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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #837CC2 it is the complementary color #7C833D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #837CC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #837CC2 shade: #887CBD, #998ED0, #AAA0E3, #BBB2F6 and #CCC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #837CC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #837CC2 shade: #837CC2, #726AAF, #61589C, #504689 and #3F3476

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #837CC2 shade: #827BC0, #957BC0, #A77BC0, #BA7BC0 and #C07BB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #837CC2 shade: #827BC0 and #7B7BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #837CC2 shade matches the following richer shades: #827BC0, #756BD0, #695BE0 and #5C4CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #837CC2 shade: #827BC0, #8E8AB1, #9B9AA1, #A7AA91 and #B4B982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #837CC2 shade: #7B99C0, #7B86C0, #827BC0, #947BC0 and #A77BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #837CC2 shade: #534A9E, #675FB3, #827BC0, #9C97CE and #B7B3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #837CC2 shade: #837CC2, #C07BAC and #90C07B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #837CC2 shade: #837CC2, #C0827B and #7BC082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #837CC2 shade: #837CC2, #C07BAC, #BAC07B and #7BC090

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #837CC2 shade: #837CC2, #C07B97, #BAC07B and #7BC0A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 36 / 0 / 24

HEX #837CC2

RGB 131 124 194

HSL 246, 0.36%, 0.62%

LAB 55.21, 18.89, -35.65

 

Complementary color

CMYK 5 / 0 / 53 / 49

HEX #7C833D

RGB 124 131 61

HSL 66, 0.36%, 0.38%

LAB 52.79, -13.31, 36.51

 

CMYK 28 / 34 / 0 / 26

HEX #887CBD

RGB 136 124 189

HSL 251.08, 0.33%, 0.61%

LAB 55.4, 19.06, -32.46

 

CMYK 26 / 32 / 0 / 18

HEX #998ED0

RGB 153 142 208

HSL 250, 0.41%, 0.69%

LAB 62.23, 18.41, -32.47

 

CMYK 25 / 30 / 0 / 11

HEX #AAA0E3

RGB 170 160 227

HSL 248.96, 0.54%, 0.76%

LAB 68.92, 17.84, -32.52

 

CMYK 24 / 28 / 0 / 4

HEX #BBB2F6

RGB 187 178 246

HSL 247.94, 0.79%, 0.83%

LAB 75.49, 17.32, -32.61

 

CMYK 20 / 23 / 0 / 0

HEX #CCC4FF

RGB 204 196 255

HSL 248.14, 1%, 0.88%

LAB 81.59, 14.61, -27.95

 

CMYK 32 / 36 / 0 / 24

HEX #837CC2

RGB 131 124 194

HSL 246, 0.36%, 0.62%

LAB 55.21, 18.89, -35.65

 

CMYK 35 / 39 / 0 / 31

HEX #726AAF

RGB 114 106 175

HSL 246.96, 0.3%, 0.55%

LAB 48.24, 19.68, -35.74

 

CMYK 38 / 44 / 0 / 39

HEX #61589C

RGB 97 88 156

HSL 247.94, 0.28%, 0.48%

LAB 41.09, 20.59, -35.9

 

CMYK 42 / 49 / 0 / 46

HEX #504689

RGB 80 70 137

HSL 248.96, 0.32%, 0.41%

LAB 33.76, 21.68, -36.13

 

CMYK 47 / 56 / 0 / 54

HEX #3F3476

RGB 63 52 118

HSL 250, 0.39%, 0.33%

LAB 26.22, 23, -36.41

 

CMYK 32 / 36 / 0 / 25

HEX #827BC0

RGB 130 123 192

HSL 246.09, 0.35%, 0.62%

LAB 54.78, 18.67, -35.19

 

CMYK 22 / 36 / 0 / 25

HEX #957BC0

RGB 149 123 192

HSL 262.61, 0.35%, 0.62%

LAB 56.45, 24.3, -32.46

 

CMYK 13 / 36 / 0 / 25

HEX #A77BC0

RGB 167 123 192

HSL 278.26, 0.35%, 0.62%

LAB 58.21, 29.87, -29.58

 

CMYK 3 / 36 / 0 / 25

HEX #BA7BC0

RGB 186 123 192

HSL 294.78, 0.35%, 0.62%

LAB 60.26, 35.88, -26.25

 

CMYK 0 / 36 / 6 / 25

HEX #C07BB4

RGB 192 123 180

HSL 310.43, 0.35%, 0.62%

LAB 60.49, 35.59, -19.02

 

CMYK 32 / 36 / 0 / 25

HEX #827BC0

RGB 130 123 192

HSL 246.09, 0.35%, 0.62%

LAB 54.78, 18.67, -35.19

 

CMYK 36 / 36 / 0 / 25

HEX #7B7BC0

RGB 123 123 192

HSL 240, 0.35%, 0.62%

LAB 54.22, 16.68, -36.1

 

CMYK 32 / 36 / 0 / 25

HEX #827BC0

RGB 130 123 192

HSL 246.09, 0.35%, 0.62%

LAB 54.78, 18.67, -35.19

 

CMYK 44 / 49 / 0 / 18

HEX #756BD0

RGB 117 107 208

HSL 245.94, 0.52%, 0.62%

LAB 50.51, 29.24, -51.14

 

CMYK 53 / 59 / 0 / 12

HEX #695BE0

RGB 105 91 224

HSL 246.32, 0.68%, 0.62%

LAB 46.8, 40.99, -66.27

 

CMYK 62 / 68 / 0 / 6

HEX #5C4CF0

RGB 92 76 240

HSL 245.85, 0.85%, 0.62%

LAB 43.85, 52.36, -80.16

 

