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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C670C5 it is the complementary color #398F3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C670C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C670C5 shade: #CB70C0, #DC82D3, #ED94E6, #FEA6F9 and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C670C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C670C5 shade: #C670C5, #B55EB2, #A44C9F, #933A8C and #822879

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C670C5 shade: #C670C5, #C670AE, #C67097, #C67080 and #C67070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C670C5 shade: #C670C5, #B070C6, #9970C6, #8270C6 and #7070C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C670C5 shade matches the following richer shades: #C670C5, #D660D5, #E650E4 and #F640F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C670C5 shade: #C670C5, #B680B5, #A690A5, #96A196 and #85B186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C670C5 shade: #9870C6, #AF70C6, #C670C6, #C670AF and #C67098

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C670C5 shade: #A341A2, #BA53B9, #C670C5, #D28ED1 and #DDABDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C670C5 shade: #C670C5, #C68170 and #70C6A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C670C5 shade: #C670C5, #C6C670 and #70C6C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C670C5 shade: #C670C5, #C68170, #70C670 and #70B5C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C670C5 shade: #C670C5, #C69B70, #70C670 and #709BC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

Complementary color

CMYK 60 / 0 / 59 / 44

HEX #398F3A

RGB 57 143 58

HSL 120.7, 0.43%, 0.39%

LAB 52.75, -43.62, 37.01

 

CMYK 0 / 45 / 5 / 20

HEX #CB70C0

RGB 203 112 192

HSL 307.25, 0.47%, 0.62%

LAB 59.97, 47.04, -26.53

 

CMYK 0 / 41 / 4 / 14

HEX #DC82D3

RGB 220 130 211

HSL 306, 0.56%, 0.69%

LAB 66.43, 46.31, -27.1

 

CMYK 0 / 38 / 3 / 7

HEX #ED94E6

RGB 237 148 230

HSL 304.72, 0.71%, 0.75%

LAB 72.82, 45.57, -27.61

 

CMYK 0 / 35 / 2 / 0

HEX #FEA6F9

RGB 254 166 249

HSL 303.41, 0.98%, 0.82%

LAB 79.15, 44.85, -28.07

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 48 / 2 / 29

HEX #B55EB2

RGB 181 94 178

HSL 302.07, 0.37%, 0.54%

LAB 53, 47.12, -29.51

 

CMYK 0 / 54 / 3 / 36

HEX #A44C9F

RGB 164 76 159

HSL 303.41, 0.37%, 0.47%

LAB 46.4, 47.74, -28.81

 

CMYK 0 / 61 / 5 / 42

HEX #933A8C

RGB 147 58 140

HSL 304.72, 0.43%, 0.4%

LAB 39.79, 48.15, -27.89

 

CMYK 0 / 69 / 7 / 49

HEX #822879

RGB 130 40 121

HSL 306, 0.53%, 0.33%

LAB 33.23, 48.14, -26.6

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 43 / 12 / 22

HEX #C670AE

RGB 198 112 174

HSL 316.74, 0.43%, 0.61%

LAB 58.65, 42.41, -18.32

 

CMYK 0 / 43 / 24 / 22

HEX #C67097

RGB 198 112 151

HSL 332.79, 0.43%, 0.61%

LAB 57.87, 38.83, -6.2

 

CMYK 0 / 43 / 35 / 22

HEX #C67080

RGB 198 112 128

HSL 348.84, 0.43%, 0.61%

LAB 57.22, 35.73, 6.21

 

CMYK 0 / 43 / 43 / 22

HEX #C67070

RGB 198 112 112

HSL 0, 0.43%, 0.61%

LAB 56.84, 33.88, 14.98

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 11 / 43 / 0 / 22

HEX #B070C6

RGB 176 112 198

HSL 284.65, 0.43%, 0.61%

LAB 56.97, 40.02, -34.85

 

CMYK 23 / 43 / 0 / 22

HEX #9970C6

RGB 153 112 198

HSL 268.6, 0.43%, 0.61%

LAB 54.49, 33.26, -38.92

 

CMYK 34 / 43 / 0 / 22

HEX #8270C6

RGB 130 112 198

HSL 252.56, 0.43%, 0.61%

LAB 52.3, 26.79, -42.52

 

CMYK 43 / 43 / 0 / 22

HEX #7070C6

RGB 112 112 198

HSL 240, 0.43%, 0.61%

LAB 50.82, 22.08, -44.96

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 55 / 0 / 16

HEX #D660D5

RGB 214 96 213

HSL 300.51, 0.59%, 0.61%

LAB 59.4, 61.55, -39.2

 

CMYK 0 / 65 / 1 / 10

HEX #E650E4

RGB 230 80 228

HSL 300.8, 0.75%, 0.61%

LAB 60.03, 74.56, -46.49

 

