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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E7CC7 it is the complementary color #818338. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E7CC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E7CC7 shade: #837CC2, #948ED5, #A5A0E8, #B6B2FB and #C7C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E7CC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E7CC7 shade: #7E7CC7, #6D6AB4, #5C58A1, #4B468E and #3A347B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E7CC7 shade: #7C7AC6, #917AC6, #A57AC6, #B97AC6 and #C67ABE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E7CC7 shade: #7C7AC6 and #7A7AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E7CC7 shade matches the following richer shades: #7C7AC6, #6E6BD5, #605CE4 and #514DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E7CC7 shade: #7C7AC6, #8B8AB7, #9999A7, #A8A898 and #B6B789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E7CC7 shade: #7AA1C6, #7A8DC6, #7C7AC6, #907AC6 and #A47AC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E7CC7 shade: #4A47A7, #605EBA, #7C7AC6, #9997D2 and #B5B4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E7CC7 shade: #7E7CC7, #C67AB6 and #97C67A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E7CC7 shade: #7E7CC7, #C67C7A and #7AC67C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E7CC7 shade: #7E7CC7, #C67AB6, #C5C67A and #7AC68B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E7CC7 shade: #7E7CC7, #C67A9F, #C5C67A and #7AC6A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 38 / 0 / 22

HEX #7E7CC7

RGB 126 124 199

HSL 241.6, 0.4%, 0.63%

LAB 55.05, 18.84, -38.78

 

Complementary color

CMYK 2 / 0 / 57 / 49

HEX #818338

RGB 129 131 56

HSL 61.6, 0.4%, 0.37%

LAB 53.15, -11.56, 39.54

 

CMYK 32 / 36 / 0 / 24

HEX #837CC2

RGB 131 124 194

HSL 246, 0.36%, 0.62%

LAB 55.21, 18.89, -35.65

 

CMYK 31 / 33 / 0 / 16

HEX #948ED5

RGB 148 142 213

HSL 245.07, 0.46%, 0.7%

LAB 62.04, 18.21, -35.6

 

CMYK 29 / 31 / 0 / 9

HEX #A5A0E8

RGB 165 160 232

HSL 244.17, 0.61%, 0.77%

LAB 68.73, 17.6, -35.6

 

CMYK 27 / 29 / 0 / 2

HEX #B6B2FB

RGB 182 178 251

HSL 243.29, 0.9%, 0.84%

LAB 75.3, 17.05, -35.63

 

CMYK 22 / 23 / 0 / 0

HEX #C7C4FF

RGB 199 196 255

HSL 243.05, 1%, 0.88%

LAB 81.2, 13.11, -28.57

 

CMYK 37 / 38 / 0 / 22

HEX #7E7CC7

RGB 126 124 199

HSL 241.6, 0.4%, 0.63%

LAB 55.05, 18.84, -38.78

 

CMYK 39 / 41 / 0 / 29

HEX #6D6AB4

RGB 109 106 180

HSL 242.43, 0.33%, 0.56%

LAB 48.08, 19.7, -38.93

 

CMYK 43 / 45 / 0 / 37

HEX #5C58A1

RGB 92 88 161

HSL 243.29, 0.29%, 0.49%

LAB 40.94, 20.72, -39.15

 

CMYK 47 / 51 / 0 / 44

HEX #4B468E

RGB 75 70 142

HSL 244.17, 0.34%, 0.42%

LAB 33.62, 21.94, -39.43

 

CMYK 53 / 58 / 0 / 52

HEX #3A347B

RGB 58 52 123

HSL 245.07, 0.41%, 0.34%

LAB 26.11, 23.44, -39.77

 

CMYK 37 / 38 / 0 / 22

HEX #7C7AC6

RGB 124 122 198

HSL 241.58, 0.4%, 0.63%

LAB 54.32, 19.21, -39.36

 

