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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 60 202 it is the complementary color RGB 10 195 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 60 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 60 202 shade: RGB 250 60 197, RGB 255 78 216, RGB 255 96 235, RGB 255 114 254 and RGB 255 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 60 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 60 202 shade: RGB 245 60 202, RGB 228 42 183, RGB 211 24 164, RGB 194 6 145 and RGB 177 0 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 60 202 shade: RGB 244 61 202, RGB 244 61 152, RGB 244 61 103 and RGB 244 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 60 202 shade: RGB 244 61 202, RGB 237 61 244, RGB 188 61 244, RGB 138 61 244 and RGB 89 61 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 60 202 shade matches the following richer shades: RGB 244 61 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 60 202 shade: RGB 244 61 202, RGB 228 77 193, RGB 211 94 184, RGB 195 110 175 and RGB 178 127 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 60 202 shade: RGB 186 61 244, RGB 235 61 244, RGB 244 61 205, RGB 244 61 156 and RGB 244 61 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 60 202 shade: RGB 212 11 165, RGB 242 22 191, RGB 244 61 202, RGB 246 100 212 and RGB 248 139 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 60 202 shade: RGB 245 60 202, RGB 244 137 61 and RGB 61 244 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 60 202 shade: RGB 245 60 202, RGB 205 244 61 and RGB 61 205 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 60 202 shade: RGB 245 60 202, RGB 244 137 61, RGB 61 244 100 and RGB 61 168 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 60 202 shade: RGB 245 60 202, RGB 244 192 61, RGB 61 244 100 and RGB 61 113 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 18 / 4

HEX #F53CCA

RGB 245 60 202

HSL 313.95, 0.9%, 0.6%

LAB 58.89, 80.65, -33.41

 

Complementary color

CMYK 95 / 0 / 73 / 24

HEX #0AC335

RGB 10 195 53

HSL 133.95, 0.9%, 0.4%

LAB 69.01, -67.61, 56.64

 

CMYK 0 / 76 / 21 / 2

HEX #FA3CC5

RGB 250 60 197

HSL 316.74, 0.95%, 0.61%

LAB 59.51, 81.12, -29.52

 

CMYK 0 / 69 / 15 / 0

HEX #FF4ED8

RGB 255 78 216

HSL 313.22, 1%, 0.65%

LAB 63.07, 79.26, -34.72

 

CMYK 0 / 62 / 8 / 0

HEX #FF60EB

RGB 255 96 235

HSL 307.55, 1%, 0.69%

LAB 66.23, 75.47, -40.4

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FE

RGB 255 114 254

HSL 300.43, 1%, 0.72%

LAB 69.79, 71.07, -45.28

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 76 / 18 / 4

HEX #F53CCA

RGB 245 60 202

HSL 313.95, 0.9%, 0.6%

LAB 58.89, 80.65, -33.41

 

CMYK 0 / 82 / 20 / 11

HEX #E42AB7

RGB 228 42 183

HSL 314.52, 0.78%, 0.53%

LAB 53.57, 79.07, -30.97

 

CMYK 0 / 89 / 22 / 17

HEX #D318A4

RGB 211 24 164

HSL 315.08, 0.8%, 0.46%

LAB 48.49, 76.59, -27.94

 

CMYK 0 / 97 / 25 / 24

HEX #C20691

RGB 194 6 145

HSL 315.64, 0.94%, 0.39%

LAB 43.72, 72.99, -24.19

 

CMYK 0 / 100 / 29 / 31

HEX #B1007E

RGB 177 0 126

HSL 317.29, 1%, 0.35%

LAB 39.33, 68.01, -19.56

 

CMYK 0 / 75 / 17 / 4

HEX #F43DCA

RGB 244 61 202

HSL 313.77, 0.89%, 0.6%

LAB 58.82, 80.14, -33.53

 

CMYK 0 / 75 / 38 / 4

HEX #F43D98

RGB 244 61 152

HSL 330.16, 0.89%, 0.6%

LAB 56.92, 74.37, -7.46

 

CMYK 0 / 75 / 58 / 4

HEX #F43D67

RGB 244 61 103

HSL 346.23, 0.89%, 0.6%

LAB 55.63, 70.32, 19.77

 

CMYK 0 / 75 / 75 / 4

HEX #F43D3D

RGB 244 61 61

HSL 0, 0.89%, 0.6%

LAB 54.98, 68.19, 43.27

 

CMYK 0 / 75 / 17 / 4

HEX #F43DCA

RGB 244 61 202

HSL 313.77, 0.89%, 0.6%

LAB 58.82, 80.14, -33.53

 

CMYK 3 / 75 / 0 / 4

HEX #ED3DF4

RGB 237 61 244

HSL 297.7, 0.89%, 0.6%

LAB 59.77, 84.73, -55.78

 

CMYK 23 / 75 / 0 / 4

HEX #BC3DF4

RGB 188 61 244

HSL 281.64, 0.89%, 0.6%

LAB 52.47, 75.6, -67.91

 

CMYK 43 / 75 / 0 / 4

HEX #8A3DF4

RGB 138 61 244

HSL 265.25, 0.89%, 0.6%

LAB 46.01, 67.32, -78.71

 

CMYK 64 / 75 / 0 / 4

HEX #593DF4

RGB 89 61 244

HSL 249.18, 0.89%, 0.6%

LAB 41.2, 60.97, -86.77

 

CMYK 0 / 75 / 17 / 4

HEX #F43DCA

RGB 244 61 202

HSL 313.77, 0.89%, 0.6%

LAB 58.82, 80.14, -33.53

 

CMYK 0 / 75 / 17 / 4

HEX #F43DCA

RGB 244 61 202

HSL 313.77, 0.89%, 0.6%

LAB 58.82, 80.14, -33.53

 