CMYK 0 / 74 / 1 / 4

HEX #F640F4

RGB 246 64 244

HSL 300.66, 0.91%, 0.61%

LAB 61.47, 85.65, -52.99

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 30 / 1 / 29

HEX #B680B5

RGB 182 128 181

HSL 301.11, 0.27%, 0.61%

LAB 60.53, 29.69, -19.62

 

CMYK 0 / 13 / 1 / 35

HEX #A690A5

RGB 166 144 165

HSL 302.73, 0.11%, 0.61%

LAB 62.31, 12.05, -8.01

 

CMYK 7 / 0 / 7 / 37

HEX #96A196

RGB 150 161 150

HSL 120, 0.06%, 0.61%

LAB 65.1, -6.04, 4.38

 

CMYK 25 / 0 / 24 / 31

HEX #85B186

RGB 133 177 134

HSL 121.36, 0.22%, 0.61%

LAB 68.13, -23.35, 17.34

 

CMYK 23 / 43 / 0 / 22

HEX #9870C6

RGB 152 112 198

HSL 267.91, 0.43%, 0.61%

LAB 54.39, 32.97, -39.09

 

CMYK 12 / 43 / 0 / 22

HEX #AF70C6

RGB 175 112 198

HSL 283.95, 0.43%, 0.61%

LAB 56.86, 39.72, -35.03

 

CMYK 0 / 43 / 0 / 22

HEX #C670C6

RGB 198 112 198

HSL 300, 0.43%, 0.61%

LAB 59.59, 46.6, -30.57

 

CMYK 0 / 43 / 12 / 22

HEX #C670AF

RGB 198 112 175

HSL 316.05, 0.43%, 0.61%

LAB 58.69, 42.57, -18.84

 

CMYK 0 / 43 / 23 / 22

HEX #C67098

RGB 198 112 152

HSL 332.09, 0.43%, 0.61%

LAB 57.9, 38.97, -6.74

 

CMYK 0 / 60 / 1 / 36

HEX #A341A2

RGB 163 65 162

HSL 300.61, 0.43%, 0.45%

LAB 44.48, 53.18, -33.6

 

CMYK 0 / 55 / 1 / 27

HEX #BA53B9

RGB 186 83 185

HSL 300.58, 0.43%, 0.53%

LAB 51.98, 55.17, -35.1

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 32 / 0 / 18

HEX #D28ED1

RGB 210 142 209

HSL 300.88, 0.43%, 0.69%

LAB 67.76, 36.46, -24.05

 

CMYK 0 / 23 / 0 / 13

HEX #DDABDD

RGB 221 171 221

HSL 300, 0.42%, 0.77%

LAB 75.9, 26.61, -18.17

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 35 / 43 / 22

HEX #C68170

RGB 198 129 112

HSL 11.86, 0.43%, 0.61%

LAB 60.67, 24.67, 20.22

 

CMYK 43 / 0 / 17 / 22

HEX #70C6A4

RGB 112 198 164

HSL 156.28, 0.43%, 0.61%

LAB 73.88, -33.94, 8.99

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 0 / 43 / 22

HEX #C6C670

RGB 198 198 112

HSL 60, 0.43%, 0.61%

LAB 78.21, -12.34, 42.93

 

CMYK 43 / 0 / 0 / 22

HEX #70C6C6

RGB 112 198 198

HSL 180, 0.43%, 0.61%

LAB 74.77, -25.93, -8.12

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 35 / 43 / 22

HEX #C68170

RGB 198 129 112

HSL 11.86, 0.43%, 0.61%

LAB 60.67, 24.67, 20.22

 

CMYK 43 / 0 / 43 / 22

HEX #70C670

RGB 112 198 112

HSL 120, 0.43%, 0.61%

LAB 72.89, -43.49, 35.12

 

CMYK 43 / 9 / 0 / 22

HEX #70B5C6

RGB 112 181 198

HSL 191.86, 0.43%, 0.61%

LAB 69.87, -17.31, -15.45

 

CMYK 0 / 43 / 1 / 22

HEX #C670C5

RGB 198 112 197

HSL 300.7, 0.43%, 0.61%

LAB 59.55, 46.41, -30.07

 

CMYK 0 / 22 / 43 / 22

HEX #C69B70

RGB 198 155 112

HSL 30, 0.43%, 0.61%

LAB 66.99, 10.42, 28.65

 

CMYK 43 / 0 / 43 / 22

HEX #70C670

RGB 112 198 112

HSL 120, 0.43%, 0.61%

LAB 72.89, -43.49, 35.12

 

CMYK 43 / 22 / 0 / 22

HEX #709BC6

RGB 112 155 198

HSL 210, 0.43%, 0.61%

LAB 62.48, -3.23, -26.72

 

Description

Color code: HEX #C670C5 | qconv.com Color code: HEX #C670C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 112 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 112 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 1 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 1% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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