CMYK 27 / 38 / 0 / 22

HEX #917AC6

RGB 145 122 198

HSL 258.16, 0.4%, 0.63%

LAB 56.1, 25.15, -36.44

 

CMYK 17 / 38 / 0 / 22

HEX #A57AC6

RGB 165 122 198

HSL 273.95, 0.4%, 0.63%

LAB 58.03, 31.14, -33.28

 

CMYK 7 / 38 / 0 / 22

HEX #B97AC6

RGB 185 122 198

HSL 289.74, 0.4%, 0.63%

LAB 60.17, 37.3, -29.8

 

CMYK 0 / 38 / 4 / 22

HEX #C67ABE

RGB 198 122 190

HSL 306.32, 0.4%, 0.63%

LAB 61.34, 39.88, -23.33

 

CMYK 37 / 38 / 0 / 22

HEX #7C7AC6

RGB 124 122 198

HSL 241.58, 0.4%, 0.63%

LAB 54.32, 19.21, -39.36

 

CMYK 38 / 38 / 0 / 22

HEX #7A7AC6

RGB 122 122 198

HSL 240, 0.4%, 0.63%

LAB 54.17, 18.67, -39.61

 

CMYK 37 / 38 / 0 / 22

HEX #7C7AC6

RGB 124 122 198

HSL 241.58, 0.4%, 0.63%

LAB 54.32, 19.21, -39.36

 

CMYK 48 / 50 / 0 / 16

HEX #6E6BD5

RGB 110 107 213

HSL 241.7, 0.56%, 0.63%

LAB 50.26, 29.11, -54.42

 

CMYK 58 / 60 / 0 / 11

HEX #605CE4

RGB 96 92 228

HSL 241.76, 0.72%, 0.63%

LAB 46.63, 40.03, -68.83

 

CMYK 67 / 68 / 0 / 4

HEX #514DF4

RGB 81 77 244

HSL 241.44, 0.88%, 0.63%

LAB 43.64, 51.68, -82.79

 

CMYK 37 / 38 / 0 / 22

HEX #7C7AC6

RGB 124 122 198

HSL 241.58, 0.4%, 0.63%

LAB 54.32, 19.21, -39.36

 

CMYK 24 / 25 / 0 / 28

HEX #8B8AB7

RGB 139 138 183

HSL 241.33, 0.24%, 0.63%

LAB 59.05, 10.31, -23.38

 

CMYK 8 / 8 / 0 / 35

HEX #9999A7

RGB 153 153 167

HSL 240, 0.07%, 0.63%

LAB 63.63, 2.81, -7.3

 

CMYK 0 / 0 / 10 / 34

HEX #A8A898

RGB 168 168 152

HSL 60, 0.08%, 0.63%

LAB 68.46, -2.89, 8.27

 

CMYK 1 / 0 / 25 / 28

HEX #B6B789

RGB 182 183 137

HSL 61.3, 0.24%, 0.63%

LAB 73.3, -7.91, 23.35

 

CMYK 38 / 19 / 0 / 22

HEX #7AA1C6

RGB 122 161 198

HSL 209.21, 0.4%, 0.63%

LAB 64.73, -3.92, -23.22

 

CMYK 38 / 29 / 0 / 22

HEX #7A8DC6

RGB 122 141 198

HSL 225, 0.4%, 0.63%

LAB 59.22, 7.46, -31.72

 

CMYK 37 / 38 / 0 / 22

HEX #7C7AC6

RGB 124 122 198

HSL 241.58, 0.4%, 0.63%

LAB 54.32, 19.21, -39.36

 

CMYK 27 / 38 / 0 / 22

HEX #907AC6

RGB 144 122 198

HSL 257.37, 0.4%, 0.63%

LAB 56.01, 24.86, -36.59

 

CMYK 17 / 38 / 0 / 22

HEX #A47AC6

RGB 164 122 198

HSL 273.16, 0.4%, 0.63%

LAB 57.93, 30.83, -33.45

 

