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Color name
RGB 127 104 15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 104 15 it is the complementary color RGB 128 151 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 104 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 104 15 shade: RGB 132 104 10, RGB 149 122 29, RGB 166 140 48, RGB 183 158 67 and RGB 200 176 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 104 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 104 15 shade: RGB 127 104 15, RGB 110 86 0, RGB 93 68 0, RGB 76 50 0 and RGB 59 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 104 15 shade: RGB 127 104 14, RGB 127 74 14, RGB 127 43 14 and RGB 127 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 104 15 shade: RGB 127 104 14, RGB 120 127 14, RGB 90 127 14, RGB 59 127 14 and RGB 29 127 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 104 15 shade matches the following richer shades: RGB 127 104 14 and RGB 139 111 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 104 15 shade: RGB 127 104 14, RGB 116 97 26, RGB 104 91 38, RGB 93 84 49 and RGB 81 77 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 104 15 shade: RGB 127 43 14, RGB 127 73 14, RGB 127 103 14, RGB 122 127 14 and RGB 92 127 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 104 15 shade: RGB 53 44 6, RGB 90 74 10, RGB 127 104 14, RGB 164 134 19 and RGB 201 165 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 104 15 shade: RGB 127 104 15, RGB 16 127 14 and RGB 58 14 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 104 15 shade: RGB 127 104 15, RGB 14 127 103 and RGB 103 14 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 104 15 shade: RGB 127 104 15, RGB 16 127 14, RGB 14 39 127 and RGB 125 14 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 104 15 shade: RGB 127 104 15, RGB 14 127 46, RGB 14 39 127 and RGB 127 14 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

Complementary color

CMYK 47 / 37 / 0 / 6

HEX #8097F0

RGB 128 151 240

HSL 227.68, 0.79%, 0.72%

LAB 64.17, 15.18, -47.31

 

CMYK 0 / 21 / 92 / 48

HEX #84680A

RGB 132 104 10

HSL 46.23, 0.86%, 0.28%

LAB 45.4, 2.65, 49.91

 

CMYK 0 / 18 / 81 / 42

HEX #957A1D

RGB 149 122 29

HSL 46.5, 0.67%, 0.35%

LAB 52.28, 0.95, 50.87

 

CMYK 0 / 16 / 71 / 35

HEX #A68C30

RGB 166 140 48

HSL 46.78, 0.55%, 0.42%

LAB 59.05, -0.41, 50.54

 

CMYK 0 / 14 / 63 / 28

HEX #B79E43

RGB 183 158 67

HSL 47.07, 0.46%, 0.49%

LAB 65.69, -1.52, 49.65

 

CMYK 0 / 12 / 57 / 22

HEX #C8B056

RGB 200 176 86

HSL 47.37, 0.51%, 0.56%

LAB 72.23, -2.43, 48.52

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 0 / 22 / 100 / 57

HEX #6E5600

RGB 110 86 0

HSL 46.91, 1%, 0.22%

LAB 37.79, 2.27, 45.77

 

CMYK 0 / 27 / 100 / 64

HEX #5D4400

RGB 93 68 0

HSL 43.87, 1%, 0.18%

LAB 30.55, 4.68, 39.79

 

CMYK 0 / 34 / 100 / 70

HEX #4C3200

RGB 76 50 0

HSL 39.47, 1%, 0.15%

LAB 23.06, 7.3, 32.32

 

CMYK 0 / 46 / 100 / 77

HEX #3B2000

RGB 59 32 0

HSL 32.54, 1%, 0.12%

LAB 15.29, 10.17, 22.69

 

CMYK 0 / 18 / 89 / 50

HEX #7F680E

RGB 127 104 14

HSL 47.79, 0.8%, 0.28%

LAB 44.86, 0.34, 48.27

 

CMYK 0 / 42 / 89 / 50

HEX #7F4A0E

RGB 127 74 14

HSL 31.86, 0.8%, 0.28%

LAB 36.82, 18.04, 41.64

 

CMYK 0 / 66 / 89 / 50

HEX #7F2B0E

RGB 127 43 14

HSL 15.4, 0.8%, 0.28%

LAB 30.09, 34.97, 36.03

 

CMYK 0 / 89 / 89 / 50

HEX #7F0E0E

RGB 127 14 14

HSL 0, 0.8%, 0.28%

LAB 26.33, 45.36, 32.81

 

CMYK 0 / 18 / 89 / 50

HEX #7F680E

RGB 127 104 14

HSL 47.79, 0.8%, 0.28%

LAB 44.86, 0.34, 48.27

 

CMYK 6 / 0 / 89 / 50

HEX #787F0E

RGB 120 127 14

HSL 63.72, 0.8%, 0.28%

LAB 50.92, -15.8, 52.97

 

CMYK 29 / 0 / 89 / 50

HEX #5A7F0E

RGB 90 127 14

HSL 79.65, 0.8%, 0.28%

LAB 48.74, -29.02, 50.26

 

CMYK 54 / 0 / 89 / 50

HEX #3B7F0E

RGB 59 127 14

HSL 96.11, 0.8%, 0.28%

LAB 47.16, -40.42, 48.28

 

CMYK 77 / 0 / 89 / 50

HEX #1D7F0E

RGB 29 127 14

HSL 112.04, 0.8%, 0.28%

LAB 46.27, -47.71, 47.16

 

CMYK 0 / 18 / 89 / 50

HEX #7F680E

RGB 127 104 14

HSL 47.79, 0.8%, 0.28%

LAB 44.86, 0.34, 48.27

 

