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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EF63D it is the complementary color #8109C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EF63D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EF63D shade: #83F638, #94FF4B, #A5FF5E, #B6FF71 and #C7FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EF63D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EF63D shade: #7EF63D, #6DE42A, #5CD217, #4BC004 and #3AAE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EF63D shade: #7DF53C, #AFF53C, #E1F53C, #F5D83C and #F5A53C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EF63D shade: #7DF53C, #4BF53C, #3CF55F, #3CF591 and #3CF5C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EF63D shade matches the following richer shades: #7DF53C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EF63D shade: #7DF53C, #82E54C, #87D45D, #8CC46D and #91B37E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EF63D shade: #E3F53C, #B1F53C, #80F53C, #4EF53C and #3CF55B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EF63D shade: #51D50A, #63F314, #7DF53C, #97F763 and #B1F98A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EF63D shade: #7EF63D, #3CF5D6 and #F53CCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EF63D shade: #7EF63D, #3C80F5 and #F53C80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EF63D shade: #7EF63D, #3CF5D6, #B13CF5 and #F53C5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EF63D shade: #7EF63D, #3CDDF5, #B13CF5 and #F5543C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 75 / 4

HEX #7EF63D

RGB 126 246 61

HSL 98.92, 0.91%, 0.6%

LAB 87.33, -63.34, 73.01

 

Complementary color

CMYK 34 / 95 / 0 / 24

HEX #8109C2

RGB 129 9 194

HSL 278.92, 0.91%, 0.4%

LAB 35.51, 69.74, -67.25

 

CMYK 47 / 0 / 77 / 4

HEX #83F638

RGB 131 246 56

HSL 96.32, 0.91%, 0.59%

LAB 87.5, -62.18, 74.73

 

CMYK 42 / 0 / 71 / 0

HEX #94FF4B

RGB 148 255 75

HSL 95.67, 1%, 0.65%

LAB 90.93, -59.32, 72.25

 

CMYK 35 / 0 / 63 / 0

HEX #A5FF5E

RGB 165 255 94

HSL 93.54, 1%, 0.68%

LAB 91.83, -52.48, 66.31

 

CMYK 29 / 0 / 56 / 0

HEX #B6FF71

RGB 182 255 113

HSL 90.85, 1%, 0.72%

LAB 92.86, -45.07, 59.73

 

CMYK 22 / 0 / 48 / 0

HEX #C7FF84

RGB 199 255 132

HSL 87.32, 1%, 0.76%

LAB 94.02, -37.19, 52.75

 

CMYK 49 / 0 / 75 / 4

HEX #7EF63D

RGB 126 246 61

HSL 98.92, 0.91%, 0.6%

LAB 87.33, -63.34, 73.01

 

CMYK 52 / 0 / 82 / 11

HEX #6DE42A

RGB 109 228 42

HSL 98.39, 0.78%, 0.53%

LAB 81.24, -62.58, 72.45

 

CMYK 56 / 0 / 89 / 18

HEX #5CD217

RGB 92 210 23

HSL 97.86, 0.8%, 0.46%

LAB 75.1, -61.49, 70.91

 

CMYK 61 / 0 / 98 / 25

HEX #4BC004

RGB 75 192 4

HSL 97.34, 0.96%, 0.38%

LAB 68.9, -60.01, 68.07

 

CMYK 67 / 0 / 100 / 32

HEX #3AAE00

RGB 58 174 0

HSL 100, 1%, 0.34%

LAB 62.65, -57.96, 63.39

 

CMYK 49 / 0 / 76 / 4

HEX #7DF53C

RGB 125 245 60

HSL 98.92, 0.9%, 0.6%

LAB 86.99, -63.32, 72.98

 

CMYK 29 / 0 / 76 / 4

HEX #AFF53C

RGB 175 245 60

HSL 82.7, 0.9%, 0.6%

LAB 89.27, -47.07, 75.95

 

CMYK 8 / 0 / 76 / 4

HEX #E1F53C

RGB 225 245 60

HSL 66.49, 0.9%, 0.6%

LAB 92.42, -27.88, 80.01

 

CMYK 0 / 12 / 76 / 4

HEX #F5D83C

RGB 245 216 60

HSL 50.59, 0.9%, 0.6%

LAB 86.43, -5.49, 75.08

 

CMYK 0 / 33 / 76 / 4

HEX #F5A53C

RGB 245 165 60

HSL 34.05, 0.9%, 0.6%

LAB 73.96, 20.97, 63.27

 

CMYK 49 / 0 / 76 / 4

HEX #7DF53C

RGB 125 245 60

HSL 98.92, 0.9%, 0.6%

LAB 86.99, -63.32, 72.98

 

CMYK 69 / 0 / 76 / 4

HEX #4BF53C

RGB 75 245 60

HSL 115.14, 0.9%, 0.6%

LAB 85.57, -74.8, 71.11

 

CMYK 76 / 0 / 61 / 4

HEX #3CF55F

RGB 60 245 95

HSL 131.35, 0.9%, 0.6%

LAB 85.55, -74.02, 58

 

CMYK 76 / 0 / 41 / 4

HEX #3CF591

RGB 60 245 145

HSL 147.57, 0.9%, 0.6%

LAB 86.16, -66.82, 35.47

 

CMYK 76 / 0 / 20 / 4

HEX #3CF5C3

RGB 60 245 195

HSL 163.78, 0.9%, 0.6%

LAB 87.1, -56.53, 11.24

 

CMYK 49 / 0 / 76 / 4

HEX #7DF53C

RGB 125 245 60

HSL 98.92, 0.9%, 0.6%

LAB 86.99, -63.32, 72.98

 

CMYK 49 / 0 / 76 / 4

HEX #7DF53C

RGB 125 245 60

HSL 98.92, 0.9%, 0.6%

LAB 86.99, -63.32, 72.98

 

