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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F6810 it is the complementary color #8097EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F6810. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F6810 shade: #84680B, #957A1E, #A68C31, #B79E44 and #C8B057

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F6810. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F6810 shade: #7F6810, #6E5600, #5D4400, #4C3200 and #3B2000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F6810 shade: #7F680F, #7F490F, #7F2B0F and #7F0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F6810 shade: #7F680F, #787F0F, #5A7F0F, #3C7F0F and #1E7F0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F6810 shade matches the following richer shades: #7F680F and #8A6E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F6810 shade: #7F680F, #73611B, #675A26, #5C5332 and #504C3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F6810 shade: #7F2B0F, #7F490F, #7F660F, #797F0F and #5B7F0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F6810 shade: #352B06, #5A490B, #7F680F, #A38614 and #C8A418

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F6810 shade: #7F6810, #117F0F and #3A0F7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F6810 shade: #7F6810, #0F7F66 and #660F7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F6810 shade: #7F6810, #117F0F, #0F277F and #7D0F7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F6810 shade: #7F6810, #0F7F2F, #0F277F and #7F0F5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 87 / 50

HEX #7F6810

RGB 127 104 16

HSL 47.57, 0.78%, 0.28%

LAB 44.87, 0.39, 47.71

 

Complementary color

CMYK 46 / 37 / 0 / 6

HEX #8097EF

RGB 128 151 239

HSL 227.57, 0.78%, 0.72%

LAB 64.12, 14.88, -46.84

 

CMYK 0 / 21 / 92 / 48

HEX #84680B

RGB 132 104 11

HSL 46.12, 0.85%, 0.28%

LAB 45.4, 2.67, 49.68

 

CMYK 0 / 18 / 80 / 42

HEX #957A1E

RGB 149 122 30

HSL 46.39, 0.66%, 0.35%

LAB 52.29, 0.99, 50.52

 

CMYK 0 / 16 / 70 / 35

HEX #A68C31

RGB 166 140 49

HSL 46.67, 0.54%, 0.42%

LAB 59.05, -0.36, 50.12

 

CMYK 0 / 14 / 63 / 28

HEX #B79E44

RGB 183 158 68

HSL 46.96, 0.46%, 0.49%

LAB 65.7, -1.45, 49.2

 

CMYK 0 / 12 / 57 / 22

HEX #C8B057

RGB 200 176 87

HSL 47.26, 0.51%, 0.56%

LAB 72.24, -2.36, 48.05

 

CMYK 0 / 18 / 87 / 50

HEX #7F6810

RGB 127 104 16

HSL 47.57, 0.78%, 0.28%

LAB 44.87, 0.39, 47.71

 

CMYK 0 / 22 / 100 / 57

HEX #6E5600

RGB 110 86 0

HSL 46.91, 1%, 0.22%

LAB 37.79, 2.27, 45.77

 

CMYK 0 / 27 / 100 / 64

HEX #5D4400

RGB 93 68 0

HSL 43.87, 1%, 0.18%

LAB 30.55, 4.68, 39.79

 

CMYK 0 / 34 / 100 / 70

HEX #4C3200

RGB 76 50 0

HSL 39.47, 1%, 0.15%

LAB 23.06, 7.3, 32.32

 

CMYK 0 / 46 / 100 / 77

HEX #3B2000

RGB 59 32 0

HSL 32.54, 1%, 0.12%

LAB 15.29, 10.17, 22.69

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 0 / 43 / 88 / 50

HEX #7F490F

RGB 127 73 15

HSL 31.07, 0.79%, 0.28%

LAB 36.58, 18.66, 41.08

 

CMYK 0 / 66 / 88 / 50

HEX #7F2B0F

RGB 127 43 15

HSL 15, 0.79%, 0.28%

LAB 30.09, 35, 35.57

 

CMYK 0 / 88 / 88 / 50

HEX #7F0F0F

RGB 127 15 15

HSL 0, 0.79%, 0.28%

LAB 26.41, 45.16, 32.37

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 6 / 0 / 88 / 50

HEX #787F0F

RGB 120 127 15

HSL 63.75, 0.79%, 0.28%

LAB 50.93, -15.77, 52.75

 

CMYK 29 / 0 / 88 / 50

HEX #5A7F0F

RGB 90 127 15

HSL 79.82, 0.79%, 0.28%

LAB 48.74, -28.99, 50.03

 

CMYK 53 / 0 / 88 / 50

HEX #3C7F0F

RGB 60 127 15

HSL 95.89, 0.79%, 0.28%

LAB 47.2, -40.06, 48.09

 

CMYK 76 / 0 / 88 / 50

HEX #1E7F0F

RGB 30 127 15

HSL 111.96, 0.79%, 0.28%

LAB 46.3, -47.49, 46.94

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 0 / 20 / 97 / 46

HEX #8A6E04

RGB 138 110 4

HSL 47.46, 0.94%, 0.28%

LAB 47.71, 1.94, 53.26

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 0 / 16 / 77 / 55

HEX #73611B

RGB 115 97 27

HSL 47.73, 0.62%, 0.28%

LAB 41.65, -0.87, 40.38

 