CMYK 0 / 20 / 98 / 45

HEX #8B6F03

RGB 139 111 3

HSL 47.65, 0.96%, 0.28%

LAB 48.09, 1.82, 53.81

 

CMYK 0 / 18 / 89 / 50

HEX #7F680E

RGB 127 104 14

HSL 47.79, 0.8%, 0.28%

LAB 44.86, 0.34, 48.27

 

CMYK 0 / 16 / 78 / 55

HEX #74611A

RGB 116 97 26

HSL 47.33, 0.63%, 0.28%

LAB 41.75, -0.44, 40.93

 

CMYK 0 / 13 / 63 / 59

HEX #685B26

RGB 104 91 38

HSL 48.18, 0.46%, 0.28%

LAB 38.84, -1.91, 31.84

 

CMYK 0 / 10 / 47 / 64

HEX #5D5431

RGB 93 84 49

HSL 47.73, 0.31%, 0.28%

LAB 35.77, -1.87, 21.75

 

CMYK 0 / 5 / 25 / 68

HEX #514D3D

RGB 81 77 61

HSL 48, 0.14%, 0.28%

LAB 32.69, -1.39, 10.11

 

CMYK 0 / 66 / 89 / 50

HEX #7F2B0E

RGB 127 43 14

HSL 15.4, 0.8%, 0.28%

LAB 30.09, 34.97, 36.03

 

CMYK 0 / 43 / 89 / 50

HEX #7F490E

RGB 127 73 14

HSL 31.33, 0.8%, 0.28%

LAB 36.57, 18.63, 41.44

 

CMYK 0 / 19 / 89 / 50

HEX #7F670E

RGB 127 103 14

HSL 47.26, 0.8%, 0.28%

LAB 44.58, 0.92, 48.04

 

CMYK 4 / 0 / 89 / 50

HEX #7A7F0E

RGB 122 127 14

HSL 62.65, 0.8%, 0.28%

LAB 51.09, -14.88, 53.18

 

CMYK 28 / 0 / 89 / 50

HEX #5C7F0E

RGB 92 127 14

HSL 78.58, 0.8%, 0.28%

LAB 48.87, -28.19, 50.42

 

CMYK 0 / 17 / 89 / 79

HEX #352C06

RGB 53 44 6

HSL 48.51, 0.8%, 0.12%

LAB 18.24, -0.86, 23.69

 

CMYK 0 / 18 / 89 / 65

HEX #5A4A0A

RGB 90 74 10

HSL 48, 0.8%, 0.2%

LAB 32.02, -0.22, 37.05

 

CMYK 0 / 18 / 89 / 50

HEX #7F680E

RGB 127 104 14

HSL 47.79, 0.8%, 0.28%

LAB 44.86, 0.34, 48.27

 

CMYK 0 / 18 / 88 / 36

HEX #A48613

RGB 164 134 19

HSL 47.59, 0.79%, 0.36%

LAB 57.07, 0.88, 58.52

 

CMYK 0 / 18 / 89 / 21

HEX #C9A517

RGB 201 165 23

HSL 47.87, 0.79%, 0.44%

LAB 69.03, 0.84, 68.74

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 87 / 0 / 89 / 50

HEX #107F0E

RGB 16 127 14

HSL 118.94, 0.8%, 0.28%

LAB 46.07, -49.5, 46.9

 

CMYK 54 / 89 / 0 / 50

HEX #3A0E7F

RGB 58 14 127

HSL 263.36, 0.8%, 0.28%

LAB 19, 45.24, -53.93

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 89 / 0 / 19 / 50

HEX #0E7F67

RGB 14 127 103

HSL 167.26, 0.8%, 0.28%

LAB 47.3, -35.11, 4.87

 

CMYK 19 / 89 / 0 / 50

HEX #670E7F

RGB 103 14 127

HSL 287.26, 0.8%, 0.28%

LAB 25.95, 51.88, -42.27

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 87 / 0 / 89 / 50

HEX #107F0E

RGB 16 127 14

HSL 118.94, 0.8%, 0.28%

LAB 46.07, -49.5, 46.9

 

CMYK 89 / 69 / 0 / 50

HEX #0E277F

RGB 14 39 127

HSL 226.73, 0.8%, 0.28%

LAB 20.35, 27.33, -51.82

 

CMYK 2 / 89 / 0 / 50

HEX #7D0E7F

RGB 125 14 127

HSL 298.94, 0.8%, 0.28%

LAB 29.93, 55.94, -35.67

 

CMYK 0 / 18 / 88 / 50

HEX #7F680F

RGB 127 104 15

HSL 47.68, 0.79%, 0.28%

LAB 44.87, 0.36, 48

 

CMYK 89 / 0 / 64 / 50

HEX #0E7F2E

RGB 14 127 46

HSL 136.99, 0.8%, 0.28%

LAB 46.27, -46.9, 35.1

 

CMYK 89 / 69 / 0 / 50

HEX #0E277F

RGB 14 39 127

HSL 226.73, 0.8%, 0.28%

LAB 20.35, 27.33, -51.82

 

CMYK 0 / 89 / 25 / 50

HEX #7F0E5F

RGB 127 14 95

HSL 316.99, 0.8%, 0.28%

LAB 28.52, 51.59, -17.34

 

Description

Color code: RGB 127 104 15 | qconv.com Color code: RGB 127 104 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 104 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 104 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 88 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 88% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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