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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8170C6 it is the complementary color #7E8F39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8170C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8170C6 shade: #8670C1, #9782D4, #A894E7, #B9A6FA and #CAB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8170C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8170C6 shade: #8170C6, #705EB3, #5F4CA0, #4E3A8D and #3D287A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8170C6 shade: #8170C6, #9870C6, #AF70C6, #C670C5 and #C670AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8170C6 shade: #8170C6 and #7070C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8170C6 shade matches the following richer shades: #8170C6, #7760D6, #6E50E6 and #6440F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8170C6 shade: #8170C6, #8B80B6, #9590A6, #9EA196 and #A8B185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8170C6 shade: #708EC6, #7077C6, #8070C6, #9770C6 and #AE70C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8170C6 shade: #5441A3, #6753BA, #8170C6, #9B8ED2 and #B5ABDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8170C6 shade: #8170C6, #C670A5 and #83C670

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8170C6 shade: #8170C6, #C68070 and #70C680

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8170C6 shade: #8170C6, #C670A5, #B6C670 and #70C691

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8170C6 shade: #8170C6, #C6708B, #B6C670 and #70C6AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

Complementary color

CMYK 12 / 0 / 60 / 44

HEX #7E8F39

RGB 126 143 57

HSL 71.86, 0.43%, 0.39%

LAB 56.46, -19.14, 42.71

 

CMYK 31 / 42 / 0 / 24

HEX #8670C1

RGB 134 112 193

HSL 256.3, 0.4%, 0.6%

LAB 52.41, 26.58, -39.46

 

CMYK 29 / 39 / 0 / 17

HEX #9782D4

RGB 151 130 212

HSL 255.37, 0.49%, 0.67%

LAB 59.25, 25.75, -39.38

 

CMYK 27 / 36 / 0 / 9

HEX #A894E7

RGB 168 148 231

HSL 254.46, 0.63%, 0.74%

LAB 65.96, 25.01, -39.34

 

CMYK 26 / 34 / 0 / 2

HEX #B9A6FA

RGB 185 166 250

HSL 253.57, 0.89%, 0.82%

LAB 72.55, 24.33, -39.33

 

CMYK 21 / 28 / 0 / 0

HEX #CAB8FF

RGB 202 184 255

HSL 255.21, 1%, 0.86%

LAB 78.5, 20.53, -32.71

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 37 / 47 / 0 / 30

HEX #705EB3

RGB 112 94 179

HSL 252.71, 0.36%, 0.54%

LAB 45.23, 27.52, -42.85

 

CMYK 41 / 53 / 0 / 37

HEX #5F4CA0

RGB 95 76 160

HSL 253.57, 0.36%, 0.46%

LAB 38.09, 28.68, -43.08

 

CMYK 45 / 59 / 0 / 45

HEX #4E3A8D

RGB 78 58 141

HSL 254.46, 0.42%, 0.39%

LAB 30.8, 29.99, -43.33

 

CMYK 50 / 67 / 0 / 52

HEX #3D287A

RGB 61 40 122

HSL 255.37, 0.51%, 0.32%

LAB 23.39, 31.46, -43.54

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 23 / 43 / 0 / 22

HEX #9870C6

RGB 152 112 198

HSL 267.91, 0.43%, 0.61%

LAB 54.39, 32.97, -39.09

 

CMYK 12 / 43 / 0 / 22

HEX #AF70C6

RGB 175 112 198

HSL 283.95, 0.43%, 0.61%

LAB 56.86, 39.72, -35.03

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 43 / 12 / 22

HEX #C670AE

RGB 198 112 174

HSL 316.74, 0.43%, 0.61%

LAB 58.65, 42.41, -18.32

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 43 / 43 / 0 / 22

HEX #7070C6

RGB 112 112 198

HSL 240, 0.43%, 0.61%

LAB 50.82, 22.08, -44.96

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 44 / 55 / 0 / 16

HEX #7760D6

RGB 119 96 214

HSL 251.69, 0.59%, 0.61%

LAB 48.44, 37.96, -57.87

 

CMYK 52 / 65 / 0 / 10

HEX #6E50E6

RGB 110 80 230

HSL 252, 0.75%, 0.61%

LAB 45.31, 49.91, -72.07

 

CMYK 59 / 74 / 0 / 4

HEX #6440F6

RGB 100 64 246

HSL 251.87, 0.91%, 0.61%

LAB 42.81, 61.33, -85.22

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 24 / 30 / 0 / 29

HEX #8B80B6

RGB 139 128 182

HSL 252.22, 0.27%, 0.61%

LAB 56.39, 15.88, -26.91

 