CMYK 0 / 66 / 15 / 11

HEX #E44DC1

RGB 228 77 193

HSL 313.91, 0.74%, 0.6%

LAB 57.71, 69.9, -30.32

 

CMYK 0 / 55 / 13 / 17

HEX #D35EB8

RGB 211 94 184

HSL 313.85, 0.57%, 0.6%

LAB 57.38, 56.89, -25.86

 

CMYK 0 / 44 / 10 / 24

HEX #C36EAF

RGB 195 110 175

HSL 314.12, 0.41%, 0.6%

LAB 57.89, 42.65, -20.08

 

CMYK 0 / 29 / 7 / 30

HEX #B27FA6

RGB 178 127 166

HSL 314.12, 0.25%, 0.6%

LAB 59.34, 26.08, -12.91

 

CMYK 24 / 75 / 0 / 4

HEX #BA3DF4

RGB 186 61 244

HSL 280.98, 0.89%, 0.6%

LAB 52.18, 75.24, -68.38

 

CMYK 4 / 75 / 0 / 4

HEX #EB3DF4

RGB 235 61 244

HSL 297.05, 0.89%, 0.6%

LAB 59.46, 84.34, -56.29

 

CMYK 0 / 75 / 16 / 4

HEX #F43DCD

RGB 244 61 205

HSL 312.79, 0.89%, 0.6%

LAB 58.95, 80.54, -35.04

 

CMYK 0 / 75 / 36 / 4

HEX #F43D9C

RGB 244 61 156

HSL 328.85, 0.89%, 0.6%

LAB 57.05, 74.78, -9.61

 

CMYK 0 / 75 / 56 / 4

HEX #F43D6B

RGB 244 61 107

HSL 344.92, 0.89%, 0.6%

LAB 55.72, 70.59, 17.51

 

CMYK 0 / 95 / 22 / 17

HEX #D40BA5

RGB 212 11 165

HSL 314.03, 0.9%, 0.44%

LAB 48.2, 78.43, -28.97

 

CMYK 0 / 91 / 21 / 5

HEX #F216BF

RGB 242 22 191

HSL 313.91, 0.89%, 0.52%

LAB 55.29, 86.15, -32.74

 

CMYK 0 / 75 / 17 / 4

HEX #F43DCA

RGB 244 61 202

HSL 313.77, 0.89%, 0.6%

LAB 58.82, 80.14, -33.53

 

CMYK 0 / 59 / 14 / 4

HEX #F664D4

RGB 246 100 212

HSL 313.97, 0.89%, 0.68%

LAB 64.53, 68.13, -30.31

 

CMYK 0 / 44 / 10 / 3

HEX #F88BDF

RGB 248 139 223

HSL 313.76, 0.89%, 0.76%

LAB 72.06, 52.34, -24.82

 

CMYK 0 / 76 / 18 / 4

HEX #F53CCA

RGB 245 60 202

HSL 313.95, 0.9%, 0.6%

LAB 58.89, 80.65, -33.41

 

CMYK 0 / 44 / 75 / 4

HEX #F4893D

RGB 244 137 61

HSL 24.92, 0.89%, 0.6%

LAB 67.62, 35.22, 56.53

 

CMYK 75 / 0 / 14 / 4

HEX #3DF4D3

RGB 61 244 211

HSL 169.18, 0.89%, 0.6%

LAB 87.19, -52.13, 3.04

 

CMYK 0 / 76 / 18 / 4

HEX #F53CCA

RGB 245 60 202

HSL 313.95, 0.9%, 0.6%

LAB 58.89, 80.65, -33.41

 

CMYK 16 / 0 / 75 / 4

HEX #CDF43D

RGB 205 244 61

HSL 72.79, 0.89%, 0.6%

LAB 90.79, -35.29, 77.71

 

CMYK 75 / 16 / 0 / 4

HEX #3DCDF4

RGB 61 205 244

HSL 192.79, 0.89%, 0.6%

LAB 76.79, -25.01, -30.02

 

CMYK 0 / 76 / 18 / 4

HEX #F53CCA

RGB 245 60 202

HSL 313.95, 0.9%, 0.6%

LAB 58.89, 80.65, -33.41

 

CMYK 0 / 44 / 75 / 4

HEX #F4893D

RGB 244 137 61

HSL 24.92, 0.89%, 0.6%

LAB 67.62, 35.22, 56.53

 

CMYK 75 / 0 / 59 / 4

HEX #3DF464

RGB 61 244 100

HSL 132.79, 0.89%, 0.6%

LAB 85.31, -72.99, 55.58

 

CMYK 75 / 31 / 0 / 4

HEX #3DA8F4

RGB 61 168 244

HSL 204.92, 0.89%, 0.6%

LAB 66.16, -5.37, -46.56

 

CMYK 0 / 76 / 18 / 4

HEX #F53CCA

RGB 245 60 202

HSL 313.95, 0.9%, 0.6%

LAB 58.89, 80.65, -33.41

 

CMYK 0 / 21 / 75 / 4

HEX #F4C03D

RGB 244 192 61

HSL 42.95, 0.89%, 0.6%

LAB 80.33, 6.43, 68.98

 

CMYK 75 / 0 / 59 / 4

HEX #3DF464

RGB 61 244 100

HSL 132.79, 0.89%, 0.6%

LAB 85.31, -72.99, 55.58

 

CMYK 75 / 54 / 0 / 4

HEX #3D71F4

RGB 61 113 244

HSL 222.95, 0.89%, 0.6%

LAB 51.08, 27.61, -70.68

 

Description

Color code: RGB 245 60 202 | qconv.com Color code: RGB 245 60 202 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 60 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 60 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 18 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 18% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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