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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EAD3C it is the complementary color #8152C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EAD3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EAD3C shade: #83AD37, #94BF4A, #A5D15D, #B6E370 and #C7F583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EAD3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EAD3C shade: #7EAD3C, #6D9B29, #5C8916, #4B7703 and #3A6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EAD3C shade: #7EAD3C, #9DAD3C, #AD9F3C, #AD813C and #AD623C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EAD3C shade: #7EAD3C, #60AD3C, #42AD3C, #3CAD56 and #3CAD74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EAD3C shade matches the following richer shades: #7EAD3C, #81C02A, #85D317 and #88E604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EAD3C shade: #7EAD3C, #7B9A4F, #788762, #757475 and #726188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EAD3C shade: #AD9E3C, #9EAD3C, #80AD3C, #62AD3C and #44AD3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EAD3C shade: #527027, #688F32, #7EAD3C, #93C251 and #A6CC70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EAD3C shade: #7EAD3C, #3CAD80 and #AD3CAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EAD3C shade: #7EAD3C, #3C80AD and #AD3C80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EAD3C shade: #7EAD3C, #3CAD80, #6A3CAD and #AD3C6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EAD3C shade: #7EAD3C, #3CADA2, #6A3CAD and #AD3C48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

Complementary color

CMYK 34 / 58 / 0 / 24

HEX #8152C3

RGB 129 82 195

HSL 264.96, 0.48%, 0.54%

LAB 45.14, 43.09, -52.21

 

CMYK 24 / 0 / 68 / 32

HEX #83AD37

RGB 131 173 55

HSL 81.36, 0.52%, 0.45%

LAB 65.74, -32, 53.65

 

CMYK 23 / 0 / 61 / 25

HEX #94BF4A

RGB 148 191 74

HSL 82.05, 0.48%, 0.52%

LAB 72.26, -32.32, 52.97

 

CMYK 21 / 0 / 56 / 18

HEX #A5D15D

RGB 165 209 93

HSL 82.76, 0.56%, 0.59%

LAB 78.69, -32.53, 52.03

 

CMYK 20 / 0 / 51 / 11

HEX #B6E370

RGB 182 227 112

HSL 83.48, 0.67%, 0.66%

LAB 85.02, -32.67, 50.96

 

CMYK 19 / 0 / 47 / 4

HEX #C7F583

RGB 199 245 131

HSL 84.21, 0.85%, 0.74%

LAB 91.27, -32.75, 49.86

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 30 / 0 / 74 / 39

HEX #6D9B29

RGB 109 155 41

HSL 84.21, 0.58%, 0.38%

LAB 58.84, -33.19, 51.64

 

CMYK 33 / 0 / 84 / 46

HEX #5C8916

RGB 92 137 22

HSL 83.48, 0.72%, 0.31%

LAB 52.09, -32.59, 51.18

 

CMYK 37 / 0 / 97 / 53

HEX #4B7703

RGB 75 119 3

HSL 82.76, 0.95%, 0.24%

LAB 45.22, -31.7, 49.3

 

CMYK 43 / 0 / 100 / 60

HEX #3A6500

RGB 58 101 0

HSL 85.54, 1%, 0.2%

LAB 38.21, -30.27, 44.15

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 9 / 0 / 65 / 32

HEX #9DAD3C

RGB 157 173 60

HSL 68.5, 0.48%, 0.46%

LAB 67.56, -21.03, 54.06

 

CMYK 0 / 8 / 65 / 32

HEX #AD9F3C

RGB 173 159 60

HSL 52.57, 0.48%, 0.46%

LAB 64.97, -6.88, 51.73

 

CMYK 0 / 25 / 65 / 32

HEX #AD813C

RGB 173 129 60

HSL 36.64, 0.48%, 0.46%

LAB 56.99, 9.55, 43.07

 

CMYK 0 / 43 / 65 / 32

HEX #AD623C

RGB 173 98 60

HSL 20.18, 0.48%, 0.46%

LAB 49.43, 26.89, 34.42

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 45 / 0 / 65 / 32

HEX #60AD3C

RGB 96 173 60

HSL 100.88, 0.48%, 0.46%

LAB 63.92, -44.21, 49.08

 

CMYK 62 / 0 / 65 / 32

HEX #42AD3C

RGB 66 173 60

HSL 116.81, 0.48%, 0.46%

LAB 62.82, -52.58, 47.56

 

CMYK 65 / 0 / 50 / 32

HEX #3CAD56

RGB 60 173 86

HSL 133.81, 0.48%, 0.46%

LAB 62.94, -50.58, 35.37

 

CMYK 65 / 0 / 33 / 32

HEX #3CAD74

RGB 60 173 116

HSL 149.73, 0.48%, 0.46%

LAB 63.43, -45.19, 20.19

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 33 / 0 / 78 / 25

HEX #81C02A

RGB 129 192 42

HSL 85.2, 0.64%, 0.46%

LAB 71.24, -42.06, 63.59

 