CMYK 43 / 0 / 67 / 10

HEX #82E54C

RGB 130 229 76

HSL 98.82, 0.75%, 0.6%

LAB 82.54, -54.71, 62.97

 

CMYK 36 / 0 / 56 / 17

HEX #87D45D

RGB 135 212 93

HSL 98.82, 0.58%, 0.6%

LAB 77.89, -44.59, 50.67

 

CMYK 29 / 0 / 44 / 23

HEX #8CC46D

RGB 140 196 109

HSL 98.62, 0.42%, 0.6%

LAB 73.65, -33.88, 37.88

 

CMYK 19 / 0 / 30 / 30

HEX #91B37E

RGB 145 179 126

HSL 98.49, 0.26%, 0.6%

LAB 69.3, -21.44, 23.39

 

CMYK 7 / 0 / 76 / 4

HEX #E3F53C

RGB 227 245 60

HSL 65.84, 0.9%, 0.6%

LAB 92.56, -27.08, 80.19

 

CMYK 28 / 0 / 76 / 4

HEX #B1F53C

RGB 177 245 60

HSL 82.05, 0.9%, 0.6%

LAB 89.38, -46.35, 76.09

 

CMYK 48 / 0 / 76 / 4

HEX #80F53C

RGB 128 245 60

HSL 97.95, 0.9%, 0.6%

LAB 87.1, -62.46, 73.12

 

CMYK 68 / 0 / 76 / 4

HEX #4EF53C

RGB 78 245 60

HSL 114.16, 0.9%, 0.6%

LAB 85.63, -74.27, 71.19

 

CMYK 76 / 0 / 63 / 4

HEX #3CF55B

RGB 60 245 91

HSL 130.05, 0.9%, 0.6%

LAB 85.51, -74.45, 59.63

 

CMYK 62 / 0 / 95 / 16

HEX #51D50A

RGB 81 213 10

HSL 99.01, 0.91%, 0.44%

LAB 75.67, -65.48, 72.99

 

CMYK 59 / 0 / 92 / 5

HEX #63F314

RGB 99 243 20

HSL 98.74, 0.9%, 0.52%

LAB 85.41, -70.95, 80.05

 

CMYK 49 / 0 / 76 / 4

HEX #7DF53C

RGB 125 245 60

HSL 98.92, 0.9%, 0.6%

LAB 86.99, -63.32, 72.98

 

CMYK 39 / 0 / 60 / 3

HEX #97F763

RGB 151 247 99

HSL 98.92, 0.9%, 0.68%

LAB 88.92, -53.32, 60.86

 

CMYK 29 / 0 / 45 / 2

HEX #B1F98A

RGB 177 249 138

HSL 98.92, 0.9%, 0.76%

LAB 91.2, -41.44, 46.16

 

CMYK 49 / 0 / 75 / 4

HEX #7EF63D

RGB 126 246 61

HSL 98.92, 0.91%, 0.6%

LAB 87.33, -63.34, 73.01

 

CMYK 76 / 0 / 13 / 4

HEX #3CF5D6

RGB 60 245 214

HSL 169.95, 0.9%, 0.6%

LAB 87.54, -51.89, 1.98

 

CMYK 0 / 76 / 18 / 4

HEX #F53CCA

RGB 245 60 202

HSL 313.95, 0.9%, 0.6%

LAB 58.89, 80.65, -33.41

 

CMYK 49 / 0 / 75 / 4

HEX #7EF63D

RGB 126 246 61

HSL 98.92, 0.91%, 0.6%

LAB 87.33, -63.34, 73.01

 

CMYK 76 / 48 / 0 / 4

HEX #3C80F5

RGB 60 128 245

HSL 217.95, 0.9%, 0.6%

LAB 55.06, 18.53, -64.79

 

CMYK 0 / 76 / 48 / 4

HEX #F53C80

RGB 245 60 128

HSL 337.95, 0.9%, 0.6%

LAB 56.29, 72.74, 5.84

 

CMYK 49 / 0 / 75 / 4

HEX #7EF63D

RGB 126 246 61

HSL 98.92, 0.91%, 0.6%

LAB 87.33, -63.34, 73.01

 

CMYK 76 / 0 / 13 / 4

HEX #3CF5D6

RGB 60 245 214

HSL 169.95, 0.9%, 0.6%

LAB 87.54, -51.89, 1.98

 

CMYK 28 / 76 / 0 / 4

HEX #B13CF5

RGB 177 60 245

HSL 277.95, 0.9%, 0.6%

LAB 50.89, 74.22, -71.1

 

CMYK 0 / 76 / 63 / 4

HEX #F53C5B

RGB 245 60 91

HSL 349.95, 0.9%, 0.6%

LAB 55.48, 70.17, 26.71

 

CMYK 49 / 0 / 75 / 4

HEX #7EF63D

RGB 126 246 61

HSL 98.92, 0.91%, 0.6%

LAB 87.33, -63.34, 73.01

 

CMYK 76 / 10 / 0 / 4

HEX #3CDDF5

RGB 60 221 245

HSL 187.78, 0.9%, 0.6%

LAB 81.44, -32.61, -23.45

 

CMYK 28 / 76 / 0 / 4

HEX #B13CF5

RGB 177 60 245

HSL 277.95, 0.9%, 0.6%

LAB 50.89, 74.22, -71.1

 

CMYK 0 / 66 / 76 / 4

HEX #F5543C

RGB 245 84 60

HSL 7.78, 0.9%, 0.6%

LAB 58.11, 60.3, 47.23

 

Description

Color code: HEX #7EF63D | qconv.com Color code: HEX #7EF63D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 246 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 246 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 75 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 75% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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