CMYK 56 / 57 / 0 / 35

HEX #4A47A7

RGB 74 71 167

HSL 241.88, 0.4%, 0.47%

LAB 35.5, 29.2, -51.53

 

CMYK 48 / 49 / 0 / 27

HEX #605EBA

RGB 96 94 186

HSL 241.3, 0.4%, 0.55%

LAB 44.29, 25.62, -48.52

 

CMYK 37 / 38 / 0 / 22

HEX #7C7AC6

RGB 124 122 198

HSL 241.58, 0.4%, 0.63%

LAB 54.32, 19.21, -39.36

 

CMYK 27 / 28 / 0 / 18

HEX #9997D2

RGB 153 151 210

HSL 242.03, 0.4%, 0.71%

LAB 64.61, 13.75, -29.9

 

CMYK 19 / 19 / 0 / 13

HEX #B5B4DF

RGB 181 180 223

HSL 241.4, 0.4%, 0.79%

LAB 74.69, 9.16, -21.41

 

CMYK 37 / 38 / 0 / 22

HEX #7E7CC7

RGB 126 124 199

HSL 241.6, 0.4%, 0.63%

LAB 55.05, 18.84, -38.78

 

CMYK 0 / 38 / 8 / 22

HEX #C67AB6

RGB 198 122 182

HSL 312.63, 0.4%, 0.63%

LAB 61.05, 38.46, -19.24

 

CMYK 24 / 0 / 38 / 22

HEX #97C67A

RGB 151 198 122

HSL 97.11, 0.4%, 0.63%

LAB 75.06, -29.17, 33.19

 

CMYK 37 / 38 / 0 / 22

HEX #7E7CC7

RGB 126 124 199

HSL 241.6, 0.4%, 0.63%

LAB 55.05, 18.84, -38.78

 

CMYK 0 / 37 / 38 / 22

HEX #C67C7A

RGB 198 124 122

HSL 1.58, 0.4%, 0.63%

LAB 59.73, 28.54, 13.23

 

CMYK 38 / 0 / 37 / 22

HEX #7AC67C

RGB 122 198 124

HSL 121.58, 0.4%, 0.63%

LAB 73.53, -38.6, 29.87

 

CMYK 37 / 38 / 0 / 22

HEX #7E7CC7

RGB 126 124 199

HSL 241.6, 0.4%, 0.63%

LAB 55.05, 18.84, -38.78

 

CMYK 0 / 38 / 8 / 22

HEX #C67AB6

RGB 198 122 182

HSL 312.63, 0.4%, 0.63%

LAB 61.05, 38.46, -19.24

 

CMYK 1 / 0 / 38 / 22

HEX #C5C67A

RGB 197 198 122

HSL 60.79, 0.4%, 0.63%

LAB 78.27, -11.68, 37.96

 

CMYK 38 / 0 / 30 / 22

HEX #7AC68B

RGB 122 198 139

HSL 133.42, 0.4%, 0.63%

LAB 73.8, -36.06, 22.34

 

CMYK 37 / 38 / 0 / 22

HEX #7E7CC7

RGB 126 124 199

HSL 241.6, 0.4%, 0.63%

LAB 55.05, 18.84, -38.78

 

CMYK 0 / 38 / 20 / 22

HEX #C67A9F

RGB 198 122 159

HSL 330.79, 0.4%, 0.63%

LAB 60.27, 34.69, -7.25

 

CMYK 1 / 0 / 38 / 22

HEX #C5C67A

RGB 197 198 122

HSL 60.79, 0.4%, 0.63%

LAB 78.27, -11.68, 37.96

 

CMYK 38 / 0 / 19 / 22

HEX #7AC6A1

RGB 122 198 161

HSL 150.79, 0.4%, 0.63%

LAB 74.25, -31.83, 11.21

 

Description

Color code: HEX #7E7CC7 | qconv.com Color code: HEX #7E7CC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 124 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 124 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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