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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44AD3C it is the complementary color #BB52C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44AD3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44AD3C shade: #49AD37, #5ABF4A, #6BD15D, #7CE370 and #8DF583

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44AD3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44AD3C shade: #44AD3C, #339B29, #228916, #117703 and #006500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44AD3C shade: #44AD3C, #63AD3C, #81AD3C, #A0AD3C and #AD9C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44AD3C shade: #44AD3C, #3CAD53, #3CAD71, #3CAD90 and #3CACAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44AD3C shade matches the following richer shades: #44AD3C, #34C02A, #24D317 and #14E604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44AD3C shade: #44AD3C, #559A4F, #658762, #757475 and #866188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44AD3C shade: #82AD3C, #64AD3C, #46AD3C, #3CAD51 and #3CAD6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44AD3C shade: #2C7027, #388F32, #44AD3C, #59C251 and #76CC70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44AD3C shade: #44AD3C, #3CA0AD and #AD3C73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44AD3C shade: #44AD3C, #3C46AD and #AD3C46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44AD3C shade: #44AD3C, #3CA0AD, #A43CAD and #AD4A3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44AD3C shade: #44AD3C, #3C7EAD, #A43CAD and #AD6B3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

Complementary color

CMYK 4 / 58 / 0 / 24

HEX #BB52C3

RGB 187 82 195

HSL 295.75, 0.48%, 0.54%

LAB 52.44, 57.69, -40.15

 

CMYK 58 / 0 / 68 / 32

HEX #49AD37

RGB 73 173 55

HSL 110.85, 0.52%, 0.45%

LAB 62.99, -51.35, 49.92

 

CMYK 53 / 0 / 61 / 25

HEX #5ABF4A

RGB 90 191 74

HSL 111.79, 0.48%, 0.52%

LAB 69.42, -51.79, 49

 

CMYK 49 / 0 / 56 / 18

HEX #6BD15D

RGB 107 209 93

HSL 112.76, 0.56%, 0.59%

LAB 75.77, -51.99, 47.88

 

CMYK 45 / 0 / 51 / 11

HEX #7CE370

RGB 124 227 112

HSL 113.74, 0.67%, 0.66%

LAB 82.05, -52.03, 46.67

 

CMYK 42 / 0 / 47 / 4

HEX #8DF583

RGB 141 245 131

HSL 114.74, 0.85%, 0.74%

LAB 88.26, -51.96, 45.45

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 67 / 0 / 74 / 39

HEX #339B29

RGB 51 155 41

HSL 114.74, 0.58%, 0.38%

LAB 56.39, -51.25, 48.38

 

CMYK 75 / 0 / 84 / 46

HEX #228916

RGB 34 137 22

HSL 113.74, 0.72%, 0.31%

LAB 49.85, -49.76, 48.31

 

CMYK 86 / 0 / 97 / 53

HEX #117703

RGB 17 119 3

HSL 112.76, 0.95%, 0.24%

LAB 43.24, -47.33, 46.88

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 43 / 0 / 65 / 32

HEX #63AD3C

RGB 99 173 60

HSL 99.29, 0.48%, 0.46%

LAB 64.05, -43.24, 49.26

 

CMYK 25 / 0 / 65 / 32

HEX #81AD3C

RGB 129 173 60

HSL 83.36, 0.48%, 0.46%

LAB 65.66, -32.41, 51.46

 

CMYK 8 / 0 / 65 / 32

HEX #A0AD3C

RGB 160 173 60

HSL 66.9, 0.48%, 0.46%

LAB 67.79, -19.76, 54.37

 

CMYK 0 / 10 / 65 / 32

HEX #AD9C3C

RGB 173 156 60

HSL 50.97, 0.48%, 0.46%

LAB 64.15, -5.28, 50.86

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 65 / 0 / 52 / 32

HEX #3CAD53

RGB 60 173 83

HSL 132.21, 0.48%, 0.46%

LAB 62.9, -51.03, 36.83

 

CMYK 65 / 0 / 35 / 32

HEX #3CAD71

RGB 60 173 113

HSL 148.14, 0.48%, 0.46%

LAB 63.38, -45.8, 21.74

 

CMYK 65 / 0 / 17 / 32

HEX #3CAD90

RGB 60 173 144

HSL 164.6, 0.48%, 0.46%

LAB 64.05, -38.78, 5.63

 

CMYK 65 / 1 / 0 / 32

HEX #3CACAD

RGB 60 172 173

HSL 180.53, 0.48%, 0.46%

LAB 64.55, -30.47, -9.79

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 73 / 0 / 78 / 25

HEX #34C02A

RGB 52 192 42

HSL 116, 0.64%, 0.46%

LAB 68.46, -63.3, 59.97

 

CMYK 83 / 0 / 89 / 17

HEX #24D317

RGB 36 211 23

HSL 115.85, 0.8%, 0.46%

LAB 74.21, -72.02, 69.67

 

