 / 0 / 62

HEX #3D3F60

RGB 61 63 96

HSL 236.57, 0.22%, 0.31%

LAB 27.82, 8.11, -19.8

 

CMYK 28 / 36 / 0 / 62

HEX #453D60

RGB 69 61 96

HSL 253.71, 0.22%, 0.31%

LAB 27.97, 12.11, -19.51

 

CMYK 19 / 36 / 0 / 62

HEX #4E3D60

RGB 78 61 96

HSL 269.14, 0.22%, 0.31%

LAB 28.91, 15.24, -17.99

 

CMYK 9 / 36 / 0 / 62

HEX #573D60

RGB 87 61 96

HSL 284.57, 0.22%, 0.31%

LAB 29.93, 18.46, -16.32

 

CMYK 36 / 25 / 0 / 62

HEX #3D4860

RGB 61 72 96

HSL 221.14, 0.22%, 0.31%

LAB 30.57, 2.18, -15.54

 

CMYK 36 / 34 / 0 / 62

HEX #3D3F60

RGB 61 63 96

HSL 236.57, 0.22%, 0.31%

LAB 27.82, 8.11, -19.8

 

CMYK 36 / 36 / 0 / 62

HEX #3D3D60

RGB 61 61 96

HSL 240, 0.22%, 0.31%

LAB 27.23, 9.45, -20.73

 

CMYK 36 / 25 / 0 / 62

HEX #3D4860

RGB 61 72 96

HSL 221.14, 0.22%, 0.31%

LAB 30.57, 2.18, -15.54

 

CMYK 56 / 38 / 0 / 57

HEX #30446D

RGB 48 68 109

HSL 220.33, 0.39%, 0.31%

LAB 29.07, 5.31, -26.22

 

CMYK 70 / 48 / 0 / 52

HEX #243F7A

RGB 36 63 122

HSL 221.16, 0.54%, 0.31%

LAB 27.67, 11.05, -36.71

 

CMYK 83 / 56 / 0 / 47

HEX #173B86

RGB 23 59 134

HSL 220.54, 0.71%, 0.31%

LAB 26.82, 16.91, -45.62

 

CMYK 93 / 63 / 0 / 42

HEX #0A3693

RGB 10 54 147

HSL 220.73, 0.87%, 0.31%

LAB 26.18, 24.83, -54.72

 

CMYK 36 / 25 / 0 / 62

HEX #3D4860

RGB 61 72 96

HSL 221.14, 0.22%, 0.31%

LAB 30.57, 2.18, -15.54

 

CMYK 11 / 7 / 0 / 67

HEX #4A4D53

RGB 74 77 83

HSL 220, 0.06%, 0.31%

LAB 32.67, 0.17, -3.96

 

CMYK 0 / 7 / 20 / 66

HEX #575146

RGB 87 81 70

HSL 38.82, 0.11%, 0.31%

LAB 34.71, 0.36, 7.36

 

CMYK 0 / 14 / 42 / 61

HEX #64563A

RGB 100 86 58

HSL 40, 0.27%, 0.31%

LAB 37.24, 1.29, 18.42

 

CMYK 0 / 20 / 60 / 56

HEX #705A2D

RGB 112 90 45

HSL 40.3, 0.43%, 0.31%

LAB 39.49, 3.08, 29.05

 

CMYK 36 / 5 / 0 / 62

HEX #3D5B60

RGB 61 91 96

HSL 188.57, 0.22%, 0.31%

LAB 36.59, -9.62, -6.41

 

CMYK 36 / 15 / 0 / 62

HEX #3D5260

RGB 61 82 96

HSL 204, 0.22%, 0.31%

LAB 33.71, -4.17, -10.74

 

CMYK 36 / 24 / 0 / 62

HEX #3D4960

RGB 61 73 96

HSL 219.43, 0.22%, 0.31%

LAB 30.88, 1.53, -15.06

 

CMYK 36 / 34 / 0 / 62

HEX #3D3F60

RGB 61 63 96

HSL 236.57, 0.22%, 0.31%

LAB 27.82, 8.11, -19.8

 