CMYK 32 / 36 / 0 / 25

HEX #827BC0

RGB 130 123 192

HSL 246.09, 0.35%, 0.62%

LAB 54.78, 18.67, -35.19

 

CMYK 20 / 22 / 0 / 31

HEX #8E8AB1

RGB 142 138 177

HSL 246.15, 0.2%, 0.62%

LAB 59.07, 9.83, -19.92

 

CMYK 4 / 4 / 0 / 37

HEX #9B9AA1

RGB 155 154 161

HSL 248.57, 0.04%, 0.62%

LAB 63.88, 1.73, -3.53

 

CMYK 2 / 0 / 15 / 33

HEX #A7AA91

RGB 167 170 145

HSL 67.2, 0.13%, 0.62%

LAB 68.76, -5.52, 12.54

 

CMYK 3 / 0 / 30 / 27

HEX #B4B982

RGB 180 185 130

HSL 65.45, 0.28%, 0.62%

LAB 73.55, -10.69, 27.4

 

CMYK 36 / 20 / 0 / 25

HEX #7B99C0

RGB 123 153 192

HSL 213.91, 0.35%, 0.62%

LAB 62.34, -0.77, -23.52

 

CMYK 36 / 30 / 0 / 25

HEX #7B86C0

RGB 123 134 192

HSL 230.43, 0.35%, 0.62%

LAB 57.14, 10.18, -31.54

 

CMYK 32 / 36 / 0 / 25

HEX #827BC0

RGB 130 123 192

HSL 246.09, 0.35%, 0.62%

LAB 54.78, 18.67, -35.19

 

CMYK 23 / 36 / 0 / 25

HEX #947BC0

RGB 148 123 192

HSL 261.74, 0.35%, 0.62%

LAB 56.35, 24, -32.61

 

CMYK 13 / 36 / 0 / 25

HEX #A77BC0

RGB 167 123 192

HSL 278.26, 0.35%, 0.62%

LAB 58.21, 29.87, -29.58

 

CMYK 47 / 53 / 0 / 38

HEX #534A9E

RGB 83 74 158

HSL 246.43, 0.36%, 0.45%

LAB 36.38, 26.37, -44.69

 

CMYK 42 / 47 / 0 / 30

HEX #675FB3

RGB 103 95 179

HSL 245.71, 0.36%, 0.54%

LAB 44.69, 24.58, -43.75

 

CMYK 32 / 36 / 0 / 25

HEX #827BC0

RGB 130 123 192

HSL 246.09, 0.35%, 0.62%

LAB 54.78, 18.67, -35.19

 

CMYK 24 / 27 / 0 / 19

HEX #9C97CE

RGB 156 151 206

HSL 245.45, 0.36%, 0.7%

LAB 64.69, 13.69, -27.53

 

CMYK 16 / 18 / 0 / 14

HEX #B7B3DB

RGB 183 179 219

HSL 246, 0.36%, 0.78%

LAB 74.46, 9.46, -19.57

 

CMYK 32 / 36 / 0 / 24

HEX #837CC2

RGB 131 124 194

HSL 246, 0.36%, 0.62%

LAB 55.21, 18.89, -35.65

 

CMYK 0 / 36 / 10 / 25

HEX #C07BAC

RGB 192 123 172

HSL 317.39, 0.35%, 0.62%

LAB 60.2, 34.19, -14.88

 

CMYK 25 / 0 / 36 / 25

HEX #90C07B

RGB 144 192 123

HSL 101.74, 0.35%, 0.62%

LAB 72.93, -28.64, 29.81

 

CMYK 32 / 36 / 0 / 24

HEX #837CC2

RGB 131 124 194

HSL 246, 0.36%, 0.62%

LAB 55.21, 18.89, -35.65

 

CMYK 0 / 32 / 36 / 25

HEX #C0827B

RGB 192 130 123

HSL 6.09, 0.35%, 0.62%

LAB 60.43, 23.04, 13.52

 

CMYK 36 / 0 / 32 / 25

HEX #7BC082

RGB 123 192 130

HSL 126.09, 0.35%, 0.62%

LAB 71.91, -34.56, 24.56

 

CMYK 32 / 36 / 0 / 24

HEX #837CC2

RGB 131 124 194

HSL 246, 0.36%, 0.62%

LAB 55.21, 18.89, -35.65

 

CMYK 0 / 36 / 10 / 25

HEX #C07BAC

RGB 192 123 172

HSL 317.39, 0.35%, 0.62%

LAB 60.2, 34.19, -14.88

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 36 / 0 / 25 / 25

HEX #7BC090

RGB 123 192 144

HSL 138.26, 0.35%, 0.62%

LAB 72.18, -32.05, 17.45

 

CMYK 32 / 36 / 0 / 24

HEX #837CC2

RGB 131 124 194

HSL 246, 0.36%, 0.62%

LAB 55.21, 18.89, -35.65

 

CMYK 0 / 36 / 21 / 25

HEX #C07B97

RGB 192 123 151

HSL 335.65, 0.35%, 0.62%

LAB 59.53, 30.78, -3.83

 

CMYK 3 / 0 / 36 / 25

HEX #BAC07B

RGB 186 192 123

HSL 65.22, 0.35%, 0.62%

LAB 75.8, -12.84, 34.11

 

CMYK 36 / 0 / 14 / 25

HEX #7BC0A5

RGB 123 192 165

HSL 156.52, 0.35%, 0.62%

LAB 72.65, -27.82, 6.75

 

Description

Color code: HEX #837CC2 | qconv.com Color code: HEX #837CC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 124 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 124 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 36 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 36% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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