CMYK 91 / 0 / 98 / 10

HEX #14E604

RGB 20 230 4

HSL 115.75, 0.97%, 0.46%

LAB 80.04, -78.88, 76.69

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 45 / 0 / 49 / 40

HEX #559A4F

RGB 85 154 79

HSL 115.2, 0.32%, 0.46%

LAB 57.66, -37.39, 32.58

 

CMYK 25 / 0 / 27 / 47

HEX #658762

RGB 101 135 98

HSL 115.14, 0.16%, 0.46%

LAB 52.92, -19.66, 16.12

 

CMYK 0 / 1 / 0 / 54

HEX #757475

RGB 117 116 117

HSL 300, 0%, 0.46%

LAB 48.95, 0.59, -0.42

 

CMYK 1 / 29 / 0 / 47

HEX #866188

RGB 134 97 136

HSL 296.92, 0.17%, 0.46%

LAB 46.17, 22.05, -15.74

 

CMYK 25 / 0 / 65 / 32

HEX #82AD3C

RGB 130 173 60

HSL 82.83, 0.48%, 0.46%

LAB 65.72, -32.02, 51.55

 

CMYK 42 / 0 / 65 / 32

HEX #64AD3C

RGB 100 173 60

HSL 98.76, 0.48%, 0.46%

LAB 64.1, -42.91, 49.33

 

CMYK 60 / 0 / 65 / 32

HEX #46AD3C

RGB 70 173 60

HSL 114.69, 0.48%, 0.46%

LAB 62.94, -51.62, 47.73

 

CMYK 65 / 0 / 53 / 32

HEX #3CAD51

RGB 60 173 81

HSL 131.15, 0.48%, 0.46%

LAB 62.88, -51.32, 37.8

 

CMYK 65 / 0 / 36 / 32

HEX #3CAD6F

RGB 60 173 111

HSL 147.08, 0.48%, 0.46%

LAB 63.34, -46.2, 22.77

 

CMYK 61 / 0 / 65 / 56

HEX #2C7027

RGB 44 112 39

HSL 115.89, 0.48%, 0.3%

LAB 41.64, -36.91, 33.41

 

CMYK 61 / 0 / 65 / 44

HEX #388F32

RGB 56 143 50

HSL 116.13, 0.48%, 0.38%

LAB 52.64, -44.81, 40.65

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 54 / 0 / 58 / 24

HEX #59C251

RGB 89 194 81

HSL 115.75, 0.48%, 0.54%

LAB 70.39, -52.44, 46.94

 

CMYK 42 / 0 / 45 / 20

HEX #76CC70

RGB 118 204 112

HSL 116.09, 0.47%, 0.62%

LAB 74.96, -44.25, 37.8

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 65 / 8 / 0 / 32

HEX #3CA0AD

RGB 60 160 173

HSL 186.9, 0.48%, 0.46%

LAB 60.89, -24.52, -15.3

 

CMYK 0 / 65 / 34 / 32

HEX #AD3C73

RGB 173 60 115

HSL 330.8, 0.48%, 0.46%

LAB 43.29, 51.17, -6.8

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 65 / 60 / 0 / 32

HEX #3C46AD

RGB 60 70 173

HSL 234.69, 0.48%, 0.46%

LAB 34.72, 29.38, -56.43

 

CMYK 0 / 65 / 60 / 32

HEX #AD3C46

RGB 173 60 70

HSL 354.69, 0.48%, 0.46%

LAB 42.09, 46.78, 19.4

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 65 / 8 / 0 / 32

HEX #3CA0AD

RGB 60 160 173

HSL 186.9, 0.48%, 0.46%

LAB 60.89, -24.52, -15.3

 

CMYK 5 / 65 / 0 / 32

HEX #A43CAD

RGB 164 60 173

HSL 295.22, 0.48%, 0.46%

LAB 44.43, 57.58, -40.2

 

CMYK 0 / 57 / 65 / 32

HEX #AD4A3C

RGB 173 74 60

HSL 7.43, 0.48%, 0.46%

LAB 44.39, 39.55, 28.36

 

CMYK 61 / 0 / 65 / 32

HEX #44AD3C

RGB 68 173 60

HSL 115.75, 0.48%, 0.46%

LAB 62.88, -52.11, 47.64

 

CMYK 65 / 27 / 0 / 32

HEX #3C7EAD

RGB 60 126 173

HSL 204.96, 0.48%, 0.46%

LAB 50.57, -5.96, -31.15

 

CMYK 5 / 65 / 0 / 32

HEX #A43CAD

RGB 164 60 173

HSL 295.22, 0.48%, 0.46%

LAB 44.43, 57.58, -40.2

 

CMYK 0 / 38 / 65 / 32

HEX #AD6B3C

RGB 173 107 60

HSL 24.96, 0.48%, 0.46%

LAB 51.53, 21.9, 36.86

 

Description

Color code: HEX #44AD3C | qconv.com Color code: HEX #44AD3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 173 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 173 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 65 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 65% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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