CMYK 0 / 13 / 63 / 60

HEX #675A26

RGB 103 90 38

HSL 48, 0.46%, 0.28%

LAB 38.44, -1.8, 31.36

 

CMYK 0 / 10 / 46 / 64

HEX #5C5332

RGB 92 83 50

HSL 47.14, 0.3%, 0.28%

LAB 35.38, -1.61, 20.65

 

CMYK 0 / 5 / 24 / 69

HEX #504C3D

RGB 80 76 61

HSL 47.37, 0.13%, 0.28%

LAB 32.28, -1.21, 9.53

 

CMYK 0 / 66 / 88 / 50

HEX #7F2B0F

RGB 127 43 15

HSL 15, 0.79%, 0.28%

LAB 30.09, 35, 35.57

 

CMYK 0 / 43 / 88 / 50

HEX #7F490F

RGB 127 73 15

HSL 31.07, 0.79%, 0.28%

LAB 36.58, 18.66, 41.08

 

CMYK 0 / 20 / 88 / 50

HEX #7F660F

RGB 127 102 15

HSL 46.61, 0.79%, 0.28%

LAB 44.3, 1.53, 47.53

 

CMYK 5 / 0 / 88 / 50

HEX #797F0F

RGB 121 127 15

HSL 63.21, 0.79%, 0.28%

LAB 51.01, -15.31, 52.85

 

CMYK 28 / 0 / 88 / 50

HEX #5B7F0F

RGB 91 127 15

HSL 79.29, 0.79%, 0.28%

LAB 48.81, -28.58, 50.11

 

CMYK 0 / 19 / 89 / 79

HEX #352B06

RGB 53 43 6

HSL 47.23, 0.8%, 0.12%

LAB 17.91, -0.19, 23.3

 

CMYK 0 / 19 / 88 / 65

HEX #5A490B

RGB 90 73 11

HSL 47.09, 0.78%, 0.2%

LAB 31.72, 0.43, 36.46

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 0 / 18 / 88 / 36

HEX #A38614

RGB 163 134 20

HSL 47.83, 0.78%, 0.36%

LAB 56.97, 0.45, 58.15

 

CMYK 0 / 18 / 88 / 22

HEX #C8A418

RGB 200 164 24

HSL 47.73, 0.79%, 0.44%

LAB 68.68, 0.95, 68.2

 

CMYK 0 / 18 / 87 / 50

HEX #7F6810

RGB 127 104 16

HSL 47.57, 0.78%, 0.28%

LAB 44.87, 0.39, 47.71

 

CMYK 87 / 0 / 88 / 50

HEX #117F0F

RGB 17 127 15

HSL 118.93, 0.79%, 0.28%

LAB 46.09, -49.34, 46.67

 

CMYK 54 / 88 / 0 / 50

HEX #3A0F7F

RGB 58 15 127

HSL 263.04, 0.79%, 0.28%

LAB 19.11, 44.89, -53.74

 

CMYK 0 / 18 / 87 / 50

HEX #7F6810

RGB 127 104 16

HSL 47.57, 0.78%, 0.28%

LAB 44.87, 0.39, 47.71

 

CMYK 88 / 0 / 20 / 50

HEX #0F7F66

RGB 15 127 102

HSL 166.61, 0.79%, 0.28%

LAB 47.29, -35.3, 5.44

 

CMYK 20 / 88 / 0 / 50

HEX #660F7F

RGB 102 15 127

HSL 286.61, 0.79%, 0.28%

LAB 25.86, 51.46, -42.43

 

CMYK 0 / 18 / 87 / 50

HEX #7F6810

RGB 127 104 16

HSL 47.57, 0.78%, 0.28%

LAB 44.87, 0.39, 47.71

 

CMYK 87 / 0 / 88 / 50

HEX #117F0F

RGB 17 127 15

HSL 118.93, 0.79%, 0.28%

LAB 46.09, -49.34, 46.67

 

CMYK 88 / 69 / 0 / 50

HEX #0F277F

RGB 15 39 127

HSL 227.14, 0.79%, 0.28%

LAB 20.38, 27.4, -51.76

 

CMYK 2 / 88 / 0 / 50

HEX #7D0F7F

RGB 125 15 127

HSL 298.93, 0.79%, 0.28%

LAB 30, 55.74, -35.56

 

CMYK 0 / 18 / 87 / 50

HEX #7F6810

RGB 127 104 16

HSL 47.57, 0.78%, 0.28%

LAB 44.87, 0.39, 47.71

 

CMYK 88 / 0 / 63 / 50

HEX #0F7F2F

RGB 15 127 47

HSL 137.14, 0.79%, 0.28%

LAB 46.29, -46.68, 34.65

 

CMYK 88 / 69 / 0 / 50

HEX #0F277F

RGB 15 39 127

HSL 227.14, 0.79%, 0.28%

LAB 20.38, 27.4, -51.76

 

CMYK 0 / 88 / 25 / 50

HEX #7F0F5F

RGB 127 15 95

HSL 317.14, 0.79%, 0.28%

LAB 28.59, 51.38, -17.23

 

Description

Color code: HEX #7F6810 | qconv.com Color code: HEX #7F6810 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 104 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 104 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 87 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 87% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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