CMYK 10 / 13 / 0 / 35

HEX #9590A6

RGB 149 144 166

HSL 253.64, 0.11%, 0.61%

LAB 60.86, 6.28, -10.9

 

CMYK 2 / 0 / 7 / 37

HEX #9EA196

RGB 158 161 150

HSL 76.36, 0.06%, 0.61%

LAB 65.72, -3.13, 5.34

 

CMYK 5 / 0 / 25 / 31

HEX #A8B185

RGB 168 177 133

HSL 72.27, 0.22%, 0.61%

LAB 70.5, -10.73, 21.51

 

CMYK 43 / 28 / 0 / 22

HEX #708EC6

RGB 112 142 198

HSL 219.07, 0.43%, 0.61%

LAB 58.85, 4.2, -32.33

 

CMYK 43 / 40 / 0 / 22

HEX #7077C6

RGB 112 119 198

HSL 235.12, 0.43%, 0.61%

LAB 52.64, 17.85, -42.08

 

CMYK 35 / 43 / 0 / 22

HEX #8070C6

RGB 128 112 198

HSL 251.16, 0.43%, 0.61%

LAB 52.12, 26.25, -42.81

 

CMYK 24 / 43 / 0 / 22

HEX #9770C6

RGB 151 112 198

HSL 267.21, 0.43%, 0.61%

LAB 54.29, 32.68, -39.25

 

CMYK 12 / 43 / 0 / 22

HEX #AE70C6

RGB 174 112 198

HSL 283.26, 0.43%, 0.61%

LAB 56.75, 39.42, -35.22

 

CMYK 48 / 60 / 0 / 36

HEX #5441A3

RGB 84 65 163

HSL 251.63, 0.43%, 0.45%

LAB 34.62, 33.74, -50.52

 

CMYK 45 / 55 / 0 / 27

HEX #6753BA

RGB 103 83 186

HSL 251.65, 0.43%, 0.53%

LAB 42.18, 33.95, -51.87

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 26 / 32 / 0 / 18

HEX #9B8ED2

RGB 155 142 210

HSL 251.47, 0.43%, 0.69%

LAB 62.48, 19.5, -33.19

 

CMYK 18 / 23 / 0 / 13

HEX #B5ABDD

RGB 181 171 221

HSL 252, 0.42%, 0.77%

LAB 72.34, 13.68, -23.9

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 0 / 43 / 17 / 22

HEX #C670A5

RGB 198 112 165

HSL 323.02, 0.43%, 0.61%

LAB 58.33, 40.95, -13.62

 

CMYK 34 / 0 / 43 / 22

HEX #83C670

RGB 131 198 112

HSL 106.74, 0.43%, 0.61%

LAB 73.79, -37.48, 36.45

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 0 / 35 / 43 / 22

HEX #C68070

RGB 198 128 112

HSL 11.16, 0.43%, 0.61%

LAB 60.44, 25.22, 19.9

 

CMYK 43 / 0 / 35 / 22

HEX #70C680

RGB 112 198 128

HSL 131.16, 0.43%, 0.61%

LAB 73.15, -40.93, 27.19

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 0 / 43 / 17 / 22

HEX #C670A5

RGB 198 112 165

HSL 323.02, 0.43%, 0.61%

LAB 58.33, 40.95, -13.62

 

CMYK 8 / 0 / 43 / 22

HEX #B6C670

RGB 182 198 112

HSL 71.16, 0.43%, 0.61%

LAB 76.98, -18.71, 41.14

 

CMYK 43 / 0 / 27 / 22

HEX #70C691

RGB 112 198 145

HSL 143.02, 0.43%, 0.61%

LAB 73.47, -37.84, 18.62

 

CMYK 35 / 43 / 0 / 22

HEX #8170C6

RGB 129 112 198

HSL 251.86, 0.43%, 0.61%

LAB 52.21, 26.52, -42.66

 

CMYK 0 / 43 / 30 / 22

HEX #C6708B

RGB 198 112 139

HSL 341.16, 0.43%, 0.61%

LAB 57.52, 37.15, 0.24

 

CMYK 8 / 0 / 43 / 22

HEX #B6C670

RGB 182 198 112

HSL 71.16, 0.43%, 0.61%

LAB 76.98, -18.71, 41.14

 

CMYK 43 / 0 / 14 / 22

HEX #70C6AB

RGB 112 198 171

HSL 161.16, 0.43%, 0.61%

LAB 74.04, -32.4, 5.45

 

Description

Color code: HEX #8170C6 | qconv.com Color code: HEX #8170C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 112 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 112 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 43 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 43% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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