CMYK 37 / 0 / 89 / 17

HEX #85D317

RGB 133 211 23

HSL 84.89, 0.8%, 0.46%

LAB 77.06, -49.28, 73.23

 

CMYK 41 / 0 / 98 / 10

HEX #88E604

RGB 136 230 4

HSL 84.96, 0.97%, 0.46%

LAB 82.83, -56.11, 80.09

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 20 / 0 / 49 / 40

HEX #7B9A4F

RGB 123 154 79

HSL 84.8, 0.32%, 0.46%

LAB 59.79, -23.75, 35.67

 

CMYK 11 / 0 / 27 / 47

HEX #788762

RGB 120 135 98

HSL 84.32, 0.16%, 0.46%

LAB 54.24, -12.4, 18.14

 

CMYK 0 / 1 / 0 / 54

HEX #757475

RGB 117 116 117

HSL 300, 0%, 0.46%

LAB 48.95, 0.59, -0.42

 

CMYK 16 / 29 / 0 / 47

HEX #726188

RGB 114 97 136

HSL 266.15, 0.17%, 0.46%

LAB 44.1, 15.06, -19.1

 

CMYK 0 / 9 / 65 / 32

HEX #AD9E3C

RGB 173 158 60

HSL 52.04, 0.48%, 0.46%

LAB 64.7, -6.35, 51.44

 

CMYK 9 / 0 / 65 / 32

HEX #9EAD3C

RGB 158 173 60

HSL 67.96, 0.48%, 0.46%

LAB 67.64, -20.61, 54.16

 

CMYK 26 / 0 / 65 / 32

HEX #80AD3C

RGB 128 173 60

HSL 83.89, 0.48%, 0.46%

LAB 65.59, -32.8, 51.38

 

CMYK 43 / 0 / 65 / 32

HEX #62AD3C

RGB 98 173 60

HSL 99.82, 0.48%, 0.46%

LAB 64.01, -43.57, 49.2

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 27 / 0 / 65 / 56

HEX #527027

RGB 82 112 39

HSL 84.66, 0.48%, 0.3%

LAB 43.55, -23.5, 36.06

 

CMYK 27 / 0 / 65 / 44

HEX #688F32

RGB 104 143 50

HSL 85.16, 0.48%, 0.38%

LAB 54.88, -28.85, 43.76

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 24 / 0 / 58 / 24

HEX #93C251

RGB 147 194 81

HSL 84.96, 0.48%, 0.54%

LAB 73.14, -33.49, 50.83

 

CMYK 19 / 0 / 45 / 20

HEX #A6CC70

RGB 166 204 112

HSL 84.78, 0.47%, 0.62%

LAB 77.56, -27.81, 41.62

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 65 / 0 / 26 / 32

HEX #3CAD80

RGB 60 173 128

HSL 156.11, 0.48%, 0.46%

LAB 63.68, -42.6, 13.96

 

CMYK 0 / 65 / 0 / 32

HEX #AD3CAD

RGB 173 60 173

HSL 300, 0.48%, 0.46%

LAB 45.82, 59.75, -37.92

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 65 / 26 / 0 / 32

HEX #3C80AD

RGB 60 128 173

HSL 203.89, 0.48%, 0.46%

LAB 51.17, -7.12, -30.22

 

CMYK 0 / 65 / 26 / 32

HEX #AD3C80

RGB 173 60 128

HSL 323.89, 0.48%, 0.46%

LAB 43.76, 52.83, -14.08

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 65 / 0 / 26 / 32

HEX #3CAD80

RGB 60 173 128

HSL 156.11, 0.48%, 0.46%

LAB 63.68, -42.6, 13.96

 

CMYK 39 / 65 / 0 / 32

HEX #6A3CAD

RGB 106 60 173

HSL 264.42, 0.48%, 0.46%

LAB 36.58, 44.18, -53.22

 

CMYK 0 / 65 / 39 / 32

HEX #AD3C6A

RGB 173 60 106

HSL 335.58, 0.48%, 0.46%

LAB 43, 50.12, -1.67

 

CMYK 27 / 0 / 65 / 32

HEX #7EAD3C

RGB 126 173 60

HSL 84.96, 0.48%, 0.46%

LAB 65.47, -33.57, 51.21

 

CMYK 65 / 0 / 6 / 32

HEX #3CADA2

RGB 60 173 162

HSL 174.16, 0.48%, 0.46%

LAB 64.53, -34.05, -3.69

 

CMYK 39 / 65 / 0 / 32

HEX #6A3CAD

RGB 106 60 173

HSL 264.42, 0.48%, 0.46%

LAB 36.58, 44.18, -53.22

 

CMYK 0 / 65 / 58 / 32

HEX #AD3C48

RGB 173 60 72

HSL 353.63, 0.48%, 0.46%

LAB 42.13, 46.93, 18.22

 

Description

Color code: HEX #7EAD3C | qconv.com Color code: HEX #7EAD3C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 173 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 173 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 65 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 65% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

67% - Netline Telecom - Ex...
Link: http://www.netlinetelecom.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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