CMYK 29 / 36 / 0 / 62

HEX #443D60

RGB 68 61 96

HSL 252, 0.22%, 0.31%

LAB 27.87, 11.77, -19.67

 

CMYK 37 / 26 / 0 / 82

HEX #1D222E

RGB 29 34 46

HSL 222.35, 0.23%, 0.15%

LAB 13.25, 1.33, -8.69

 

CMYK 37 / 25 / 0 / 72

HEX #2D3547

RGB 45 53 71

HSL 221.54, 0.22%, 0.23%

LAB 22.16, 1.76, -12.23

 

CMYK 36 / 25 / 0 / 62

HEX #3D4860

RGB 61 72 96

HSL 221.14, 0.22%, 0.31%

LAB 30.57, 2.18, -15.54

 

CMYK 36 / 25 / 0 / 53

HEX #4D5B79

RGB 77 91 121

HSL 220.91, 0.22%, 0.39%

LAB 38.62, 2.58, -18.68

 

CMYK 36 / 25 / 0 / 43

HEX #5D6E92

RGB 93 110 146

HSL 220.75, 0.22%, 0.47%

LAB 46.38, 2.97, -21.7

 

CMYK 35 / 24 / 0 / 62

HEX #3E4960

RGB 62 73 96

HSL 220.59, 0.22%, 0.31%

LAB 30.96, 1.86, -14.94

 

CMYK 5 / 36 / 0 / 62

HEX #5B3D60

RGB 91 61 96

HSL 291.43, 0.22%, 0.31%

LAB 30.41, 19.92, -15.53

 

CMYK 9 / 0 / 36 / 62

HEX #57603D

RGB 87 96 61

HSL 75.43, 0.22%, 0.31%

LAB 39.12, -10.06, 18.87

 

CMYK 35 / 24 / 0 / 62

HEX #3E4960

RGB 62 73 96

HSL 220.59, 0.22%, 0.31%

LAB 30.96, 1.86, -14.94

 

CMYK 0 / 36 / 24 / 62

HEX #603D49

RGB 96 61 73

HSL 339.43, 0.22%, 0.31%

LAB 30.17, 17.29, -0.95

 

CMYK 24 / 0 / 36 / 62

HEX #49603D

RGB 73 96 61

HSL 99.43, 0.22%, 0.31%

LAB 38.06, -15.97, 17.27

 

CMYK 35 / 24 / 0 / 62

HEX #3E4960

RGB 62 73 96

HSL 220.59, 0.22%, 0.31%

LAB 30.96, 1.86, -14.94

 

CMYK 5 / 36 / 0 / 62

HEX #5B3D60

RGB 91 61 96

HSL 291.43, 0.22%, 0.31%

LAB 30.41, 19.92, -15.53

 

CMYK 0 / 13 / 36 / 62

HEX #60543D

RGB 96 84 61

HSL 39.43, 0.22%, 0.31%

LAB 36.3, 1.08, 15.27

 

CMYK 31 / 0 / 36 / 62

HEX #42603D

RGB 66 96 61

HSL 111.43, 0.22%, 0.31%

LAB 37.59, -18.74, 16.57

 

CMYK 35 / 24 / 0 / 62

HEX #3E4960

RGB 62 73 96

HSL 220.59, 0.22%, 0.31%

LAB 30.96, 1.86, -14.94

 

CMYK 0 / 36 / 6 / 62

HEX #603D5A

RGB 96 61 90

HSL 310.29, 0.22%, 0.31%

LAB 30.79, 20.49, -11.04

 

CMYK 0 / 13 / 36 / 62

HEX #60543D

RGB 96 84 61

HSL 39.43, 0.22%, 0.31%

LAB 36.3, 1.08, 15.27

 

CMYK 36 / 0 / 30 / 62

HEX #3D6043

RGB 61 96 67

HSL 130.29, 0.22%, 0.31%

LAB 37.41, -19.45, 12.67

 

Description

Color code: HEX #3E4960 | qconv.com Color code: HEX #3E4960 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 73 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 73 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 24 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 24% 0% 62% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - Sistema de Ensino Eq...
Link: http://sistemadeensinoequipe.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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